Franziska Windisch
Walk with a wire
| | |
|---|---|
| Editor(s) | Julia Katharina Thiemann |
| Author(s) | Julia Katharina Thiemann |
| Design | Franziska Windisch |
| Cover | Softcover |
| Size | 12 x 18 cm |
| Pages | 120 |
| Illustrations | 100 |
| Language(s) | German, English |
| ISBN | 978-3-947563-32-6 |
The interweaving of traces, sounds, and movements in an impressive work of sound art
The narrow brown magnetic tape of an audio cassette runs through a half-opened hand, slides through the fingers, is palpated in constant motion, and finally falls to the ground. The hand and its touching, particles of sand and small stones leave their traces and, when the tape is played, generate a multi-layered soundscape with crackling and background noises.
In her performative action in the ruins of the city of Messene in the Peloponnese region of Greece, Franziska Windisch (b. 1983) thematizes aspects of repetition and recording. Her artistic examination of the vestiges of the ancient urban space, the reciprocal transition from traces to writing in her video documentation, and the graphic element of the line visible on the ground lead to a reflection on temporality, dissolution, and decay.
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In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
