Ralf Cohen
Synthese
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|---|---|
| Editor(s) | Städtische Galerie Fruchthalle Rastatt |
| Author(s) | Ralf Hanselle, Ursula Merkel, Peter Hank |
| Size | 20 x 27 cm |
| Pages | 144 |
| Illustrations | 200 |
| Design | Neues Sortiment |
| Cover | Hardcover |
| Language(s) | German, English |
| ISBN | 978-3-947563-34-0 |
The First Comprehensive Overview of the Work of the Photo Artist from 1972 to the Present Day
Ralf Cohen (b. 1949, Solingen; lives and works in Karlsruhe) makes use of the entire material complex of photographic image production for his own creative purposes. He works exclusively with analog processes and explores the limits of the medium with a variety of experiments in the darkroom, altering his photographs through solarization, long-term exposure, light/dark reversal, chromatic filtering, and further manual processing. This comprehensive volume presents Cohen’s works, from the high-contrast black-and-white architectural photographs of the early period and the work groups of people in cities from the late 1980s to the latest photographic series with their enigmatic light effects, seemingly glowing planetary surfaces, hails of stars, and fantastical islands. Ralf Cohen’s fascinating cosmos of imagery breaks viewing habits and, with his imaginary universes, opens up a new perception of the world.
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Jan Zöller
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Marion Anna Simon
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Wolfgang Gäfgen
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Hans Karl Zeisel
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Julia Steiner
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Petra Arnold
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GABRIELE BASCH, GESA LANGE
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Fabian Treiber
For a While Longer34€ Add to cartUnstable Prototypes of a Reality We Know
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Mon Trésor
34€ Add to cartEurope’s Treasure Chamber
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Fritz Overbeck und Hermine Overbeck-Rohte
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In the final years of the nineteenth century, numerous painters settled in the village at the foot of Weyerberg hill, followed by young women who took classes with the local artists. Fritz Overbeck (b. Bremen, 1869; d. Bröcken near Vegesack, 1909) and Hermine Overbeck-Rohte (b. Walsrode, 1869; d. Bremen, 1937) became one of Worpswede’s husband-and-wife creative duos, though their union has been less celebrated than those of Otto Modersohn and Paula Becker or Rainer Maria Rilke and Clara Westhoff. Like the stories of their more famous neighbors, theirs exemplifies life and work in the artists’ colony, but also the dogged struggle for equality in the creative professions. Yet unlike those other relationships, theirs did not break up over the conflict between art and marital life; it lasted until Fritz Overbeck’s tragic early death. In a first, this book contains virtually the entire extant correspondence between the Overbeck-Rohtes in unabridged form and with numerous annotations. Offering fresh and nuanced insight into the lives and oeuvres of its protagonists, it makes for moving and entertaining reading.
