





John M Armleder
CA. CA.
![]() | |
|---|---|
| Editor(s) | Ingrid Pfeiffer, Schirn Kunsthalle Frankfurt |
| Author(s) | Ingrid Pfeiffer, Rebecca Herlemann |
| Design | stapelberg&fritz |
| Size | 21 x 27 cm |
| Pages | 64 |
| Illustrations | 23 color and 7 b/w |
| Cover | Softcover |
| Language(s) | German, English |
| ISBN | 978-3-947563-47-0 |
Commentaries on our Present Day Realities and the Status of Art
John M Armleder (b. 1948, Geneva; lives and works in Geneva and New York) is one of the most influential contemporary conceptual, performance and object artists. The profound and the banal, control and coincidence, high culture and everyday life coalesce in Armleder’s work to create a unique experience. The works of the Swiss – often humorous or ironically twisted commentaries on contemporary reality – draw on the formal repertoire of Classical Modernism, as well as on video and design. The book focuses on large-scale, site-specific installations and wall pieces, showing in detail the broad spectrum of Armleder’s work.
John M Armleder studied at the École des Beaux-Arts in Geneva. He represented Switzerland 1986 at the 42nd Biennale di Venezia and participated in documenta 8 one year later. His work has been exhibited at the Museum of Modern Art, New York, Palais de Tokyo, Paris, and Belvedere, Vienna, amongst others.
More books
-

Nikolaus List
Analphabetismus Nr. 737€ Add to cartBeguilingly colorful, balancing opulence with restraint, Nikolaus List’s (b. Frankfurt am Main, 1965; lives and works in Berlin) pictures scrutinize the relation between nature and art. Observations of natural scenes around Berlin blend with the artificiality of baroque gardens or early videogames. As List studies the operation of human perception, the painted space alternates between the depth of one-point perspective and a schematized flatness. The rhythmically organized compositions suspend the hierarchical distinction between foreground and background, an effect that is heightened by the often dissonant selection of colors and lends List’s art a “decidedly anti-sublime and anti-minimal” quality. A fallen tree, luminous rampantly growing and coiled branches become a metaphor for our relationships, our existence, for becoming and passing away, renewal and time.
Nikolaus List studied with Thomas Bayrle, Peter Kogler, and Christa Näher at the Academy of Fine Arts—Städelschule in Frankfurt. He has taught painting at the Weißensee School of Art and Design and the Berlin Art Institute.
-

Wege in die Abstraktion
Marta Hoepffner und Willi Baumeister24,90€ Add to cartUnknown Influences of Modern Painting and Photography
Marta Hoepffner (b. 1912, Pirmasens; d. 2000, Lindenberg) is considered a pioneer of experimental photography. For the first time, this book compares the artist’s early photographic experiments, portraits, and color photographic studies with the paintings of Willi Baumeister (b. 1889, Stuttgart, d. 1955 Stuttgart). As professor at the Frankfurter Kunstschule – today’s Städelschule – Baumeister had a decisive influence on the development of his student Hoepffner. An extraordinary book that presents more than fifty works from the 1910s to the 1970s.
Marta Hoepffner’s works have been exhibited at, among others, the Centre Georges Pompidou in Paris, the San Francisco Museum of Modern Art, and the National Portrait Gallery in London. Willi Baumeister studied at the Kunstakademie in Stuttgart and was a member of the influential November Group. He was defamed as “degenerate” during the Nazi regime and is now considered one of the outstanding artists of modernism.
- temporarily not available

David Hockney: Insights
Reflecting the Tate CollectionRead moreDavid Hockney (born 1937 in Bradford) is one of the most influential and technically versatile artists living today. This new publication gathers some of his most defining work from the 1960s to the present, including major works in the Tate collection. From early graphic cycles, double portraits and iconic pool paintings through to his photo collages, plein air landscapes, iPad drawings, and multimedia installations, the volume documents central themes and genres in Hockney’s oeuvre, as well as his constant experimentation.
Original essays by renowned critics and commentators illuminate the artist’s search for new forms of expression, the topographical and biographical reference points of his work, the technical innovation of his painting and printmaking, as well as his approach to new media.
-

Sabine Hornig
Passage through Presence45€ Add to cartLayered Spacetimes in Large Formats
Sabine Hornig (b. 1964; lives and works in Berlin) has earned international acclaim with sculptures, photographs, and architectural interventions that interweave image, perspective, and space in distinctive ways. Her works feature translucent pictorial planes on glass panes; integrating these sculptural elements into the setting, she creates environments in which meaning unfolds as viewers allow their gazes—and themselves—to wander. For her new works, which engage with architecture, the artist superimposes enormous photographs on entire façades and concourses. This publication is the first to put the focus on Sabine Hornig’s art in three dimensions, detailing her process from the building of sculptural models and the combination with transparent photographic layers to her creation of works in public settings. It showcases her largest installation to date, at LaGuardia Airport in New York City, which she discusses in a conversation with Nicholas Baume, director and chief curator, Public Art Fund, New York.
-

Sam Falls
After Life45€ Add to cartSam Falls (b. San Diego, 1984; lives and works in New York) delegates the authorship of his works to the phenomena of nature. Applying water-reactive dry pigments or plant parts to support media like canvas, aluminum, or tiles and then exposing them to the effects of sun, rain, and wind at selected sites for extended periods, he deliberately integrates the agency of chance into his art. The playful yet conceptually rigorous process is a metaphor for the impermanence of all bodily existence. Falls’s symbiotic work with nature and its elements evinces references to the technique of the photogram as well as land art. Melding diverse media—photography, sculpture, and painting—he bridges the gulf between artist, object, and beholder.
Sam Falls studied at Reed College in Portland, Maine, and at the International Center of Photography Bard in New York. He has had numerous solo exhibitions, including at the Hammer Museum, Los Angeles, the Mori Museum, Tokyo, and Frankfurter Kunstverein.
-

Michael Bielicky
Perpetuum mobile54€ Add to cartContemporary Media Art
The German-Czech artist Michael Bielicky (b. Prague, 1954; lives and works in Karlsruhe) has been an innovator in the fields of photography, video, and web-based installation art for over four decades. In an ongoing dialogue with emerging technological developments, his works probe the history of his media from the deepest strata to the magical mathematical practices of the medieval Cabalists: idiosyncratic hybrids that straddle the boundary between the analog and digital worlds. Operating on the interfaces between real and virtual spaces, his media art prompts a critical reflection on the nature of technology, its material and immaterial significations, and the ways in which it informs our perceptions and actions. The book Perpetuum mobile is the first to offer a comprehensive survey of Bielicky’s rich and diverse oeuvre. The layout, designed by the artist himself, integrates the experimental images into a graphic “stream of consciousness.”
Michael Bielicky moved to Germany in 1969 and initially studied medicine. After an extended stay in New York, he studied at the Düsseldorf Academy of Fine Arts from 1984 until 1990, first with Bernd Becher and then in Nam June Paik’s master class. He was made professor at the Academy of Fine Arts Prague in 1991, then professor of new media at the Karlsruhe University of Arts and Design in 2006. Bielicky participated in numerous major exhibitions, including the São Paulo Biennial (1987); Videonale, Bonn (1988, 1990, 1992); Ars Electronica, Linz (1992, 1994, 1995); and the Havana Biennial (2012).
-

Candida Höfer
Editions 1987–202044€ Add to cartAll of Candida Höfer’s Editions in One Book
Candida Höfer’s (b. Eberswalde, 1944) shots of deserted libraries, opera houses, concert halls, churches, and museums have made her a member of the international photographic avant-garde. One strand in her acclaimed oeuvre are editions—photographic prints in small formats issued in larger numbers—that Höfer produces to support institutions and art publishers. Gathered for the first time in this book, with an introductory essay by Anne Ganteführer-Trier, the around one hundred such editions she created between 1987 and 2020 offer a representative cross-section of Candida Höfer’s art.
Candida Höfer studied in the first photography class of Bernd Becher at the Kunstakademie Düsseldorf. Her works have been exhibited at documenta 11 and in 2003 she represented Germany at the 50th Biennale di Venezia alongside Martin Kippenberger.
-

Kay Rosen
NOW AND THEN35€ Add to cartKay Rosen (b. Corpus Christi, TX, 1943; lives in New York City and Gary, IN) has made art out of language since the 1970s. She garnered international acclaim with wall pieces spelling individual words, phrases, or strings of letters, often on a vast scale. Her works combine minimalist form, aesthetic force, and clever ideas in compelling ways. By modulating their arrangement and typographic and color design, the artist puts irritating twists on everyday terms and expressions. Subtle alterations often yield striking effects. Through punning, reframing, and onomatopoeic exploration, Rosen continually unearths unexpected layers of meaning. Released on occasion of the artist’s eightieth birthday, the publication presents wall pieces, paintings, drawings, prints, and video stills, inviting readers to discover or rediscover a multifaceted oeuvre that blends lightness and humor with analytical acumen in singular fashion.
Kay Rosen obtained a B.A. in linguistics, Spanish, and French at Tulane University’s Newcomb College in New Orleans, LA, in 1965. She then taught Spanish at Indiana University in Gary while attending studio classes at the School of the Art Institute of Chicago, where she subsequently taught for twenty-four years.
-

nolde/kritik/documenta (English)
42€ Add to cartEmil Nolde (1867–1956) ranks among the best-known classic modernists. Contemporary perceptions of the artist and his oeuvre are informed by mythmaking as well as its deconstruction. After the Second World War, Nolde himself and art historians of the time portrayed him as a victim of Nazi persecution. More recent critics have drawn attention to his anti-Semitic views and his opportunism in his dealings with the Nazi authorities.
With support from the Nolde Foundation, Seebüll, the Düsseldorf-based conceptual artist Mischa Kuball (b. 1959) delved into the documentary record to shed light on this profoundly ambivalent figure and frame a critical perspective on Emil Nolde’s output and actions. The first fruits of his endeavors were shown at the Draiflessen Collection, Mettingen, in the winter of 2020–2021.
Kuball continued his research at the invitation of the documenta archive, Kassel. Based on his findings, the exhibition project “nolde / kritik / documenta” illuminates the ways in which life and oeuvre are interwoven and inquires into the contradictions of modernism, which Emil Nolde as a man and artist may be said to have embodied. The focus of the new project is on the staging of Nolde’s works at the first three editions of the documenta exhibition series (1955, 1959, 1964), which were instrumental to establishing the “Nolde myth.”
An enlarged and revised edition of the catalogue “nolde / kritik / documenta” is released in conjunction with the exhibition at the Fridericianum, Kassel (December 9, 2022–February 19, 2023).
Mischa Kuball has been professor of public art at the Academy of Media Arts Cologne and associate professor of media art at the Karlsruhe University of Arts and Design/ZKM since 2007.
-

Antonia Hirsch
Phenomenal Fracture24€ Add to cartIn a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined. Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder’s body. The book accompanies Hirsch’s solo exhibition Phenomenal Fracture at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humorous.
-

Roland Schappert
Coronasehnsucht14€ Add to cartThe coronavirus pandemic hit us in a time of disparate foci of attention. A fundamental lack of comprehension and hate speech contrast sharply with an unspoken consonance of ideas as well as feelings. What do reality, statistics, love, and yearnings do to us? They are playing a game with reality, sans fiction. Relationships sustain our lives. What was unmistakable before is now manifest, with stark certainty. Are we ready for loving dissension? Can we bear to think only as far ahead as we can see? How do our emotions answer these questions, and how does our intellect? The Cologne visual artist and writer Roland Schappert retraces his personal voyage through this sun-kissed rain-drenched time. The book is a diary-like tour de force of digital amorous overtures, an attempt to explain the world of art via WhatsApp, and the real challenges of life as a single artist in a major German city in precarious circumstances.
-

Barthélémy Toguo
10€ Add to cartBarthélémy Toguo’s art is a call for community and love, but there is nothing naïve about it. His paintings, graphic art, sculptures, performances, and installations explicitly grapple with colonialism, migration, and inequality; he directs our attention to the devastations wrought by humans, to the slow deaths of nature and cultures. But he does not dwell in this abyss. He aspires to something greater: to create work that establishes non-hierarchical connections; to build, as he puts it, a “world of solidarity and generosity” that knows neither ego nor identity, a community of all forms of life that flourish and pass away so that new living beings can sprout from their remains—Endless Blossoms. His choice of words and the aesthetic of the works gathered in this catalogue suggest that he is not alone in this undertaking. He stands with Ellen Gallagher, Wangechi Mutu, Louise Bourgeois, Marlene Dumas, and Kiki Smith. With them and with all of us, Toguo envisions a colorful future, a universe of exuberant energy and joie de vivre.
-

Beate Höing
It’s all about Love28€ Add to cartRecollections—What remains?
The painter and ceramist-sculptor Beate Höing (b. 1966, lives and works in Coesfeld and Münster) creates works of art whose aesthetic is deeply informed by the ornamentation and manual techniques of folk art. Drawing inspiration for her motifs from souvenir culture, but also from fairy tales and myths, she unfurls her burgeoning imagination in works defined by an unmistakable style and a singular allure. Poetic pictures and sculptures deftly toy with the conventions of kitsch and forms of traditional craftsmanship. Tangible objects, associations, and recollections coalesce in an ambivalent play between reality and fiction in which only a fine line separates dream from nightmare, congeniality from alarm.
The lavishly illustrated monograph presents a comprehensive survey of the artist’s output between 2011 and 2021.
-

Tobias Pils
Drawings55€ Add to cartDrawings is the first book dedicated exclusively to the painter Tobias Pils’s (b. Linz, 1971; lives and works in Vienna) drawings. His graphical forms—the lines, figurations, even the intervening spaces—constantly change the direction in which they set out. Their ambivalence destabilizes any attempt at interpretation. One would think that the indeterminacy of Pils’s visual idiom must torment him, yet in fact this state of existential tension fills him with absurd pleasure. Rather than conceiving his works with a clear objective in mind, he allows himself to fall into them. He—his art—remains open to everything that happens in the creative process. Taken together, Pils’s drawings operate along the diffuse boundary between order and disorder, as though, acknowledging the disordered present (the life we lead), they came from an ordered past (the life we have constructed for ourselves).
Tobias Pils studied at the Academy of Fine Arts Vienna from 1990 until 1994. His works have been displayed in museums around the world, including at the mumok, Vienna (2021); the Pinakothek der Moderne, Munich (2020); the Musée Picasso, Paris (2020); the Kunstmuseum Bonn (2020); Le Consortium, Dijon (2018); the Aspen Art Museum (2018); the Chinati Foundation’s John Chamberlain Building, Marfa (2016); and the National Art Museum of China, Beijing (2010). In 2020, he executed a large wall painting at the École normale supérieure in Paris-Saclay.
-

Tony Cragg
Points of View24€ Add to cartThe biomorphic and monumental sculptures of British sculptor Tony Cragg (born 1949, lives in Wuppertal) impress with their virtuosity and their dynamic appearance. They might even evoke movement, as if they are still becoming. Often exhibited outdoors, and in church or museum contexts, they blend into their surroundings like organic entities. Since the 1960s, Cragg’s search for sculptural form manifested through methods like layering and stacking existing materials, rearrangement, and assemblage. He now employs both traditional and new technologies and materials, yet his sculptures have to be seen in clear contrast to normative, repetitive industrial production. This book documents Cragg’s 2025 exhibition in the Anhaltische Gemäldegalerie Dessau.
- Out of stock

Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
-

Fiona Rae
Row Paintings24€ Add to cartElements of Energy and Complexity
Fiona Rae’s (b. Hong Kong, 1963; lives and works in London) abstract paintings attracted the attention of broad audiences when she participated in the legendary exhibition Freeze at London’s Docklands in 1988. It put her on the map as an early member of the group known as Young British Artists, who would revolutionize not only the English art world. To this day, Rae’s distinctive creations, which are rooted in a conceptual engagement with the problems and potentials of abstract painting, have remained prominent and seminal contributions to the field. In 2011, she was appointed professor of painting at the Royal Academy, one of the first women to hold this position. The catalogue is the first to feature the most important pictures from this period: the Row Paintings. They mark the inception of the artist’s internationally acclaimed oeuvre. An essay by Terry R. Myers offers an appraisal of the Row Paintings’ significance in their historic context as well as the contemporary discourse of painting.
-

100 Windows
Site-specific art installations at Berlin-Weekly project space28€ Add to cartEstablished in 2010 by Stefanie Seidl in a former gateway for horse-drawn carriages that is now enclosed by glazing at both ends, the project space BERLIN-WEEKLY offers the narrow yet exceptionally tall display space to artists as a highly visible public stage for installations that respond to the setting or site. Its unilateral orientation toward the street makes BERLIN-WEEKLY a creative intervention into the urban fabric that harnesses the shopwindow format. The book presents 100 selected window installations to illustrate the widely diverse ways in which individual artists have engaged with the venue, time and again transforming the unusually shaped small space.
With works by: Menno Aden, Alexandra Baumgartner, Isabelle Borges, Astrid Busch, Simon Faithfull, Moritz Frei, Max Frisinger, Wolfgang Flad, Dagmara Genda, Andreas Greiner & Armin Keplinger, Sabine Groß, Marc van der Hocht, Sabine Hornig, Irène Hug, Bettina Khano, Julia Kissina, Nikolaus List, Ulrike Mohr, Virginie Mosse, Piotr Nathan, Katja Pudor, Philip Topolovac, Inken Reinert, Sophia Schama, Geerten Verheus, Sinta Werner, Barbara Wille, and others
- Release February 2026

Tim David Trillsam
Willkommen im Panoptikum38€ Add to cartWith his idiosyncratic figurative bronze sculptures Tim David Trillsam (born 1985 in the Swabian Alb) has hit a nerve. The artist’s “self memorials” ask the viewer to remember the transience and illusion of this very self. Although Trillsam employs a loaded material that evokes many great sculptors before him, his own sculptures resist the past. His figures are tangibly protagonist of the present and they provoke with their exaggerated sensuality, twisted bodies, and oversized hands and feet. “The oversizing is programmatic. As is the skeptical approach to the human species. Trillsam proceeds as a thoughtful questioner with doubt yet also irritation,” writes Dorothee Baer-Bogenschütze. Her in-depth art-historical analysis is part of this forthcoming book about Trillsam’s oeuvre since 2012.
-

Zwischen Freiheit und Moderne
Die Bildhauerin Renée Sintenis29€ Read moreThe Successful Sculptor and Symbol of the “Neue Frau”
Renée Sintenis (b. 1888, Glatz; d. 1965, Berlin) belongs to the first generation of professional female sculptors at the beginning of the twentieth century. She made skillful use of her business relations with her gallerist Alfred Flechtheim, who introduced her to collectors in Paris, London, and New York. The market for, in particular, her lively, small animal sculptures was quite lucrative. These experienced renewed popularity in the 1950s through her Berlin Bear statuette, which has been presented in a small version at the Berlin International Film Festival since 1960. The catalog sheds light on the sculptor’s diverse oeuvre and provides insight into the self-image of one of the most successful women artists of the Weimar Republic, who embodied the type “Neue Frau” (new woman) due to her dazzling appearance.






















