Ion Bitzan
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| Editor(s) | Călin Dan, Magda Predescu |
| Author(s) | Ann Albritton, Anca Arghir, Călin Dan, Cătălin Gheorghe, Magda Predescu |
| Design | Max Theodor Gruenwald |
| Size | 23,5 x 28 cm |
| Cover | Softcover |
| Pages | 336 |
| Illustrations | 427 |
| Language(s) | Romanian, English |
| ISBN | 978-3-96912-175-7 |
The painter and object artist Ion Bitzan (b. Limanu, 1924; d. Bucharest, 1997) belonged to the generation of Romanian artists who, in the 1960s and 1970s, broke through their country’s isolation to connect to the international avant-garde. His creativity and the quality of his artistic experiments, which drew inspiration from conceptual art, Dada, and other sources, made him a leading figure in the Romanian art of the Ceaușescu era. This book also sheds light on the complex relationship between artistic innovation and political (propaganda) art behind the Iron Curtain during this period, in which nothing was ever black or white. Bitzan represented Romania at the Venice (1964) and São Paulo Biennales (1967, 1969, 1981). In 2017, the National Museum of Contemporary Art (MNAC) in Bucharest mounted a major retrospective of his oeuvre.
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Ernst Wilhelm Nay
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Stephan Kaluza
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Castor and Pollux were known in antiquity as the patrons of sailors, who took their bearings from the twins’ constellation. That is why water figures in this novel as the element that unites all narrative planes. Water—like life—will fill any vacant space regardless of shape and adapt to all circumstances.
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Emmanuel Bornstein / Lotte Laserstein
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Feuer und Farbe
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