Musée Régional d‘Art Contemporain Occitanie, Mudam Luxembourg – Musée d'Art Moderne, Grand-Duc-Jean
Marianne Derrien, Sarah Ihler-Meyer, Vincent Pécoil, Klaus Speidel
15 x 30 cm
Softcover in Swiss brochure with flaps
Between the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
16 Artists in Dialogue with W. G. Sebald35€ Add to cart
On Memories and Temporalities
Pensive Images examines the complex and invariably singular relationships through which images and memories are inextricably linked. The book relates to the work of the German writer W. G. Sebald (b. 1944, Wertach; d. 2011, Norfolk), especially to four fictional stories he published between 1990 and 2001, in which he inserted non-captioned blackand- white photographs of uncertain provenance and nature into the text like memories punctuating ways reminiscent of his writing. It brings together 16 artists who, in ways reminiscent of Sebald’s approach, explored the realms of memory and past from the perspective of experience and intertwining temporalities.
With works by Mathieu Kleyebe Abonnenc, Dove Allouche, Lonnie van Brummelen / Siebren de Haan, Moyra Davey, Tacita Dean, Jason Dodge, Félix González-Torres, Ian Kiaer, Jochen Lempert, Zoe Leonard, Helen Mirra, Dominique Petitgand, John Stezaker, Danh Vo and Tris Vonna-Michell.
- Release Spring 2021
Living in Digital Worlds44€ Add to cart
”It Opens to Us a New Horizon for Humankind: Transhumanism Built on Artificial Intelligence.”—Peter Weibel
From Leibniz’s binary code to Morse code, from the cosmic code to the genetic code – we live in a globalized world created and controlled by codes. A vast number of electronic interfaces, like smartphones, computers, TVs, and data displays, accompany us 24/7. Fields of Data are indispensable and omnipresent. Living in digital worlds means increasingly a life spent in a programmed, smart environment, a so-called scripted reality. The script is dictated in part by sensors, which provide information about the state of reality around us. This book presents works of art and science based on both digital and analog codes. The works attempt to explain the complex dynamics of codes and the way in which they increasingly shape how we live in and perceive the world.
With works by Kevin Abosch, Jean-Michel Alberola, Refik Anadol, Morehshin Allahyari, AppSphere AG, Torsten Belschner, Lisa Bergmann, Michael Bielicky, Patrick Borgeat, James Bridle, Ludger Brümmer, Butternutten AG, Can Büyükberber, Emma Charles, Matthieu Cherubini, Tyler Coburn, Max Cooper, Shane Cooper, Larry Cuba, Frederik De Wilde, Simon Denny, DISNOVATION.ORG, Harm van den Dorpel, Constant Dullaart, Margret Eicher, Jonas Eltes/Fabrica, Matthew Eppler, César Escudero Andaluz, Claire L. Evans, Harun Farocki, Thierry Fournier, Fraunhofer IOSB, FZI Forschungszentrum Informatik am KIT, Kristof Gavrielides, Julia Gerlach, Melanie Gilligan, Fabien Giraud, Manfred Hauffen, Daniel Heiss, Felix Held, Anton Himstedt, Perry Hoberman, Yannick Hofmann, Simon Ingram, ICD, ITKE, ITECH, Institut für Theoretische Informatik, DebateLab, KIT, Mahsa Jenabi, Eduardo Kac, Helen Knowles, Werner A. König, Beryl Korot, Anton Kossjanenko, Brigitte Kowanz, Egor Kraft, Manfred Kraft, Mattis Kuhn, Marc Lee, Jan Robert Leegte, Donna Legault, Lawrence Lek, Armin Linke, Bernd Lintermann, Fei Liu, Christian Lölkes, Andy Lomas, Solimán López, Wolfgang Maass, Shawn Maximo, Rosa Menkman, Chikashi Miyama, Andreas Müller-Pohle, Jörn Müller-Quade, Martín Nadal, Greg Niemeyer, Helena Nikonole, Julian Palacz, Josef N. Patoprsty, Elizabeth Pich, Matthew Plummer-Fernandez, Julien Prévieux, Chandrasekhar Ramakrishnan, Peter Reichard, Max-Gerd Retzlaff, Kamila B. Richter, Matthias Richter, Betty Rieckmann, robotlab, Curtis Roth, RYBN.ORG, saai | Südwestdeutsches Archiv für Architektur und Ingenieurbau, Chris Salter, Karin Sander, Raphaël Siboni, Karl Sims, Adam Słowik, Rasa Smite, Raitis Smits, Space Caviar, Barry Stone, Monica Studer, The Critical Engineering Working Group, Jol Thomson, Suzanne Treister, UBERMORGEN.COM, Yagmur Uyanik, Christoph van den Berg, Ruben van de Ven, Koen Vanmechelen, Ivar Veermäe, Michael Volkmer, Nikolaus Völzow, ::vtol::, Clemens Wallrath, Web Residencies by Solitude & ZKM, Clemens von Wedemeyer, Peter Weibel, Ai Weiwei, Alex Wenger, Where Dogs Run, Wibu-Systems AG, Stephen Willats, Dan Wilcox, Manfred Wolff-Plottegg, World-Information Institute, Cerith Wyn Evans, Julia Zamboni and others.
Welt ohne Inventar16,80€ Add to cart
The stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
Lovely Planet. Polen / Poland16€ Add to cart
An Unconventional and Humorous Guide to a Country of Contrasts
In 2015, the photographer Jakob Ganslmeier (b. Munich, 1990; lives and works in Berlin) went on an extended tour of Poland in search of shots that captured the country’s social realities and way of life at a time of wrenching changes. The title of his project evokes associations with Lonely Planet, one of the world’s best-selling series of travel guides, and the artist took inspiration from the format of the popular books, where recommendations for readers exploring strange lands are grouped by categories. Crisscrossing Poland—he covered over ten thousand kilometers—Ganslmeier encountered widely different people and draws our attention to places that would never make it into a guidebook. His pictures show a country of extremes, between boomtown optimism and decline, consumerism and poverty, gleaming façades and bleak village streets.
Jakob Ganslmeier studied at the Ostkreuzschule für Fotografie, Berlin, and at the Bielefeld University of Applied Sciences. His pictures, which have garnered numerous awards, are frequently featured in leading German media and have been shown in exhibitions in Germany and abroad, including at the Brandenburgisches Landesmuseum für moderne Kunst, Cottbus, the Nobel Peace Center, Oslo, the Triennale der Photographie Hamburg, and the Fondation Calouste Gulbenkian, Paris.
How real is real?38€ Add to cart
Myths, Projections, Aspirations
In times of fake news and alternative facts it is becoming even more clear how the American Dream is closely interwoven with emotional pictures and symbols. At the same time, it can be said that no other nation might have the same strong awareness of the power of images. Images of the American Way of Life, which are produced in media and entertainment, are able to consolidate existing power structures and perceptions of reality, but also question them in a radical way. The psychologically charged canvasses of Eric Fischl, the hermetic scenes of Alex Katz, the enormous film-noir-like graffiti paintings of Robert Longo dissect the dreams and fears of an insecure white middle class. Simultaneously, artists such as Jeff Wall or Cindy Sherman conquer scenes that critically reflect our media-influenced perception, becoming models for subsequent generations. By showing 70 masterpieces of US-contemporary art, the book shows how artists from the 1960s to date comment on the American reality.
Billy Al Bengston
Paintings & Watercolors48€ Add to cart
The First Monograph on the Californian Pop Artist Since More Than Thirty Years
Billy Al Bengston (b. 1934, Dodge City; lives and works in Venice, California, and Honolulu, Hawaii) is the very personification of the cheerful, carefree attitude towards life in California – with his work as well as his person: a former surfer and motorcycle racer, an extravagant artist and key figure of West Coast Pop Art. After studying at the California College of Arts and Crafts and the Otis Art Institute, he exhibited at the legendary Ferus Gallery in 1957 and was the central figure among a group of artists that included Frank Gehry, Edward Kienholz, Ed Ruscha, and Ken Price. BAB, as he apostrophizes himself, inserts car and motorcycle parts as motifs into his otherwise abstract paintings, using lacquer and spray paint instead of oil, and aluminum panels with at times dented surfaces instead of the traditional canvas. Art and lifestyle combine to create the individual “Bengston iconography” of California Cool.
Second Life – 100 Arbeiter14,80€ Add to cart
The Workman Sculptures at Völklinger Hütte Steelworks
Sculptures on topics of everyday life are at the center of the work of Ottmar Hörl (b. 1950, Nauheim; lives and works in Frankfurt/Main and Wertheim). His major projects gained international recognition, they are based on the artist’s concept of art as a communication model. For the Völklingen Ironworks World Heritage Site, Hörl conceived the sculpture project Second Life, which features 100 figures modeled on the Völklingen ironworker with helmet and work clothes. The book documents the impressive project that focuses on the universal theme of the Völklingen Ironworks: work and the working people.
über Linie …15€ Add to cart
Clarity, Complexity, and Linearity
The defining artistic means in the work of Karlheinz Bux (b. 1952 in Ulm, lives and works in Karlsruhe) is the line. As edges and folds, they determine vertically oriented sculptures, which simultaneously convey compactness and openness, dynamism and repose. In Bux’s pencil drawings and photo-based works, they form the subject of the image in the form of complex linear structures. This present book documents the artist’s large-format works and provides insight into his oeuvre, with texts by Michael Hübl, Christine Reeh-Peters, and Carmela Thiele.
Karlheinz Bux studied at the State Academy of Fine Arts Karlsruhe and taught as a lecturer at Pforzheim University and as a visiting professor at the Mainz University of Applied Sciences. His works are represented in private and public collections, including the Staatliche Kunsthalle Karlsruhe, the Hurrle Collection, and the Würth Collection.
Otto Dix in Baden-Württemberg
Museumsführer9,80€ Add to cart
Seven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
In 1933, after the loss of his professorship in Dresden and mounting defamation by the National Socialists, Otto Dix (b. 1891, Untermhaus; d. 1969, Singen) retired to Lake Constance, where he lived for more than thirty years. Together, seven museums in the state of Baden-Württemberg — including the museum in his former home in Hemmenhofen — have the world’s most comprehensive collection of his works at their disposal, providing insight into all facets of his creative work: from the social criticism of the major works, at times depicted with brutal verism, to the old masterly glaze painting of his inner emigration and the expressive alla prima paintings of the late years. For the first time ever, this treasure trove is presented in one volume.
The participating museums: Kunstmuseum Albstadt, Zeppelin Museum Friedrichshafen, Museum Haus Dix, Gaienhofen-Hemmenhofen, Kunsthalle Mannheim, Kunstmuseum Singen, Kunstmuseum Stuttgart, Staatsgalerie Stuttgart.
The Asian Books40€ Add to cart
The First Survey on the Exceptional Artist Books of João Penalva
Since 2007 João Penalva (b. 1949, Lissabon; lives and works in London) has exhibited large format unbound books, printed with archival inks on fine art paper, displayed on tables with chairs, to be handled freely. Each one is published in an edition of three and one artist’s proof. Those whose content relate to Asia, whether factually or fictionally, are collected here for the first time: Taipei Story, 2007; Portraits: Machines and Kabuki Wigs, 2009; The Toshiba Book of Happiness, 2009; Hello? Are you there?, 2009; Michio Harada, 2015; Boro, 2017.
João Penalva studied Fine Art at the Chelsea School of Art in London. His works have been shown in manifold international exhibitions. Penalva represented Portugal 2001 at the Venice Biennale and 1996 at the São Paulo Biennale.