



Shara Hughes
Time Lapsed
![]() | |
|---|---|
| Editor(s) | Galerie Eva Presenhuber, Kunstmuseum Luzern |
| Author(s) | Fanni Fetzer |
| Design | Book Book, Berlin |
| Size | 20 x 27,5 cm |
| Cover | Hardcover |
| Pages | 96 |
| Illustrations | 28 |
| Language(s) | English |
| ISBN | 978-3-96912-096-5 |
Shara Hughes (b. Atlanta, 1981; lives and works in New York) describes her pictures and drawings as psychological or invented landscapes. Her cliff coasts, river valleys, sunsets, and lush gardens, often framed by abstract patterns, might be the settings of fairy tales or scenes from paradise. As the New Yorker put it, the paintings “use every trick in the book to seduce, but still manage to come off as guileless visions of not-so-far-away worlds.” Wielding oil paint, brushes, spatulas, and spray cans, the artist celebrates painting itself, not infrequently quoting the masters of past eras.
Shara Hughes studied at the Rhode Island School of Design and later attended the Skowhegan School of Painting and Sculpture. Her most recent solo exhibitions are currently on view at the FLAG Art Foundation, New York, and the Kunstmuseum Luzern, Switzerland. In 2021, she had shows at the Yuz Museum, Shanghai; the Contemporary Art Museum St. Louis; the Garden Museum, London; the Aspen Museum of Art, Colorado; and at Le Consortium, Dijon.
More books
-

Anna Virnich
10€ Add to cartAnna Virnich’s (b. Berlin, 1984; lives and works in Berlin) works resemble a speculative narrative. The artist has collected fabrics, garments, and bedspreads since her childhood, which she cuts up, exposes to the elements, dyes, and sometimes paints on to construct pictures and spaces. Her works are paintings and objects at once and defined by a powerful physical presence in conjunction with a ghostly emptiness. They recall Helen Frankenthaler’s liquefied chromatic landscapes, Paul Thek’s post-minimalist physicality, and the silver-foil transcendence of Andy Warhol’s Factory. Everything in Virnich’s art is a shell or membrane through which something filters in or out, “a part of emerging networks and an exchange of substances, technology, bodies, imageries, of the light of the eyes,” as Baptist Ohrtmann writes. Gathered, the textiles unfold an abstract tale of becoming and passing away, of painting, birth, artificiality, and science fiction.
-

Maxim Gunga
10€ Add to cartThe painter Maxim Gunga is utterly unafraid of physicality. His canvas is a riot of oil paints huddling up against one another, fusing like the beasts, the humans, and the urban landscape of Berlin that serve him as motifs. Body and soul, animal nature and architecture, the profane and the sacred, subculture and mass culture—everything interpenetrates in Gunga’s paintings in large formats, melded into hybrid bodies. The result is an ecstatic intimacy, a flowing of colors and more or less abstracted dynamic forms toward their primal state, toward the matrix, toward pure energy: eternal transformation. It makes sense, then, that his pictures also amalgamate diverse styles and periods in the history of painting. He borrows from (Neo-)Expressionism, from Art Brut, from Baselitz, Lüpertz, the Neue Wilde, from modernism and Fauvism, from van Gogh and Matisse. His pinpoint brushwork, which reveals his extensive training, interweaves art history with our contemporary lifeworld and our affects. All the specters of the past and the present come to meet us in the pictures gathered in this catalogue, in a frenzy of the senses, in the primordial soup of Berlin, into which we dive with joyful abandon.
- temporarily not available

Norbert Bisky
Im FreienRead moreThe beauty of male bodies, hedonism, bold colors—Norbert Bisky (b. Leipzig, 1970; lives and works in Berlin) is widely regarded as the most successful exponent of contemporary figurative painting in Germany. Now the artist has created a series of seventeen works on canvas and paper based on associations sparked by the oeuvre of the Expressionist Max Pechstein (1881–1955). The title “Im Freien” not only refers to the scenes they depict, which play out under the open sky; Bisky—who grew up in East Germany, which is to say, in what he calls “circumstances that were not free”—also grapples with the question of what liberty means to us today and what we do with it. The preoccupation with freedom led both painters to a quest for a personal utopia. Pechstein found it in the South Seas, where he had visited Palau, then a German colony, in 1914; the archipelago seemed paradisiacal to him, an idyll far removed from political and social reality. Bisky, by contrast, focuses less on the exotic landscape than on its residents, whom he stages as individual members of a globalized society.
Norbert Bisky enrolled at Humboldt-Universität in Berlin in 1994 to read German literature and art history but switched to the Berlin University of the Arts before year’s end; he studied painting with Georg Baselitz and entered Baselitz’s master class in 1999. He was a visiting professor at the Haute école d’art et de design, Geneva, in 2008–2010 and at the Braunschweig University of Art (HBK) in 2016–2018.
- Release March 2026

Monet – Cézanne – Matisse
The Scharf Collection48€ Add to cartThe Scharf Collection is a German private collection of French art from the nineteenth and twentieth centuries and international contemporary art. Now in its fourth generation, it continues a branch of the renowned Otto Gerstenberg Collection in Berlin, which encompasses everything from the beginnings of modernism, represented by Francisco de Goya, to the French avant-garde of the second half of the nineteenth century with Gustave Courbet, Edgar Degas and the entire graphic oeuvre of Henri de Toulouse-Lautrec. The richly illustrated catalog accompanies the collection’s first comprehensive exhibition at the Kunstpalast in Düsseldorf and the Alte Nationalgalerie – Staatliche Museen zu Berlin.
-

Alexander Ruthner
Cour: Sommer36€ Add to cartContemplating Nature in a Reduced-Mobility Environment
“The events of the year 2021, which was defined by lockdowns, the pandemic, and restrictions, has brought out the resonance in my pictures of Gustave Courbet’s realism,” Alexander Ruthner (b. Vienna, 1982; lives and works in Vienna) says about his most recent works: oil paintings featuring lush green vegetation and veritable down comforters painted all-over in saturated color gradients. The works will make their public début as the publication is released in the summer of 2021, hence the word “Sommer” in the title. The other word, “Cour,” is a nod to the first syllable of the French painter’s name as well as French for “court,” a term the artist creatively reinterprets as a synonym for the solitary “castle of the mind” to which we have retreated under pandemic conditions. Ruthner, who studied with Peter Kogler, Daniel Richter, and Albert Oehlen, revisits the boscage and pasture painting of past eras in new works that propose a distinctive personal interpretation of that tradition’s charm.
Alexander Ruthner’s work has been shown at Kunsthalle Wien, the Whitechapel Gallery, London, and the National Museum of Montenegro, among other venues.
-

Filip Henin
10€ Add to cartThe events captured in Filip Henin’s (b. Mayen, 1986; lives and works in Berlin) paintings are set in a world beyond time and place, as though on an empty stage prepared for a Samuel Beckett production. It is virtually impossible to say whether a picture shows a coastal region or a craggy slope up in the mountains, whether a field of blue represents the sea or a band of open sky. Henin strips landscapes down no less than human figures, subtracting specific features to isolate basic forms that might be found in the hill country around his hometown in western Germany or in Tuscany. His work integrates quotations from antiquity, Romantic landscape painting, and postmodernism as well as Italian Transavanguardia, the mysticism of Francesco Clemente and Sandro Chia, and the figurative painting of the 1990s. Without veering into drama or pathos, he harnesses two utterly antithetical energies: the reflection on painting and the history of art and the need to be simple.
-

Anna Leonhardt
Touching Space34€ Add to cartAnna Leonhardt’s (b. Pforzheim, 1981; lives and works in New York and Leipzig) paintings probe her own experiences and moods, while also referencing works of literature and quoting phenomena in the history of her craft. Abstract surfaces composed of numerous layers that break the two-dimensional bounds of the canvas engender a physical and imagined space that is further expanded by the interrelations between the pictorial elements, an imaginary communication with other works of art, and the beholders. The publication Touching Space presents Anna Leonhardt’s most recent works. A compendium of writings on the subject of space by the phenomenologist Franz Xaver Baier and the artist’s correspondence with the curator Sophia Pietryga complement the imposing illustrations. The book is released in conjunction with the eponymous solo exhibition at Galerie She BAM! Laetitia Gorsy, Leipzig.
Anna Leonhardt studied painting and graphic art at the Dresden University of Fine Arts (HfBK) from 2002–2008, completing her education with postgraduate training with Ralf Kerbach until 2010.
-

Tamara Suhr
Skulpturen24€ Add to cartHesitant yet Immediately Present
As a sculptor, Tamara Suhr (b. 1968, Tübingen; lives and works in Ludwigsburg) has devoted herself unswervingly to the human figure. Her subjects are figures of children whose hesitancy always embodies a certain curiosity, a sense of expectation. In their form reduced to the essential, indeed almost archaic, they radiate calm and serenity—supported by balance with regard to both the motif and possible associations. In their small size and vulnerability, Suhr’s figurative sculptures, painstakingly crafted in bronze, seem apparently in need of protection, yet they appear strong and courageous. They stand, gaze, crouch, fish, swim or balance. They are present, in the here and now, a symbol for the children of the world.
-

auf Erkundung
Anne Deuter und Monika Supé25€ Add to cartA Dialogue on Time
The two artists Anne Deuter (b. 1986, Halle; lives and works in Halle) and Monika Supé (b. 1967, Munich; lives and works in Munich) engage in self-exploration to find ways to convey an experience of body, space, and time. Grappling with formalist elements, they devise their compositional practices in graphite and ink and in words and images, respectively. Enhanced by selected works by contemporary poets, the publication opens up new perspectives on what it means to exist in time.
Anne Deuter studied visual art and art history at the Ernst-Moritz-Arndt-Universität Greifswald. She rounded out her education in the book art program at Burg Giebichenstein Kunsthochschule Halle. Monika Supé studied architecture at the Technischen Universität München and completed a doctorate on visual perception training at the Technische Universität Kaiserslautern. Since 1995, she has taught in the design divisions of various universities.
-

Ann Wolff
Observations and Reflections44€ Add to cart“Art is coming from my inside. I am working as its servant.—I let it out not thinking too much—using my hands and gesture—choosing a material to put it on place. I do not use the art. It is using me.“
Ann Wolff (b. Lübeck, 1937; lives and works in Visby and Kyllaj, Sweden) has ranked among the most significant and most influential glass artists on the international scene for over five decades. Yet she has also worked in bronze, aluminum, nickel silver, and concrete, creating abstract as well as figurative sculptures, and produced a sizable oeuvre on paper: pastels, drawings, and fine art prints. Ann Wolff enrolled at the legendary Ulm School of Design in the 1950s to study visual communication with Otl Aicher. From 1993 until 1998, she was professor of “materials-related design” at the University of Fine Arts (HFBK) in Hamburg. Her works, which have garnered an array of prizes, have been shown in numerous solo exhibitions and are held by renowned public and private collections all over the world.
-

Mon Trésor
34€ Add to cartEurope’s Treasure Chamber
What do the torque of the princess of Reinheim, the tableware from the Orient Express, and the radio station Europe 1’s studio building have in common? They are among the treasures of the Saar region. The book presents outstanding archaeological objects and achievements of technology and art dating from the age of the Celts to the present. Drawn from the Saarland and neighboring Alsace-Lorraine, Luxembourg, and Rhineland-Palatinate, the unexpected riches illustrate the cultural and social dimensions of this multinational region in the heart of Europe. The title Mon Trésor describes many of them quite literally: the note a seven-year-old dashed off to his father before his family was evacuated in the first days of World War II; the Roman-era ring that is also a relic, witnessing to flight and danger. All treasures are personal first and foremost, though others may later cherish them as cultural assets.
-

Roland Schappert & Wolfgang Ullrich
Aktualitätsjetzt16€ Add to cartPhilistinism, climate change, legitimation discourses—in a tour de force sustained by profound knowledge of the phenomena in question, AKTUALITÄTSJETZT blazes trails through the jungle of contemporary art and its current debates. Over the course of two years, the art scholar and author Wolfgang Ullrich initiated 14 dialogues on Schappert’s word paintings, murals, and interventions. Their distinctive formal features and conceptual and substantial dimensions inspired illuminating conversations that range far beyond the specific works to explore today’s art world and questions of the philosophy of art and the sociology of culture. The best volume of dialogues on art since David Sylvester’s interviews with Francis Bacon.
-

Michael Bielicky
Perpetuum mobile54€ Add to cartContemporary Media Art
The German-Czech artist Michael Bielicky (b. Prague, 1954; lives and works in Karlsruhe) has been an innovator in the fields of photography, video, and web-based installation art for over four decades. In an ongoing dialogue with emerging technological developments, his works probe the history of his media from the deepest strata to the magical mathematical practices of the medieval Cabalists: idiosyncratic hybrids that straddle the boundary between the analog and digital worlds. Operating on the interfaces between real and virtual spaces, his media art prompts a critical reflection on the nature of technology, its material and immaterial significations, and the ways in which it informs our perceptions and actions. The book Perpetuum mobile is the first to offer a comprehensive survey of Bielicky’s rich and diverse oeuvre. The layout, designed by the artist himself, integrates the experimental images into a graphic “stream of consciousness.”
Michael Bielicky moved to Germany in 1969 and initially studied medicine. After an extended stay in New York, he studied at the Düsseldorf Academy of Fine Arts from 1984 until 1990, first with Bernd Becher and then in Nam June Paik’s master class. He was made professor at the Academy of Fine Arts Prague in 1991, then professor of new media at the Karlsruhe University of Arts and Design in 2006. Bielicky participated in numerous major exhibitions, including the São Paulo Biennial (1987); Videonale, Bonn (1988, 1990, 1992); Ars Electronica, Linz (1992, 1994, 1995); and the Havana Biennial (2012).
-

Cahier #1
Heinz Gappmayr22€ Add to cartDo we think in images or in language? Can writing visualize time? Heinz Gappmayr (1925-2010) was interested in text as a spatial event and in letters as architecture. Although his works were often presented in the context of Visual Poetry, Gappmayr himself preferred the more neutral term text to lyricism. His understanding of written language as a conceptual medium and typography as an indicator of physicality was closer to Lawrence Weiner’s approach than to that of the Concrete Poets. This volume accompanies an exhibition at the Tiroler Landesmuseum and includes Gappmayer’s most important art-in-architecture projects, as well as a complete notebook from 1961, with commentary by Gaby Gappmayr, the artist’s daughter. A conversation with her provides valuable philosophical insights into her father’s work.
-

Hans Karl Zeisel
Hundred and more34,95€ Add to cartPossibilities of Concrete Art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
-

Hans Hofmann
Chimbote24€ Add to cartExpressive Forms between Art and Architecture
As an exponent of Abstract Expressionism, Hans Hofmann (b. Weißenburg, Germany, 1880; d. New York, USA, 1966) ranks among the preeminent artists of the twentieth century. As a teacher at his Hans Hofmann School of Fine Arts, which he founded in 1933 after emigrating to the United States, he exerted a formative influence over a generation of young painters. With Arshile Gorky, Willem de Kooning, Jackson Pollock, and others, he was a member of the illustrious New York School, a loose association of visual artists. In 1950 he was spending time in Europe and collaborated with the architects Josep Lluís Sert and Paul Lester Wiener on designs for colorful wall paintings to be executed on buildings in Chimbote, Peru. The urban masterplan they developed for the city’s post-World War II expansion was never realized, and so Hofmann’s intensely colorful works in large formats have been known only to specialists. The selection gathered in this book together with drawings and a city plan provides focused insight into a visionary project.
-

Chiharu Shiota
The Unsettled Soul48€ Add to cartWidely acclaimed for her distinctive visual language, which combines drawing, performance, sculpture, and installation art, Japanese artist Chiharu Shiota (b. 1972 in Osaka, lives and works in Berlin) addresses fundamental human concerns. Creating large-scale thread installations that incorporate a variety of everyday objects and memorabilia, she forms powerful environments that evoke a sense of nostalgia, personal history, and collective memory. The catalog accompanies the exhibition The Unsettled Soul, the first presentation of the artist in the Czech Republic. In addition to extensive photographic documentation of the exhibition at Kunsthalle Praha, the publication features an essay by Jason Waite discussing Shiota’s early works as well as an interview with the artist conducted by the editor, Christelle Havranek, about her key themes and the creation of the Prague exhibition.
-

FLATZ
Hitler. Ein Hundeleben18€ Add to cartAn Attempt to Break a Taboo – Trivial and Provocative
A black, pure-bred Great Dane named Hitler accompanied the Austrian performance artist and documenta participant FLATZ (b. 1952, Dornbirn; lives and works in Munich and London) like a shadow through the 1990s. The naming—as well as the subtitles of the photographs created—relates the banal everyday life of the dog to the inglorious life of its namesake, thus opening up an extremely provocative range of possible associations. “Hitler is always with me,” says the artist, “just as we always carry the historical Hitler around with us, because he is part of our history, which—as long as it is suppressed, transfigured, or tabooed—is not overcome.”
With more than 350 illustrations, Hitler. Ein Hundeleben is an extended and revised reprint of the book published in 1992, which has been out of print for a long time.
-

Francesca Martí
Passage and Presence42€ Add to cartFrancesca Martí’s (b. Sóller, Mallorca; lives in Mallorca and Stockholm) art revolves around themes like transformation, communication, and deformation, the power of self-determination, the instability of memory, and the effects of the chaos caused by migration and the migration prompted by chaos. In a collaborative process, a multitude of performers, dancers, and musicians help make her vision a reality. The book presents performances, sculptures, and visual works from Francesca Martí’s most important exhibitions in Spain, Germany, the Netherlands, Slovakia, and China. The portraits of the various series the artist has developed over the past ten years, including Cocoon, Planet of Fusions, Migrant Angel, Dreamers & Believers, Copper and Flux, are rounded out by her drawings, photographs, and making-of shots from her studio in Mallorca.
-

HALBwertsZeit
Zum Umgang mit ‚abgelaufenen‘ Sammlungen28€ Add to cartDo collections have an expiration date? Shifting interests, evolving social contexts, and discursive developments influence when a collection or its presentation is said to be outdated and what that implies for the constraints on, or options for, the actions to be taken in response. The revision or reorientation of a collection presuppose a critical engagement with the criteria regarded as valid at the time, which concern the origins, composition, objectives, and significance of a collection, among other aspects.
The contributions to this volume intertwine historical case studies with contemporary questions about the reasons and circumstances that give rise to the assessment that a collection has outlived its shelf life.






















