



Charles Moore
On painting
![]() | |
---|---|
Author(s) | Charles Moore |
Cover | Softcover |
Size | 12 x 18 cm |
Pages | 224 |
Illustrations | 16 |
Language(s) | English |
ISBN | 978-3-96912-236-5 | Release November 2025 |
For On Painting, New York-based art historian and curator Charles Moore, interviewed four women artists about their practice, asking them to reveal their motives and aspirations. This publication consists of four interviews, each containing an introduction by Moore and illustrations of the artist’s works. Danielle Mckinney, who paints exclusively Black women, reflects on her experiences as a woman growing up in the US South. Nicola Staeglich creates subtle layered abstract works to evoke new perspectives and the potential for change. Nirit Takele elaborates on how her Ethiopian Jewish heritage has shaped her painting practice. Jorinde Voigt, who creates complex installations inspired by notation systems, discusses the use of algorithms and the beauty to be found in the unexpected.
Release November 2025
More books
-
Michel Majerus 2022
49€ Add to cartMichel Majerus (1967–2002) ranks among the most interesting painters of his generation and left a singular and multifaceted oeuvre that still speaks powerfully to contemporary concerns. His works quote phenomena of everyday culture such as comic strips, advertisements, and videogames as well as sources of inspiration from art history ranging from minimalism to Pop Art. Decontextualizing the different elements of pictures, he integrated them into novel contexts of meaning by, for instance, setting them on a par with art-historical references.
Twenty years after his death, a series of exhibitions throughout Germany showcase different periods and aspects of his creative output. Five solo exhibitions at the KW Institute for Contemporary Art, the Neuer Berliner Kunstverein (n.b.k.), the Kunstverein in Hamburg, the Michel Majerus Estate, and Galerie neugerriemschneider, Berlin, pay tribute to Michel Majerus’s art in unprecedented breadth.
Concurrently, thirteen museums mount presentations of works by Michel Majerus from their collections: Ludwig Forum Aachen; Kunsthalle Bielefeld; Kunstmuseum Bonn; Museum Folkwang, Essen; Sprengel Museum Hannover; Museum Ludwig, Cologne; Kunsthalle Mannheim; Städtische Galerie im Lenbachhaus, Munich; Neues Museum Nürnberg, Nuremberg; Saarlandmuseum—Moderne Galerie, Saarbrücken; Kunstmuseum Stuttgart; Staatsgalerie Stuttgart; and Kunstmuseum Wolfsburg.
The extensive publication accompanying the exhibition series Michel Majerus 2022 includes three essays and two artists’ contributions as well as visual documentation of the exhibitions and presentations from the collections. It is rounded out by a biographical sketch of Michel Majerus, a history of exhibitions of his work, and archival photographs.
-
Mihai Olos
42€ Add to cartMihai Olos (b. Ariniș, Romania, 1940; d. Endingen am Kaiserstuhl, 2015) ranks among the most fascinating artists of the second half of the twentieth century. His adaptations of the formal vocabulary pioneered by Constantin Brâncuși are unrivaled in their creative originality. His works evince an utterly novel approach to the combination of materials from the culture of rural Romania with the visual strategies of modernism. His formidable oeuvre engages with conceptual and minimal art and comprises paintings, drawings, and sculptures, sometimes in the dimensions of land-art projects, as well as performances and poetry. Despite the constraints imposed by the communist system, his art and travels—during which he also met his kindred spirit Joseph Beuys—were dedicated to the unerring pursuit of his vision of social sculpture and radical utopian architecture.
- Release October 2025
Ernst Wilhelm Nay
Monograph (EN)68€ Add to cartThe Great German Artist’s Imposing Oeuvre
Ernst Wilhelm Nay (b. Berlin, 1902; d. Cologne, 1968) was one of the most interesting painters of European modernism. Spanning the decades from the 1930s to his death in Cologne in 1968, his output encompasses paintings as well as an abundance of works on paper. The new monograph surveys all periods in Nay’s oeuvre, from the “Fishermen paintings” to the striking late pictures, which leave no doubt about the artist’s outstanding gift for color. Nay’s evolution is embedded in the history and ideas of his time, on which he reflected in lectures, writings, and notes. The volume unlocks a wide spectrum of fresh insights into Nay’s life and art.
-
Hans Karl Zeisel
Hundred and more34,95€ Add to cartPossibilities of Concrete Art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
-
Africa
in the View of the Photographers19,90€ Add to cartContemporary Photography from Africa
Stereotypes still dominate the Western image of Africa; we tend to know little about cities like Lagos, Porto-Novo, or Kinshasa. The book presents photographs by African artists who tell stories from everyday life in the metropolises, of the unruliness of nature and industry, of traces of the past and pop culture. Osborne Macharia, for example, interweaves Kenya’s cultural identity with fictional Afro-futuristic plots; Yoriyas documents the small moments of life in his native Casablanca in pictures that have been picked up by the New York Times, National Geographic, and Vogue; Alice Mann’s intimate essays in portraiture, meanwhile, explore ideas about the making of pictures as a collaborative act. With additional works by Ilan Godfrey, Fabrice Monteiro, Kibuuka Mukisa Oscar, Léonard Pongo, and Fethi Sahraoui, the book offers a profoundly original survey of African realities.
-
Karin Hochstatter
gegengerade20€ Add to cartA Provocation of Vision between Surface and Depth
In her sculptural works, Karin Hochstatter (b. 1960, Cologne; lives and works in Cologne) deals with forms and their dissolution, as well as the perceptual mechanisms that arise from this. Everyday materials from high-tech production processes, such as construction products and foils, become fragile and expansive structures that question both our way of seeing and our notion of sculpture. The book documents her more recent works since 2012, which always exist as singular events in space and never appear a second time in the same way.
Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
-
Bilder des Wohnens
18€ Add to cartThe Cognitive Registers of Photography
All over the world, housing shortages and living conditions are urgent concerns of political and academic debates. Scholars at the FH Bielefeld conducted a three-year research project on Bilder des Wohnens. Architekturen im Bild, focusing on questions of the representation of space and hybrid forms of visualization between documentation and staging as well as photography as an archive of architectural knowledge and tool in the planning process. The book draws on studies of twentieth-century social utopias such as Tashkent, Uzbekistan, an embodiment of the urban-planning ideal of Soviet modernism, and explorations of social and cultural spaces along the coasts of northern Morocco and southern Spain, as well as a photographic typology of urban fabrics in Germany and other sociocultural studies that grapple with the significance of living spaces today.
-
Peter Zimmermann
abstractness26€ Add to cartTreading the Limits of Originality
Peter Zimmermann (b. 1956, Freiburg; lives and works in Cologne) is one of the most important conceptual media artists. With his work, he consistently experiments with visual reproduction techniques and gained international recognition in the late 1980s with his Book Cover Paintings: motifs from book covers such as that of the Diercke Weltatlas or the Polyglott travel guides, which Zimmermann transfers to the canvas with oil and epoxy resins. The relationship between original and copy is the central theme of his work, with which he addresses the ambivalence of artistic and digital authorship. This monograph brings together early works and a selection of current productions.
Peter Zimmermann studied at the Staatliche Akademie der Bildenden Künste Stuttgart and was professor at the Kunsthochschule für Medien Köln, Cologne, from 2002 to 2007.
- Release November 2025
Fidel Martínez
Todesfuge. Das Leben des Dichters Paul Celan26€ Add to cartThe Spanish graphic artist Fidel Martínez Nadal’s (b. Seville, 1979) graphic novel Todesfuge recounts the life of Paul Celan (1920–1970), one of the most eminent lyric poets of the twentieth century. The narrative interweaves biographical and literary aspects of Celan’s life, including his Jewish identity, his lifelong trauma as a Holocaust survivor, and his acclaimed poem Todesfuge. Martínez’s expressive and somber illustrations visualize Celan’s struggles with feelings of guilt, memory, and his creative efforts to find words for the unspeakable. An artistically brilliant homage to Paul Celan’s oeuvre, Todesfuge is an impressive contribution to the engagement with the Shoah in the medium of the graphic novel pioneered by Art Spiegelman.
-
Barthélémy Toguo
10€ Add to cartBarthélémy Toguo’s art is a call for community and love, but there is nothing naïve about it. His paintings, graphic art, sculptures, performances, and installations explicitly grapple with colonialism, migration, and inequality; he directs our attention to the devastations wrought by humans, to the slow deaths of nature and cultures. But he does not dwell in this abyss. He aspires to something greater: to create work that establishes non-hierarchical connections; to build, as he puts it, a “world of solidarity and generosity” that knows neither ego nor identity, a community of all forms of life that flourish and pass away so that new living beings can sprout from their remains—Endless Blossoms. His choice of words and the aesthetic of the works gathered in this catalogue suggest that he is not alone in this undertaking. He stands with Ellen Gallagher, Wangechi Mutu, Louise Bourgeois, Marlene Dumas, and Kiki Smith. With them and with all of us, Toguo envisions a colorful future, a universe of exuberant energy and joie de vivre.
- Out of stock
Soulages
Malerei 1946–201942€ Read more“I paint not with black but with light.”
Pierre Soulages (b. Rodez, France, 1919; lives and works in Paris and Sète, France) is an eminent figure in abstract painting. A member of the Nouvelle École de Paris, he developed his first nonobjective pictures early on, in 1946, putting bars of bold color, typically black, on white grounds. His embrace of total non-representationality, an art that depicts nothing, that stands for nothing but itself, amounted to a radical challenge to the traditional values of painting. In 1979, his work entered a new phase, a painting he calls “outrenoir” or “beyond black.” Soulages now occupies a singular position, and not only by virtue of his choice of materials such as walnut stain and tar and implements like scrubbers, iron hooks, and spatulas. The book documents the arc of his oeuvre from his beginnings after World War II to the present. Illustrating the evolution of his art, it shows how he remained true to his creative vision, a consistency that is doubly imposing given the extraordinary length of his career.
Pierre Soulages studied at the École Régionale des Beaux-Arts, Montpellier, before moving to Paris in 1946. He contributed work to documentas I, II, and III and the 26th Biennale di Venezia. His work has been shown at the Museum of Fine Arts, Houston; the Hermitage Museum, Saint Petersburg; the Musée du Louvre and the Centre Pompidou, Paris; and the Musée Fabre, Montpellier. The Musée Soulages in his native Rodez opened in 2014.
-
SERIES
Prints from Warhol to Wool40€ Add to cartA Creative Strategy and Technique of Modernism
Series are open systems, telling stories, toying with rhythms, permitting variations, and documenting creative processes. Andy Warhol’s famous silkscreen prints made the serial iteration of images his trademark stratagem. In the mid-1960s, Pop Art and Fluxus had established the fine art print as a medium in which seminal work was being done. New graphic techniques such as serigraphy and offset printing, used with aggressive colors and punchy motifs, not only allowed for large numbers of copies, they also opened the door to an unprecedented engagement with the imagery of popular print and advertising media. Opening with an inquiry into how serial fine art prints are made, the book presents and contextualizes the explosive visual and political energy of graphic series. The numerous illustrations and essays are rounded out by an interview with Thomas Schütte and Ellen Sturm.
With works by Josef Albers, Joseph Beuys, Ulla von Brandenburg, John Cage, Helen Cammock, Nina Canell, Jim Dine, Dan Flavin, David Hockney, Jenny Holzer, Olav Christopher Jenssen, Donald Judd, Ronald B. Kitaj, Maria Lassnig, Sol LeWitt, Roy Lichtenstein, Richard Lindner, Robert Mangold, Brice Marden, Stefan Marx, Bruce Nauman, Dennis Oppenheim, Nam June Paik, Sigmar Polke, Gerhard Richter, Dieter Roth, Fred Sandback, Nora Schultz, Thomas Schütte, Dasha Shishkin, Frank Stella, Rosemarie Trockel, Victor Vasarely, Wolf Vostell, Andy Warhol, Corinne Wasmuht, Emmett Williams, Christopher Wool, and others.
-
FINALE
DIRECTOR’S CUT25€ Add to cartThe Best Part …
In 1994, Britta Erika Buhlmann took the helm at Museum Pfalzgalerie Kaiserslautern, from which she will retire in the spring of 2022. In her twenty-eight-year tenure, she has enlarged the museum’s art collection and put her personal stamp on it. The classical modernism division was strengthened with the addition of major works by Otto Dix, Hermann Scherrer, and Karl Buchheister, while key pieces by François Morellet, Martin Willing, Werner Pokorny, and others have enriched the museum’s holdings in sculpture. A newly established division of the collection is dedicated to the creations of American artists such as Eric Levin, Kiki Smith, Charles Pollock, and Richard Pousette-Dart. More than a few artists—the list includes Carmen Herrera, Pierrette Bloch, Eva Jospin, and Nobuyuki Tanaka—made their German or even European début at the mpk.
In this book, members of the mpk’s staff offer their takes on selected works in the collection, unfurling a subjective story of their engagement with works that have earned the museum its reputation as a “place of discoveries.”
-
Toni Mauersberg
Entre Nous28€ Add to cartToni Mauersberg (b. Hannover, 1989; lives and works in Berlin) is interested in the different layers of a picture’s signification: there is, in the first instance, what it depicts; then the larger tradition in which it is grounded; and finally, the conditions of its genesis. She employs a range of painterly strategies and techniques to uncover the potentials of paintings as a medium of understanding, insight, and storytelling. The question that animates her art is how it is possible, in this post-religious, post-rational, and post-individual age, to be one’s own person. In her most recent series, Pas de Deux, Mauersberg investigates the complex visual language of abstract painting, which originated in part in a quest for new ways of representing spirituality and emancipation. Combining nonrepresentational pictures with portraits, she draws attention to how both are products of “making,” composed of nothing but color, while enlarging their interpretative ambits. The dialogue between the paintings is meant to help the beholders chart their own course as they unlock what appear to be hidden laws encoded in pictures.
Toni Mauersberg studied Jewish studies at Freie Universität Berlin in 2008–2012 and fine arts with Leiko Ikemura at the Berlin University of the Arts from 2009. In 2017, she was Michael Müller’s master student.
- Out of stock
Voré
Stückwerk Mensch18€ Read moreHistorically Anchored Installations with Current Political References
The sculptures by Voré (b. 1941 in Karlsruhe, lives and works in Ettlingen) reflect the artist’s examination of the conditions of human existence and the human state of mind. Finely polished forms, splinters, and rough fractures become a statement of content and at the same time constitute the formal tension of the respective object. The process of creation can be seen in the rough remaining parts and traces of the various tools. Parallel and closely related to this, drawings and collages are created as independent works or as components of installations. Formal impulses of the sculptural concept are taken up, graphically processed, and projected back into the sculptural work. The present volume presents projects from six decades with numerous illustrations.
-
Nadira Husain
Manzil Monde30€ Add to cartNadira Husain’s (b. Paris, 1980; lives and works in Berlin, Paris, and Hyderabad) work combines figures, symbols, and ornaments from different cultures in complex imageries that reflect her own multicultural experience. To achieve a harmonious, though by no means placid, coexistence of all elements, the artist harnesses painting, drawing, printing processes, traditional artisan practices, and a range of materials including textile and ceramics, recognizing no hierarchy of media or genre. Hybridization and the translocation of motifs serve her to tease out similarities as well as divergences between myth and pop culture: the Indian deity, the cartoon character, and the fashion label appear as equals in the universe of her art.
The book contains several essays that explore Nadira Husain’s oeuvre as a significant contribution to the discourse around postmigration, transculturality, and feminism in contemporary art.
Nadira Husain studied at the École nationale supérieure des beaux-arts in Paris and the University of British Columbia in Vancouver. She is currently a visiting professor at the Berlin University of the Arts, where she co-teaches with the Belarusian artist Marina Naprushkina.
-
Etsu Egami
Rainbow18€ Add to cartWhat is worth talking about in art eludes language. Aesthetic experience is without words, like a human encounter that touches upon our innermost being. Etsu Egami is interested in the margins of understanding, where the communication of ideas and feelings threatens to fail, where forms become illegible. That is the point on which she homes in with her brush, which she wields in a rough calligraphic style, putting almost translucent oil paints on the canvas. Spectral faces emerge that dissolve into abstraction; abstract forms, beheld from the corner of one’s eye, momentarily coalesce into a likeness. Painting, to Egami, is a physical and performative act, the brush an extension of her arm, bringing a picture into being in sweeping rhythmical motions. As we contemplate her work, that momentum imparts itself to us: first our eyes begin to wander, then we feel our bodies stir, and finally the spirit, too, pulsates in the rhythm of the brush. Gathering Egami’s most outstanding works, this catalogue is a universal invitation to join a peculiar dance, an arc of light the artist traces across all barriers to understanding and that speaks to our senses.
-
Mon Trésor
34€ Add to cartEurope’s Treasure Chamber
What do the torque of the princess of Reinheim, the tableware from the Orient Express, and the radio station Europe 1’s studio building have in common? They are among the treasures of the Saar region. The book presents outstanding archaeological objects and achievements of technology and art dating from the age of the Celts to the present. Drawn from the Saarland and neighboring Alsace-Lorraine, Luxembourg, and Rhineland-Palatinate, the unexpected riches illustrate the cultural and social dimensions of this multinational region in the heart of Europe. The title Mon Trésor describes many of them quite literally: the note a seven-year-old dashed off to his father before his family was evacuated in the first days of World War II; the Roman-era ring that is also a relic, witnessing to flight and danger. All treasures are personal first and foremost, though others may later cherish them as cultural assets.
- temporarily not available
CLARA MOSCH
and early art events in the GDRRead moreThe legendary producer-run gallery Clara Mosch and the artists’ group of the same title that gathered around it were founded in Karl-Marx-Stadt (today’s Chemnitz) in 1977 and existed until 1982. The catchy name was an acronym of the contributors’ last names: CLA = Carlfriedrich Claus, RA = Thomas Ranft and Dagmar Ranft-Schinke, MO = Michael Morgner, SCH = Gregor-Torsten Schade. As the founders of the first producers’ gallery in the GDR and creators of diverse oeuvres, the group’s artists rank among the foremost exponents of avant-garde art in East Germany. The book presents works of art, limited editions, and posters as well as photographs from the Ralf-Rainer Wasse archive in the collections of the Lindenau-Museum in Altenburg. One thematic focus is on Clara Mosch’s land-art happenings and plein-air pieces. The unconventional actions attest to the group’s stated objective of building greater awareness of the ongoing devastation of the local environment. Forty years after the fact, Clara Mosch’s work has lost none of its relevance and urgency.
-
John M Armleder
CA. CA.19€ Add to cartCommentaries on our Present Day Realities and the Status of Art
John M Armleder (b. 1948, Geneva; lives and works in Geneva and New York) is one of the most influential contemporary conceptual, performance and object artists. The profound and the banal, control and coincidence, high culture and everyday life coalesce in Armleder’s work to create a unique experience. The works of the Swiss – often humorous or ironically twisted commentaries on contemporary reality – draw on the formal repertoire of Classical Modernism, as well as on video and design. The book focuses on large-scale, site-specific installations and wall pieces, showing in detail the broad spectrum of Armleder’s work.
John M Armleder studied at the École des Beaux-Arts in Geneva. He represented Switzerland 1986 at the 42nd Biennale di Venezia and participated in documenta 8 one year later. His work has been exhibited at the Museum of Modern Art, New York, Palais de Tokyo, Paris, and Belvedere, Vienna, amongst others.