Franziska Windisch
Walk with a wire
| | |
|---|---|
| Editor(s) | Julia Katharina Thiemann |
| Author(s) | Julia Katharina Thiemann |
| Design | Franziska Windisch |
| Cover | Softcover |
| Size | 12 x 18 cm |
| Pages | 120 |
| Illustrations | 100 |
| Language(s) | German, English |
| ISBN | 978-3-947563-32-6 |
The interweaving of traces, sounds, and movements in an impressive work of sound art
The narrow brown magnetic tape of an audio cassette runs through a half-opened hand, slides through the fingers, is palpated in constant motion, and finally falls to the ground. The hand and its touching, particles of sand and small stones leave their traces and, when the tape is played, generate a multi-layered soundscape with crackling and background noises.
In her performative action in the ruins of the city of Messene in the Peloponnese region of Greece, Franziska Windisch (b. 1983) thematizes aspects of repetition and recording. Her artistic examination of the vestiges of the ancient urban space, the reciprocal transition from traces to writing in her video documentation, and the graphic element of the line visible on the ground lead to a reflection on temporality, dissolution, and decay.
More books
-
Hofmann’s Ways
Early Drawings (1898-1937)24,80€ Add to cartA Re-Discovery: the Early Graphic Work of Hans Hofmann
A representative of Abstract Expressionism, Hans Hofmann (b. 1880, Weißenburg; d. 1966, New York) was one of the most important artistic personalities of the 20th century. He began his career as a teacher and artist in the United States in the mid-1930s. The previously unpublished graphic oeuvre presents the highly varied development process that preceded Hans Hofmann’s influential painting of the post-war period.
-
Secundino Hernández
Miettinen Collection36€ Add to cartSecundino Hernández’s (b. Madrid, 1975; lives and works in Madrid und Berlin) paintings and works on paper blend figuration and abstraction, the linearity of drawing and exuberant color, minimalism and gesture. Slowly and methodically moving across the canvas, Hernández sets down sinuous lines and marks, using a brush or applying the paint straight from the tube before rinsing and scratching off the surfaces. The resulting compositions feel organized yet charged with explosive energy and evince manifold references: a physicality reminiscent of Action Painting, cartoon-style terse figuration, and passages that bring to mind Old Masters and especially the Spaniards El Greco and Velázquez. As Hernández observes, his works “may look like Action Painting or Expressionism, but they represent a profound and painstaking scrutiny of these visual idioms, a way of articulating my own contemporary perspective on certain aesthetic movements.”
Secundino Hernández studied at the Universidad Complutense de Madrid from 1995 until 2000 and at the Royal Spanish Academy in Rome in 2005–2006.
- Out of stock
Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
- temporarily not available
CLARA MOSCH
and early art events in the GDRRead moreThe legendary producer-run gallery Clara Mosch and the artists’ group of the same title that gathered around it were founded in Karl-Marx-Stadt (today’s Chemnitz) in 1977 and existed until 1982. The catchy name was an acronym of the contributors’ last names: CLA = Carlfriedrich Claus, RA = Thomas Ranft and Dagmar Ranft-Schinke, MO = Michael Morgner, SCH = Gregor-Torsten Schade. As the founders of the first producers’ gallery in the GDR and creators of diverse oeuvres, the group’s artists rank among the foremost exponents of avant-garde art in East Germany. The book presents works of art, limited editions, and posters as well as photographs from the Ralf-Rainer Wasse archive in the collections of the Lindenau-Museum in Altenburg. One thematic focus is on Clara Mosch’s land-art happenings and plein-air pieces. The unconventional actions attest to the group’s stated objective of building greater awareness of the ongoing devastation of the local environment. Forty years after the fact, Clara Mosch’s work has lost none of its relevance and urgency.
-
Considering Finland
14€ Add to cartContemporary Art from Finland
With fourteen artistic positions from the fields of photography, video, and installation, Considering Finland offers fascinating insight into the Finnish art scene. The themes of the artists from one of the least populated and most densely forested countries in Europe is the relationship between humankind and nature, as well as the political, social, and economic implications of this. Their works point to cultural dispositions and standardizations of the individual within a society based on unattainable maxims, such as permanent success, lasting recognition, and limitless growth. Pictorial traditions, geographical structures, and socio-political and infrastructural factors are the bases of a mental construction that summarizes their artistic work under a national heading. With works by Kenneth Bamberg, Elina Brotherus, Ville Lenkkeri, Aurora Reinhard, Iiu Susiraja, Nestori Syrjälä, and Pilvi Takala.
-
Toni Mauersberg
Entre Nous28€ Add to cartToni Mauersberg (b. Hannover, 1989; lives and works in Berlin) is interested in the different layers of a picture’s signification: there is, in the first instance, what it depicts; then the larger tradition in which it is grounded; and finally, the conditions of its genesis. She employs a range of painterly strategies and techniques to uncover the potentials of paintings as a medium of understanding, insight, and storytelling. The question that animates her art is how it is possible, in this post-religious, post-rational, and post-individual age, to be one’s own person. In her most recent series, Pas de Deux, Mauersberg investigates the complex visual language of abstract painting, which originated in part in a quest for new ways of representing spirituality and emancipation. Combining nonrepresentational pictures with portraits, she draws attention to how both are products of “making,” composed of nothing but color, while enlarging their interpretative ambits. The dialogue between the paintings is meant to help the beholders chart their own course as they unlock what appear to be hidden laws encoded in pictures.
Toni Mauersberg studied Jewish studies at Freie Universität Berlin in 2008–2012 and fine arts with Leiko Ikemura at the Berlin University of the Arts from 2009. In 2017, she was Michael Müller’s master student.
-
Pharaonengold
3.000 Jahre altägyptische Hochkultur27,50€ Add to cartThe Mysterious World of the Pharaohs and their Magical Relationship to Gold
Hardly any other culture fascinates as much as the high culture of ancient Egypt. At its center were the pharaohs, those legendary kings who, according to the beliefs of the ancient Egyptians, descended directly from the gods. Gold was ascribed a special symbolic and religious power; it stood for eternity and indestructibility and, as the “flesh of the gods,” was a sacred metal. The book brings together 150 exhibits from pharaonic tombs from the Old Kingdom of the Third Dynasty (circa 2680 B.C.E.) and the oldest gold statue of an Egyptian pharaoh to Tutankhamun and Horemheb (circa 1330–1310 B.C.E.).
-
PULS 20
New Entries in the MNAC Collection36€ Add to cartPULS 20 unites the most valuable finds from a communal treasure hunt. Exponents of the Romanian arts scene and representatives of the National Museum of Contemporary Art (MNAC) in Bucharest teamed up to review the oeuvres of countless eminent Romanian artists and select works of outstanding quality that reflect the diversity of the country’s creative production over the past fifty years. In time for the celebrations of MNAC’s twentieth anniversary in 2020, the institution acquired the 180 works reproduced in this catalogue. That makes PULS 20 a singular document in two respects: it gathers a selection of key works of Romanian art that is unprecedented in its breadth between the covers of a book; and it is the result of a successful cooperative curatorial process, an organic discourse involving a wide variety of participants, demonstrating that democratic dialogue in art is not just possible but also extraordinarily fruitful and indeed necessary. All in all, this catalogue is the perfect choice both for newcomers to Romanian contemporary art and for specialists.
-
Ilit Azoulay
Facts and Tales. Truth be Told120€ Add to cartIn an era in which multiple perspectives and oral histories are increasingly vital, Facts and Tales—Truth Be Told delves into the haunting work of Ilit Azoulay. The artist, who was born in Jaffa in 1972, transforms objects, archives, and museum holdings into vessels, challenging traditional hierarchies of knowledge. In her most recent solo exhibition Mere Things at the Jewish Museum, New York, Azoulay presents works that probe the delicate balance between factual representation and nuanced storytelling.
The publication accompanying the exhibition includes archival pages, the artist’s notes, and depictions of the works as well as an introduction by curator Shira Backer and an essay by the art critic, curator, and writer Sarit Shapira, who passed away in 2018. Titled Houses of Junk and Specters: On Ilit Azoulay’s Early Works, it underscores the importance of honoring both factual accuracy and oral histories and invites readers to explore the complex interplay between concrete evidence and the rich and nuanced stories.
Azoulay has devised a singular method to shed light on the blanks in hegemonic narratives and expose them. As though to produce an extortion letter, she clips her pictures from archival materials and photographs of the walls of abandoned buildings and composes them in collages interweaving a multiplicity of views. The resulting works question the exclusive truth claim of museum expertise and reveal its constructed quality. The catalog of her works, designed as a box replete with texts and images, reflects this approach, aiming to dismantle established narratives and open up diverse perspectives.
Box containing 6 different standalone publications, limited edition of 500 copies
- Out of stock
Luxus?!
34€ Read moreWhat is luxury today? How do designers perform the magic of transforming a utilitarian object into a must-have? Where does consumerism shade into obsession? When does more-is-more give way to less-is-more?
Luxury means breaking with convention, and this book showcases—and spawns—a cornucopia of ideas, products, and positions around luxury, featuring influential thinkers from the worlds of design, science, art, and society. The cultural theorists Wolfgang Ullrich and Lambert Wiesing exchange letters on the concept of luxury; Montblanc’s creative director Zaim Kamal lays out future strategies; the artist Jonathan Meese pens a gold manifesto; and Bazon Brock inquires into the asceticism of luxury. We live in a world full of things that resemble one another so closely that the only difference is how they are marketed. What might the precious objects of the future look like? The book presents examples from aspiring designers such as the fashion student Victoria Reize, whose collection counters luxury with arch defiance. Design, we learn, is not just about creating supreme values. Luxury is limitation and longevity, scarcity and refinement, yearning and sensuality.
With works by Assemble, Jake and Dinos Chapman, Daniel Chodowiecki, Kai Löffelbein, Jonathan Meese, Olaf Nicolai, Marcel Odenbach, Tobias Rehberger and Anna Skladmann.
-
Susanne Rottenbacher
Radiationen40€ Add to cartIn expansive compositions in light, Susanne Rottenbacher (b. Göttingen, 1969; lives and works in Berlin) visualizes the fire of life in its timebound and fluid dimension. Plotinus called fire the “spiritual potency of beauty.” Pursuing a similar vision, Rottenbacher’s works orchestrate light as energy in space. To this end, the artist, who studied light and stage design in the United States and the United Kingdom, creates weightless luminous choreographies realized in colorful LED technology in combination with acrylic glass as a translucent vehicle of form. The results are installations in three dimensions that are deeply silent yet unfold in a magical ecstasy of light.
In Christian sacred architecture, light has been deployed and perceived since the Middle Ages as the aesthetic equivalent of the divine mind’s lucidity. The history of light art, by contrast, is much younger, going back to the years after the First World War. Having built her creative practice over the past fifteen years, Rottenbacher not only continues a century-old tradition of light art in Europe and the U.S.; her works also anticipate a future in which humanity will have room for feelings no less than for scientific knowledge.
- Release August 2025
Bettina Buck
Finding Form45€ Add to cartThe German sculptor Bettina Buck (1974-2017) called attention to herself with her “performative sculptures,” which she often presented vis-à-vis museal objects. Buck’s preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient “protagonists,” who didn’t have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to “simultaneously attract and alienate the viewer.” In the exhibition space the objects should “create a tremor, a vibration and a conversation with its surroundings.”
Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist’s estate, Bureau Bettina Buck.
-
ODOR
Immaterial Sculptures40€ Add to cartThe effect of odor is immediate. Smells arouse feelings in us, put us in moods, awaken recollections. They color the other senses and shape our perceptions more profoundly than we are aware. Scents create closeness and distance at the same time. They become imprinted on our memories and consolidate our experiences. And yet their existence in the world of three dimensions remains invisible, and the act of picking up a scent is fleeting.
The publication Odor—Immaterial Sculptures zooms in on the power of smells. Contributions from curators, artists, scientists, and scholars frame a variety of perspectives on this evanescent phenomenon, examining the olfactory sense and the qualities of the immaterial. Full-page plates conceived by the artists provide additional information, imagery, and contexts around the individual works, which put odor as an olfactory and spatial experience at the center of the engagement with art. The works operate between the poles of time and space, individual and community, consciousness and the subconscious, visibility and invisibility, the everyday and the miraculous, the sense of self and the perceptions of others, presence and absence, life and death.
Artists : Jason Dodge, Carsten Höller, Koo Jeong A, Oswaldo Maciá, Teresa Margolles, Pamela Rosenkranz, Sissel Tolaas, Clara Ursitti, Luca Vitone
-
Matthew Davis
Kustodiev28€ Add to cartAn Expressive Instant in Painting
The art of Matthew Davis (b. 1969, Colchester, UK; lives and works in Berlin) operates between the micro and macro dimensions, between control and chance. Working with extraordinary precision, the artist applies drops of synthetic resin varnishes and enamel paints to canvases laid flat. The artist’s book Kustodiev showcases a recent innovative turn in Davis’s output, whose latest works were inspired by the lusciously colorful pictures of the Russian painter Boris Kustodiev (1878–1927). Kustodiev was manufactured using offset presses and Office Offset, a largely forgotten reproduction process based on miniature offset printing machines. The publication is released in a limited edition of 250 copies.
Matthew Davis studied at the Camberwell College of Arts, London, and the Norwich School of Art and Design. His work has been shown at the Konrad-Adenauer-Stiftung, Berlin; Künstlerhaus Wien, Vienna; Kunsthalle Wilhelmshaven; and other museums and galleries.
-
Hans Karl Zeisel
Hundred and more34,95€ Add to cartPossibilities of Concrete Art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
-
FINALE
DIRECTOR’S CUT25€ Add to cartThe Best Part …
In 1994, Britta Erika Buhlmann took the helm at Museum Pfalzgalerie Kaiserslautern, from which she will retire in the spring of 2022. In her twenty-eight-year tenure, she has enlarged the museum’s art collection and put her personal stamp on it. The classical modernism division was strengthened with the addition of major works by Otto Dix, Hermann Scherrer, and Karl Buchheister, while key pieces by François Morellet, Martin Willing, Werner Pokorny, and others have enriched the museum’s holdings in sculpture. A newly established division of the collection is dedicated to the creations of American artists such as Eric Levin, Kiki Smith, Charles Pollock, and Richard Pousette-Dart. More than a few artists—the list includes Carmen Herrera, Pierrette Bloch, Eva Jospin, and Nobuyuki Tanaka—made their German or even European début at the mpk.
In this book, members of the mpk’s staff offer their takes on selected works in the collection, unfurling a subjective story of their engagement with works that have earned the museum its reputation as a “place of discoveries.”
- Shortlist German Photo Book Award 2019/2020
Arina Dähnick
The MIES Project45€ Add to cartIn the Footsteps of Ludwig Mies van der Rohe
In her photographic works, Arina Dähnick (b. 1965, Krefeld; lives and works in Berlin) deals with urbanity, spatial reality and visual perception. She discovered the architecture of Ludwig Mies van der Rohe in 2012, when, after a thunderstorm, she perceived the Neue Nationalgalerie in a both fascinating and paradoxical spatial experience of boundless vastness – and a simultaneous feeling of being held. From then on she photographed the building under various conditions until its closure in 2015, afterwards following in Mies van der Rohe’s footsteps from Berlin to Brno, from Chicago to New York. Dähnick captured his most famous buildings – including the Villa Tugendhat, the Seagram Building, and the Lake Shore Drive Apartments – in impressive photo series, which have been exhibited during the Chicago Architecture Biennial amongst others. The book was awarded the silver medal of the Deutscher Fotobuchpreis.
-
Chiharu Shiota
The Unsettled Soul48€ Add to cartWidely acclaimed for her distinctive visual language, which combines drawing, performance, sculpture, and installation art, Japanese artist Chiharu Shiota (b. 1972 in Osaka, lives and works in Berlin) addresses fundamental human concerns. Creating large-scale thread installations that incorporate a variety of everyday objects and memorabilia, she forms powerful environments that evoke a sense of nostalgia, personal history, and collective memory. The catalog accompanies the exhibition The Unsettled Soul, the first presentation of the artist in the Czech Republic. In addition to extensive photographic documentation of the exhibition at Kunsthalle Praha, the publication features an essay by Jason Waite discussing Shiota’s early works as well as an interview with the artist conducted by the editor, Christelle Havranek, about her key themes and the creation of the Prague exhibition.
-
Felix Schramm
Things To Come44€ Add to cartFelix Schramm’s (b. Hamburg, 1970; lives and works in Düsseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm’s art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm’s first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
- Out of stock
Welt ohne Inventar
16,80€ Read moreThe stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
