Sonja Yakovleva
 | |
|---|---|
| Editor(s) | Robert Grunenberg |
| Author(s) | Oliver Koerner von Gustorf |
| Design | OOR Studio, Berlin; Vladimir Llovet |
| Size | 15 x 21 cm |
| Cover | Softcover |
| Pages | 44 |
| Illustrations | 28 |
| Language(s) | German, English |
| ISBN | 978-3-96912-135-1 |
Sonja Yakovleva (b. Potsdam, 1989; lives and works in Frankfurt am Main) uses pornographic representations and images from the internet as templates for papercuts, some in large formats, that grapple with personal and public stories about women, power relations, sexuality, and violence. The silhouettes show popular motifs that have served to ingrain fairy tales, myths, and ideologies in the collective consciousness from the colonial era to modernism and the early twenty-first century. Yakovleva, whose art is often associated with sex-positive feminism, appropriates this folkloristic visual idiom and hybridizes and sexualizes it. Dessous and strap-on dildos, for example, figure as preserved specimens of butterflies and insects, bringing historic scientific expeditions to mind. Yet her work also addresses the capitalist urge to categorize, evaluate, and market every kink.
More books
-
B.A.R.O.C.K.
24,80€ Add to cartArtistic Interventions in the Caputh Palace. Contemporary Parallels to the Baroque Era
Four international women artists spent more than three years studying Caputh Palace near Potsdam and creating works specifically for this magnificent location. The tapestries by Margret Eicher (b. 1955, Viersen; lives and works in Berlin), the floral scans by Luzia Simons (b. 1953, Quixadá, Brazil; lives and works in Berlin), the wax sculptures by Rebecca Stevenson (b. 1971; lives and works in London), and the ceiling painting projections by Myriam Thyes (b. 1963, Luxembourg; lives and works in Düsseldorf) blend into the surrounding space both naturally and surprisingly. With twelve double-page collages, the large-sized catalog is an artistic commentary on the ambitious project.
-
Photography of Presence
24€ Add to cartThe Importance of the Moment in Artistic Photography
Can photographs exist which represent concrete places? In view of the daily flood of images, this question seems superfluous at first. Only on closer inspection does the distance between the visual experience of places and the media images generated from them become apparent. “There is nothing in this world that does not have a decisive moment,” Henri Cartier-Bresson once stated. The present volume examines this decisive moment and explores the question of how artistic photography can describe the gap between spatial reality and photographic image and make the present at the time the photograph was taken visible.
With works by Viktoria Binschtok, Julian Faulhaber, Mareike Foecking, Stephanie Kiwitt, Nikolaus Koliusis, Barbara Probst, and Wolfgang Zurborn as well as texts by Holger Kube Ventura.
- Out of stock
Supernatural
Sculptural Visions of the BodyRead moreThe future of human corporeality in the Anthropocene era
Given the technological development in biogenetics, humans will be able to make existential modifications to all living things, Nature, the animal world and human likenesses in future. What will bodies of the future look like? Who or what will we be? Supernatural offers us some answers in its hyperrealistic and realistic sculptures. These visionary works not only exemplify the impact of the digital revolution and genetic engineering on “posthumans” and the environment, but also illustrate, including in their own hybrid creations, how increasingly blurred the line between nature and culture is now becoming. Technological innovations are also having more and more effects on trends in the latest hyperrealistic sculptures. In using 3D printing to perfect their creation processes and pushing sculptural boundaries to encompass robotics and synthetic biology, artists are opening the door to new design possibilities in artefact, biology and technology for themselves as well.
The book presents works by Anne Carnein, Isa Genzken, Glaser/Kunz, Thomas Grünfeld, Sam Jinks, Josh Kline, Krištof Kintera, Reiner Maria Matysik, Alex May and Anna Dumitriu, Fabien Mérelle, Patricia Piccinini amongst others.
-
Art in a Conflicted World
34€ Add to cartTrans-European Perspectives in the Age of Cultural Fragmentation
Since the turn of the millennium, much of the world has become an increasingly unstable and dissonant place. Sharp disruptions define many aspects of our social, cultural, and political relations. Art in a Conflicted World addresses this evolving reality, featuring critical positions articulated by visual artists and writers from Ukraine, Russia, and Great Britain—regions embroiled in extraordinary strife and upheaval. The publication takes a frank look at these multifaceted states of social dissonance and reflects them in diverse artistic and literary inquiries and responses. The contributions are the fruits of an interdisciplinary fellowship program at Kulturstiftung Schloss Wiepersdorf that offers the participants an opportunity to gain fresh creative and cultural insights, test ways of engaging with complexity, and develop models for the future that transcend national boundaries.
The publication presents works by Sarah Dobai, Nikita Kadan, Ali Eisa, and Sebastian Lloyd Rees (Lloyd Corporation) as well as writings by Alisa Ganieva and Tanya Zaharchenko.
The project was mentored by Wolfgang Tillmans, Tom McCarthy, Katharina Raabe, and Mark Gisbourne and received funding support from the German Federal Foreign Office.
-
Katharina Arndt
While waiting for Death38€ Add to cartLife for the most part consists of banalities. What to make of it? Katharina Arndt has decided to dip thick brushes into luminous bold acrylic paints, which she applies expansively without regard for the ostensible gray areas of life. Every stroke is valid, there’s no remorse or trepidation, everything is foreground, all elements of a picture are equipollent. The people in Arndt’s paintings from 2022–23 gathered in this catalog are simply there, for the moment, gaping into their cell phones, stuffing themselves with burgers. Nothing more. That makes her works distorted depictions of our hedonistic society with its craving for sensuality, even as we always have one eye riveted on the virtual. The harder, then, to face up to physical reality; with all photo filters off, its imperfections are unmistakable. And so, although we clearly delight in these gaudy colors, the pictures contain intimations of melancholy and death, too. Knowing that the hour of farewell is near, Arndt’s figures stimulate their senses. They kill time down to the very end with jarring trivia, agitated Sisyphuses wallowing in their glittering inadequacy.
-
Maria Braune
Keep Away From Fire28€ Add to cartMaria Braune’s (b. Berlin, 1988; lives and works in Munich and Bamberg) work revolves around a material she developed; named Migma, it consists of eight different renewable natural resources. She heats it, then casts and molds it in a process that continues for weeks. The resulting sculptures and installations sprawl throughout the space like sensuous organisms. Associations of growth and symbiosis emerge, but discontinuities and disintegration come into view as well. Braune’s creative process is part of an ecosystem and thoroughly anchored in the now. Her material is a vitally alive substance to which she responds in an immediate engagement, connecting it to mythological and narrative significations and setting it in relation to her own world.
Maria Braune studied woodcarving at the Fachhochschule für Bildhauerei in Berchtesgaden, Germany, in 2009–2011, then fine arts with Hermann Pitz at the Academy of Fine Arts Munich, where she graduated in 2017.
-
James Francis Gill
Catalogue Raisonné of Original Prints, Vol. 139€ Add to cartThe Catalogue Raisonné of the Co-Founder of American Pop Art
James Francis Gill (b. 1935, Tahoka; lives and works in Texas) is one of the most important artists of American Pop Art. His paintings, often based on photographs, provide an unusually personal approach to the icons of the 1950s and 60s. Gill suddenly became Hollywood’s most celebrated artist when his Marilyn Triptych was added to the permanent collection of The Museum of Modern Art in New York in 1962 – even before the works of Andy Warhol. Through friendships with celebrities such as John Wayne, Martin Luther King, and Marlon Brando, Gill became the contemporary artist-witness of an entire generation. Nevertheless, he kept his distance from the exuberant Hollywood of the time and surprisingly withdrew in 1972, only to reappear on the art market thirty years later. This catalogue raisonné in two volumes impressively documents his work from the early political motifs to the Pop Art icons of his late work.
-
Sevina Tzanou
10€ Add to cartSevina Tzanou’s (b. Athens, 1994; lives and works in Bonn and Athens) large-format paintings show ecstatic bodies on the verge of abstraction that refuse to submit to categorization, cooptation, or control. They arise from the affect-laden situations the artist sets out to render in her paintings. She begins by priming the canvas with a monochrome coat of paint, on which she then sets down informal, expressive gestures, sometimes working with a mop or so-called “octopus brushes” that recall BDSM whips. The bodies depicted in the works are Tzanou’s painterly response to the abstract forms accreted on the canvas. Everything about her art is performative, the painterly process no less than the creation of bodies, gender, and sexual identity. Her subjects are drawn from ancient myths and motifs in the history of painting as well as contemporary debates.
-
FINALE
DIRECTOR’S CUT25€ Add to cartThe Best Part …
In 1994, Britta Erika Buhlmann took the helm at Museum Pfalzgalerie Kaiserslautern, from which she will retire in the spring of 2022. In her twenty-eight-year tenure, she has enlarged the museum’s art collection and put her personal stamp on it. The classical modernism division was strengthened with the addition of major works by Otto Dix, Hermann Scherrer, and Karl Buchheister, while key pieces by François Morellet, Martin Willing, Werner Pokorny, and others have enriched the museum’s holdings in sculpture. A newly established division of the collection is dedicated to the creations of American artists such as Eric Levin, Kiki Smith, Charles Pollock, and Richard Pousette-Dart. More than a few artists—the list includes Carmen Herrera, Pierrette Bloch, Eva Jospin, and Nobuyuki Tanaka—made their German or even European début at the mpk.
In this book, members of the mpk’s staff offer their takes on selected works in the collection, unfurling a subjective story of their engagement with works that have earned the museum its reputation as a “place of discoveries.”
-
Austin Eddy
Selected poems40€ Add to cartSince 2018, the American painter and sculptor Austin Eddy (b. Boston, 1986; lives and works in Brooklyn) has probed the manifestations of modern painting in a world between abstraction and figuration. As a child and teenager, Eddy immersed himself in the imageries of comics, cartoons, and record covers. In the early 2010s, he studied in Chicago with Barbara Rossi, who had been one of the Chicago Imagists in the 1960s. The deconstruction of everyday objects into innumerable forms and hues became his central theme. Eddy’s works play with luminous colors, overlaid textures, animated bird motifs, and abstract planes of light while grappling with a human existence defined by loss and the passage of time. Situated on the margins of reality, his paintings and sculptures are like visual poems, celebrating the evanescent instant that exists only for a second before fading into the past.
Austin Eddy completed a BFA at the School of the Art Institute of Chicago in 2010.
-
Stephan Kaluza
Fragmente eines Ängstlichen28€ Add to cartA Novel on Coping with Guilt or the Feeling of Having Violated Life
The filmmaker Castner and the anthropologist Pollock not only share the similarity of their names with those of Castor and Pollux, the fabled twins of Greek myth, but also a hard fate: an irreparable guilt whose motifs run through the entire novel. Pollock is forced to admit to himself that, in his role as a scientist, he was involved in a genocide against indigenous people in Panama; Castner, meanwhile, tries to get a handle on his bouts of excessive hypochondria. In episodic flashbacks and an interview that gradually turns into an emotional dispute between them, the two characters analyze the minutiae of their life stories and arrive at a surreal insight.
Castor and Pollux were known in antiquity as the patrons of sailors, who took their bearings from the twins’ constellation. That is why water figures in this novel as the element that unites all narrative planes. Water—like life—will fill any vacant space regardless of shape and adapt to all circumstances.
Stephan Kaluza (b. Bad Iburg, 1964; lives and works in Düsseldorf) is a visual artist, working in the media of photography and painting, and a writer whose output includes plays, novels, and nonfiction books. The philosophy of nature is a central theme in both Kaluza’s art and his fiction.
-
Emmanuel Bornstein / Lotte Laserstein
Pensée20€ Add to cartHow do artists’ identities and the histories of their families influence their art? Where might a creative affinity sustained by a legacy of trauma take an artist? Lotte Laserstein (1898–1993) and Emmanuel Bornstein (b. 1986) are connected by such a bond, tied by Bornstein’s grandmother, a Résistance fighter and, like Lotte Laserstein, a Jew who survived the Nazis. Bornstein discovered Laserstein’s works by coincidence and without knowing of this connection, and he was fascinated right away: “It was actually what I’d been trying to make for years!” There are in fact parallels between their oeuvres—both feature people who are waiting and flower bouquets, and a melancholy aspect and a subtle menace can be felt in both. Yet there are also discrepancies, and the dialogue between their works would be far less inspiring without them: Bornstein’s omnipresent toxic cadmium, which contrasts with Laserstein’s muted tones; the paint application; the brushwork. What the artists have in common, in any case, is that Sweden became their abode in times of danger and painting, their only true home. This catalog celebrates their creative homecoming.
-
Nicola Staeglich
Color Light Matter Mind36€ Add to cart“This painting springs from the ambition to paint color into the air.” (Ulrich Loock)
Nicola Staeglich’s (b. Oldenburg, 1970; lives and works in Berlin) work with color achieves a distinctive intermediate state between physical presence and atmospheric radiance. She stages painting now as a performative action with broad propositions in color, now as an installation in three dimensions with multilayered translucent painted panels. Color Light Matter Mind is Staeglich’s first monograph, setting recent works in relation to her earlier output (1998–2021). From the spiral-shaped reliefs to her Liquid Lights, the artist opens up a fresh dimension for color.
Nicola Staeglich studied at the Städelschule, Frankfurt, the Academy of Fine Arts Mainz, and the Chelsea College of Art, London. She won numerous fellowships and has been professor of painting/graphic art at the Hochschule der bildenden Künste Essen since 2015. Her work has been presented in numerous solo exhibitions in Germany and abroad and is held by private and public collections.
-
Freeters
HELP! Artistic Intelligence38€ Add to cartFREETERS stands for an artist collective that designs, creates, transforms and plays with spaces, for and with the people who experience their time there. The artistic intelligence used in the process transforms into spaces for thinking, working, living, playing and learning, creating identity, emotion and inspiration.
This book is about the mediation of artistic thinking and artistic action in processes. The artistic practice of Freeters is characterized by strategies of thought and action that are needed in a society with constantly changing conditions, in a working world that overturns itself in its dynamics. The necessity of shaping the present through artistic thought and action can no longer be limited to the art context.
FREETERS’ AI approach should be understood less as a scientific methodology and more as a call not to reduce our intelligence to only rational thought processes with a utility maxim. Of course, AI has already made impressive progress in many areas of our public services via the hard components of machine learning. However, it is doubtful whether this approach alone can really give rise to a superintelligence that will one day create a resource-saving paradise on earth. Nor is it guaranteed that we as Homo Sapiens will be assigned a place in this paradise by such a unilaterally gifted superintelligence. Cognitively, this machine will be superior to us in any case – only the necessary feeling of happiness of a consensual coexistence does not seem quite conceivable.
-
Dietmar Lutz
Ein Jahr40€ Add to cartDay by Day
For a full year, from August 2020 until August 2021, Dietmar Lutz (b. Ellwangen, 1968; lives and works in Düsseldorf) painted or drew a picture every day in which he rendered a scene or detail from his day-to-day life. All 365 works appear here in chronological sequence, either in reproductions or in photographs showing them in the setting in which they were created. Taken together, the series constitutes a radically subjective review of one year. The paintings capture memories, but although they invariably owe their existence to a particular situation, they do not necessarily frame it as a memorable event. The artist observes himself in his world and defines his role in it. Painting as a daily task seems to structure time rather than the other way around. Each picture opens up a new space in which the different facets of time manifest themselves to the senses.
Dietmar Lutz studied at the Düsseldorf Academy of Fine Arts and rose to renown with large-format paintings in which he portrays situations from ordinary life and weaves references to the histories of film and literature. Lutz is a cofounder of the German-British artists’ collective hobbypopMuseum, with which he has exhibited at the 1st Athens Biennale; Deitch Projects, New York; Tate Britain, London; and elsewhere.
-
Jenny Brosinski
Things I’ve Never Said58€ Add to cartJenny Brosinski’s (b. Celle, 1984; lives and works in Berlin) paintings in large formats look like uncoordinated abstract compositions with traces of wear deliberately left in place. This brings their materiality to the fore and reveals the creative process. Expressive oil paint on unprimed canvas, spray-painted lines, typographic elements, shoeprints, or pieces of masking tape on the canvas: on the one hand, these are experiments and statements; on the other hand, they are engagements with painting as such. The artist added sculpture to her repertoire in 2019, making figurative and sometimes colorfully painted imaginary beasts in bronze or stone—more evidence of her subtle sense of humor, which also manifests itself in her pictures and especially in their titles. The extensive monograph offers profound and comprehensive insight into Brosinski’s oeuvre.
Jenny Brosinski studied illustration and animation at the Weißensee Kunsthochschule, Berlin, the École supérieure des arts décoratifs, Strasbourg, and the Hamburg University of Applied Sciences. She completed her education with a master class in Berlin in 2010.
-
Andreas Eriksson
42€ Add to cartAll is related, from the outside in. Look what’s behind it.
Andreas Eriksson (b. 1975 in Björsäter, lives and works in Medelplana, Sweden) is one of Sweden’s most notable contemporary artists. His artistic practice is based on a traditional painterly language, but he constantly expands this field to also encompass a vast production of textile works. He examines different histories through conceptual twists and turns in sculpture and prints. This monograph, the artist’s first, seeks to explain and illustrate Eriksson’s development and thoughts behind the meandering array of works he produces. It is a close look behind the canvas.
Andreas Eriksson studied at the Royal Academy of Fine Arts in Stockholm from 1993 to 1998 and represented Sweden with the Nordic Pavilion at the 54. Biennale di Venezia. His most comprehensive solo exhibition to date took place in 2014 at Bonniers Konsthall, Stockholm.
-
Hannes Norberg
2728€ Add to cartThe Ideal of Simplicity, Clarity and Timelessness
To make his photographs, Hannes Norberg (b. 1969, Worms; lives and works in Düsseldorf) constructs artificial spaces that integrate elements of painting, drawing, collage, and sculpture. Rather than reproducing selected details of an existing reality, his works make empty space and the play of light and shadow their point of departure. In his most recent pieces, the artist has focused on samples of typography that he collected on his travels and in numerous libraries all over the world and subjected to graphical redaction. Captured in natural light in his studio, his pictures showcase the quiet beauty of writing and paper, while their landscape-like aura gestures toward their place of origin. Designed by the artist himself, the book marks the public première of a selection of twenty-seven new photographs.
Hannes Norberg studied fine arts at the Kunstakademie Düsseldorf and was an artist-in-residence in Paris, New York, Florence, São Paulo, Xiamen and Seoul.
-
Martin Noël
The Retrospective38€ Add to cartThe Protagonist of the Modern Woodcut
The German painter, draftsman, and graphic artist Martin Noël (b. Berlin, 1956; d. Bonn, 2010) played a leading role in reviving the linocut and the woodcut, two techniques that had long been eclipsed by other media. In his large-format works on paper, he staked out a widely regarded and distinctive position in contemporary art. Noël was especially interested in the compositional relationship between line and surface. Released on occasion of the retrospective of his oeuvre at the Albertina, Vienna, this book presents an overview of the most important periods in the artist’s creative evolution, with an emphasis on the woodcut carved into the printing plate and the woodblock’s subsequent emancipation as an art object in its own right. Particular attention is paid to the application of ink to the surface and its painterly structure as well as the picture’s migration from object to canvas. The resulting paintings are exemplary of Noël’s late oeuvre.
Martin Noël studied graphic art and painting at what is now the Cologne University of Arts and Sciences. His art garnered numerous prizes and other honors, including fellowships from Kunststiftung NRW, Stiftung Kunstfonds, and Letter Stiftung. Works by Noël are in the German Federal Collection of Contemporary Art, Kunstsammlung Chemnitz, and the collection of Museum Pfalzgalerie Kaiserslautern.
-
wolfgang thiel
skulpturale standpunkte38€ Add to cartWolfgang Thiel (b. Zweibrücken, 1952; lives and works in Plochingen) is a sculptor who makes figurative work. He is especially interested in the southern German tradition of colorfully painted sculpture, which he seeks to bring into the twenty-first century. His experimental handling of various genres and materials suggests a researcher’s mind. Switching between different materials is key to Thiel’s approach because their particular characteristics demand his constant attention. Å playful aspect is essential to all his works, which include large-format sculptures in public settings (more than thirty have been installed in Germany) as well as sculptural garden landscapes, stage designs, and costumes.
The opulent wide-format book containing almost three hundred illustrations offers a representative overview of Wolfgang Thiel’s oeuvre and includes the first complete chronological catalogue raisonné of his works in wood.
Wolfgang Thiel studied at the Stuttgart State Academy of Art and Design from 1970 until 1976 and later taught at his alma mater from 1987 until 1991. From 2008 until 2018, he held a teaching position at the Hochschule für Technik Stuttgart. In 1990, he won the Art Award of the City of Stuttgart. Since 1977, Thiel’s work has been showcased in numerous solo exhibitions in Switzerland, France, and Germany.
