Ed Sommer
Planetare Allianz
Editor(s) | Peter Weibel |
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Author(s) | Gillo Dorfles, Holger Jost, Kurt Leonhard, Marc Adrian, Peter Weibel, Yong Sa |
Design | Holger Jost, Neckarhausen |
Size | 22,5 x 23 |
Pages | 176 |
Illustrations | 200 |
Cover | Softcover |
Language(s) | German |
ISBN | 978-3-947563-10-4 |
A Monograph on the Pioneer of Op Art
The complex and extraordinary work of the Schwäbisch Gmünd-based artist Ed Sommer (1932–2015), who preferred to call himself a Bildsprachenmaler (painter of visual imagery), includes metal objects, formations of acrylic glass, gestural painting, erotic films, projection photography, dialogical portraits, and spoken texts. In 2014, the ZKM | Center for Art and Media Karlsruhe added a large number of works by the artist to its collection. This publication now presents the collection holdings, supplemented by further works by Ed Sommer.
Ed Sommer, together with his artist friend Marc Adrian, was one of the most important representatives of op and kinetic art and received considerable attention in the 1970s with his films and photographs.
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YAEL BARTANA
THE BOOK OF MALKA GERMANIARead moreShe Is Hope. She Is the Leader. She Is the Messiah. She Is History. She Is Fake.
The video artist Yael Bartana (b. Kfar Yehezkel, Israel, 1970; lives and works in Amsterdam and Berlin) makes work that explores the visual language of identity and the politics of commemoration. The critical scrutiny of collective expectations of political or religious salvation is a central concern in her art. In the video installation Malka Germania—Hebrew for “Queen Germany”—Bartana creates alternative realities from the German-Jewish past and present that bring scenes of the collective unconscious to light. The publication follows the epiphany of Malka Germania, a female redeemer figure, in five chapters whose layout is modeled on that of the Talmud, the central text in Rabbinical Judaism. This organization reflects the polyphonic complexity, rich nuance, and ambivalence that the work casts into visuals and underscores that there is no simple answer. The book includes an interview with the artist and contributions by Sami Berdugo, Christina von Braun, Michael Brenner, Max Czollek, and others. It is published on occasion of the exhibition Yael Bartana—Redemption Now at the Jewish Museum Berlin.
Yael Bartana studied at the Bezalel Academy of Arts and Design, Jerusalem, the School of Visual Arts, New York, and the Rijksakademie van beeldende kunsten, Amsterdam. Her work is held by collections all over the world and has been presented in solo exhibitions at venues including the Stedelijk Museum, Amsterdam, the Pérez Art Museum Miami, and the Moderna Museet, Malmö.
Click here for the German edition.
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Slawomir Elsner
Precision and Chance38€ Add to cartComplex Processes of Abstraction
International audiences know Sławomir Elsner (b. Wodzisław Śląski, Poland, 1976; lives and works in Berlin) for his naturalistic paintings and abstract watercolors, but it was his brilliantly executed colorful drawings that made him famous. The technique of his work in crayons is as formidable as it is singular and underlies his many adaptations of legendary works from the history of painting that seem blurry but are actually drawn in accurate lines.
More generally, Elsner’s art probes the effect of different media and the stories they tell. He interrogates the images they transport and challenges the consumers to subject their own visual experiences to a similar critical review. Do pictures represent reality or distort it? That is the question that guides his inquiries.
Elsner works almost exclusively in series. What makes this book special is that it includes an index in which eleven of these bodies of work are reproduced in their entirety. The Old Masters series alone comprises 143 works made in the years after 2014. It is complemented by the series Windows on the World (2008–2010), Feuerwerk- und Luftabwehr (2004), Unsere Sonnen (2004–2005), the watercolors of Tagstücke and Nachtstücke (2014–2021), and others.
Many of the works frame accidents, disasters, wars, nuclear tests, or other horrible events. By harnessing the means of art to detach their depiction from a documentary setting, Sławomir Elsner achieves an unrivaled degree of aestheticization; his works are fascinating at first glance, only to fill the beholder with a creeping dread.
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Barthélémy Toguo
10€ Add to cartBarthélémy Toguo’s art is a call for community and love, but there is nothing naïve about it. His paintings, graphic art, sculptures, performances, and installations explicitly grapple with colonialism, migration, and inequality; he directs our attention to the devastations wrought by humans, to the slow deaths of nature and cultures. But he does not dwell in this abyss. He aspires to something greater: to create work that establishes non-hierarchical connections; to build, as he puts it, a “world of solidarity and generosity” that knows neither ego nor identity, a community of all forms of life that flourish and pass away so that new living beings can sprout from their remains—Endless Blossoms. His choice of words and the aesthetic of the works gathered in this catalogue suggest that he is not alone in this undertaking. He stands with Ellen Gallagher, Wangechi Mutu, Louise Bourgeois, Marlene Dumas, and Kiki Smith. With them and with all of us, Toguo envisions a colorful future, a universe of exuberant energy and joie de vivre.
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Jürgen Claus
To the Oceans with Imagination18€ Add to cartThe Sea as a Space of Artistic Experience
Jürgen Claus’s (b. 1935, Berlin; lives and works in Aachen and Baelen, Belgium) oeuvre encompasses paintings, films, light and solar installations, and underwater art. He is also a prolific writer on art, with theoretical works that have sold over 100,000 copies. “Jürgen Claus is the first one to see the ocean through an artist’s rather than a scientist’s lens,” Michel Ragon writes. In this book, Claus intertwines his experiences working on the fascinating underwater installations with a pressing contemporary concern: the global efforts to restore the seas to health. The publication combines visual art, architecture, poetry, and music for a multifaceted engagement with the world’s oceans.
Jürgen Claus majored in theater studies at the Universität München and was a research associate at the Massachusetts Institute of Technology (MIT) and professor of media art at the Kunsthochschule für Medien Köln, Cologne.
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Fiona Rae
Row Paintings24€ Add to cartElements of Energy and Complexity
Fiona Rae’s (b. Hong Kong, 1963; lives and works in London) abstract paintings attracted the attention of broad audiences when she participated in the legendary exhibition Freeze at London’s Docklands in 1988. It put her on the map as an early member of the group known as Young British Artists, who would revolutionize not only the English art world. To this day, Rae’s distinctive creations, which are rooted in a conceptual engagement with the problems and potentials of abstract painting, have remained prominent and seminal contributions to the field. In 2011, she was appointed professor of painting at the Royal Academy, one of the first women to hold this position. The catalogue is the first to feature the most important pictures from this period: the Row Paintings. They mark the inception of the artist’s internationally acclaimed oeuvre. An essay by Terry R. Myers offers an appraisal of the Row Paintings’ significance in their historic context as well as the contemporary discourse of painting.
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MS 00 22
Michael Sailstorfer – Works 2000–202245€ Add to cartMS 00 22 – Michael Sailstorfer: Works 2000–2022
Michael Sailstorfer (b. Velden/Vils, Germany, 1979; lives and works in Berlin) is one of the most renowned German sculptors and object artists of his generation. His sculptural creations, which often require extensive planning and complex production processes, are the results of reflections on and reinterpretations of everyday objects: intriguing, bizarre, and sometimes humorous experimental arrangements and artifacts that interact with their environments, create spaces, or self-deconstruct. These transformative processes combine conceptual depth with poetic allure and tell stories of the passage of time and disintegration. Many of Sailstorfer’s installations depend on the beholder’s active engagement for their effect. He typically documents his sculptural experiments with the camera and later shares them with the public in the form of videos or photographs.
The extensive monograph MS 00 22 presents the most important works from Sailstorfer’s creative career. Formally diverse writings and conversations with the artist offer profound insight into his practice.
Michael Sailstorfer studied with Olaf Metzel at the Munich Academy of Fine Arts from 1999 until 2005 and at Goldsmiths College, London, in 2004–05. He has won a number of art awards, including the Kunstpreis junger westen (2011) and the Vattenfall Contemporary (2012). Selected solo exhibitions: Schirn Kunsthalle, Frankfurt (2007); Kestnergesellschaft, Hannover (2010); Kunsthalle Nürnberg (2011); Contemporary Arts Center, Cincinnati, Ohio (2014).
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Ute Bartel
mansionaticum25€ Add to cartAn unreal view of reality
In her works, Ute Bartel (b. 1961, Halle; lives and works in Cologne) deals with everyday circumstances, the “mansionaticum.” A term which at first glance seems epochal, but etymologically simply means “belonging to the household.” In a concrete confrontation with particular places and situations, she is interested in things in and of themselves, in their formal characteristics, such as their forms, colors, and structures. Using analog and digital techniques, she creates collages, objects, and works that project into the respective space. This generously illustrated monograph presents structures of familiar and yet unknown realities marked by highly pronounced forms and bold colors and provides comprehensive insight into one of the focal points of the artist’s oeuvre.
Ute Bartel studied at the Kunstakademie Münster, where she was a master student of Reiner Ruthenbeck. Her works have been widely exhibited at, among others, the Kunstverein Speyer, the Deichtorhallen Hamburg, and the Westfälischer Kunstverein, Münster.
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Jean-Marie Biwer
D’après nature42€ Add to cartPainterly Investigations of the Present
For over four decades, Jean-Marie Biwer (b. 1957, Dudelange, Luxembourg; lives and works in Basbellain, Luxembourg) has made art that records his fine-grained observations. Grappling with the grand themes of art history – the landscape, the human figure, the still life – Biwer consistently questions the role painting can play in a world shaped by a deluge of images and information. Responding to the omnipresence of the latter and reacting to the increasingly frantic pace of our lives, he creates paintings that allow the intensity of the present moment to unfold. The richly illustrated book gathers his most important works since 2005.
“These things are there, we just need to look at them. They are simple, but today they have the power to bring so much to people.”—Jean-Marie Biwer
Jean-Marie Biwer’s work has been shown throughout Europe and in 1993 he represented Luxembourg at the 45th Biennale di Venezia. His works can be found in the Musée National d’Histoire et d’Art Luxembourg, IKOB, Museum of Contemporary Art, Eupen, and Mudam Luxembourg – Musée d’Art Moderne Grand-Duc-Jean amongst others.
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DAWN OF HUMANITY – ART IN PERIODS OF UPHEAVAL
37€ Add to cartThe book and exhibition present works from the first two decades of the twentieth century from the Kunstmuseum Bonn’s collection in dialogue with contemporary creative positions. What the works have in common across the distance of a century is their genesis in, and reflection on, a time of major social and political crisis. Back then, life had been profoundly changed by the industrial revolution; nowadays, climate change, wars, and the rising political power of right-wing ideologies are transforming the life of our communities. The presentation conceives art as a tool that lets us interrogate the world and imparts fresh intellectual impulses, and so also plays an active part in our societies. The title Menschheitsdämmerung – Dawn of Humanity – is borrowed from the poetry anthology of the same title released by Kurt Pinthus in 1919, which samples the Expressionist lyric poetry of the young century in four chapters: “Downfall and Outcry”; “Love Human Beings”; “Awakening of the Heart”; “Entreaty and Indignation.” Florian Illies, who already wrote an afterword for the 2019 centenary edition of Menschheitsdämmerung – the bestselling poetry anthology in the history of German literature – contributed the keynote essay in the book.
Artists: Nevin Aladağ, Francis Alÿs, Kader Attia, Yael Bartana, Rebekka Benzenberg, Monica Bonvicini, Andrea Bowers, Heinrich Campendonk, Louisa Clement, Max Ernst, Georg Herold, Franz M. Jansen, Alexej von Jawlensky, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, August Macke, Helmuth Macke, Goshka Macuga, Marie von Malachowski-Nauen, Carlo Mense, Zanele Muholi, Heinrich Nauen, Grace Ndiritu, Anys Reimann, Deborah Roberts, Daniel Scislowski, Paul Adolf Seehaus, Tschabalala Self, Monika Sosnowska, William Straube, Emma Talbot, Hans Thuar, Lawrence Weiner
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Bilder des Wohnens
18€ Add to cartThe Cognitive Registers of Photography
All over the world, housing shortages and living conditions are urgent concerns of political and academic debates. Scholars at the FH Bielefeld conducted a three-year research project on Bilder des Wohnens. Architekturen im Bild, focusing on questions of the representation of space and hybrid forms of visualization between documentation and staging as well as photography as an archive of architectural knowledge and tool in the planning process. The book draws on studies of twentieth-century social utopias such as Tashkent, Uzbekistan, an embodiment of the urban-planning ideal of Soviet modernism, and explorations of social and cultural spaces along the coasts of northern Morocco and southern Spain, as well as a photographic typology of urban fabrics in Germany and other sociocultural studies that grapple with the significance of living spaces today.
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Museum Brot und Kunst
Forum Welternährung24€ Add to cartFood, Art, and Consumption
The craving for food and the desire to avoid being hungry have been among humanity’s central concerns for millennia. Economic activity, science, politics, culture—our basic need for sustenance informs and influences every domain of our lives. The catalogue accompanying the permanent exhibition at the Museum Brot und Kunst—Forum Welternährung sheds light on nineteen thematic foci around the significance of bread as the quintessential food. Founded in 1955, the Museum of Bread and Art was the first institution of its kind in the world dedicated to this subject; its collection comprises a large number of artifacts from across several centuries that speak to the histories of culture, society, and technology. The generously illustrated publication presents a panorama of the wide field of human nourishment in dialogue with art, helping the reader grasp the complexities of the world in which we live.
With works by Ernst Barlach, Bernhard Johannes Blume, Pieter Brueghel, Marc Chagall, Salvador Dalí, Simone Demandt, Agnes Denes, Frans Francken, Georg Flegel, Erich Heckel, Christian Jankowski, Markus Lüpertz, Gerhard Marcks, Max Pechstein, Pablo Picasso, Claire Pentecost, Thomas Rentmeister, Daniel Spoerri, Andy Warhol and others.
The book was included in the shortlist of the competition “Schönste Deutsche Bücher 2021”.
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Peter Zimmermann
abstractness26€ Add to cartTreading the Limits of Originality
Peter Zimmermann (b. 1956, Freiburg; lives and works in Cologne) is one of the most important conceptual media artists. With his work, he consistently experiments with visual reproduction techniques and gained international recognition in the late 1980s with his Book Cover Paintings: motifs from book covers such as that of the Diercke Weltatlas or the Polyglott travel guides, which Zimmermann transfers to the canvas with oil and epoxy resins. The relationship between original and copy is the central theme of his work, with which he addresses the ambivalence of artistic and digital authorship. This monograph brings together early works and a selection of current productions.
Peter Zimmermann studied at the Staatliche Akademie der Bildenden Künste Stuttgart and was professor at the Kunsthochschule für Medien Köln, Cologne, from 2002 to 2007.
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Peter Buggenhout
Eerie28€ Add to cartAn Autonomous Counterpart
The renowned sculptor Peter Buggenhout (b. 1963, Dendermonde, Belgium; lives and works in Ghent) describes his hybrid pieces as “abject things” that defy classification and even the label “work of art.” He aggregates and manipulates found and discarded objects as well as both technical and organic materials including pig blood, cow stomachs, and horsehair until he achieves a certain degree of abstraction. Buggenhout’s sculptures confront the beholder as creatures that are somehow “off,” exuding an eerie atmosphere by allowing something sinister to rise to the surface that, it appears, lurks just behind the façades of the physical world: vestiges of humanity, society’s sedimented refuse. The book presents a comprehensive survey of his growing oeuvre; it is the first publication to cover his most recent creations in marble.
Peter Buggenhout’s art has been featured at the Palais de Tokyo, Paris; the MoMA PS1, New York; the 2014 Taipei Biennial; and elsewhere.
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Stefan Knauf
10€ Add to cartStefan Knauf (b. Munich, 1990; lives and works in Berlin) uses selected materials such as construction supplies or plants to investigate the histories of botany, migration, trade, science, and architecture and critique an idealized and anthropocentric conception of nature that is still prevalent. His sculptures, geometric-abstract pictures, and installations, with echoes of constructivism and minimal art, are contact zones in which everything is related to everything: human and non-human history, the natural and the artificial, ecology and ideology. Knauf’s works do not propose to unravel these entanglements. Rather, they suggest alternative perspectives and topographies guided by the idea of the “modified landscape” and devise material and alchemistic forms of knowledge and a novel and multiperspectival approach to the history and reality of the Anthropocene.
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Anna Leonhardt
Touching Space34€ Add to cartAnna Leonhardt’s (b. Pforzheim, 1981; lives and works in New York and Leipzig) paintings probe her own experiences and moods, while also referencing works of literature and quoting phenomena in the history of her craft. Abstract surfaces composed of numerous layers that break the two-dimensional bounds of the canvas engender a physical and imagined space that is further expanded by the interrelations between the pictorial elements, an imaginary communication with other works of art, and the beholders. The publication Touching Space presents Anna Leonhardt’s most recent works. A compendium of writings on the subject of space by the phenomenologist Franz Xaver Baier and the artist’s correspondence with the curator Sophia Pietryga complement the imposing illustrations. The book is released in conjunction with the eponymous solo exhibition at Galerie She BAM! Laetitia Gorsy, Leipzig.
Anna Leonhardt studied painting and graphic art at the Dresden University of Fine Arts (HfBK) from 2002–2008, completing her education with postgraduate training with Ralf Kerbach until 2010.
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Katharina Arndt
While waiting for Death38€ Add to cartLife for the most part consists of banalities. What to make of it? Katharina Arndt has decided to dip thick brushes into luminous bold acrylic paints, which she applies expansively without regard for the ostensible gray areas of life. Every stroke is valid, there’s no remorse or trepidation, everything is foreground, all elements of a picture are equipollent. The people in Arndt’s paintings from 2022–23 gathered in this catalog are simply there, for the moment, gaping into their cell phones, stuffing themselves with burgers. Nothing more. That makes her works distorted depictions of our hedonistic society with its craving for sensuality, even as we always have one eye riveted on the virtual. The harder, then, to face up to physical reality; with all photo filters off, its imperfections are unmistakable. And so, although we clearly delight in these gaudy colors, the pictures contain intimations of melancholy and death, too. Knowing that the hour of farewell is near, Arndt’s figures stimulate their senses. They kill time down to the very end with jarring trivia, agitated Sisyphuses wallowing in their glittering inadequacy.
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Räume hautnah (GERMAN)
Draiflessen Collection32€ Add to cartWe live in spaces that we shape in accordance with our own ideas. Our everyday lives leave traces in them that speak to our habits. Spaces promise shelter and belonging, but they can also instill a sense of constraint. We grow into the spaces we inhabit—and they in turn become expressions of our personalities. Conversely, spaces, depending on their architecture and location, inform our existence. RÄUME HAUTNAH gathers works of art that, rather than conceiving of the human sphere and the spatial domain as separate, comprehend them in their complex entanglements: in bodily experience, emotional dependency, or the instinctive need for protection. An essay by Olesja Nein, the project’s curator, offers an introduction to the exhibition and takes the reader on a tour, describing each artist’s space of activity and supplying helpful information. Philipp Zitzlsperger, meanwhile, zooms in on a key aspect of the art in the exhibition, the imprint as an artistic technique with a distinctive aura, and illuminates its origins and significance since the dawn of modernism.
Artists: Absalon, Shannon Bool, Heidi Bucher, Eileen Gray, Do Ho Suh, Mary Mattingly, Tracey Snelling, Francesca Woodman
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MK Kaehne
Π = 3,1415935€ Add to cartThe biography of conceptual artist MK Kaehne (b. Vilnius, 1963; lives and works in Berlin) oscillates between Vilnius, Moscow and Berlin. Influenced by Russian Constructivism, he draws and builds suitcase sculptures with a department store aesthetic, a reversal of the readymade principle. His focus gradually shifted from the formal to the psychological, towards life-size figures such as It’s me (2023): a hyper-realistic replica of himself, lying upside down in the mud, with a garden gnome next to him. Kaehne’s work is strictly analytical, but the results are full of tragedy and irony. Unintentional drawings, in which biographical, Dadaist and political elements merge, accompany his oeuvre. A total work of art that traces personal and social development.
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João Penalva
The Asian Books40€ Add to cartThe First Survey on the Exceptional Artist Books of João Penalva
Since 2007 João Penalva (b. 1949, Lissabon; lives and works in London) has exhibited large format unbound books, printed with archival inks on fine art paper, displayed on tables with chairs, to be handled freely. Each one is published in an edition of three and one artist’s proof. Those whose content relate to Asia, whether factually or fictionally, are collected here for the first time: Taipei Story, 2007; Portraits: Machines and Kabuki Wigs, 2009; The Toshiba Book of Happiness, 2009; Hello? Are you there?, 2009; Michio Harada, 2015; Boro, 2017.
João Penalva studied Fine Art at the Chelsea School of Art in London. His works have been shown in manifold international exhibitions. Penalva represented Portugal 2001 at the Venice Biennale and 1996 at the São Paulo Biennale.
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WORLD FRAMED
Zeitgenössische Zeichenkunst der Sammlung Schering Stiftung im Kupferstichkabinett38€ Add to cartIn 2008, the Schering Stiftung began acquiring outstanding contemporary works on paper for the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The collection, which has since grown to 130 nonfigurative drawings and a small number of prints, emphasizes the close conjunction of art and science. The holdings also reflect central tendencies in the art of drawing: in addition to exploring the line and its multifaceted formulation, artists shed light on the bounds of their medium and its expansions and undertake forays into inter-media art within drawing. The lavishly designed publication WORLD FRAME—the title is borrowed from a work by the artist Matt Mullican—presents the works acquired thanks to this partnership. It inquires into how artists translate their perceptions of their world into pictures and which contexts and discourses inform those pictures. Which perspectives, which ideas frame the segment of reality an artist observes?
“World Framed,” exhibition, Kupferstichkabinett, Staatliche Museen zu Berlin, July 7–October 8, 2023