Johan Holten, Sebastian Baden
Antonella Bianca Meloni, Jens Hoffmann, Marianne Wagner, Till Wyler von Ballmoos, Ulrike Widmaier Picasso, Sebastian Baden
Peter Nils Dorén
21 x 27 cm
Clothbound hardcover, wrapped in a pair of socks
|With socks designed by the artist and augmented reality|
The Augmented Reality Book for John Bock
John Bock (b. 1965 in Gribbohm, lives in Berlin) is one of the most important contemporary performance and video artists. In his works characterized by humor and absurdity, the artist places language, human bodies, everyday objects, and spaces in peculiar relationships to each other. He attained international recognition with the installation LiquidityAuraAromaPortfolio at the first Berlin Biennale in 1998. Together with his work Voll die Beule from 2013, it is now included in the collection of the Kunsthalle Mannheim. The present augmented reality book not only contextualizes his work, but also immerses the viewer/reader directly in his performances, in which the artist’s head emerges and a filled rubber glove leaks out. A completely new approach to the works of John Bock, packaged in a pair of socks designed by the artist.
John Bock studied at the Hamburg University of Fine Arts and since 2004 has taught at the State Academy of Fine Arts Karlsruhe as Professor of Sculpture. He has participated in the 55th Biennale di Venezia, and his works have been featured worldwide in solo exhibitions at, among others, the Berlinische Galerie, the Contemporary Austin, Texas, the Barbican Centre, London, and the Städel Museum, Frankfurt.
With socks designed by the artist and augmented reality
40 Works29€ Add to cart
Selected works from one of the most renowned collections of modern and contemporary art in Germany
Marx Collection – 40 Works is the first publication on this collection that focuses on important individual works. The selection ranges from the early 1960s to the present, encompassing one of the most exciting periods in recent art history. An illustrated chronicle provides background information on the historical context of the Marx Collection and its exhibition at the Nationalgalerie in Berlin. With work by Matthew Barney, Georg Baselitz, Joseph Beuys, Ross Bleckner, Francesco Clemente, Martin Disler, Rainer Fetting, Dan Flavin, Günther Förg, Peter Halley, Keith Haring, Candida Höfer, Donald Judd, Anish Kapoor, William Kentridge, Anselm Kiefer, Jeff Koons, Roy Lichtenstein, Richard Long, Gerhard Merz, Robert Rauschenberg, Ugo Rondinone, Thomas Ruff, Julian Schnabel, Cindy Sherman, Thomas Struth, Sam Taylor-Johnson, Cy Twombly, Andy Warhol, Rachel Whiterea
Dies ist die englische Ausgabe, hier geht’s zur deutschen Ausgabe
Flatland35€ Add to cart
Between the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
Freies Spiel44€ Add to cart
The function of art in human existence
Throughout his short life, the Munich-based theologian and artist Thomas Lehnerer (1955–1995) did not take the existence of art for granted. In his writings, above all in Methode der Kunst (Methods of Art), he developed a concept of art in the continuation of key texts from the fields of aesthetics, cultural theory, and art history, which can also be found in his own artistic work. The small-format figurative sculptures by Lehnerer, as well as his drawings, watercolors, and early installations, follow theoretical premises and address comprehensive themes of human existence. The present volume documents his examination of human existence, which is deepened by the inclusion of cultural historical figures and idols.
Stückwerk Mensch18€ Add to cart
Historically Anchored Installations with Current Political References
The sculptures by Voré (b. 1941 in Karlsruhe, lives and works in Ettlingen) reflect the artist’s examination of the conditions of human existence and the human state of mind. Finely polished forms, splinters, and rough fractures become a statement of content and at the same time constitute the formal tension of the respective object. The process of creation can be seen in the rough remaining parts and traces of the various tools. Parallel and closely related to this, drawings and collages are created as independent works or as components of installations. Formal impulses of the sculptural concept are taken up, graphically processed, and projected back into the sculptural work. The present volume presents projects from six decades with numerous illustrations.
Joanna Pousette-Dart32€ Add to cart
„A kind of Dialogue between Myself and the Horizon.“
The works of Joanna Pousette-Dart (b. 1947, New York; lives and works in New York) are deeply rooted in the vast expanse of the American desert landscape, without ever committing themselves to a strict objectivity. As early as the 1970s, the artist abandoned the rectangular form of her canvas in favor of dynamically balanced panels that open out to the respective space. This volume presents her fascinating paintings from 2004 till 2019, which oscillate between landscape and abstraction, line and form. Born in New York to abstract expressionist painter and founding member of the New York School of painting, Richard Pousette-Dart, Joanna Pousette-Dart’s experience as a painter rises from rich tradition. Her work is held in the collection of the Museum of Fine Arts, Boston, the Solomon R. Guggenheim Museum, New York, and the Museum of Modern Art, New York, amongst others.
Billy Al Bengston
Paintings & Watercolors48€ Add to cart
The First Monograph on the Californian Pop Artist Since More Than Thirty Years
Billy Al Bengston (b. 1934, Dodge City; lives and works in Venice, California, and Honolulu, Hawaii) is the very personification of the cheerful, carefree attitude towards life in California – with his work as well as his person: a former surfer and motorcycle racer, an extravagant artist and key figure of West Coast Pop Art. After studying at the California College of Arts and Crafts and the Otis Art Institute, he exhibited at the legendary Ferus Gallery in 1957 and was the central figure among a group of artists that included Frank Gehry, Edward Kienholz, Ed Ruscha, and Ken Price. BAB, as he apostrophizes himself, inserts car and motorcycle parts as motifs into his otherwise abstract paintings, using lacquer and spray paint instead of oil, and aluminum panels with at times dented surfaces instead of the traditional canvas. Art and lifestyle combine to create the individual “Bengston iconography” of California Cool.
Planetare Allianz22€ Add to cart
A Monograph on the Pioneer of Op Art
The complex and extraordinary work of the Schwäbisch Gmünd-based artist Ed Sommer (1932–2015), who preferred to call himself a Bildsprachenmaler (painter of visual imagery), includes metal objects, formations of acrylic glass, gestural painting, erotic films, projection photography, dialogical portraits, and spoken texts. In 2014, the ZKM | Center for Art and Media Karlsruhe added a large number of works by the artist to its collection. This publication now presents the collection holdings, supplemented by further works by Ed Sommer.
Ed Sommer, together with his artist friend Marc Adrian, was one of the most important representatives of op and kinetic art and received considerable attention in the 1970s with his films and photographs.
- Release Spring 2021
Living in Digital Worlds44€ Add to cart
”It Opens to Us a New Horizon for Humankind: Transhumanism Built on Artificial Intelligence.”—Peter Weibel
From Leibniz’s binary code to Morse code, from the cosmic code to the genetic code – we live in a globalized world created and controlled by codes. A vast number of electronic interfaces, like smartphones, computers, TVs, and data displays, accompany us 24/7. Fields of Data are indispensable and omnipresent. Living in digital worlds means increasingly a life spent in a programmed, smart environment, a so-called scripted reality. The script is dictated in part by sensors, which provide information about the state of reality around us. This book presents works of art and science based on both digital and analog codes. The works attempt to explain the complex dynamics of codes and the way in which they increasingly shape how we live in and perceive the world.
With works by Kevin Abosch, Jean-Michel Alberola, Refik Anadol, Morehshin Allahyari, AppSphere AG, Torsten Belschner, Lisa Bergmann, Michael Bielicky, Patrick Borgeat, James Bridle, Ludger Brümmer, Butternutten AG, Can Büyükberber, Emma Charles, Matthieu Cherubini, Tyler Coburn, Max Cooper, Shane Cooper, Larry Cuba, Frederik De Wilde, Simon Denny, DISNOVATION.ORG, Harm van den Dorpel, Constant Dullaart, Margret Eicher, Jonas Eltes/Fabrica, Matthew Eppler, César Escudero Andaluz, Claire L. Evans, Harun Farocki, Thierry Fournier, Fraunhofer IOSB, FZI Forschungszentrum Informatik am KIT, Kristof Gavrielides, Julia Gerlach, Melanie Gilligan, Fabien Giraud, Manfred Hauffen, Daniel Heiss, Felix Held, Anton Himstedt, Perry Hoberman, Yannick Hofmann, Simon Ingram, ICD, ITKE, ITECH, Institut für Theoretische Informatik, DebateLab, KIT, Mahsa Jenabi, Eduardo Kac, Helen Knowles, Werner A. König, Beryl Korot, Anton Kossjanenko, Brigitte Kowanz, Egor Kraft, Manfred Kraft, Mattis Kuhn, Marc Lee, Jan Robert Leegte, Donna Legault, Lawrence Lek, Armin Linke, Bernd Lintermann, Fei Liu, Christian Lölkes, Andy Lomas, Solimán López, Wolfgang Maass, Shawn Maximo, Rosa Menkman, Chikashi Miyama, Andreas Müller-Pohle, Jörn Müller-Quade, Martín Nadal, Greg Niemeyer, Helena Nikonole, Julian Palacz, Josef N. Patoprsty, Elizabeth Pich, Matthew Plummer-Fernandez, Julien Prévieux, Chandrasekhar Ramakrishnan, Peter Reichard, Max-Gerd Retzlaff, Kamila B. Richter, Matthias Richter, Betty Rieckmann, robotlab, Curtis Roth, RYBN.ORG, saai | Südwestdeutsches Archiv für Architektur und Ingenieurbau, Chris Salter, Karin Sander, Raphaël Siboni, Karl Sims, Adam Słowik, Rasa Smite, Raitis Smits, Space Caviar, Barry Stone, Monica Studer, The Critical Engineering Working Group, Jol Thomson, Suzanne Treister, UBERMORGEN.COM, Yagmur Uyanik, Christoph van den Berg, Ruben van de Ven, Koen Vanmechelen, Ivar Veermäe, Michael Volkmer, Nikolaus Völzow, ::vtol::, Clemens Wallrath, Web Residencies by Solitude & ZKM, Clemens von Wedemeyer, Peter Weibel, Ai Weiwei, Alex Wenger, Where Dogs Run, Wibu-Systems AG, Stephen Willats, Dan Wilcox, Manfred Wolff-Plottegg, World-Information Institute, Cerith Wyn Evans, Julia Zamboni and others.
3.000 Jahre altägyptische Hochkultur27,50€ Add to cart
The Mysterious World of the Pharaohs and their Magical Relationship to Gold
Hardly any other culture fascinates as much as the high culture of ancient Egypt. At its center were the pharaohs, those legendary kings who, according to the beliefs of the ancient Egyptians, descended directly from the gods. Gold was ascribed a special symbolic and religious power; it stood for eternity and indestructibility and, as the “flesh of the gods,” was a sacred metal. The book brings together 150 exhibits from pharaonic tombs from the Old Kingdom of the Third Dynasty (circa 2680 B.C.E.) and the oldest gold statue of an Egyptian pharaoh to Tutankhamun and Horemheb (circa 1330–1310 B.C.E.).
Follow the unknown19,80€ Add to cart
Crossing the BNorders of the Tangible
For the first time in art history a competition for the Digital Sculpture Award was announced. What is a digital sculpture anyway? Where are the boundaries between real and virtual worlds? With the advent of digitally generated images, the conditions for our perception and the parameters of our viewing habits are changed. Through the interactive involvement of the viewer, software-controlled image phenomena such as virtual environments lead to an exploring vision. The book presents and documents innovative works, which were conceived for the international competition, initiated by the Museum Ulm.
With works by Morehshin Allahyari, Giulia Bowinkel & Friedemann Banz, Jörg Brinkmann, George Crîngaşu, Nieves de la Fuente Gutiérrez, Marcel Karnapke, Leonard Kern, Nicolò Krättli + Jann Erhard, Martina Menegona and Marjan Moghaddam.