Friedemann Maisch, Kunstmuseum Liechtenstein
Axel Hell, Eckhard Lessmüller, Fabian Flückiger, Friedemann Maisch, Herta Müller, Jochen Kade, Michael Feistle, Peter Friese, Petra Giloy-Hirtz, Robert Schörghuber, Thomas Lehnerer
Sylvia Fröhlich, Ostfildern
29 x 21,5 cm
Hardcover with Swiss brochure
The function of art in human existence
Throughout his short life, the Munich-based theologian and artist Thomas Lehnerer (1955–1995) did not take the existence of art for granted. In his writings, above all in Methode der Kunst (Methods of Art), he developed a concept of art in the continuation of key texts from the fields of aesthetics, cultural theory, and art history, which can also be found in his own artistic work. The small-format figurative sculptures by Lehnerer, as well as his drawings, watercolors, and early installations, follow theoretical premises and address comprehensive themes of human existence. The present volume documents his examination of human existence, which is deepened by the inclusion of cultural historical figures and idols.
Stories Told by Stones15€ Add to cart
“I find the question of a consciousness of stones genuinely inspiring, captivating, and provocative!”
Elsa Salonen (b. 1984, Turku; lives and works in Berlin and Finland) produces colored crystals from the pigments of flowers, draws stellar constellations with finely ground meteorite dust on glass, or distils liquid from plants. The Finnish artist experiments with a wide range of “poetic” materials, reviving lost animistic rituals and magical practices. Her subtle works in the field of tension between installa-tion, painting, and conceptual art combine mysti-cism with science, ancient knowledge with recent findings — supported by a great respect for nature. This volume documents her artistic search for consciousness as the primary source of all physical matter.
Close Cousins. Paintings48€ Add to cart
The Artist’s First Publication in more than Thirty Years
For more than forty years Stephen Buckley (b. 1944, Leicester) has concerned himself with addressing the major themes of the twentieth century through a personal style oscillating between the matière of Kurt Schwitters, the dandyism of Francis Picabia and the intellectual rigour of Marcel Duchamp. He takes the two most basic components of a conventional painting (canvas and stretcher), and makes multi-dimensional constructions, joins groups of single canvases together in overlapping structures, makes shaped canvases, cuts a stretcher with a variegated edge, stitches and weaves together strips of canvas, patches pieces of canvas onto another support, and adds cardboard tubing, rope, found objects and cut out shapes. In the 1970’s and 1980’s, Buckley saw extended prominence in the art press, starting with the artist being described as “the Punk Rock of contemporary painting” and ending with him gaining the title of “the ubiquitous Stephen Buckley”. There is now a large portfolio of themes, references, motifs and symbols which are continually reworked and reinvented. Since then, he has made some of his most compelling paintings, lush pop canvases full of symbols and colour, a far cry from the pared-down, industrial feel of some of his early works.
über Linie …15€ Add to cart
Clarity, Complexity, and Linearity
The defining artistic means in the work of Karlheinz Bux (b. 1952 in Ulm, lives and works in Karlsruhe) is the line. As edges and folds, they determine vertically oriented sculptures, which simultaneously convey compactness and openness, dynamism and repose. In Bux’s pencil drawings and photo-based works, they form the subject of the image in the form of complex linear structures. This present book documents the artist’s large-format works and provides insight into his oeuvre, with texts by Michael Hübl, Christine Reeh-Peters, and Carmela Thiele.
Karlheinz Bux studied at the State Academy of Fine Arts Karlsruhe and taught as a lecturer at Pforzheim University and as a visiting professor at the Mainz University of Applied Sciences. His works are represented in private and public collections, including the Staatliche Kunsthalle Karlsruhe, the Hurrle Collection, and the Würth Collection.
Flatland35€ Add to cart
Between the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
40 Works29€ Add to cart
Selected works from one of the most renowned collections of modern and contemporary art in Germany
Marx Collection – 40 Works is the first publication on this collection that focuses on important individual works. The selection ranges from the early 1960s to the present, encompassing one of the most exciting periods in recent art history. An illustrated chronicle provides background information on the historical context of the Marx Collection and its exhibition at the Nationalgalerie in Berlin. With work by Matthew Barney, Georg Baselitz, Joseph Beuys, Ross Bleckner, Francesco Clemente, Martin Disler, Rainer Fetting, Dan Flavin, Günther Förg, Peter Halley, Keith Haring, Candida Höfer, Donald Judd, Anish Kapoor, William Kentridge, Anselm Kiefer, Jeff Koons, Roy Lichtenstein, Richard Long, Gerhard Merz, Robert Rauschenberg, Ugo Rondinone, Thomas Ruff, Julian Schnabel, Cindy Sherman, Thomas Struth, Sam Taylor-Johnson, Cy Twombly, Andy Warhol, Rachel Whiterea
Dies ist die englische Ausgabe, hier geht’s zur deutschen Ausgabe
- Release Spring 2021
Living in Digital Worlds44€ Add to cart
”It Opens to Us a New Horizon for Humankind: Transhumanism Built on Artificial Intelligence.”—Peter Weibel
From Leibniz’s binary code to Morse code, from the cosmic code to the genetic code – we live in a globalized world created and controlled by codes. A vast number of electronic interfaces, like smartphones, computers, TVs, and data displays, accompany us 24/7. Fields of Data are indispensable and omnipresent. Living in digital worlds means increasingly a life spent in a programmed, smart environment, a so-called scripted reality. The script is dictated in part by sensors, which provide information about the state of reality around us. This book presents works of art and science based on both digital and analog codes. The works attempt to explain the complex dynamics of codes and the way in which they increasingly shape how we live in and perceive the world.
With works by Kevin Abosch, Jean-Michel Alberola, Refik Anadol, Morehshin Allahyari, AppSphere AG, Torsten Belschner, Lisa Bergmann, Michael Bielicky, Patrick Borgeat, James Bridle, Ludger Brümmer, Butternutten AG, Can Büyükberber, Emma Charles, Matthieu Cherubini, Tyler Coburn, Max Cooper, Shane Cooper, Larry Cuba, Frederik De Wilde, Simon Denny, DISNOVATION.ORG, Harm van den Dorpel, Constant Dullaart, Margret Eicher, Jonas Eltes/Fabrica, Matthew Eppler, César Escudero Andaluz, Claire L. Evans, Harun Farocki, Thierry Fournier, Fraunhofer IOSB, FZI Forschungszentrum Informatik am KIT, Kristof Gavrielides, Julia Gerlach, Melanie Gilligan, Fabien Giraud, Manfred Hauffen, Daniel Heiss, Felix Held, Anton Himstedt, Perry Hoberman, Yannick Hofmann, Simon Ingram, ICD, ITKE, ITECH, Institut für Theoretische Informatik, DebateLab, KIT, Mahsa Jenabi, Eduardo Kac, Helen Knowles, Werner A. König, Beryl Korot, Anton Kossjanenko, Brigitte Kowanz, Egor Kraft, Manfred Kraft, Mattis Kuhn, Marc Lee, Jan Robert Leegte, Donna Legault, Lawrence Lek, Armin Linke, Bernd Lintermann, Fei Liu, Christian Lölkes, Andy Lomas, Solimán López, Wolfgang Maass, Shawn Maximo, Rosa Menkman, Chikashi Miyama, Andreas Müller-Pohle, Jörn Müller-Quade, Martín Nadal, Greg Niemeyer, Helena Nikonole, Julian Palacz, Josef N. Patoprsty, Elizabeth Pich, Matthew Plummer-Fernandez, Julien Prévieux, Chandrasekhar Ramakrishnan, Peter Reichard, Max-Gerd Retzlaff, Kamila B. Richter, Matthias Richter, Betty Rieckmann, robotlab, Curtis Roth, RYBN.ORG, saai | Südwestdeutsches Archiv für Architektur und Ingenieurbau, Chris Salter, Karin Sander, Raphaël Siboni, Karl Sims, Adam Słowik, Rasa Smite, Raitis Smits, Space Caviar, Barry Stone, Monica Studer, The Critical Engineering Working Group, Jol Thomson, Suzanne Treister, UBERMORGEN.COM, Yagmur Uyanik, Christoph van den Berg, Ruben van de Ven, Koen Vanmechelen, Ivar Veermäe, Michael Volkmer, Nikolaus Völzow, ::vtol::, Clemens Wallrath, Web Residencies by Solitude & ZKM, Clemens von Wedemeyer, Peter Weibel, Ai Weiwei, Alex Wenger, Where Dogs Run, Wibu-Systems AG, Stephen Willats, Dan Wilcox, Manfred Wolff-Plottegg, World-Information Institute, Cerith Wyn Evans, Julia Zamboni and others.
Double Issues24€ Add to cart
Sales Spaces without Merchandise
In her installations, Laura Schawelka (b. 1988, Munich; lives and works in Berlin) makes use of photography, video, and sculpture in a multilayered dialogue. In her latest works, the artist focuses on the role of photography in the development of modern consumer society. What does it mean if goods are only communicated through other goods, such as computers, cell phones, tablets? If this withholding of the genuine object is precisely what prompts the desire for it? The artist creates sales spaces without merchandise, in which images, photographs, and videos have replaced consumer goods of any kind.
Laura Schawelka studied at the Städelschule in Frankfurt am Main as a student of Tobias Rehberger master-class. In 2015, she was awarded the Master of Fine Arts at the California Institute of the Arts in Los Angeles, and in 2017 she moved to Paris as the recipient of a studio bursary of Hessische Kulturstiftung.
Billy Al Bengston
Paintings & Watercolors48€ Add to cart
The First Monograph on the Californian Pop Artist Since More Than Thirty Years
Billy Al Bengston (b. 1934, Dodge City; lives and works in Venice, California, and Honolulu, Hawaii) is the very personification of the cheerful, carefree attitude towards life in California – with his work as well as his person: a former surfer and motorcycle racer, an extravagant artist and key figure of West Coast Pop Art. After studying at the California College of Arts and Crafts and the Otis Art Institute, he exhibited at the legendary Ferus Gallery in 1957 and was the central figure among a group of artists that included Frank Gehry, Edward Kienholz, Ed Ruscha, and Ken Price. BAB, as he apostrophizes himself, inserts car and motorcycle parts as motifs into his otherwise abstract paintings, using lacquer and spray paint instead of oil, and aluminum panels with at times dented surfaces instead of the traditional canvas. Art and lifestyle combine to create the individual “Bengston iconography” of California Cool.
Scoop29€ Add to cart
An Artist Book Setting New Visual Processes in Motion
Around the year 2009, Horst Keining (b. 1949, Hattingen; lives and works in Düsseldorf) began to create blurred contours with the help of a small spray gun used without stencil. Up to four partially superimposed pictorial planes result in the oscillation and almost three-dimensional pulsation of the pictorial space. In interplay with a contrasting juxtaposition of strongly contoured images, his works convey a completely new visual experience. Since the resulting “blur effect” shrinks due to the reduction, this artist book places an essential accent on the reproduction of image details in their original size, followed by a full image of the picture.
Stückwerk Mensch18€ Add to cart
Historically Anchored Installations with Current Political References
The sculptures by Voré (b. 1941 in Karlsruhe, lives and works in Ettlingen) reflect the artist’s examination of the conditions of human existence and the human state of mind. Finely polished forms, splinters, and rough fractures become a statement of content and at the same time constitute the formal tension of the respective object. The process of creation can be seen in the rough remaining parts and traces of the various tools. Parallel and closely related to this, drawings and collages are created as independent works or as components of installations. Formal impulses of the sculptural concept are taken up, graphically processed, and projected back into the sculptural work. The present volume presents projects from six decades with numerous illustrations.