Toni Mauersberg
Entre Nous
 | |
|---|---|
| Author(s) | Arno Orzessek, Denise Koller, Toni Mauersberg, Vera de Vries |
| Design | Rolf Eusterschulte, Berlin |
| Size | 17 x 24 cm |
| Cover | Softcover with flaps |
| Pages | 96 |
| Illustrations | 48 |
| Language(s) | German, English |
| ISBN | 978-3-96912-166-5 |
Toni Mauersberg (b. Hannover, 1989; lives and works in Berlin) is interested in the different layers of a picture’s signification: there is, in the first instance, what it depicts; then the larger tradition in which it is grounded; and finally, the conditions of its genesis. She employs a range of painterly strategies and techniques to uncover the potentials of paintings as a medium of understanding, insight, and storytelling. The question that animates her art is how it is possible, in this post-religious, post-rational, and post-individual age, to be one’s own person. In her most recent series, Pas de Deux, Mauersberg investigates the complex visual language of abstract painting, which originated in part in a quest for new ways of representing spirituality and emancipation. Combining nonrepresentational pictures with portraits, she draws attention to how both are products of “making,” composed of nothing but color, while enlarging their interpretative ambits. The dialogue between the paintings is meant to help the beholders chart their own course as they unlock what appear to be hidden laws encoded in pictures.
Toni Mauersberg studied Jewish studies at Freie Universität Berlin in 2008–2012 and fine arts with Leiko Ikemura at the Berlin University of the Arts from 2009. In 2017, she was Michael Müller’s master student.
More books
-
Felix Schramm
Things To Come44€ Add to cartFelix Schramm’s (b. Hamburg, 1970; lives and works in Düsseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm’s art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm’s first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
-
Alexander Ruthner
Cour: Sommer36€ Add to cartContemplating Nature in a Reduced-Mobility Environment
“The events of the year 2021, which was defined by lockdowns, the pandemic, and restrictions, has brought out the resonance in my pictures of Gustave Courbet’s realism,” Alexander Ruthner (b. Vienna, 1982; lives and works in Vienna) says about his most recent works: oil paintings featuring lush green vegetation and veritable down comforters painted all-over in saturated color gradients. The works will make their public début as the publication is released in the summer of 2021, hence the word “Sommer” in the title. The other word, “Cour,” is a nod to the first syllable of the French painter’s name as well as French for “court,” a term the artist creatively reinterprets as a synonym for the solitary “castle of the mind” to which we have retreated under pandemic conditions. Ruthner, who studied with Peter Kogler, Daniel Richter, and Albert Oehlen, revisits the boscage and pasture painting of past eras in new works that propose a distinctive personal interpretation of that tradition’s charm.
Alexander Ruthner’s work has been shown at Kunsthalle Wien, the Whitechapel Gallery, London, and the National Museum of Montenegro, among other venues.
- Release September 2025
The Magnificent Seven+
Strong Contemporary Female Artists44€ Add to cartWhen The Magnificent Seven hit the silver screen in 1960, heroism was firmly men’s business. Now it is women artists who are redefining the art world with visionary energy. Sebastian C. Strenger portrays outstanding women making art today, including Ingeborg Lüscher, Elfie Semotan, Xenia Hausner, Valérie Favre, Sandra Vásquez de la Horra, and Cristina Lucas. Their works question power structures, play with identity, or deconstruct prevailing narratives. Their art is figurative or abstract, narrative or conceptual, political or introspective. These women are changing the art market and dominate the new canon at international institutions by calling existing structures in question and opening up spaces for fresh thinking.
-
Nam Kim
10€ Add to cartThe large-format paintings of Nam Kim (born 1991 in the US, lives in Vienna) are inhabited by chunky androgynous, naked figures, which gently blend with the vegetation, light and shadows, or ornaments around them. “The figures resonate with fluid grace, caught in the intimate moment between thought and touch.” (R. Grunenberg) Here, the human body is equal to its natural environs and not separate. Kim begins her paintings with zones of gestural abstraction, from which the characters grow like plants into her compositions. Kim grew up in Korea and her painting practice combines elements of Asian traditions (in art and theater) with Western art history and virtuality. This book presents her works of the last three years and includes an insightful essay by Robert Grunenberg.
-
Candida Höfer
Kunsthistorisches Institut Bonn35€ Add to cartThe Kunsthistorisches Institut Bonn, Yesterday and Today
The imposing presence of architecture captured in the absence of humans: that is the defining characteristic of the photographs with which Candida Höfer (b. 1944, Eberswalde; lives and works in Cologne) has risen to international renown. In 1992, she captured the Kunsthistorisches Institut der Rheinischen Friedrich- Wilhelms-Universität Bonn in ten analogue black-and-white pictures that have not been on public display. In 2020, Höfer returned to the institute to take more pictures using a digital camera. The two series now make their public début in the institute’s halls and are gathered in this book. Undertaking a historically and aesthetically captivating comparison, Höfer probes the ways in which university life has changed over almost three decades.
Candida Höfer was a member of Bernd Becher’s inaugural photography class at the Kunstakademie Düsseldorf. Her works were shown at documenta 11 in 2002, and in 2003, she and Martin Kippenberger represented Germany at the 50th Biennale di Venezia.
-
Konrad Mühe
Guide38€ Add to cartAn Artist’s Book as an “Optical Illusion”
Konrad Mühe’s (b. Karl-Marx-Stadt, East Germany, 1982; lives and works in Berlin) works interrogate the construction of our identities by uncovering the technological and media apparatuses that sustain it and confronting it with the autonomous lives of objects. Their basic formal principle is the installation hybridizing sculpture and digital moving image, with a particular focus on the projector and the interaction of pedestal or suspension and projection screen. Where the classical black box in the movie theater or exhibition venue seeks to conceal the technical equipment in favor of an immersive visual experience, Mühe brings it to the fore and sets it out in the gallery space as sculpture and installation. Yet his works also undercut the conventional display regime in the white cube: the process of projection emerges as the true creative medium and subject. This book acts as a descriptive illustrated Guide to Mühe’s projects.
Konrad Mühe was Hito Steyerl’s master student and trained at the Berlin University of the Arts and the Burg Giebichenstein University of Art and Design Halle. His works have been featured at numerous film festivals including the 61st Berlinale and in exhibitions at Kunsthalle Düsseldorf, the Moscow Museum of Modern Art, and elsewhere.
-
Andreas Wegner
Wir fahren mit der Schneckenpost, weil die uns keinen Pfennig kost50€ Add to cartThe art of Andreas Wegner is an inquiry into capitalist urbanity. His interventions explore alternative models for urban interaction, trade, city development, traffic, or the use of public space. Inspired by Joseph Beuys’s social sculpture and Charles Fourier’s social utopias, Wegner founded, e.g. a cooperative department store in Berlin, a grocery store in Vienna, and conducted real estate business as a form of creative resistance. This monograph illustrates the artist’s most important projects with ample imagery, essays by renowned authors, interviews, and his own texts. Alongside collective initiatives, installations, photography, film, and sculpture, painting remains a constant in Wegner’s oeuvre to this day.
-
Ann Wolff
Observations and Reflections44€ Add to cart“Art is coming from my inside. I am working as its servant.—I let it out not thinking too much—using my hands and gesture—choosing a material to put it on place. I do not use the art. It is using me.“
Ann Wolff (b. Lübeck, 1937; lives and works in Visby and Kyllaj, Sweden) has ranked among the most significant and most influential glass artists on the international scene for over five decades. Yet she has also worked in bronze, aluminum, nickel silver, and concrete, creating abstract as well as figurative sculptures, and produced a sizable oeuvre on paper: pastels, drawings, and fine art prints. Ann Wolff enrolled at the legendary Ulm School of Design in the 1950s to study visual communication with Otl Aicher. From 1993 until 1998, she was professor of “materials-related design” at the University of Fine Arts (HFBK) in Hamburg. Her works, which have garnered an array of prizes, have been shown in numerous solo exhibitions and are held by renowned public and private collections all over the world.
-
The Scharf Collection.
Goya – Monet – Cézanne – Bonnard – Grosse48€ Add to cartThe Scharf Collection is a German private collection of French art from the nineteenth and twentieth centuries and international contemporary art. Now in its fourth generation, it continues a branch of the renowned Otto Gerstenberg Collection in Berlin, which encompasses everything from the beginnings of modernism, represented by Francisco de Goya, to the French avant-garde of the second half of the nineteenth century with Gustave Courbet, Edgar Degas and the entire graphic oeuvre of Henri de Toulouse-Lautrec. The richly illustrated catalog accompanies the collection’s first comprehensive exhibition at the Alte Nationalgalerie – Staatliche Museen zu Berlin and the Kunstpalast in Düsseldorf.
-
Nicola Staeglich – Farbe schwebend / Color floating
22€ Add to cart“The more slowly one approaches Staeglich’s works, the more they reveal.” Stephan Berg
Nicola Staeglich transforms color and traces of the act of painting into complex pictorial spaces that exude light and make time visible. Using an extra-wide brush, she applies luminous oil paints to (semi-) transparent foils and solid support media made from acrylic glass. Each movement of her body leaves a distinct mark on the paintings. Once the works are placed in the exhibition space, they absorb their environment and ambient light as well as the eye. The artist’s experimental approach generates a rich dynamic: paint hovers in mid-air, disembodied, while a constant oscillation between color and surface, between pictorial body and setting unlocks novel dimensions in space and time. The picture continually coalesces in the eye of the beholder, metamorphosing as the angle of incidence shifts and the mind parses the traces and strata of paint. Even in printed form, Staeglich’s works convey a rousing vitality.
The catalogue accompanies Staeglich’s solo exhibition at Städtische Galerie Waldkraiburg.
-
schneider+schumacher
39€ Add to cartA Review and Prospect of the Work of the Frankfurt‑based Architectural Office on the Occasion of its Thirtieth Anniversary
schneider+schumacher is an internationally operating team of architects with headquarters in Frankfurt am Main. On the occasion of its 30th anniversary they present a book in the shape of a red box, whose chapters “Beauty,” “Endurance,” “Curiosity,” “Land Art,” “Integrating,” “Transitions,” and “Made in Germany” cover issues and values that have determined their work since its founding. Renowned authors shed light on the respective concept and its significance for the history of schneider+schumacher, while the office’s works are presented in large-format illustrations – including the extension to the Städel Museum in Frankfurt, the Siegerland motorway church, and the new pavilion of the Frankfurt Book Fair. In architectural practice, it becomes clear how Till Schneider and Michael Schumacher and their team implement their thematic and theoretical orientation into their working methods, design approach, and understanding of architecture.
-
Ralf Cohen
Synthese25€ Add to cartThe First Comprehensive Overview of the Work of the Photo Artist from 1972 to the Present Day
Ralf Cohen (b. 1949, Solingen; lives and works in Karlsruhe) makes use of the entire material complex of photographic image production for his own creative purposes. He works exclusively with analog processes and explores the limits of the medium with a variety of experiments in the darkroom, altering his photographs through solarization, long-term exposure, light/dark reversal, chromatic filtering, and further manual processing. This comprehensive volume presents Cohen’s works, from the high-contrast black-and-white architectural photographs of the early period and the work groups of people in cities from the late 1980s to the latest photographic series with their enigmatic light effects, seemingly glowing planetary surfaces, hails of stars, and fantastical islands. Ralf Cohen’s fascinating cosmos of imagery breaks viewing habits and, with his imaginary universes, opens up a new perception of the world.
- Out of stock
Otto Dix in Baden-Württemberg
Museumsführer9,80€ Read moreSeven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
In 1933, after the loss of his professorship in Dresden and mounting defamation by the National Socialists, Otto Dix (b. 1891, Untermhaus; d. 1969, Singen) retired to Lake Constance, where he lived for more than thirty years. Together, seven museums in the state of Baden-Württemberg — including the museum in his former home in Hemmenhofen — have the world’s most comprehensive collection of his works at their disposal, providing insight into all facets of his creative work: from the social criticism of the major works, at times depicted with brutal verism, to the old masterly glaze painting of his inner emigration and the expressive alla prima paintings of the late years. For the first time ever, this treasure trove is presented in one volume.
The participating museums: Kunstmuseum Albstadt, Zeppelin Museum Friedrichshafen, Museum Haus Dix, Gaienhofen-Hemmenhofen, Kunsthalle Mannheim, Kunstmuseum Singen, Kunstmuseum Stuttgart, Staatsgalerie Stuttgart.
- Release January 2026
Bettina Buck
Finding Form45€ Add to cartThe German sculptor Bettina Buck (1974-2017) called attention to herself with her “performative sculptures,” which she often presented vis-à-vis museal objects. Buck’s preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient “protagonists,” who didn’t have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to “simultaneously attract and alienate the viewer.” In the exhibition space the objects should “create a tremor, a vibration and a conversation with its surroundings.”
Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist’s estate, Bureau Bettina Buck.
-
Candida Höfer
Editions 1987–202044€ Add to cartAll of Candida Höfer’s Editions in One Book
Candida Höfer’s (b. Eberswalde, 1944) shots of deserted libraries, opera houses, concert halls, churches, and museums have made her a member of the international photographic avant-garde. One strand in her acclaimed oeuvre are editions—photographic prints in small formats issued in larger numbers—that Höfer produces to support institutions and art publishers. Gathered for the first time in this book, with an introductory essay by Anne Ganteführer-Trier, the around one hundred such editions she created between 1987 and 2020 offer a representative cross-section of Candida Höfer’s art.
Candida Höfer studied in the first photography class of Bernd Becher at the Kunstakademie Düsseldorf. Her works have been exhibited at documenta 11 and in 2003 she represented Germany at the 50th Biennale di Venezia alongside Martin Kippenberger.
-
MS 00 22
Michael Sailstorfer – Works 2000–202245€ Add to cartMS 00 22 – Michael Sailstorfer: Works 2000–2022
Michael Sailstorfer (b. Velden/Vils, Germany, 1979; lives and works in Berlin) is one of the most renowned German sculptors and object artists of his generation. His sculptural creations, which often require extensive planning and complex production processes, are the results of reflections on and reinterpretations of everyday objects: intriguing, bizarre, and sometimes humorous experimental arrangements and artifacts that interact with their environments, create spaces, or self-deconstruct. These transformative processes combine conceptual depth with poetic allure and tell stories of the passage of time and disintegration. Many of Sailstorfer’s installations depend on the beholder’s active engagement for their effect. He typically documents his sculptural experiments with the camera and later shares them with the public in the form of videos or photographs.
The extensive monograph MS 00 22 presents the most important works from Sailstorfer’s creative career. Formally diverse writings and conversations with the artist offer profound insight into his practice.
Michael Sailstorfer studied with Olaf Metzel at the Munich Academy of Fine Arts from 1999 until 2005 and at Goldsmiths College, London, in 2004–05. He has won a number of art awards, including the Kunstpreis junger westen (2011) and the Vattenfall Contemporary (2012). Selected solo exhibitions: Schirn Kunsthalle, Frankfurt (2007); Kestnergesellschaft, Hannover (2010); Kunsthalle Nürnberg (2011); Contemporary Arts Center, Cincinnati, Ohio (2014).
-
Alexandru Chira
42€ Add to cartAlexandru Chira’s (b. Tăușeni, Romania, 1947; d. Bucharest, 2011) oeuvre systematically and comprehensively maps a fictional field of research. His paintings, drawings, and objects, whose individual elements recall switches, screens, keyboards, and levers, were designed to “bring rain and rainbows,” to promote prosperity and prevent floods. Working in his art laboratory, Chira resembled a farmer tilling his field. He sowed symbols across his paintings, sometimes transplanted them to create new semiotic interconnections, then reaped them and stored up his harvest in painted machines of varying shapes and dimensions. In the 1990s—by then Chira held a professorship and was a widely recognized artist—he fulfilled a lifelong dream by building the “Tăușeni Ensemble,” the largest monument single-handedly created by one man in Transylvania. Much of his oeuvre accordingly consists of sketches and elaborations relating to the monument. In the course of his decades-long fascination with an agrarian aesthetic, architecture, design, astronomy, history, magic, ufology, mysticism, shamanism, and theosophy fused, yielding a kind of practical knowledge as well as spiritual speculations sustaining his endeavor.
The extensive monograph with more than 750 illustrations surveys Alexandru Chira’s output of four decades and synthesizes years of research undertaken at the National Museum of Contemporary Art in Bucharest. It contains numerous transcriptions of textual parentheses, legends, and instructions on how to decode the works and poetic fragments embedded in Chira’s pictures.
-
Brandon Lipchik
10€ Add to cartIn recent years, a Wagnerian night has settled over Brandon Lipchik’s (b. Erie, PA, 1993; lives and works in Brooklyn, NY, and Berlin) pictures. Moons rise; beasts and titans populate a homogeneous world of swimming pools, white picket fences, and neatly mowed lawns. Synthesized on a computer screen and then transferred to canvas by hand, the artist’s paintings revolve around the backyard as a mythically fraught scene of popular culture. The garishly lit multiperspectival pictures replicate characteristic shots from 1980s gay porn films and quote a clean American Apparel look. Lipchik subjects men’s bodies, spaces, plants, objects, and animals to digital deconstruction, obtaining rudimentary and abstract shapes. Staring at smartphones or gazing on water surfaces, his characters recall early digital animations and seem oddly hollow, like empty avatars waiting to be filled with new speculative content.
-
Thomas Lehnerer
Freies Spiel44€ Add to cartThe function of art in human existence
Throughout his short life, the Munich-based theologian and artist Thomas Lehnerer (1955–1995) did not take the existence of art for granted. In his writings, above all in Methode der Kunst (Methods of Art), he developed a concept of art in the continuation of key texts from the fields of aesthetics, cultural theory, and art history, which can also be found in his own artistic work. The small-format figurative sculptures by Lehnerer, as well as his drawings, watercolors, and early installations, follow theoretical premises and address comprehensive themes of human existence. The present volume documents his examination of human existence, which is deepened by the inclusion of cultural historical figures and idols.
-
Gabriel Vormstein
40€ Add to cartGabriel Vormstein (b. Konstanz, 1974; lives and works in Berlin) explores themes of impermanence, temporality, and futility through a unique visual language. He paints using newspapers as a canvas, and creates installations out of tree branches and other organic matter. These “poor” materials subvert a prevailing notion in Western culture that an artwork should be eternally preserved. Through the adaptation of various styles and symbols, Vormstein’s paintings likewise speak to the transience of art historical and cultural trends. Over 300 pages, this richly illustrated book provides an overview of Vormstein’s oeuvre over the past two decades, while also offering an atmospheric glimpse into the artist’s source material and working methods. The publication is enriched by an essay by Gean Moreno, who characterizes Vormstein’s work as follows: “Gabriel Vormstein’s paintings and sculptures (…) announce their condition as withering artifacts, as if no other manner of existing was available to them (and maybe to us, as well).”
