




Katja Aufleger
Schwindelerregende Höhen
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Editor(s) | Julia Katharina Thiemann, Wilhelm-Hack-Museum |
Author(s) | Julia Katharina Thiemann, René Zechlin |
Design | Studio S/M/L |
Cover | Clothbound hardcover |
Size | 23 x 31 cm |
Pages | 120 |
Illustrations | 68 |
Language(s) | German, English |
ISBN | 978-3-96912-052-1 |
On a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
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nolde/kritik/documenta (English)
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Africa
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Alexander Ruthner
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Julia Steiner
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Julia Steiner studied at the Bern University of the Arts (HKB) from 2002 until 2007, with a semester abroad at the Berlin University of the Arts in 2005. In 2018–19, she held an interim professorship at the Braunschweig University of Art (HBK), leading the drawing class. Steiner’s work has won her several accolades, including the 2009 Swiss Art Award and the 2017 STRABAG Artaward International (Vienna).
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Female Gaze
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Pat Steir & Ugo Rondinone
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Me, Family
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Bilder des Wohnens
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Beate Passow
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Stephan Grunenberg
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Kraftwerk
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Born in the Woods
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Jems Koko Bi studied at the Institut National Supérieur des Arts et de l’Action Culturelle (INSAAC), Abidjan, and the Düsseldorf Academy of Fine Arts. His work has been exhibited widely, including at the Centre Pompidou, Paris; at documenta 13; the Havana Biennial; and several Venice Biennials and Dakar Biennials. In 2019, he founded the forest biennial Abidjan Green Arts.
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Nicola Staeglich
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