




Peter Buggenhout
Eerie
![]() | |
---|---|
Editor(s) | Holger Kube Ventura |
Author(s) | Ory Dessau, Christian Janecke, Holger Kube Ventura |
Design | Andy Schmidt |
Cover | Softcover with flaps, flush cut and open spine |
Size | 20 x 27 cm |
Pages | 160 |
Illustrations | 47 color, 6 b/w |
Language(s) | English, German |
ISBN | 978-3-947563-93-7 |
An Autonomous Counterpart
The renowned sculptor Peter Buggenhout (b. 1963, Dendermonde, Belgium; lives and works in Ghent) describes his hybrid pieces as “abject things” that defy classification and even the label “work of art.” He aggregates and manipulates found and discarded objects as well as both technical and organic materials including pig blood, cow stomachs, and horsehair until he achieves a certain degree of abstraction. Buggenhout’s sculptures confront the beholder as creatures that are somehow “off,” exuding an eerie atmosphere by allowing something sinister to rise to the surface that, it appears, lurks just behind the façades of the physical world: vestiges of humanity, society’s sedimented refuse. The book presents a comprehensive survey of his growing oeuvre; it is the first publication to cover his most recent creations in marble.
Peter Buggenhout’s art has been featured at the Palais de Tokyo, Paris; the MoMA PS1, New York; the 2014 Taipei Biennial; and elsewhere.
More books
-
Jürgen Claus
To the Oceans with Imagination18€ Add to cartThe Sea as a Space of Artistic Experience
Jürgen Claus’s (b. 1935, Berlin; lives and works in Aachen and Baelen, Belgium) oeuvre encompasses paintings, films, light and solar installations, and underwater art. He is also a prolific writer on art, with theoretical works that have sold over 100,000 copies. “Jürgen Claus is the first one to see the ocean through an artist’s rather than a scientist’s lens,” Michel Ragon writes. In this book, Claus intertwines his experiences working on the fascinating underwater installations with a pressing contemporary concern: the global efforts to restore the seas to health. The publication combines visual art, architecture, poetry, and music for a multifaceted engagement with the world’s oceans.
Jürgen Claus majored in theater studies at the Universität München and was a research associate at the Massachusetts Institute of Technology (MIT) and professor of media art at the Kunsthochschule für Medien Köln, Cologne.
-
Penny Hes Yassour
Temp-Est24€ Add to cartA Monograph about the Award-Winning Israeli Artist
Penny Hes Yassour (b. 1950, lives and works at kibbutz En-Harod Ihud) tells stories and keeps history alive, explores the boundary between remembering and forgetting. In her installations she combines sound, image, and a multi-part world of objects into narrative mise-en-scènes of great poetic power. Hes Yassour leads the viewer through the Jordan Valley with its many watchtowers, accompanies the transformation of the landscape in a gigantic, stagelike water basin, and documents the flight of bats in a narrow, labyrinthine spatial installation. The book published on the occasion of the artist’s first exhibition in Germany provides comprehensive insights into her subtle artistic work.
-
Glückliche Tage
32€ Add to cartWe see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue—a metaphor for the human condition materialized in paper—one overhears this serenely melancholy echo of the works.
Artists: Rui Chafes, Tamara Eckhardt, Nan Goldin, Felix Gonzalez-Torres, Barbara Hammer, Carsten Höller, Ken Lum, Johanna von Monkiewitsch, Yoko Ono, Heike Weber, Stefan Wissel
With contributions by: Yevgenia Belorusets, Nell Sophie Bender, Elias Bendfeldt, Laura Berestecki, Annabella Ernst, Annika Gaeth, Hristina Georgieva, Markus Heinzelmann, Malwin Kraßnigg, Max Florian Kühlem, Natascha Laurier, Martin Middeke, Navaz Mirhosseini, Vanessa Joan Müller, Julia Neumann, Martin Paul, Caroline Planert, Maike Prause, Arne Rautenberg, Kira Sophie Röller, Gina Marie Schwenzfeier
-
Ugo Rondinone
winter, spring, summer, fall20€ Add to cartUgo Rondinone (b. Brunnen, Switzerland, 1964; lives and works in New York) is one of the most accomplished artists of his generation. For three decades, the conceptual and installation artist has built an oeuvre grappling with themes of time and impermanence, day and night, reality and fiction, nature and culture. Spanning diverse media—painting, sculpture, film, and installation art—his work is rooted in the transformation of outward reality into a subjective and emotionally charged world within, harnessing a multifaceted system of inspirations and references from German Romanticism to American Land Art and international pop culture. Balancing the mundane with the spiritual, the artist conjures suggestive atmospheres that capture the contemporary mood.
This book gathers four exhibitions of Ugo Rondinone’s work in 2021: a wall . a door . a tree . a lightbulb . winter at theSørlandets Kunstmuseum (SKMU), Kristiansand, Norway; a sky . a sea . distant mountains . horses . spring at Sadie Coles hq, London; a rainbow . a nude . bright light . summer at Kamel Mennour, Paris; and a low sun . golden mountains . fall at Galerie Krobath, Vienna.
-
Jenny Michel
Doors, Windows and Cells38€ Add to cartThe Detritus of Our Society
For around two decades, the artist Jenny Michel (b. Worms, 1975; lives and works in Berlin) has devoted herself to minute particles such as dust, cobwebs, and electromagnetic fields in space. Her fascination with orders of knowledge, symbolism, and utopian visions is reflected by installations, drawings, prints, and sculptures that she exhibits in carefully composed sprawling ensembles. Aggregating fantastic fragments of the world manufactured from paper, adhesive tape, staples, and other industrially made small parts, Michel builds disconcertingly dense structures—human knowledge is transformed into the debris of civilization, its legibility lost beneath palimpsestic layers of meanings and resignifications. The extensive monograph surveys major series in the artist’s oeuvre and presents new works on paper.
Jenny Michel studied at Kunsthochschule Kassel and the Academy of Fine Arts Vienna. Her work has been on view at Museum Wiesbaden, the Draiflessen Collection, the Schirn Kunsthalle, Frankfurt, and Berlinische Galerie, among other venues. In 2010, Michel was honored with the HAP Grieshaber Prize.
-
6 U L
Lust and Desire in Art and Design28€ Add to cart“Whose Jizz is this?” Sechs-u-ell: to make sense of the publication title, trust your college German and your phonetic ear. “Sexual,” here, comprises the entire broad spectrum of what we associate with carnal pleasure. Lust, desire, ecstasy, repression, obsession—the world of art, fashion, and design abounds with specimens of eroticism and sexuality in their infinite variety, shopworn stereotypes be damned. Looking back on the thorough revision of society’s ideas about sexuality in the past three decades, the book inquires into how the works of visual artists, fashion creatives, and designers reflect today’s public debates over biological and social gender roles, power structures, and sexual violence or the fading of taboos over sexual practices. With works and designs by Walter Van Beirendonck, Monica Bonvicini, Tracey Emin, Hans-Peter Feldmann, Jürgen Klauke, Peaches, Cindy Sherman, Kara Walker, Vivienne Westwood, and many more. This book documents a grand exhibition scheduled for the past summer at the GRASSI Museum of Applied Arts, Leipzig, which had to be canceled due to the Covid-19 pandemic.
-
Tamara Suhr
Skulpturen24€ Add to cartHesitant yet Immediately Present
As a sculptor, Tamara Suhr (b. 1968, Tübingen; lives and works in Ludwigsburg) has devoted herself unswervingly to the human figure. Her subjects are figures of children whose hesitancy always embodies a certain curiosity, a sense of expectation. In their form reduced to the essential, indeed almost archaic, they radiate calm and serenity—supported by balance with regard to both the motif and possible associations. In their small size and vulnerability, Suhr’s figurative sculptures, painstakingly crafted in bronze, seem apparently in need of protection, yet they appear strong and courageous. They stand, gaze, crouch, fish, swim or balance. They are present, in the here and now, a symbol for the children of the world.
-
Jenny Brosinski
58€ Add to cart
Things I’ve Never Said -
Katja Aufleger
Schwindelerregende Höhen30€ Add to cartOn a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
-
Franziska Windisch
Walk with a wire14€ Add to cartThe interweaving of traces, sounds, and movements in an impressive work of sound art
The narrow brown magnetic tape of an audio cassette runs through a half-opened hand, slides through the fingers, is palpated in constant motion, and finally falls to the ground. The hand and its touching, particles of sand and small stones leave their traces and, when the tape is played, generate a multi-layered soundscape with crackling and background noises.
In her performative action in the ruins of the city of Messene in the Peloponnese region of Greece, Franziska Windisch (b. 1983) thematizes aspects of repetition and recording. Her artistic examination of the vestiges of the ancient urban space, the reciprocal transition from traces to writing in her video documentation, and the graphic element of the line visible on the ground lead to a reflection on temporality, dissolution, and decay. - Out of stock
Banksy’s Dismaland & Others
14,80€ Read morePhotographs by Barry Cawston
The two projects by the British street artist Banksy, Dismaland and Walled Off Hotel, received an outstanding response worldwide. The book presents for the first time the documentation of the two extraordinary works from the perspective of Barry Cawston, the artist’s official photographer.
-
Călin Dan
POLLIO34€ Add to cartThe oeuvre of the Romanian artist Călin Dan (b. Arad, Romania, 1955; lives and works in Bucharest) shows the influences of conceptual and minimal art. His book Pollio surveys his creative practice of the past decade, which straddles the media of installation and performance art, film, photography, and sculpture and is enriched by his work as an art historian, writer, and curator. In addition to the titular body of work, which wrestles with the Roman historian Gaius Asinius Pollio, the volume also documents the exhibition Alzheimer (2017). Călin Dan is a founding member of the artists’ group subREAL. His work was showcased at the Istanbul (1993), Venice (1993, 1999, 2001), São Paulo (1994), and Sydney Biennales (2006). He has been director of the National Museum of Contemporary Art (MNAC) in Bucharest since 2014.
-
Cornelia Baltes
Dingbats44€ Add to cartCornelia Baltes’s (b. Mönchengladbach, 1978; lives and works in Berlin) paintings and installation straddle the divide between abstraction and figuration. Her pictures are inspired by observations of mundane details—apparel, body parts, or facial expressions—that she pares down to simple lines and shapes. Rendered in vibrant colors and gestural fields, they hint at a narrative in the pictorial space. Baltes works with steadily modulated color gradients, on which she places thick and assertive marks. She often interrogates the painted picture’s function, by painting on the wall beyond the rectangle of the canvas, by hanging a picture in the middle of the room as an object in its own right or laying it out on the floor. Her works blend Pop Art and minimalism with an intensity and dynamic energy—and, sometimes, unmistakable flashes of humor—that cannot fail to captivate the beholder.
This book is the first comprehensive monograph on the artist’s oeuvre.
Cornelia Baltes studied at Bergische Universität Wuppertal in 2000–2003 and at Folkwang Universität der Künste, Essen, in 2003–2006, before rounding out her education at the Slade School of Fine Art, London, in 2009–2011.
-
DAWN OF HUMANITY – ART IN PERIODS OF UPHEAVAL
37€ Add to cartThe book and exhibition present works from the first two decades of the twentieth century from the Kunstmuseum Bonn’s collection in dialogue with contemporary creative positions. What the works have in common across the distance of a century is their genesis in, and reflection on, a time of major social and political crisis. Back then, life had been profoundly changed by the industrial revolution; nowadays, climate change, wars, and the rising political power of right-wing ideologies are transforming the life of our communities. The presentation conceives art as a tool that lets us interrogate the world and imparts fresh intellectual impulses, and so also plays an active part in our societies. The title Menschheitsdämmerung – Dawn of Humanity – is borrowed from the poetry anthology of the same title released by Kurt Pinthus in 1919, which samples the Expressionist lyric poetry of the young century in four chapters: “Downfall and Outcry”; “Love Human Beings”; “Awakening of the Heart”; “Entreaty and Indignation.” Florian Illies, who already wrote an afterword for the 2019 centenary edition of Menschheitsdämmerung – the bestselling poetry anthology in the history of German literature – contributed the keynote essay in the book.
Artists: Nevin Aladağ, Francis Alÿs, Kader Attia, Yael Bartana, Rebekka Benzenberg, Monica Bonvicini, Andrea Bowers, Heinrich Campendonk, Louisa Clement, Max Ernst, Georg Herold, Franz M. Jansen, Alexej von Jawlensky, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, August Macke, Helmuth Macke, Goshka Macuga, Marie von Malachowski-Nauen, Carlo Mense, Zanele Muholi, Heinrich Nauen, Grace Ndiritu, Anys Reimann, Deborah Roberts, Daniel Scislowski, Paul Adolf Seehaus, Tschabalala Self, Monika Sosnowska, William Straube, Emma Talbot, Hans Thuar, Lawrence Weiner
-
The Power of Wonder – New Materialisms in Contemporary Art
34€ Add to cartFor the longest time, physical matter was seen as no more than a passive and lifeless object. Since the early years of the twenty-first century, however, visual artists and scientists alike have initiated a change of thinking, conceiving matter as active, unruly, and autonomous. The ethnologist Hans Peter Hahn has called it the “willfulness of things,” while the Belgian philosopher Isabelle Stengers has underscored the “power of wonder”—the bracing sense of marvel and surprise instilled by a material world that sometimes defies the attempt to put it into words.
This pioneering publication features six selected artistic positions that highlight the New Materialism’s significance for contemporary art. The artists employ materials that are millions of years old such as rocks from an open-pit mine as well as classic inorganic staples like ceramics and cutting-edge materials like digital products transformed in high-tech procedures into hitherto unseen hybrid objects. Their work lends art a powerful voice in contemporary debates around man’s position vis-à-vis his environment, around sustainability, participation, and justice.
With works by Ilana Halperin, Agata Ingarden, David Jablonowski, Markus Karstieß, Robert Smithson, and SUPERFLEX.
-
Sebastian Stöhrer
Residents40€ Add to cartIf there’s an artist whose oeuvre merits the title “creation,” it is Sebastian Stöhrer. Shaping clay—essentially, soil—he molds his “residents”: colorful and friendly-looking sculptural beings, some of them enhanced with sticks or branches reminiscent of limbs. Despite their air of levity and humor, they are not the products of mere momentary inspiration or a whim. It takes decades of dedicated experimentation with the kiln based on the millennia-old art of ceramics as well as expert knowledge of chemistry and physics to create such colors and shapes. Stöhrer has been called an alchemist, and indeed he has made it his mission to vindicate this researcher’s craft, an ancestor of the natural sciences. Alchemy, like Stöhrer’s oeuvre, combines pure rationality with coincidence and a scintilla of magic. The artist plays an intuitive and sensual game with his clay and the virtually incalculable chromaticity of the glazes—chaos, anarchy, and irrepressible urges being an integral dimension of all creation. In Stöhrer’s “residents,” we encounter the embodiments of that creation: likenesses of ourselves and perhaps also heralds of a future more good-natured version.
-
Rainer Jacob
justICE30€ Add to cartRainer Jacob (b. Jena, 1970; lives and works in Leipzig) has anonymously installed objects made of ice in public settings in cities including Berlin, Leipzig, Paris, Moscow, Oslo, Prague, and Budapest since 2013. He then allows them to dematerialize and records the process in photographs. Radiators, wall outlets, QR codes, and the Duchampian pissoir are among his recurrent motifs. The impermanence of the ice objects builds bridges to street art, Fluxus, and action art. Critical observations on the unequal distribution of resources and political power in contemporary society, his works reflect on our perceptions and question the idea of originality in art while also probing the outer limits of sculpture.
The publication showcases the ice objects of the past ten years, embedding them in a decade that has marked a sea change in the life of humankind: JustICE captures an artist’s distinctive perspective on societal processes.
-
Mihai Olos
42€ Add to cartMihai Olos (b. Ariniș, Romania, 1940; d. Endingen am Kaiserstuhl, 2015) ranks among the most fascinating artists of the second half of the twentieth century. His adaptations of the formal vocabulary pioneered by Constantin Brâncuși are unrivaled in their creative originality. His works evince an utterly novel approach to the combination of materials from the culture of rural Romania with the visual strategies of modernism. His formidable oeuvre engages with conceptual and minimal art and comprises paintings, drawings, and sculptures, sometimes in the dimensions of land-art projects, as well as performances and poetry. Despite the constraints imposed by the communist system, his art and travels—during which he also met his kindred spirit Joseph Beuys—were dedicated to the unerring pursuit of his vision of social sculpture and radical utopian architecture.
- Out of stock
Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
-
Peter Hermann
Skulpturen24€ Add to cartDefying the Classical Canon
The figures of Peter Hermann (b. 1962, Bietigheim; lives and works in Ludwigsburg) stand and gaze. Made of limewood or bronze, his sculptures are precisely crafted in the manner of the old masters and thus stand in opposition to other contemporary positions. Nevertheless, in their static severity, their shortened and slightly caricatured limbs, and with a certain irony that accompanies this, they also defy the classical canon of figurative sculpture. Peter Hermann finds his themes in everyday life and succeeds in letting this apparent everydayness vibrate further in the encounter between the artwork and the viewer.