






Leszek Skurski
Catalogue raisonné Vol. 1: Works from 1990–2024
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| Author(s) | Mark Gisbourne |
| Design | allcreativ studio |
| Size | 24 x 27 cm |
| Cover | Hardcover with open spine |
| Pages | 380 |
| Illustrations | |
| Language(s) | German, English |
| ISBN | 978-3-96912-152-8 |
Leszek Skurski (b. Gdańsk, 1973; lives and works in Fulda and Mallorca) is known for his singular and immediately recognizable white paintings. Small black and gray figures emerge from the white landscapes, always set in relation to one another, in pairs or groups. Exposed on the expansive and boundless-seeming plane, they silently tell a story that remains as open-ended as the pictures. In a few spare brushstrokes or lines drawn with the palette knife, Skurski’s superb neoimpressionism deftly captures the atmosphere that weighs down on his characters and holds his compositions in suspense.
The extensive monograph presents over two thousand works from more than three decades. Essays embed the various bodies of work in their art-historical contexts.
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Sinje Dillenkofer studied at the Stuttgart State Academy of Art and Design and has taught at universities and art academies. Her work is held by the Victoria & Albert Museum in London, the ZKM | Center for Art and Media Karlsruhe, the Staatsgalerie Stuttgart, and the Berlinische Galerie, among others.
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Martin Noël studied graphic art and painting at what is now the Cologne University of Arts and Sciences. His art garnered numerous prizes and other honors, including fellowships from Kunststiftung NRW, Stiftung Kunstfonds, and Letter Stiftung. Works by Noël are in the German Federal Collection of Contemporary Art, Kunstsammlung Chemnitz, and the collection of Museum Pfalzgalerie Kaiserslautern.
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Stephan Grunenberg
10€ Add to cartStephan Grunenberg (b. 1954) paints peculiar portraits: not heads or sitting and reclining figures but seemingly independent feet, legs, trousers, socks or soles of shoes. These and other under-appreciated motives are playfully arranged in captivating compositions which take issue with our hierarchical habits while looking at art. “Leaving out the ‘civilized’, educated head and centering on neglected parts such as the legs, including the lower abdomen—which is either eroticized or made taboo—is the artist’s point”, writes Oliver Koerner von Gustorf in an essay that accompanies the images inside this small and attractive new book. The paintings reproduced in this volume were all exhibited in Grunenberg’s latest exhibition in 2024, which was titled tongue-in-cheek „Representatives Regional To Earth.”
- Release January 2026

Bettina Buck
Finding Form45€ Add to cartThe German sculptor Bettina Buck (1974-2017) called attention to herself with her “performative sculptures,” which she often presented vis-à-vis museal objects. Buck’s preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient “protagonists,” who didn’t have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to “simultaneously attract and alienate the viewer.” In the exhibition space the objects should “create a tremor, a vibration and a conversation with its surroundings.”
Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist’s estate, Bureau Bettina Buck.
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Karin Hochstatter
gegengerade20€ Add to cartA Provocation of Vision between Surface and Depth
In her sculptural works, Karin Hochstatter (b. 1960, Cologne; lives and works in Cologne) deals with forms and their dissolution, as well as the perceptual mechanisms that arise from this. Everyday materials from high-tech production processes, such as construction products and foils, become fragile and expansive structures that question both our way of seeing and our notion of sculpture. The book documents her more recent works since 2012, which always exist as singular events in space and never appear a second time in the same way.
Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
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wolfgang thiel
skulpturale standpunkte38€ Add to cartWolfgang Thiel (b. Zweibrücken, 1952; lives and works in Plochingen) is a sculptor who makes figurative work. He is especially interested in the southern German tradition of colorfully painted sculpture, which he seeks to bring into the twenty-first century. His experimental handling of various genres and materials suggests a researcher’s mind. Switching between different materials is key to Thiel’s approach because their particular characteristics demand his constant attention. Å playful aspect is essential to all his works, which include large-format sculptures in public settings (more than thirty have been installed in Germany) as well as sculptural garden landscapes, stage designs, and costumes.
The opulent wide-format book containing almost three hundred illustrations offers a representative overview of Wolfgang Thiel’s oeuvre and includes the first complete chronological catalogue raisonné of his works in wood.
Wolfgang Thiel studied at the Stuttgart State Academy of Art and Design from 1970 until 1976 and later taught at his alma mater from 1987 until 1991. From 2008 until 2018, he held a teaching position at the Hochschule für Technik Stuttgart. In 1990, he won the Art Award of the City of Stuttgart. Since 1977, Thiel’s work has been showcased in numerous solo exhibitions in Switzerland, France, and Germany.
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Antonia Hirsch
Phenomenal Fracture24€ Add to cartIn a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined. Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder’s body. The book accompanies Hirsch’s solo exhibition Phenomenal Fracture at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humorous.
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Fabian Treiber
For a While Longer34€ Add to cartUnstable Prototypes of a Reality We Know
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Fabian Treiber studied painting and intermedia design at the Stuttgart State Academy of Art and Design (ABK Stuttgart). His works have won him a Karl Schmidt Rottluff Fellowship; he was also a finalist for the 2021 Hans Purrmann Grand Prize. He has had numerous solo shows, including at Kunsthalle Nürnberg, Nuremberg; Kunstverein Ludwigsburg; and Galerie Ruttkowski;68, Cologne; and contributed to group exhibitions at Kunsthalle Düsseldorf; Villa Merkel—Galerien der Stadt Esslingen a.N.; and Staatliche Kunsthalle Baden-Baden. For a while longer is published on occasion of his first solo exhibition at Haverkampf Galerie.
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With works by Morehshin Allahyari, Giulia Bowinkel & Friedemann Banz, Jörg Brinkmann, George Crîngaşu, Nieves de la Fuente Gutiérrez, Marcel Karnapke, Leonard Kern, Nicolò Krättli + Jann Erhard, Martina Menegona and Marjan Moghaddam.
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Julius Hofmann studied painting with Neo Rauch and Heribert C. Ottersbach at the Academy of Fine Arts Leipzig (HGB) from 2005 until 2011. His work is represented in international collections and institutions.
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Otto Dix in Baden-Württemberg
Museumsführer9,80€ Read moreSeven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
In 1933, after the loss of his professorship in Dresden and mounting defamation by the National Socialists, Otto Dix (b. 1891, Untermhaus; d. 1969, Singen) retired to Lake Constance, where he lived for more than thirty years. Together, seven museums in the state of Baden-Württemberg — including the museum in his former home in Hemmenhofen — have the world’s most comprehensive collection of his works at their disposal, providing insight into all facets of his creative work: from the social criticism of the major works, at times depicted with brutal verism, to the old masterly glaze painting of his inner emigration and the expressive alla prima paintings of the late years. For the first time ever, this treasure trove is presented in one volume.
The participating museums: Kunstmuseum Albstadt, Zeppelin Museum Friedrichshafen, Museum Haus Dix, Gaienhofen-Hemmenhofen, Kunsthalle Mannheim, Kunstmuseum Singen, Kunstmuseum Stuttgart, Staatsgalerie Stuttgart.
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Mihai Olos
42€ Add to cartMihai Olos (b. Ariniș, Romania, 1940; d. Endingen am Kaiserstuhl, 2015) ranks among the most fascinating artists of the second half of the twentieth century. His adaptations of the formal vocabulary pioneered by Constantin Brâncuși are unrivaled in their creative originality. His works evince an utterly novel approach to the combination of materials from the culture of rural Romania with the visual strategies of modernism. His formidable oeuvre engages with conceptual and minimal art and comprises paintings, drawings, and sculptures, sometimes in the dimensions of land-art projects, as well as performances and poetry. Despite the constraints imposed by the communist system, his art and travels—during which he also met his kindred spirit Joseph Beuys—were dedicated to the unerring pursuit of his vision of social sculpture and radical utopian architecture.
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Jenny Brosinski
Things I’ve Never Said58€ Add to cartJenny Brosinski’s (b. Celle, 1984; lives and works in Berlin) paintings in large formats look like uncoordinated abstract compositions with traces of wear deliberately left in place. This brings their materiality to the fore and reveals the creative process. Expressive oil paint on unprimed canvas, spray-painted lines, typographic elements, shoeprints, or pieces of masking tape on the canvas: on the one hand, these are experiments and statements; on the other hand, they are engagements with painting as such. The artist added sculpture to her repertoire in 2019, making figurative and sometimes colorfully painted imaginary beasts in bronze or stone—more evidence of her subtle sense of humor, which also manifests itself in her pictures and especially in their titles. The extensive monograph offers profound and comprehensive insight into Brosinski’s oeuvre.
Jenny Brosinski studied illustration and animation at the Weißensee Kunsthochschule, Berlin, the École supérieure des arts décoratifs, Strasbourg, and the Hamburg University of Applied Sciences. She completed her education with a master class in Berlin in 2010.
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Elsa Salonen
Stories Told by Stones15€ Add to cart“I find the question of a consciousness of stones genuinely inspiring, captivating, and provocative!”
Elsa Salonen (b. 1984, Turku; lives and works in Berlin and Finland) produces colored crystals from the pigments of flowers, draws stellar constellations with finely ground meteorite dust on glass, or distils liquid from plants. The Finnish artist experiments with a wide range of “poetic” materials, reviving lost animistic rituals and magical practices. Her subtle works in the field of tension between installa-tion, painting, and conceptual art combine mysti-cism with science, ancient knowledge with recent findings — supported by a great respect for nature. This volume documents her artistic search for consciousness as the primary source of all physical matter.
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America! America!
How real is real?38€ Add to cartMyths, Projections, Aspirations
In times of fake news and alternative facts it is becoming even more clear how the American Dream is closely interwoven with emotional pictures and symbols. At the same time, it can be said that no other nation might have the same strong awareness of the power of images. Images of the American Way of Life, which are produced in media and entertainment, are able to consolidate existing power structures and perceptions of reality, but also question them in a radical way. The psychologically charged canvasses of Eric Fischl, the hermetic scenes of Alex Katz, the enormous film-noir-like graffiti paintings of Robert Longo dissect the dreams and fears of an insecure white middle class. Simultaneously, artists such as Jeff Wall or Cindy Sherman conquer scenes that critically reflect our media-influenced perception, becoming models for subsequent generations. By showing 70 masterpieces of US-contemporary art, the book shows how artists from the 1960s to date comment on the American reality.
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Was ist Wiener Aktionismus?
50€ Add to cartBlows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. Vienna in the late 1960s: what had started in the artists’ homes and studios was now brough out on the grand stage, and taboos were broken in full view of the public.
The Vienna Actionism Museum’s first publication is dedicated to the idea of Vienna Actionism in the dynamic context of abstract realism, Fluxus, and the international Happening scene. The book relates the story of one of art history’s most influential art movements, spearheaded by the Actionists Günter Brus and Otto Muehl, Hermann Nitsch and Rudolf Schwarzkogler.
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Nikolaus List
Analphabetismus Nr. 737€ Add to cartBeguilingly colorful, balancing opulence with restraint, Nikolaus List’s (b. Frankfurt am Main, 1965; lives and works in Berlin) pictures scrutinize the relation between nature and art. Observations of natural scenes around Berlin blend with the artificiality of baroque gardens or early videogames. As List studies the operation of human perception, the painted space alternates between the depth of one-point perspective and a schematized flatness. The rhythmically organized compositions suspend the hierarchical distinction between foreground and background, an effect that is heightened by the often dissonant selection of colors and lends List’s art a “decidedly anti-sublime and anti-minimal” quality. A fallen tree, luminous rampantly growing and coiled branches become a metaphor for our relationships, our existence, for becoming and passing away, renewal and time.
Nikolaus List studied with Thomas Bayrle, Peter Kogler, and Christa Näher at the Academy of Fine Arts—Städelschule in Frankfurt. He has taught painting at the Weißensee School of Art and Design and the Berlin Art Institute.
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Art in a Conflicted World
34€ Add to cartTrans-European Perspectives in the Age of Cultural Fragmentation
Since the turn of the millennium, much of the world has become an increasingly unstable and dissonant place. Sharp disruptions define many aspects of our social, cultural, and political relations. Art in a Conflicted World addresses this evolving reality, featuring critical positions articulated by visual artists and writers from Ukraine, Russia, and Great Britain—regions embroiled in extraordinary strife and upheaval. The publication takes a frank look at these multifaceted states of social dissonance and reflects them in diverse artistic and literary inquiries and responses. The contributions are the fruits of an interdisciplinary fellowship program at Kulturstiftung Schloss Wiepersdorf that offers the participants an opportunity to gain fresh creative and cultural insights, test ways of engaging with complexity, and develop models for the future that transcend national boundaries.
The publication presents works by Sarah Dobai, Nikita Kadan, Ali Eisa, and Sebastian Lloyd Rees (Lloyd Corporation) as well as writings by Alisa Ganieva and Tanya Zaharchenko.
The project was mentored by Wolfgang Tillmans, Tom McCarthy, Katharina Raabe, and Mark Gisbourne and received funding support from the German Federal Foreign Office.
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Konkrete Progressionen
François Morellet & Vera Molnar, Manfred Mohr & Hartmut Böhm15€ Add to cartThanks to a generous donor, the Kunstmuseum Reutlingen | konkret welcomed a number of outstanding works to its collection in 2022. Titled Konkrete Progressionen, the first exhibition to showcase a selection from the gift features four internationally renowned artists whose works are derived from mathematical or geometric procedures: the concrete systematists Hartmut Böhm (1938–2021) and François Morellet (1926–2016) and the pioneers of computer-generated art Manfred Mohr (1938–) and Vera Molnar (1924–).
The book documents the serial paintings, drawings, collages, wall objects, and monumental installations and environments of steel beams or concrete blocks. The works play concrete games with the beholder’s ability to recognize patterns in binary contrasts or layered grids. They show sine waves, vector series, hypercubes, and markings derived from the circular constant π or the Fibonacci sequence—and in each instance demonstrate primarily how the basis of calculation takes on a life of its own.
The exhibition at the Kunstmuseum Reutlingen runs until April 14, 2024.
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Rainer Jacob
justICE30€ Add to cartRainer Jacob (b. Jena, 1970; lives and works in Leipzig) has anonymously installed objects made of ice in public settings in cities including Berlin, Leipzig, Paris, Moscow, Oslo, Prague, and Budapest since 2013. He then allows them to dematerialize and records the process in photographs. Radiators, wall outlets, QR codes, and the Duchampian pissoir are among his recurrent motifs. The impermanence of the ice objects builds bridges to street art, Fluxus, and action art. Critical observations on the unequal distribution of resources and political power in contemporary society, his works reflect on our perceptions and question the idea of originality in art while also probing the outer limits of sculpture.
The publication showcases the ice objects of the past ten years, embedding them in a decade that has marked a sea change in the life of humankind: JustICE captures an artist’s distinctive perspective on societal processes.























