


Tamara Suhr
Skulpturen
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| Author(s) | Anne Hein, Christiane Hoffmann |
| Design | Marlen Albrecht |
| Size | 22 x 30,5 cm |
| Pages | 112 |
| Illustrations | 64 |
| Cover | Hardcover |
| Language(s) | German, English |
| ISBN | 978-3-947563-69-2 |
Hesitant yet Immediately Present
As a sculptor, Tamara Suhr (b. 1968, Tübingen; lives and works in Ludwigsburg) has devoted herself unswervingly to the human figure. Her subjects are figures of children whose hesitancy always embodies a certain curiosity, a sense of expectation. In their form reduced to the essential, indeed almost archaic, they radiate calm and serenity—supported by balance with regard to both the motif and possible associations. In their small size and vulnerability, Suhr’s figurative sculptures, painstakingly crafted in bronze, seem apparently in need of protection, yet they appear strong and courageous. They stand, gaze, crouch, fish, swim or balance. They are present, in the here and now, a symbol for the children of the world.
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eine freie malerin.
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Soulages
Malerei 1946–201942€ Read more“I paint not with black but with light.”
Pierre Soulages (b. Rodez, France, 1919; lives and works in Paris and Sète, France) is an eminent figure in abstract painting. A member of the Nouvelle École de Paris, he developed his first nonobjective pictures early on, in 1946, putting bars of bold color, typically black, on white grounds. His embrace of total non-representationality, an art that depicts nothing, that stands for nothing but itself, amounted to a radical challenge to the traditional values of painting. In 1979, his work entered a new phase, a painting he calls “outrenoir” or “beyond black.” Soulages now occupies a singular position, and not only by virtue of his choice of materials such as walnut stain and tar and implements like scrubbers, iron hooks, and spatulas. The book documents the arc of his oeuvre from his beginnings after World War II to the present. Illustrating the evolution of his art, it shows how he remained true to his creative vision, a consistency that is doubly imposing given the extraordinary length of his career.
Pierre Soulages studied at the École Régionale des Beaux-Arts, Montpellier, before moving to Paris in 1946. He contributed work to documentas I, II, and III and the 26th Biennale di Venezia. His work has been shown at the Museum of Fine Arts, Houston; the Hermitage Museum, Saint Petersburg; the Musée du Louvre and the Centre Pompidou, Paris; and the Musée Fabre, Montpellier. The Musée Soulages in his native Rodez opened in 2014.
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10 Jahre Württembergische Volksbühne
Reprint der Festschrift von 192915€ Add to cartCentennial Publication of the Württembergische Landesbühne Esslingen
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Ute Bartel
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In her works, Ute Bartel (b. 1961, Halle; lives and works in Cologne) deals with everyday circumstances, the “mansionaticum.” A term which at first glance seems epochal, but etymologically simply means “belonging to the household.” In a concrete confrontation with particular places and situations, she is interested in things in and of themselves, in their formal characteristics, such as their forms, colors, and structures. Using analog and digital techniques, she creates collages, objects, and works that project into the respective space. This generously illustrated monograph presents structures of familiar and yet unknown realities marked by highly pronounced forms and bold colors and provides comprehensive insight into one of the focal points of the artist’s oeuvre.
Ute Bartel studied at the Kunstakademie Münster, where she was a master student of Reiner Ruthenbeck. Her works have been widely exhibited at, among others, the Kunstverein Speyer, the Deichtorhallen Hamburg, and the Westfälischer Kunstverein, Münster.
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Verena Issel
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