GABRIELE BASCH, GESA LANGE
Neuer Kunstverein Aschaffenburg e. V. im KunstLANDing
Softcover with flaps and Swiss brochure
22 x 27 cm
Gabriele Basch’s (b. 1964, Bad Homburg; lives and works in Berlin) cut-outs and Gesa Lange’s (b. 1972, Tongeren, Belgium; lives and works in Hamburg) drawings are meditations on construction and deconstruction as well as doubts and how to overcome them. Both artists expand the range of painting: Basch, with incisions into the medium and a creative handling of the tinged shadows that transform the painted panel into a wall-mounted object; Lange, by embroidering her canvases with colorful threads that open up the pictorial space on all sides. The book presents works by both artists, initiating an animated and dynamic dialogue between their nonrepresentational visual idioms. Gabriele Basch is professor of painting at the Hochschule für Angewandte Wissenschaften Hamburg. Gesa Lange is professor of graphic art at the Hochschule für Angewandte Wissenschaften Hamburg. She has received the Kunsthalle Rostock Prize and other awards.
Double Issues24€ Add to cart
Sales Spaces without Merchandise
In her installations, Laura Schawelka (b. 1988, Munich; lives and works in Berlin) makes use of photography, video, and sculpture in a multilayered dialogue. In her latest works, the artist focuses on the role of photography in the development of modern consumer society. What does it mean if goods are only communicated through other goods, such as computers, cell phones, tablets? If this withholding of the genuine object is precisely what prompts the desire for it? The artist creates sales spaces without merchandise, in which images, photographs, and videos have replaced consumer goods of any kind.
Laura Schawelka studied at the Städelschule in Frankfurt am Main as a student of Tobias Rehberger master-class. In 2015, she was awarded the Master of Fine Arts at the California Institute of the Arts in Los Angeles, and in 2017 she moved to Paris as the recipient of a studio bursary of Hessische Kulturstiftung.
Freies Spiel44€ Add to cart
The function of art in human existence
Throughout his short life, the Munich-based theologian and artist Thomas Lehnerer (1955–1995) did not take the existence of art for granted. In his writings, above all in Methode der Kunst (Methods of Art), he developed a concept of art in the continuation of key texts from the fields of aesthetics, cultural theory, and art history, which can also be found in his own artistic work. The small-format figurative sculptures by Lehnerer, as well as his drawings, watercolors, and early installations, follow theoretical premises and address comprehensive themes of human existence. The present volume documents his examination of human existence, which is deepened by the inclusion of cultural historical figures and idols.
16 Artists in Dialogue with W. G. Sebald35€ Add to cart
On Memories and Temporalities
Pensive Images examines the complex and invariably singular relationships through which images and memories are inextricably linked. The book relates to the work of the German writer W. G. Sebald (b. 1944, Wertach; d. 2011, Norfolk), especially to four fictional stories he published between 1990 and 2001, in which he inserted non-captioned blackand- white photographs of uncertain provenance and nature into the text like memories punctuating ways reminiscent of his writing. It brings together 16 artists who, in ways reminiscent of Sebald’s approach, explored the realms of memory and past from the perspective of experience and intertwining temporalities.
With works by Mathieu Kleyebe Abonnenc, Dove Allouche, Lonnie van Brummelen / Siebren de Haan, Moyra Davey, Tacita Dean, Jason Dodge, Félix González-Torres, Ian Kiaer, Jochen Lempert, Zoe Leonard, Helen Mirra, Dominique Petitgand, John Stezaker, Danh Vo and Tris Vonna-Michell.
Close Cousins. Paintings48€ Add to cart
The Artist’s First Publication in more than Thirty Years
For more than forty years Stephen Buckley (b. 1944, Leicester) has concerned himself with addressing the major themes of the twentieth century through a personal style oscillating between the matière of Kurt Schwitters, the dandyism of Francis Picabia and the intellectual rigour of Marcel Duchamp. He takes the two most basic components of a conventional painting (canvas and stretcher), and makes multi-dimensional constructions, joins groups of single canvases together in overlapping structures, makes shaped canvases, cuts a stretcher with a variegated edge, stitches and weaves together strips of canvas, patches pieces of canvas onto another support, and adds cardboard tubing, rope, found objects and cut out shapes. In the 1970’s and 1980’s, Buckley saw extended prominence in the art press, starting with the artist being described as “the Punk Rock of contemporary painting” and ending with him gaining the title of “the ubiquitous Stephen Buckley”. There is now a large portfolio of themes, references, motifs and symbols which are continually reworked and reinvented. Since then, he has made some of his most compelling paintings, lush pop canvases full of symbols and colour, a far cry from the pared-down, industrial feel of some of his early works.
- Release May 2021
Franz Erhard Walther
Manifestations. Catalogue Raisonné of the Posters, Books and Drafts 1958–202068€ Add to cart
”I don’t make any artistic difference between a poster design and my Work Drawings.“—Franz Erhard Walther
Franz Erhard Walther (b. 1939, Fulda; lives and works in Fulda) is a German sculptor and creator of conceptual, installation, and process-based art whose work often stands in relation to his, or the beholder’s, body. For four decades, Walther designed artist’s posters, a genre that has become an anachronism in our contemporary digital world. This book is the first to gather his extensive output in the format in a single volume, rounded out by a wide-ranging survey of his designs and artist’s books.
”Artists give so much time, passion, and energy to their books that they are as important as very big installations. ‚Manifestations‘ is a very important artist book.“
Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London
”The new catalogue raisonné by Franz Erhard Walther is a masterpiece of parergon aesthetics. With his ‚Manifestations‘, the blurring of the boundaries between work and design, Franz Erhard Walther, after his performative sculptures, has achieved another great success for the emancipatory differentiation of the concept of the work of art.“
Peter Weibel, Director, ZKM | Center for Art and Media, Karlsruhe
”Franz Erhard Walther is nothing less than an exceptional 20th-century artist who has consistently questioned and fundamentally changed what a work of art can be. The innovative power of his comprehensive oeuvre is, of course, primarily evident in his art, but this publication of his manifold designs also provides an overview that is as wonderful as it is extraordinary.“
Andreas Beitin, Director, Kunstmuseum Wolfsburg
Franz Erhard Walther studied at the Werkkunstschule Offenbach am Main and the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main. He completed his education with a stint at the Kunstakademie Düsseldorf, where Gerhard Richter and Sigmar Polke were among his fellow students. His works were on display at documenta 5, 6, 7, and 8, and in 2017, Walther received the Golden Lion at the 57th Biennale di Venezia.
- Out of stock
Welt ohne Inventar16,80€ Read more
The stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
fortuna24€ Add to cart
Paper and Foil Cut‑Outs in an Innovative Language of Forms: An Overview of the Works of Gabriele Basch from 2008 to 2019
Since the 1990s, Gabriele Basch (b. 1964, Bad Homburg; lives and works in Berlin) has been working with cut-outs and translating the age-old tradition of silhouettes into an idiosyncratic and innovative language of forms. The artist interweaves creation and destruction, planning and chance into a complex, multi-layered reality and makes views into the spatial environment an integral part of her work. In her paper and foil cut-outs, foreground and background, materiality and void combine to form a whole that oscillates between painting and drawing, as well as between urban structures and hints of the biomorphic – in delicate color gradients, swirling structures, spontaneous gestures, and stenciled surfaces. The generously illustrated monograph offers a comprehensive overview of the artist’s work from 2008 to 2019.
3.000 Jahre altägyptische Hochkultur27,50€ Add to cart
The Mysterious World of the Pharaohs and their Magical Relationship to Gold
Hardly any other culture fascinates as much as the high culture of ancient Egypt. At its center were the pharaohs, those legendary kings who, according to the beliefs of the ancient Egyptians, descended directly from the gods. Gold was ascribed a special symbolic and religious power; it stood for eternity and indestructibility and, as the “flesh of the gods,” was a sacred metal. The book brings together 150 exhibits from pharaonic tombs from the Old Kingdom of the Third Dynasty (circa 2680 B.C.E.) and the oldest gold statue of an Egyptian pharaoh to Tutankhamun and Horemheb (circa 1330–1310 B.C.E.).
Synthese25€ Add to cart
The First Comprehensive Overview of the Work of the Photo Artist from 1972 to the Present Day
Ralf Cohen (b. 1949, Solingen; lives and works in Karlsruhe) makes use of the entire material complex of photographic image production for his own creative purposes. He works exclusively with analog processes and explores the limits of the medium with a variety of experiments in the darkroom, altering his photographs through solarization, long-term exposure, light/dark reversal, chromatic filtering, and further manual processing. This comprehensive volume presents Cohen’s works, from the high-contrast black-and-white architectural photographs of the early period and the work groups of people in cities from the late 1980s to the latest photographic series with their enigmatic light effects, seemingly glowing planetary surfaces, hails of stars, and fantastical islands. Ralf Cohen’s fascinating cosmos of imagery breaks viewing habits and, with his imaginary universes, opens up a new perception of the world.
- Release Spring 2021
Living in Digital Worlds44€ Add to cart
”It Opens to Us a New Horizon for Humankind: Transhumanism Built on Artificial Intelligence.”—Peter Weibel
From Leibniz’s binary code to Morse code, from the cosmic code to the genetic code – we live in a globalized world created and controlled by codes. A vast number of electronic interfaces, like smartphones, computers, TVs, and data displays, accompany us 24/7. Fields of Data are indispensable and omnipresent. Living in digital worlds means increasingly a life spent in a programmed, smart environment, a so-called scripted reality. The script is dictated in part by sensors, which provide information about the state of reality around us. This book presents works of art and science based on both digital and analog codes. The works attempt to explain the complex dynamics of codes and the way in which they increasingly shape how we live in and perceive the world.
With works by Kevin Abosch, Jean-Michel Alberola, Refik Anadol, Morehshin Allahyari, AppSphere AG, Torsten Belschner, Lisa Bergmann, Michael Bielicky, Patrick Borgeat, James Bridle, Ludger Brümmer, Butternutten AG, Can Büyükberber, Emma Charles, Matthieu Cherubini, Tyler Coburn, Max Cooper, Shane Cooper, Larry Cuba, Frederik De Wilde, Simon Denny, DISNOVATION.ORG, Harm van den Dorpel, Constant Dullaart, Margret Eicher, Jonas Eltes/Fabrica, Matthew Eppler, César Escudero Andaluz, Claire L. Evans, Harun Farocki, Thierry Fournier, Fraunhofer IOSB, FZI Forschungszentrum Informatik am KIT, Kristof Gavrielides, Julia Gerlach, Melanie Gilligan, Fabien Giraud, Manfred Hauffen, Daniel Heiss, Felix Held, Anton Himstedt, Perry Hoberman, Yannick Hofmann, Simon Ingram, ICD, ITKE, ITECH, Institut für Theoretische Informatik, DebateLab, KIT, Mahsa Jenabi, Eduardo Kac, Helen Knowles, Werner A. König, Beryl Korot, Anton Kossjanenko, Brigitte Kowanz, Egor Kraft, Manfred Kraft, Mattis Kuhn, Marc Lee, Jan Robert Leegte, Donna Legault, Lawrence Lek, Armin Linke, Bernd Lintermann, Fei Liu, Christian Lölkes, Andy Lomas, Solimán López, Wolfgang Maass, Shawn Maximo, Rosa Menkman, Chikashi Miyama, Andreas Müller-Pohle, Jörn Müller-Quade, Martín Nadal, Greg Niemeyer, Helena Nikonole, Julian Palacz, Josef N. Patoprsty, Elizabeth Pich, Matthew Plummer-Fernandez, Julien Prévieux, Chandrasekhar Ramakrishnan, Peter Reichard, Max-Gerd Retzlaff, Kamila B. Richter, Matthias Richter, Betty Rieckmann, robotlab, Curtis Roth, RYBN.ORG, saai | Südwestdeutsches Archiv für Architektur und Ingenieurbau, Chris Salter, Karin Sander, Raphaël Siboni, Karl Sims, Adam Słowik, Rasa Smite, Raitis Smits, Space Caviar, Barry Stone, Monica Studer, The Critical Engineering Working Group, Jol Thomson, Suzanne Treister, UBERMORGEN.COM, Yagmur Uyanik, Christoph van den Berg, Ruben van de Ven, Koen Vanmechelen, Ivar Veermäe, Michael Volkmer, Nikolaus Völzow, ::vtol::, Clemens Wallrath, Web Residencies by Solitude & ZKM, Clemens von Wedemeyer, Peter Weibel, Ai Weiwei, Alex Wenger, Where Dogs Run, Wibu-Systems AG, Stephen Willats, Dan Wilcox, Manfred Wolff-Plottegg, World-Information Institute, Cerith Wyn Evans, Julia Zamboni and others.