Brandon Lipchik
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|---|---|
| Editor(s) | Robert Grunenberg |
| Author(s) | Oliver Koerner von Gustorf |
| Design | OOR Studio, Berlin; Vladimir Llovet |
| Size | 15 x 21 cm |
| Cover | Softcover |
| Pages | 44 |
| Illustrations | 26 |
| Language(s) | German, English |
| ISBN | 978-3-96912-132-0 |
In recent years, a Wagnerian night has settled over Brandon Lipchik’s (b. Erie, PA, 1993; lives and works in Brooklyn, NY, and Berlin) pictures. Moons rise; beasts and titans populate a homogeneous world of swimming pools, white picket fences, and neatly mowed lawns. Synthesized on a computer screen and then transferred to canvas by hand, the artist’s paintings revolve around the backyard as a mythically fraught scene of popular culture. The garishly lit multiperspectival pictures replicate characteristic shots from 1980s gay porn films and quote a clean American Apparel look. Lipchik subjects men’s bodies, spaces, plants, objects, and animals to digital deconstruction, obtaining rudimentary and abstract shapes. Staring at smartphones or gazing on water surfaces, his characters recall early digital animations and seem oddly hollow, like empty avatars waiting to be filled with new speculative content.
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Stephan Kaluza
Das Rheinprojekt48€ Add to cartReinterpreting the Classical Panorama
The mythical character of the Rhine as a ‘German symbol’ has long been of profound interest to poets and visual artists. Today, however, the Rhine has lost the aura of a great romantic river along much of its course: from Basel to Rotterdam, it serves as a high-volume shipping lane, and sprawling industrial installations line its banks.
At the dawn of the new millennium, Stephan Kaluza (b. Bad Iburg, 1964; lives and works in Düsseldorf) went on an almost eight-months-long walking tour, following the Rhine from its source at the foot of Piz Badus in Switzerland to its debouchment into the North Sea near Rotterdam. During this thousand-mile trek along the river’s right bank, he stopped every minute—after between two and three hundred feet—to take a photograph of the opposite shore. In this way, his camera compiled a painstaking record of the Rhine in 21,449 individual shots. Digitally assembled in a single six-inch-tall composite image, the pictures form a two-and-a-half-mile stream.
What Kaluza created in this project would have been inconceivable before the development of digital photography, which made the seamless presentation of the pictures in a single panoramic band possible. What is more, the computers capable of processing the enormous quantities of data did not arrive until a few years ago. It took the artist’s assistants a full two years just to edit the images. Harnessing digital technology, Kaluza creates for photography what had been the exclusive precinct of painting: a sweeping holistic perspective. A large number of the fascinating panorama photographs were published in the imposing tome Der Rhein in 2007. Das Rheinprojekt now presents a freshly composed selection from this treasure trove.
Stephan Kaluza received a comprehensive education in Düsseldorf in the 1990s, studying photography at the city’s University of Applied Sciences, art history at the Academy of Fine Arts, and history and philosophy at Düsseldorf University. Since 1995, his work has been shown at numerous galleries in Seoul, Shanghai, Jerusalem, Los Angeles, Berlin and elsewhere. Kaluza’s plays have been performed in Düsseldorf, Berlin, and Stuttgart.
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Yes To All
Die Schenkung Paul Maenz Gerd Vries42€ Add to cartThe catalog accompanying the exhibition YES TO ALL offers profound insight into a collection of over nine hundred works on paper—from postcards and drawings to photographs and posters—that was gifted to the Kupferstichkabinett in 2022, with subsequent additions over the years until 2025. The donors are Paul Maenz and Gerd de Vries, who ran a gallery for contemporary art in Cologne until 1990 and chaperoned the evolution of avant-garde art from the conceptualism of the late 1960s to the neo-expressive painting of the 1980s. The most recent works in the collection date from 2024. Several essays and a conversation with the donors invite the reader to experience the stylistic and thematic polyphony of Western art in the late twentieth and early twenty-first centuries in new ways.
EXHIBITION:
YES TO ALL. THE GIFTS OF PAUL MAENZ GERD DE VRIES TO THE KUPFERSTICHKABINETT
KUPFERSTICHKABINETT, STAATLICHE MUSEEN ZU BERLIN
UNTIL JANUARY 11, 2026 -
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Heike Negenborn
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Heike Negenborn studied fine arts at Austin College, Texas, Art Education at Johannes Gutenberg Universität Mainz, and Painting and Printmaking at the Akademie für Bildende Künste Mainz.
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Peter Hermann
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The figures of Peter Hermann (b. 1962, Bietigheim; lives and works in Ludwigsburg) stand and gaze. Made of limewood or bronze, his sculptures are precisely crafted in the manner of the old masters and thus stand in opposition to other contemporary positions. Nevertheless, in their static severity, their shortened and slightly caricatured limbs, and with a certain irony that accompanies this, they also defy the classical canon of figurative sculpture. Peter Hermann finds his themes in everyday life and succeeds in letting this apparent everydayness vibrate further in the encounter between the artwork and the viewer.
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Cahier #1
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nolde/kritik/documenta (German)
42€ Add to cartEmil Nolde (1867–1956) ranks among the best-known classic modernists. Contemporary perceptions of the artist and his oeuvre are informed by mythmaking as well as its deconstruction. After the Second World War, Nolde himself and art historians of the time portrayed him as a victim of Nazi persecution. More recent critics have drawn attention to his anti-Semitic views and his opportunism in his dealings with the Nazi authorities.
With support from the Nolde Foundation, Seebüll, the Düsseldorf-based conceptual artist Mischa Kuball (b. 1959) delved into the documentary record to shed light on this profoundly ambivalent figure and frame a critical perspective on Emil Nolde’s output and actions. The first fruits of his endeavors were shown at the Draiflessen Collection, Mettingen, in the winter of 2020–2021.
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Beate Passow
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Arantxa Etcheverria
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Julius Hofmann
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Western Philosophies is an episode in Hofmann’s ongoing work confronting consumerist society with its dark secrets and its indifference. Meanwhile, his creative process is also an exploration of the artist’s personal fears and frustrations. In depicting his figures, landscapes, and machines, he draws our attention to the painterly originality of structures and surfaces. The protagonists, to his mind, play a subordinate role, typically serving him as vehicles—he is more interested in the “how” than in the “what.”
Julius Hofmann studied painting with Neo Rauch and Heribert C. Ottersbach at the Academy of Fine Arts Leipzig (HGB) from 2005 until 2011. His work is represented in international collections and institutions.
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GETA BRĂTESCU
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Tim Eitel
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Beate Höing
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The painter and ceramist-sculptor Beate Höing (b. 1966, lives and works in Coesfeld and Münster) creates works of art whose aesthetic is deeply informed by the ornamentation and manual techniques of folk art. Drawing inspiration for her motifs from souvenir culture, but also from fairy tales and myths, she unfurls her burgeoning imagination in works defined by an unmistakable style and a singular allure. Poetic pictures and sculptures deftly toy with the conventions of kitsch and forms of traditional craftsmanship. Tangible objects, associations, and recollections coalesce in an ambivalent play between reality and fiction in which only a fine line separates dream from nightmare, congeniality from alarm.
The lavishly illustrated monograph presents a comprehensive survey of the artist’s output between 2011 and 2021.
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Peter Zimmermann
abstractness26€ Add to cartTreading the Limits of Originality
Peter Zimmermann (b. 1956, Freiburg; lives and works in Cologne) is one of the most important conceptual media artists. With his work, he consistently experiments with visual reproduction techniques and gained international recognition in the late 1980s with his Book Cover Paintings: motifs from book covers such as that of the Diercke Weltatlas or the Polyglott travel guides, which Zimmermann transfers to the canvas with oil and epoxy resins. The relationship between original and copy is the central theme of his work, with which he addresses the ambivalence of artistic and digital authorship. This monograph brings together early works and a selection of current productions.
Peter Zimmermann studied at the Staatliche Akademie der Bildenden Künste Stuttgart and was professor at the Kunsthochschule für Medien Köln, Cologne, from 2002 to 2007.
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John M Armleder
CA. CA.19€ Add to cartCommentaries on our Present Day Realities and the Status of Art
John M Armleder (b. 1948, Geneva; lives and works in Geneva and New York) is one of the most influential contemporary conceptual, performance and object artists. The profound and the banal, control and coincidence, high culture and everyday life coalesce in Armleder’s work to create a unique experience. The works of the Swiss – often humorous or ironically twisted commentaries on contemporary reality – draw on the formal repertoire of Classical Modernism, as well as on video and design. The book focuses on large-scale, site-specific installations and wall pieces, showing in detail the broad spectrum of Armleder’s work.
John M Armleder studied at the École des Beaux-Arts in Geneva. He represented Switzerland 1986 at the 42nd Biennale di Venezia and participated in documenta 8 one year later. His work has been exhibited at the Museum of Modern Art, New York, Palais de Tokyo, Paris, and Belvedere, Vienna, amongst others.
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Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
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Clemens Krauss
Antidot | Gegengift40€ Add to cartClemens Krauss restlessly shuttles across history; his vehicles are painting, video art, sculpture, and performance. Yet Krauss is not “just” an artist, he is also a psychoanalyst and physician. As such, he has first-hand experience of time as the defining factor of existence, daring him to play with it. The bosom of painting is where he feels safest after his hazardous excursions back into his youth and forward into death. Executed in thick paints, his work is physical, material, which is also to say, it exists in time: everything passes away, even the picture. Evanescent, more than anything, are encounters of the sort Krauss stages as part of his psychoanalytical practice; all that remains is the indelible impression they leave. To be indelible, to recall the past, while also “letting happen what has never happened,” as he puts it, these are the ambitions he pursues in his art. Preserved between the covers of the present catalogue and reproduced in thousands of copies, his works now fan out in an instant to circulate for an indeterminate period of time among countless hands, whence they will effortlessly penetrate the barriers of our inner lives to bring us one step closer to transcendence.
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Stephan Kaluza
Mechanik Sehnsucht. Kunsterzeugung und Betrachtung14€ Add to cartUngewohnte Antworten aus der Sicht des Kunsterzeugers
Die Frage, was Kunst ist und wie sie entsteht, wird gerne von denen beantwortet, die sie selbst nicht erzeugen. Die Betrachtung und Interpretation steht im Vordergrund und damit eine wissenschaftliche Distanz zur Kunst. Es gibt aber durchaus die Eigen-Betrachtung derer, die Kunst aktiv herstellen und naturgemäß einen inneren Blick auf die prozessualen Bedingungen haben, die überhaupt erst das entstehen lassen, was anschließend betrachtet und beurteilt wird. Diese Sichtweise ist nicht zwangsläufig identisch mit der von außen. Nicht die Interpretation oder eine deduktive Schlüssigkeit steht hier im Vordergrund, sondern ein ableitender und besonders ein schöpferischer Sinn, der sich aus dem Prozess des Kunstherstellens von selbst ergibt.
Die Arbeiten von Stephan Kaluza (geb. 1964 in Bad Iburg, lebt und arbeitet in Düsseldorf) wurden unter anderem im Ludwig Museum Koblenz, im State Contemporary Art Museum, Seoul, in der Kunsthalle Osnabrück, im Palacete des Artes Rodin, Salvador, im Museum on the Seam, Jerusalem, sowie in der KAI 10 | Arthena Foundation, Düsseldorf, ausgestellt.
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Anna Leonhardt
Touching Space34€ Add to cartAnna Leonhardt’s (b. Pforzheim, 1981; lives and works in New York and Leipzig) paintings probe her own experiences and moods, while also referencing works of literature and quoting phenomena in the history of her craft. Abstract surfaces composed of numerous layers that break the two-dimensional bounds of the canvas engender a physical and imagined space that is further expanded by the interrelations between the pictorial elements, an imaginary communication with other works of art, and the beholders. The publication Touching Space presents Anna Leonhardt’s most recent works. A compendium of writings on the subject of space by the phenomenologist Franz Xaver Baier and the artist’s correspondence with the curator Sophia Pietryga complement the imposing illustrations. The book is released in conjunction with the eponymous solo exhibition at Galerie She BAM! Laetitia Gorsy, Leipzig.
Anna Leonhardt studied painting and graphic art at the Dresden University of Fine Arts (HfBK) from 2002–2008, completing her education with postgraduate training with Ralf Kerbach until 2010.
