




GETA BRĂTESCU
Film and Video 1977–2018
![]() | |
|---|---|
| Editor(s) | Roland Wäspe, Lorenz Wiederkehr / Kunstmuseum St.Gallen |
| Author(s) | Geta Brătescu, Pernille Fonnesbech, Ion Grigorescu, Marian Ivan, Albert Kriemler, Ștefan Sava, Roland Wäspe, Lorenz Wiederkehr |
| Design | Matthias Christ, Christian Davatz, Bernhard Senn / TGG Hafen Senn Stieger |
| Cover | Softcover with flaps and open spine |
| Size | 21 x 29 cm |
| Pages | 244 |
| Illustrations | 1500 |
| Language(s) | German, English |
| ISBN | 978-3-96912-064-4 |
Geta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
Description
Geta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
Additional information
![]() | |
|---|---|
| Editor(s) | Roland Wäspe, Lorenz Wiederkehr / Kunstmuseum St.Gallen |
| Author(s) | Geta Brătescu, Pernille Fonnesbech, Ion Grigorescu, Marian Ivan, Albert Kriemler, Ștefan Sava, Roland Wäspe, Lorenz Wiederkehr |
| Design | Matthias Christ, Christian Davatz, Bernhard Senn / TGG Hafen Senn Stieger |
| Cover | Softcover with flaps and open spine |
| Size | 21 x 29 cm |
| Pages | 244 |
| Illustrations | 1500 |
| Language(s) | German, English |
| ISBN | 978-3-96912-064-4 |
More books
-

Ilit Azoulay
Facts and Tales. Truth be Told120€ Add to cartIn an era in which multiple perspectives and oral histories are increasingly vital, Facts and Tales—Truth Be Told delves into the haunting work of Ilit Azoulay. The artist, who was born in Jaffa in 1972, transforms objects, archives, and museum holdings into vessels, challenging traditional hierarchies of knowledge. In her most recent solo exhibition Mere Things at the Jewish Museum, New York, Azoulay presents works that probe the delicate balance between factual representation and nuanced storytelling.
The publication accompanying the exhibition includes archival pages, the artist’s notes, and depictions of the works as well as an introduction by curator Shira Backer and an essay by the art critic, curator, and writer Sarit Shapira, who passed away in 2018. Titled Houses of Junk and Specters: On Ilit Azoulay’s Early Works, it underscores the importance of honoring both factual accuracy and oral histories and invites readers to explore the complex interplay between concrete evidence and the rich and nuanced stories.
Azoulay has devised a singular method to shed light on the blanks in hegemonic narratives and expose them. As though to produce an extortion letter, she clips her pictures from archival materials and photographs of the walls of abandoned buildings and composes them in collages interweaving a multiplicity of views. The resulting works question the exclusive truth claim of museum expertise and reveal its constructed quality. The catalog of her works, designed as a box replete with texts and images, reflects this approach, aiming to dismantle established narratives and open up diverse perspectives.
Box containing 6 different standalone publications, limited edition of 500 copies
THIS PUBLICATION WAS MADE POSSIBLE BY THE GENEROUS SUPPORT OF THE GALLERY LOHAUS SOMINSKY, MUNICH
-

Birgitta Thaysen
Amor and Psyche24€ Add to cartAspects of Love
The fine art photographer Birgitta Thaysen (b. Gelsenkirchen, Germany, 1962; lives and works in Düsseldorf) studied with Bernd and Hilla Becher at the Düsseldorf Academy of Fine Arts and in Nan Hoover’s master class. Her photographic oeuvre encompasses urban motifs as well as likenesses of humans. In black-and-white portrait shots, she revisits the ancient myth of Amor and Psyche; embodiments of the yearning for love and the bafflements of the soul, the title characters have long been vehicles for variegated interpretations in visual art. Thaysen chose to shoot her portraits at Künstlerverein Malkasten, Düsseldorf, where the tale is present in an adaptation as a lavishly made wallpaper from the nineteenth century. She captured the protagonists lying on the floor, bedded on cushions, their heads upside down, for a vertiginous exploration of states of mind between self-abandonment and doubt.
Birgitta Thaysen studied art with Bernd and Hilla Becher at the Düsseldorf Academy of Fine Arts. Her conceptual photographic series have been seen by wide audiences in numerous exhibitions.
-

Isabelle Graw
In einer anderen Welt. Notizen 2014–201726€ Add to cartPersonal Observation as an Analytical Lens on Society
Isabelle Graw (b. 1962, Hamburg; lives in Berlin) is publisher of the magazine Texte zur Kunst and has been professor of art theory at the Staatliche Hochschule für bildende Künste – Städelschule in Frankfurt am Main since 2002. In this book, she branches out from her work as an art historian and critic to offer reflections on a wide range of observations from her own life. Never before has Graw addressed her readers more frankly than in these 160 notes.
“She is blindingly frank, addressing the questions that envelop her days: waxing salons, the arrival of Syrian refugees in Germany, exhibitions and grief, electoral and family politics. Subtly, Graw reveals how impressions and beliefs arise out of circumstance.”
Chris Kraus, American filmmaker and author of I Love Dick“In crisp and striking vignettes, this book shows how self-scrutiny and minute observation of the world intermesh and form the dense web of her analysis. This is a unique and original book, literary, psychological and sociological, all at once.”
Eva Illouz, French-Israeli sociologist -

On Air
Der Klang des Materials in der Kunst der 1950er bis 1970er Jahre40€ Add to cartOn Air showcases a distinctive art form, the sound sculpture, retracing its evolution from the early 1950s, when artists begin dismantling the conventional boundaries of art, to the early 1970s. In no more than a quarter-century, the range of possible answers to the question “What is art?” grows vastly larger. Propelled by the idea of the work of art as a machine and instrument, sounds, noises, tones, vibrations, silence, words, breath become a “tangible” sculptural material. Artists enrich visual perception by adding the acoustic dimension, interweave seeing and hearing, explore time and space with fresh zeal. In emerging artistic genres such as performance, installation, or media art, sound is an integral component of the work. The book focuses on sound objects by Yaakov Agam, Joseph Beuys, Hermann Goepfert, Yves Klein, Jannis Kounellis, Bruce Nauman, Robert Rauschenberg, Jean Tinguely, David Tudor, Timm Ulrichs, and others.
With five scholarly essays and numerous illustrations and notes on individual works, the comprehensive publication offers an attractive introduction to the subject.
-

Lovis Corinth
Maestro del colore – Maestro della grafica35€ Add to cartLovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
-

10 Jahre Württembergische Volksbühne
Reprint der Festschrift von 192915€ Add to cartCentennial Publication of the Württembergische Landesbühne Esslingen
In 2019, the Württembergische Landesbühne Esslingen (WLB)—one of the oldest regional theatres in Germany—is celebrating its 100th anniversary. On the occasion of this anniversary, the tenth commemorative publication by the Württembergische Volksbühne from 1929 is being reprinted. The unique document of the time visualizes in a special way the important role that the topics of cultural education and culture in rural areas, which are still relevant today, played in the young Weimar Republic immediately after the First World War. The brochure also documents both the mission and the daily work of the theater. In addition, the reprint is complemented by an essay from Joachim J. Halbekann, the principal of municipal archive of Esslingen, providing—for the first time in the history of the WLB—a comprehensive historical essay that examines the time betweeen 1919 and 1933/34.
-

Julia Steiner
Am Saum des Raumes24€ Add to cartExpansive Worlds
The pencil drawings of Julia Steiner (b. Büren zum Hof, Switzerland, 1982; lives and works in Basel) are monumental in size. And yet they exude an air of delicacy and evanescence, sprawling across the edges of the paper and taking possession of the space around them. Processes frozen in an instant—like wind sweeping through clouds, light piercing the night, or the ground breaking apart—erupt with unexpected vigor. The beholder believes that he has identified a motif, only to lose sight of it a moment later in the abstraction of the painterly drawing. The artist’s oeuvre lays out a cosmos of images that crack and burst into pieces, explode and implode. The present book accompanies Julia Steiner’s first institutional solo exhibition in Germany.
Julia Steiner studied at the Bern University of the Arts (HKB) from 2002 until 2007, with a semester abroad at the Berlin University of the Arts in 2005. In 2018–19, she held an interim professorship at the Braunschweig University of Art (HBK), leading the drawing class. Steiner’s work has won her several accolades, including the 2009 Swiss Art Award and the 2017 STRABAG Artaward International (Vienna).
-

Tony Cragg
Points of View24€ Add to cartThe biomorphic and monumental sculptures of British sculptor Tony Cragg (born 1949, lives in Wuppertal) impress with their virtuosity and their dynamic appearance. They might even evoke movement, as if they are still becoming. Often exhibited outdoors, and in church or museum contexts, they blend into their surroundings like organic entities. Since the 1960s, Cragg’s search for sculptural form manifested through methods like layering and stacking existing materials, rearrangement, and assemblage. He now employs both traditional and new technologies and materials, yet his sculptures have to be seen in clear contrast to normative, repetitive industrial production. This book documents Cragg’s 2025 exhibition in the Anhaltische Gemäldegalerie Dessau.
-

Martin Noël
The Retrospective38€ Add to cartThe Protagonist of the Modern Woodcut
The German painter, draftsman, and graphic artist Martin Noël (b. Berlin, 1956; d. Bonn, 2010) played a leading role in reviving the linocut and the woodcut, two techniques that had long been eclipsed by other media. In his large-format works on paper, he staked out a widely regarded and distinctive position in contemporary art. Noël was especially interested in the compositional relationship between line and surface. Released on occasion of the retrospective of his oeuvre at the Albertina, Vienna, this book presents an overview of the most important periods in the artist’s creative evolution, with an emphasis on the woodcut carved into the printing plate and the woodblock’s subsequent emancipation as an art object in its own right. Particular attention is paid to the application of ink to the surface and its painterly structure as well as the picture’s migration from object to canvas. The resulting paintings are exemplary of Noël’s late oeuvre.
Martin Noël studied graphic art and painting at what is now the Cologne University of Arts and Sciences. His art garnered numerous prizes and other honors, including fellowships from Kunststiftung NRW, Stiftung Kunstfonds, and Letter Stiftung. Works by Noël are in the German Federal Collection of Contemporary Art, Kunstsammlung Chemnitz, and the collection of Museum Pfalzgalerie Kaiserslautern.
-

Candida Höfer
Editions 1987–202044€ Add to cartAll of Candida Höfer’s Editions in One Book
Candida Höfer’s (b. Eberswalde, 1944) shots of deserted libraries, opera houses, concert halls, churches, and museums have made her a member of the international photographic avant-garde. One strand in her acclaimed oeuvre are editions—photographic prints in small formats issued in larger numbers—that Höfer produces to support institutions and art publishers. Gathered for the first time in this book, with an introductory essay by Anne Ganteführer-Trier, the around one hundred such editions she created between 1987 and 2020 offer a representative cross-section of Candida Höfer’s art.
Candida Höfer studied in the first photography class of Bernd Becher at the Kunstakademie Düsseldorf. Her works have been exhibited at documenta 11 and in 2003 she represented Germany at the 50th Biennale di Venezia alongside Martin Kippenberger.
-

Philip Loersch
POW – PORTRAITIST OF WRITING34€ Add to cartPhilip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
- Release March 2026

Monet – Cézanne – Matisse
The Scharf Collection48€ Add to cartThe Scharf Collection is a German private collection of French art from the nineteenth and twentieth centuries and international contemporary art. Now in its fourth generation, it continues a branch of the renowned Otto Gerstenberg Collection in Berlin, which encompasses everything from the beginnings of modernism, represented by Francisco de Goya, to the French avant-garde of the second half of the nineteenth century with Gustave Courbet, Edgar Degas and the entire graphic oeuvre of Henri de Toulouse-Lautrec. The richly illustrated catalog accompanies the collection’s first comprehensive exhibition at the Kunstpalast in Düsseldorf and the Alte Nationalgalerie – Staatliche Museen zu Berlin.
-

Zwischen Freiheit und Moderne
Die Bildhauerin Renée Sintenis29€ Read moreThe Successful Sculptor and Symbol of the “Neue Frau”
Renée Sintenis (b. 1888, Glatz; d. 1965, Berlin) belongs to the first generation of professional female sculptors at the beginning of the twentieth century. She made skillful use of her business relations with her gallerist Alfred Flechtheim, who introduced her to collectors in Paris, London, and New York. The market for, in particular, her lively, small animal sculptures was quite lucrative. These experienced renewed popularity in the 1950s through her Berlin Bear statuette, which has been presented in a small version at the Berlin International Film Festival since 1960. The catalog sheds light on the sculptor’s diverse oeuvre and provides insight into the self-image of one of the most successful women artists of the Weimar Republic, who embodied the type “Neue Frau” (new woman) due to her dazzling appearance.
-

Roland Schappert
Coronasehnsucht14€ Add to cartThe coronavirus pandemic hit us in a time of disparate foci of attention. A fundamental lack of comprehension and hate speech contrast sharply with an unspoken consonance of ideas as well as feelings. What do reality, statistics, love, and yearnings do to us? They are playing a game with reality, sans fiction. Relationships sustain our lives. What was unmistakable before is now manifest, with stark certainty. Are we ready for loving dissension? Can we bear to think only as far ahead as we can see? How do our emotions answer these questions, and how does our intellect? The Cologne visual artist and writer Roland Schappert retraces his personal voyage through this sun-kissed rain-drenched time. The book is a diary-like tour de force of digital amorous overtures, an attempt to explain the world of art via WhatsApp, and the real challenges of life as a single artist in a major German city in precarious circumstances.
-

Laura Schawelka
Double Issues24€ Add to cartSales Spaces without Merchandise
In her installations, Laura Schawelka (b. 1988, Munich; lives and works in Berlin) makes use of photography, video, and sculpture in a multilayered dialogue. In her latest works, the artist focuses on the role of photography in the development of modern consumer society. What does it mean if goods are only communicated through other goods, such as computers, cell phones, tablets? If this withholding of the genuine object is precisely what prompts the desire for it? The artist creates sales spaces without merchandise, in which images, photographs, and videos have replaced consumer goods of any kind.
Laura Schawelka studied at the Städelschule in Frankfurt am Main as a student of Tobias Rehberger master-class. In 2015, she was awarded the Master of Fine Arts at the California Institute of the Arts in Los Angeles, and in 2017 she moved to Paris as the recipient of a studio bursary of Hessische Kulturstiftung.
-

Verena Issel
Yellow Pages. Installations and their individual components45€ Add to cartVerena Issel’s installations feel friendly and inviting, they are soft, round, colorful—we cannot but smile when we look at them. The sculptures and pictures she makes for them are replicas, sometimes laced with irony, of familiar objects from nature and culture—palm trees, ancient columns, and more—which she manufactures out of materials that surround us in everyday life and the domestic sphere such as an old bag, foamed plastic fragments, or a drainpipe. They are awkward giants, monochrome, simplified, two- and three-dimensional forms that wish us no ill. Taking a closer look, we realize that they embody what has been lost, that they are a plastic version of what we are destroying or have destroyed already: nature, obviously, but also ourselves and our cultural and social achievements. Their merriment and sympathy are tinged with melancholy, and the loss is doubly painful when we consider that the sculptures and graphic art are filled with no more than an imitation of life, and an exaggerated one. This catalogue presents a survey of Issel’s diverse and sprawling oeuvre. Expertly choreographed shots of the colorful works convey vivid impressions of her installations.
-

Vanessa Henn
Same Same35€ Add to cartVanessa Henn’s (b. Stuttgart, 1970; lives and works in Berlin) objects and installations blend formal reduction with playful comedy. The handrails she makes out of a wide variety of materials run along walls, project into rooms, trace spirals, mark lines or arcs, and often solicit our active engagement. Besides banisters, her oeuvre, which straddles the line between architecture and sculpture, also comprises bridges, stairs, and fences. All her creations are energized by the tension between the static work of art and its dynamic environment, which the artist resolves by integrating her works into the goings-on of everyday life. A guardrail that runs perpendicular to a flight of stairs or abruptly ends in the ceiling or floor is relieved of its function; rather than helping us go where we are going, it is a companion who invites us on a stroll into the imaginary and uncertain. And that is what makes Vanessa Henn’s art so alluring.
The book presents Vanessa Henn’s latest works from the years 2019-2023.
Vanessa Henn studied sculpture at the State Academy of Fine Arts Stuttgart (1992–2001) and at Edinburgh College of Art (1995–1996) and completed a Master of Fine Art at the University of Canterbury School of Fine Art in Christchurch, New Zealand (1999–2000).
-

MEUSER
Werke 2012–2023 (GERMAN)48€ Add to cartEver since his studies with Joseph Beuys and Erwin Heerich, since his first exhibitions – for instance at ‘Kippenberger’s Office’ in 1979 – Meuser (b. Essen 1947, lives and works in Karlsruhe) has been a solitaire. His sculptures are unyielding and unruly, just as much as they are vulnerable and tender. They are witty and heart-touchingly charming.
Meuser finds his material in the scrapyard. Confidently and empathically, he reinstates form and dignity to the remnants and vestiges of industrial society. As a romantic, he grants things a life of their own and turns them into self-reliant protagonists, once more. Unwaveringly, he works to re-poetize a standardized and maltreated world.
The lavishly designed monograph is published on the occasion of Meuser’s 75th birthday, presenting works and exhibitions from the past ten years. Eight international authors and scholars create a dazzling mosaic and reveal how Meuser boldly holds his own in face of Duchamp, Minimalism, and Social Sculpture. An open-ended outlook.
Meuser studied 1968–1976 at Art Academy, Düsseldorf with Joseph Beuys and Erwin Heerich. 1991 he received the ars viva award. 1992-2015 professorship at Academy of Fine Art, Karlsruhe.
Since 1976, numerous institutional solo and group exhibitions and works in international collections: Bundeskunsthalle, Bonn; Deichtorhallen, Hamburg; documenta IX / Fridericianum, Kassel; Fundació Joan Miró, Barcelona; Joanneum, Graz; Kunsthalle Düsseldorf; Museum of Contemporary Art, Monterrey; Martin-Gropius-Bau, Berlin; Museum Abteiberg, Mönchengladbach; Museum Folkwang, Essen; Museum moderner Kunst Stiftung Ludwig, Vienna; Museum Morsbroich, Leverkusen; Rijksmuseum Twenthe, Enschede; Sakip Sabanci Museum, Istanbul; Städtische Galerie, Karlsruhe; Vanhaerents Art Collection, Brussels; ZKM | Museum für Neue Kunst, Karlsruhe.
-

Emil Nolde
A Critical Approach by Mischa Kuball40€ Add to cartWhat is Visible and What is Not
Mischa Kuball (b. 1959, Düsseldorf; lives and works in Düsseldorf) investigates public and institutional spaces and the social and political discourses that shape them. At the invitation of the Draiflessen Collection and with support from the Nolde Stiftung, the conceptual artist grappled with the life and oeuvre of the painter Emil Nolde (1867–1956) and created a body of work titled Nolde/critique/Kuball. In piece after piece, Kuball drains Nolde’s works of the colors that made the Expressionist famous, challenging the beholder’s preconceptions and examining perception and its constituent processes. Laid out in black and white, the book accordingly directs our attention not only to what a picture shows, but also to how structures and organizing principles emerge into view.
Mischa Kuball has been professor of public art at the Kunsthochschule für Medien Köln, and associate professor of media art at the Staatliche Hochschule für Gestaltung/ZKM Karlsruhe since 2007.
Note: This publication is released in German, English and Dutch. When ordering, please let us know which edition you would like to receive. Use the annotation box on the checkout page.
-

Leszek Skurski
Catalogue raisonné Vol. 1: Works from 1990–202459€ Add to cartLeszek Skurski (b. Gdańsk, 1973; lives and works in Fulda and Mallorca) is known for his singular and immediately recognizable white paintings. Small black and gray figures emerge from the white landscapes, always set in relation to one another, in pairs or groups. Exposed on the expansive and boundless-seeming plane, they silently tell a story that remains as open-ended as the pictures. In a few spare brushstrokes or lines drawn with the palette knife, Skurski’s superb neoimpressionism deftly captures the atmosphere that weighs down on his characters and holds his compositions in suspense.
The extensive monograph presents over two thousand works from more than three decades. Essays embed the various bodies of work in their art-historical contexts.





















