Mon Trésor
 | |
|---|---|
| Editor(s) | Ralf Beil, Frank Krämer |
| Author(s) | Ralf Beil, Neil Cossons, Rudolf Echt, Frank Krämer, Christiane Peitz, Rolf Sachsse |
| Design | Glas AG |
| Illustrations | 284 |
| Cover | Hardcover |
| Size | 24 x 28 cm |
| Pages | 352 |
| Language(s) | German |
| ISBN | 978-3-96912-013-2 |
Europe’s Treasure Chamber
What do the torque of the princess of Reinheim, the tableware from the Orient Express, and the radio station Europe 1’s studio building have in common? They are among the treasures of the Saar region. The book presents outstanding archaeological objects and achievements of technology and art dating from the age of the Celts to the present. Drawn from the Saarland and neighboring Alsace-Lorraine, Luxembourg, and Rhineland-Palatinate, the unexpected riches illustrate the cultural and social dimensions of this multinational region in the heart of Europe. The title Mon Trésor describes many of them quite literally: the note a seven-year-old dashed off to his father before his family was evacuated in the first days of World War II; the Roman-era ring that is also a relic, witnessing to flight and danger. All treasures are personal first and foremost, though others may later cherish them as cultural assets.
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You’ve read right, and you’re going to hear it: a bureaucratic document—we’re all familiar with it, for a new one arrives every year—is the subject of this inspired collaboration between the graphic artist Philip Loersch and the virtuoso vocalist Johannes Steck.
The “Renteninformation”—an official letter on cheap paper informing the recipient about their expected future retirement benefits—makes many cultural workers, and others, crack up or break out in tears: arriving unexpectedly, it launches us on an emotional roller coaster between excitement, fascination, resignation, and sheer madness.
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