





Philip Loersch
POW – PORTRAITIST OF WRITING
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| Editor(s) | FeldbuschWiesnerRudolph |
| Author(s) | Jan-Philipp Frühsorge, Sybille Krämer |
| Design | Sabine Bretschneider, Andreas Ullrich / SUOLOCCO |
| Size | 20 x 27 cm |
| Cover | Softcover with flaps |
| Pages | 196 |
| Illustrations | 80 |
| Language(s) | German, English |
| ISBN | 978-3-96912-180-1 |
Philip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
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Philip Loersch
Renteninformation 202230€ Add to cartA satirical audiobook, read by Johannes Steck
with free download link on the inside
You’ve read right, and you’re going to hear it: a bureaucratic document—we’re all familiar with it, for a new one arrives every year—is the subject of this inspired collaboration between the graphic artist Philip Loersch and the virtuoso vocalist Johannes Steck.
The “Renteninformation”—an official letter on cheap paper informing the recipient about their expected future retirement benefits—makes many cultural workers, and others, crack up or break out in tears: arriving unexpectedly, it launches us on an emotional roller coaster between excitement, fascination, resignation, and sheer madness.
The manuscript for this audiobook is Loersch’s actual Renteninformation for 2022. Its intonation is the culmination of a series of works the artist has pursued since 2016. Every year, he has produced a naturalist colored-pencil drawing of his Renteninformation, embedding it in idyllic scenes—in the garden on a summer afternoon, amid autumn foliage, or on a frozen lake, delicately and accurately executed down to the smallest leaf of grass and the tiniest letter.
“Renteninformation 2022” is the ideal gift for all vinyl lovers who need to close a “pension gap” in their collections and a stunning audio experience that redefines what the satire of reality itself and conceptual art can do.
Philip Loersch (b. Aachen, 1980) is best known for his unconventional drawings. His works combine painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His art has been exhibited at renowned institutions such as Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst, and helped initiate the exhibition series “Drawing Wow.”
Johannes Steck (b. Würzburg, 1966) is one of Germany’s best-known audiobook narrators, having sold over four million copies, including of books by Simon Beckett and Ken Follett, in a three-decade career. Television viewers also know his voice from trailers on Kabel 1 and DMAX and documentaries on ZDF, BR, and Sky. His work has garnered awards including the 2012 HörKules.
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Norbert Bisky
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Der tanzende Blick
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The photographs by Roman Novitzky (b. 1984 in Bratislava) reveal the entire vocabulary of dance—and yet convey much more than this. With his camera, the first soloist of the Stuttgart Ballet not only captures hidden moments in rehearsal or from the side stage, but also opens the door to his own cosmos for the viewer. He depicts sweat and tension, doubt and euphoria, and gives the audience intimate insight behind the scenes of the Stuttgart Ballet. Roman Novitzky’s first monograph comprises more than sixty photographs of the ballet hall, the cloakroom, and guest performances. It not only stands for his two passions, dance and photography, but also describes his photographic approach, shaped by years of dance experience, which gives the viewer familiar insights into his everyday surroundings.
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The Art of Society
1900–194529€ Add to cartThe Collection of the Nationalgalerie, Berlin
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Queen Elizabeth II
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Anna Leonhardt
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The Power of Wonder – New Materialisms in Contemporary Art
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With works by Ilana Halperin, Agata Ingarden, David Jablonowski, Markus Karstieß, Robert Smithson, and SUPERFLEX.
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Claudia Fährenkemper
Kontextforschung / context research 1980–202268€ Add to cartClaudia Fährenkemper (b. Castrop-Rauxel, 1959; lives in Steinheim/Westfalen) photographs enormous as well as minuscule objects using scanning electron microscopes to produce images that are as fascinating as they are disconcerting. The play with extreme scales yields fantastic visual worlds: American desert and canyon landscapes, the giant industrial machinery of open-pit mines in Germany, insects, plant seeds, crystals, and plankton, plus historic armaments from Europe and Japan. The lavishly designed book is the first to gather works from her entire oeuvre, which now spans four decades. Surveying the most important of Fährenkemper’s conceptual series, it reveals unexpected interconnections between disparate motifs on vastly different scales from nature, technology, science, and cultural history.
Claudia Fährenkemper studied at Fachhochschule Köln, today’s Cologne University of Applied Sciences, where Arno Jansen was her teacher, and with Bernd and Hilla Becher and Nan Hoover at the Düsseldorf Academy of Fine Arts. Her photographs are held by numerous museum collections, including at the Kunstmuseum Bonn, the National Gallery of Canada, and the Margulies Collection, Miami.
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Mon Trésor
34€ Add to cartEurope’s Treasure Chamber
What do the torque of the princess of Reinheim, the tableware from the Orient Express, and the radio station Europe 1’s studio building have in common? They are among the treasures of the Saar region. The book presents outstanding archaeological objects and achievements of technology and art dating from the age of the Celts to the present. Drawn from the Saarland and neighboring Alsace-Lorraine, Luxembourg, and Rhineland-Palatinate, the unexpected riches illustrate the cultural and social dimensions of this multinational region in the heart of Europe. The title Mon Trésor describes many of them quite literally: the note a seven-year-old dashed off to his father before his family was evacuated in the first days of World War II; the Roman-era ring that is also a relic, witnessing to flight and danger. All treasures are personal first and foremost, though others may later cherish them as cultural assets.
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Franziska Windisch
Walk with a wire14€ Add to cartThe interweaving of traces, sounds, and movements in an impressive work of sound art
The narrow brown magnetic tape of an audio cassette runs through a half-opened hand, slides through the fingers, is palpated in constant motion, and finally falls to the ground. The hand and its touching, particles of sand and small stones leave their traces and, when the tape is played, generate a multi-layered soundscape with crackling and background noises.
In her performative action in the ruins of the city of Messene in the Peloponnese region of Greece, Franziska Windisch (b. 1983) thematizes aspects of repetition and recording. Her artistic examination of the vestiges of the ancient urban space, the reciprocal transition from traces to writing in her video documentation, and the graphic element of the line visible on the ground lead to a reflection on temporality, dissolution, and decay. - Out of stock

Karsten Födinger
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Typically made of basic construction materials, the works of Karsten Födinger (b. Mönchengladbach, Germany, 1978; lives and works in Berlin) bridge the divide between architecture and sculpture. Ideas relating to the durability and load-bearing capacity of structures are a key interest in his creative process. Besides large sculptures destined for interior settings, Födinger makes striking sculptural interventions in public spaces that take inspiration from the specific site and always engage with its historical and cultural context. Untainted by romanticism, his sculptures symbolize the approach to a foreseeable end that is hastened by the uncontrolled exploitation of the earth’s resources. With numerous illustrations and essays, this first extensive monograph on the artist presents a comprehensive survey of his sizable oeuvre.
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