


Taube
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Editor(s) | Jens Gerber, Marina Rüdiger, Laurens Schlicht |
Author(s) | Marina Rüdiger, Laurens Schlicht |
Design | the studio sunshine, Frankfurt am Main |
Cover | Softcover |
Size | 20 x 26 cm |
Pages | 52 |
Illustrations | 27 |
Language(s) | German |
ISBN | 978-3-96912-056-9 |
Human, City, Pigeon
Public perceptions of the pigeon have shifted drastically over the past centuries. In the 1700s, it was welcomed as a guest who commanded humans’ unfailing solicitude; today, by contrast, it is often perceived as a nuisance. It has become an animal that defaces squares and buildings. Why does the pigeon in the settings of our daily lives prompt feelings of loathing and fascination, but also indifference? Jens Gerber’s photographs undertake an expedition into the city of the pigeons. Rounded out by essays by Marina Rüdiger and Laurens Schlicht, the book illuminates the subject of the city pigeon from the perspectives of photography, science, and literature, and explores the question of how pigeons shape the built environment and how the latter informs their behavior in turn.
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Click here for the German edition.
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auf Erkundung
Anne Deuter und Monika Supé25€ Add to cartA Dialogue on Time
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The comprehensive volume presents Bednarsky’s works from between 2018 and 2023 and a singular conversation with the artist.
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Museum Brot und Kunst
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With works by Ernst Barlach, Bernhard Johannes Blume, Pieter Brueghel, Marc Chagall, Salvador Dalí, Simone Demandt, Agnes Denes, Frans Francken, Georg Flegel, Erich Heckel, Christian Jankowski, Markus Lüpertz, Gerhard Marcks, Max Pechstein, Pablo Picasso, Claire Pentecost, Thomas Rentmeister, Daniel Spoerri, Andy Warhol and others.
The book was included in the shortlist of the competition “Schönste Deutsche Bücher 2021”.
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Aline Schwibbe
Now It’s Dark28€ Add to cartAline Schwibbe (b. Hamm 1988; lives and works in Berlin) studied both psychology and art and her interest lies in observing the cyclical nature of events and experiences—in memory, in dreams and in the reality of the present. Her films and her photographic and mixed-media sequences often appear like fragments of occurrences snatched from the dark and exposed multiple times in an attempt to make them visible.
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Pat Steir & Ugo Rondinone
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