Harte Zeiten
Ciężkie Czasy
 | |
|---|---|
| Editor(s) | |
| Author(s) | Wolfgang Ullrich, Joanna Kiliszek, Paulina Olszewska, Schamma Schahadat, Simone Rueß |
| Design | Bureau Progressiv, Stuttgart |
| Size | 22 x 30 cm |
| Cover | Softcover |
| Pages | 224 |
| Illustrations | 175 |
| Language(s) | Deutsch, Polnisch |
| ISBN | 978-3-96912-158-0 |
Increasingly pressing global political and societal challenges are always also rewarding subjects of creative engagement, and sometimes artists devise anticipative approaches to real-world problems.
Harte Zeiten—Ciężkie Czasy is a cooperative venture launched by Künstlerbund Baden-Württemberg; Port25—Raum für Gegenwartskunst, Mannheim; and Galeria Miejska bwa, Bydgoszcz, Poland. It showcases works by altogether ten Polish and ten German contemporary artists. Putting the principle that art knows no boundaries into practice, the publication, with statements from Wolfgang Ullrich, Joanna Kiliszek, Schamma Schahadat, and others as well as documentation of the symposium held in September 2021, inspires forward-looking reflections on the conditions in which cultures thrive and similarities and differences between the two countries and beyond.
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Meuser finds his material in the scrapyard. Confidently and empathically, he reinstates form and dignity to the remnants and vestiges of industrial society. As a romantic, he grants things a life of their own and turns them into self-reliant protagonists, once more. Unwaveringly, he works to re-poetize a standardized and maltreated world.
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Click here for the German edition.
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HALBwertsZeit
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The contributions to this volume intertwine historical case studies with contemporary questions about the reasons and circumstances that give rise to the assessment that a collection has outlived its shelf life.
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Stephan Kaluza
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Stephan Kaluza (b. Bad Iburg, 1964; lives and works in Düsseldorf) is a visual artist, working in the media of photography and painting, and a writer whose output includes plays, novels, and nonfiction books. The philosophy of nature is a central theme in both Kaluza’s art and his fiction.
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Ossian Fraser
DISSOLVING ACTS38€ Add to cartOssian Fraser (b. Edinburgh, 1983; lives in Munich and Berlin) molds and captures evanescent moments. Working with volatile materials such as water, dust, or light, the artist exposes the latent potentials of unremarkable situations in the urban fabric and natural scenes. A tunnel in a city, a rock face in the mountains become points of departure and elementary components of his site-specific interventions, which he records in photographs. The book is the first to offer comprehensive insight into Fraser’s artistic practice. Series of pictures showcasing his conceptual and poetic pieces alternate with conversations that not only demarcate the framework in which his art operates, but also touch on the great issues of our time.
Ossian Fraser studied fine arts and sculpture at the Alanus University of Arts and Social Sciences, Bonn, from 2006 until 2009 and at the Weißensee Kunsthochschule, Berlin, from 2009 until 2013, rounding out his education in Albrecht Schäfer’s master class in 2013–2014.
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Peter Buggenhout
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“Das Quadrat muss den Raum beherrschen!”
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ARTISTS:
JOSEF ALBERS, GÖTZ ARNDT, MAX BILL, AD DEKKERS, HELMUT FEDERLE, GOTTFRIED HONEGGER, KATHRIN KAPS, FRITZ KLINGBEIL, JOHN MEYER, GEROLD MILLER, AURÉLIE NEMOURS, JOHN NIXON, PETER ROEHR, JAN SCHOONHOVEN, ANTON STANKOWSKI, KLAUS STAUDT, HERMAN DE VRIES, GERHARD WITTNER - Release January 2026
Stefan Reiterer
Inflection Point38€ Add to cartThe Austrian artist Stefan Reiterer (born 1988, lives in Vienna) transfers digital maps and satellite images into analog physical space through abstract painting. He manipulates data from sources such as Google Earth or NASA, transforming them into illusory topologies and pseudo-cartographies to challenge our perception. What is recognized, discovered, rejected? Where is the viewer’s location? Andrea Kopranovic writes of Reiterer’s painted emptiness as a “pitting” and projection surface “for glitches, black holes, and abysses” and a metaphor for potential “interpretations, enrichments, and yet unimagined spaces of possibility.” This richly illustrated book documents Reiterer’s 2025 exhibition at the Museum Gegenstandsfreier Kunst in Otterndorf.
- Release January 2026
PULS 22
36€ Add to cartPULS, an initiative of Bukarest’s National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC’s most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country’s dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.
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Călin Dan
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Billy Al Bengston
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Billy Al Bengston (b. 1934, Dodge City; lives and works in Venice, California, and Honolulu, Hawaii) is a master of the watercolor. Themes and motifs that also determine the painterly work gain a special expressiveness here: bizarre landscapes and opulent blossoms, fantastic celestial bodies and colorful abstractions. This opulent volume presents this part of Bengston’s oeuvre for the first time in great breadth with roughly 400 works. They demonstrate the skill of an artist who has brought watercolor to extreme precision and enriched it with numerous new aspects.
Billy Al Bengston attended the California College of Arts and Crafts, Oakland, and the Otis Art Institute, Los Angeles. His works can be found in outstanding permanent collections, including the Centre Georges Pompidou, Paris, the Solomon R. Guggenheim Museum, New York, and the Museum of Modern Art, New York.
