Horst Keinig
Scoop
 | |
|---|---|
| Editor(s) | Stephan Berg |
| Author(s) | Alexandra König, Dirk Steimann, Harald Kunde, Stephan Berg |
| Design | Andreas Wünkhaus |
| Size | 16,5 x 23 cm |
| Pages | 128 |
| Illustrations | 80 |
| Cover | Hardcover |
| Language(s) | German |
| ISBN | 978-3-947563-29-6 |
An Artist Book Setting New Visual Processes in Motion
Around the year 2009, Horst Keining (b. 1949, Hattingen; lives and works in Düsseldorf) began to create blurred contours with the help of a small spray gun used without stencil. Up to four partially superimposed pictorial planes result in the oscillation and almost three-dimensional pulsation of the pictorial space. In interplay with a contrasting juxtaposition of strongly contoured images, his works convey a completely new visual experience. Since the resulting “blur effect” shrinks due to the reduction, this artist book places an essential accent on the reproduction of image details in their original size, followed by a full image of the picture.
More books
- Release February 2026
Tim David Trillsam
Willkommen im Panoptikum38€ Add to cartWith his idiosyncratic figurative bronze sculptures Tim David Trillsam (born 1985 in the Swabian Alb) has hit a nerve. The artist’s “self memorials” ask the viewer to remember the transience and illusion of this very self. Although Trillsam employs a loaded material that evokes many great sculptors before him, his own sculptures resist the past. His figures are tangibly protagonist of the present and they provoke with their exaggerated sensuality, twisted bodies, and oversized hands and feet. “The oversizing is programmatic. As is the skeptical approach to the human species. Trillsam proceeds as a thoughtful questioner with doubt yet also irritation,” writes Dorothee Baer-Bogenschütze. Her in-depth art-historical analysis is part of this forthcoming book about Trillsam’s oeuvre since 2012.
-
Jenny Brosinski
Things I’ve Never Said58€ Add to cartJenny Brosinski’s (b. Celle, 1984; lives and works in Berlin) paintings in large formats look like uncoordinated abstract compositions with traces of wear deliberately left in place. This brings their materiality to the fore and reveals the creative process. Expressive oil paint on unprimed canvas, spray-painted lines, typographic elements, shoeprints, or pieces of masking tape on the canvas: on the one hand, these are experiments and statements; on the other hand, they are engagements with painting as such. The artist added sculpture to her repertoire in 2019, making figurative and sometimes colorfully painted imaginary beasts in bronze or stone—more evidence of her subtle sense of humor, which also manifests itself in her pictures and especially in their titles. The extensive monograph offers profound and comprehensive insight into Brosinski’s oeuvre.
Jenny Brosinski studied illustration and animation at the Weißensee Kunsthochschule, Berlin, the École supérieure des arts décoratifs, Strasbourg, and the Hamburg University of Applied Sciences. She completed her education with a master class in Berlin in 2010.
-
Francis Alÿs
The Nature of the Game
Special Edition60€ Add to cartSPECIAL EDITION in clothbound slipcase
The Belgian artist Francis Alÿs (b. Antwerp, 1959) makes work that is as multifaceted as it is poetically subversive. Straddling the line between performative conceptual art and community intervention, his films and drawings chart the political and social realities of urban spaces. One of his most imposing long-term projects is Children’s Games, for which he documents children playing all over the world, from Paris and Mexico City to the Yezidi refugee camp Sharya in Iraq. The richly illustrated book contains ideas and sketches he compiled in preparation for this series. It lets us glimpse into the engine room of his artistic practice, revealing key elements of his filmic poetics. An essay by the ethnographer and filmmaker David MacDougall embeds Alÿs’s observations of children’s play in the contexts of childhood studies as well as the history of ethnographic documentary film.
Francis Alÿs (b. Antwerp, 1959) is widely regarded as one of the foremost artists working today. His oeuvre, which has garnered numerous prizes and been featured in solo exhibitions around the world, encompasses films, photographs, performances, drawings, and paintings, many of them explorations of the social and political realities of urban spaces. Since 1986, Alÿs, who trained as an architect, has lived in Mexico City, where he moved after the major earthquake of 1985 to help in the rebuilding effort.
Francis Alÿs – The Nature of the Game is the official publication of the Belgian pavilion at the 59th Biennale di Venezia, curated by Hilde Teerlinck.
- Out of stock
Supernatural
Sculptural Visions of the BodyRead moreThe future of human corporeality in the Anthropocene era
Given the technological development in biogenetics, humans will be able to make existential modifications to all living things, Nature, the animal world and human likenesses in future. What will bodies of the future look like? Who or what will we be? Supernatural offers us some answers in its hyperrealistic and realistic sculptures. These visionary works not only exemplify the impact of the digital revolution and genetic engineering on “posthumans” and the environment, but also illustrate, including in their own hybrid creations, how increasingly blurred the line between nature and culture is now becoming. Technological innovations are also having more and more effects on trends in the latest hyperrealistic sculptures. In using 3D printing to perfect their creation processes and pushing sculptural boundaries to encompass robotics and synthetic biology, artists are opening the door to new design possibilities in artefact, biology and technology for themselves as well.
The book presents works by Anne Carnein, Isa Genzken, Glaser/Kunz, Thomas Grünfeld, Sam Jinks, Josh Kline, Krištof Kintera, Reiner Maria Matysik, Alex May and Anna Dumitriu, Fabien Mérelle, Patricia Piccinini amongst others.
-
10 Jahre Württembergische Volksbühne
Reprint der Festschrift von 192915€ Add to cartCentennial Publication of the Württembergische Landesbühne Esslingen
In 2019, the Württembergische Landesbühne Esslingen (WLB)—one of the oldest regional theatres in Germany—is celebrating its 100th anniversary. On the occasion of this anniversary, the tenth commemorative publication by the Württembergische Volksbühne from 1929 is being reprinted. The unique document of the time visualizes in a special way the important role that the topics of cultural education and culture in rural areas, which are still relevant today, played in the young Weimar Republic immediately after the First World War. The brochure also documents both the mission and the daily work of the theater. In addition, the reprint is complemented by an essay from Joachim J. Halbekann, the principal of municipal archive of Esslingen, providing—for the first time in the history of the WLB—a comprehensive historical essay that examines the time betweeen 1919 and 1933/34.
-
Emmanuel Bornstein / Lotte Laserstein
Pensée20€ Add to cartHow do artists’ identities and the histories of their families influence their art? Where might a creative affinity sustained by a legacy of trauma take an artist? Lotte Laserstein (1898–1993) and Emmanuel Bornstein (b. 1986) are connected by such a bond, tied by Bornstein’s grandmother, a Résistance fighter and, like Lotte Laserstein, a Jew who survived the Nazis. Bornstein discovered Laserstein’s works by coincidence and without knowing of this connection, and he was fascinated right away: “It was actually what I’d been trying to make for years!” There are in fact parallels between their oeuvres—both feature people who are waiting and flower bouquets, and a melancholy aspect and a subtle menace can be felt in both. Yet there are also discrepancies, and the dialogue between their works would be far less inspiring without them: Bornstein’s omnipresent toxic cadmium, which contrasts with Laserstein’s muted tones; the paint application; the brushwork. What the artists have in common, in any case, is that Sweden became their abode in times of danger and painting, their only true home. This catalog celebrates their creative homecoming.
-
Martin Noël
paintprintpaint35€ Add to cartA Comprehensive Overview on the tenth Anniversary of the Death of Martin Noël
Martin Noël (b. 1956, Berlin; d. 2010, Bonn) was a German painter, draftsman, and printmaker. He was one of the formative innovators of the long-neglected techniques of linocut and woodcut. With his large-format works on paper, he created a position for himself in contemporary art that is as much respected as it is independent. On the occasion of the tenth anniversary of the artist’s death, this volume presents a comprehensive overview of his work from the mid-1980s to the last year of his life in 2010. Thirty-five exceptional works document Noël’s path from his early years as a painter, via the middle phase marked by printing blocks, linocuts and woodcuts, up to his late paintings.
Martin Noël studied Graphics and Painting at the Rheinische Fachhochschule Köln, Cologne. His works are included in, among others, the Federal Collection of Contemporary Art, the Kunstsammlungen Chemnitz, and the collection of the Museum Pfalzgalerie Kaiserslautern.
-
Anna Leonhardt
Touching Space34€ Add to cartAnna Leonhardt’s (b. Pforzheim, 1981; lives and works in New York and Leipzig) paintings probe her own experiences and moods, while also referencing works of literature and quoting phenomena in the history of her craft. Abstract surfaces composed of numerous layers that break the two-dimensional bounds of the canvas engender a physical and imagined space that is further expanded by the interrelations between the pictorial elements, an imaginary communication with other works of art, and the beholders. The publication Touching Space presents Anna Leonhardt’s most recent works. A compendium of writings on the subject of space by the phenomenologist Franz Xaver Baier and the artist’s correspondence with the curator Sophia Pietryga complement the imposing illustrations. The book is released in conjunction with the eponymous solo exhibition at Galerie She BAM! Laetitia Gorsy, Leipzig.
Anna Leonhardt studied painting and graphic art at the Dresden University of Fine Arts (HfBK) from 2002–2008, completing her education with postgraduate training with Ralf Kerbach until 2010.
-
Wolfgang Gäfgen
Photographic Miracles45€ Add to cartA Mysterious Play of Light and Shadow
While Wolfgang Gäfgen’s (b. Hamburg, 1936; lives and works in Stuttgart and Esslingen) hand drawings and woodprints are widely acclaimed, only connoisseurs are familiar with his photographic oeuvre. The extensive body of analog black-and-white and color photographs spans the decades from the late 1960s to the present and is no less accomplished than the artist’s graphic works and prints. This book, with essays by Christian Gögger, Olivier Kaeppelin, Clemens Ottnad and Michel Poivert, is the first to gather a large selection of these pictures, illustrating the interdependencies between works in the different visual media of expression. Artfully arranged still lifes breathe a spectral animation into ostensibly trivial everyday objects. The human figures that appear now and then seem to be engaged in cultic performances; many of the photographic works are accompanied by ironic quotes from the earlier history of art or allusions to historic myths.
-
Julius Hofmann
Western Philosophies35€ Add to cartJulius Hofmann (b. Göttingen, 1983; lives and works near Göttingen) has mastered the traditional aspects of painting and commands a broad repertoire of creative techniques. This expertise enables him to call conventional painting in question by combining it with the aesthetic of 1990s computer graphics. The simple and often grotesque symbolism of the imperfect digital imagery contrasts with a perfectionistic figurative painting. This approach lends his pictures a disconcerting and unexpected quality.
Western Philosophies is an episode in Hofmann’s ongoing work confronting consumerist society with its dark secrets and its indifference. Meanwhile, his creative process is also an exploration of the artist’s personal fears and frustrations. In depicting his figures, landscapes, and machines, he draws our attention to the painterly originality of structures and surfaces. The protagonists, to his mind, play a subordinate role, typically serving him as vehicles—he is more interested in the “how” than in the “what.”
Julius Hofmann studied painting with Neo Rauch and Heribert C. Ottersbach at the Academy of Fine Arts Leipzig (HGB) from 2005 until 2011. His work is represented in international collections and institutions.
-
Beate Passow
Monkey Business24€ Add to cartDrawing on the Past to Build a Better Future
Beate Passow (b. Stadtoldendorf, Germany, 1945; lives and works in Munich) creates installations, photodocumentaries, and collages that seek to salvage her subjects from oblivion, though as she sees it, her art is an effort to come to terms not so much with the past as with the present. When her compositional inventions touch on painful memories, their objective is not to arrive at new insights. Rather, she aims to uncover visible and verifiable states of affairs and throw them into sharp relief. In her cycle of pictures Monkey Business, the artist unfolds a mysterious fairy-tale world with a political edge. Strange animals and mythical figures populate the large-format black-and-white tableaux, which a closer look reveals to be woven tapestries. The unusual protagonists roam readily identifiable locations: Gibraltar, New York’s Wall Street, Brussels, or the island of Lampedusa. Behind these ostensibly simple facts of geography loom the darker aspects of contemporary European politics: Passow’s work calls for a debate on the systems, economic structures, and political movements that rule the continent.
-
Vera Mercer
New Works28€ Add to cartBeauty and Melancholy, Joie de Vivre and Vanity
The American photographer Vera Mercer’s (b. Berlin, 1936; lives and works in Omaha and Paris) oeuvre defies easy summary. She started taking pictures in Paris in the 1960s, making portraits of her then husband Daniel Spoerri—who, like she, was initially training as a dancer—and other members of the Fluxus group and Nouveaux Réalistes, including Emmett Williams and Robert Filiou, Jean Tinguely and Jacques Villeglé. Around the same time, she also photographed Andy Warhol and Marcel Duchamp for various magazines; her friends Eva Aeppli and Niki de Saint Phalle were among her favorite sitters.
In the 1970s, she took a long creative hiatus: after moving to Omaha, Nebraska, she poured all her energy into starting a number of restaurants and developing an entire downtown neighborhood. But then, in the early years of the new millennium, she returned to photography, capturing breathtaking neo-baroque still lifes featuring flowers, fruits, freshly killed game, antique glasses, and illuminating candles in large formats.
Vera Mercer’s fourth monograph presents her most recent opulent still lifes in color, as well as a novelty in her oeuvre: restrained black-and-white flower pictures and portraits realized as small-format platinum prints.
- temporarily not available
David Hockney: Insights
Reflecting the Tate CollectionRead moreDavid Hockney (born 1937 in Bradford) is one of the most influential and technically versatile artists living today. This new publication gathers some of his most defining work from the 1960s to the present, including major works in the Tate collection. From early graphic cycles, double portraits and iconic pool paintings through to his photo collages, plein air landscapes, iPad drawings, and multimedia installations, the volume documents central themes and genres in Hockney’s oeuvre, as well as his constant experimentation.
Original essays by renowned critics and commentators illuminate the artist’s search for new forms of expression, the topographical and biographical reference points of his work, the technical innovation of his painting and printmaking, as well as his approach to new media.
-
Sonja Yakovleva
Soaplands50€ Add to cartSonja Yakovleva’s (b. Potsdam, 1989; lives and works in Frankfurt am Main) silhouettes are informed by her sex-positive feminist views. They mix and match pornography with art-historical references, folkloristic motifs, fairy tales, and myths that have served to ingrain misogynistic, racist, and homophobic ideologies in the collective consciousness since the Middle Ages. The dissemination of such materials was facilitated by the paper cut, a medium that encouraged simplified graphical representations and was seen as domestic and appropriate for women. Yakovleva’s intentions in adopting it, however, are contrarian: her iridescent silhouettes grapple with women’s stories, precarious gray areas, power relations, representation, sexuality, and violence in novel ways.
Soaplands, the title of Sonja Yakovleva’s first monograph, is a nod to Japanese bathhouses where men receive personal care, massages, and sexual services. Most recently, a number of soaplands have opened that cater to women with male prostitutes. Similarly, in the paper cuts in the book, which were created between 2018 and 2023, women have seized sexual power and conquered the patriarchal system. Unchecked by shame, they use men as objects to satisfy their desires.
-
Felix Schramm
Things To Come44€ Add to cartFelix Schramm’s (b. Hamburg, 1970; lives and works in Düsseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm’s art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm’s first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
-
Pieter Slagboom
Scent of Hypnosis42€ Add to cartPieter Slagboom’s drawings are about life and death. About how these ostensible antagonists are inseparable; how, in his imagination, they are even fused. In his enormous canvases, we are held by the essence of our existence as though by a steel vise: we come from the void and in the end shall return to it. Thousands upon thousands of sweeping lines, twisting like Moebius strips, make for an almost physical experience of this truth. The dead and the newborn emerge from the primeval soup of Slagboom’s lines, as do genitals; we spot larger-than-life fantasies of disturbing sexual acts. The circle of life as a short circuit. The energy of some of the pictures in Slagboom’s oeuvre is almost too much to bear—we shudder before the pigments materializing our latent knowledge: that death is suspended in life.
-
Sabine Hornig
Passage through Presence45€ Add to cartLayered Spacetimes in Large Formats
Sabine Hornig (b. 1964; lives and works in Berlin) has earned international acclaim with sculptures, photographs, and architectural interventions that interweave image, perspective, and space in distinctive ways. Her works feature translucent pictorial planes on glass panes; integrating these sculptural elements into the setting, she creates environments in which meaning unfolds as viewers allow their gazes—and themselves—to wander. For her new works, which engage with architecture, the artist superimposes enormous photographs on entire façades and concourses. This publication is the first to put the focus on Sabine Hornig’s art in three dimensions, detailing her process from the building of sculptural models and the combination with transparent photographic layers to her creation of works in public settings. It showcases her largest installation to date, at LaGuardia Airport in New York City, which she discusses in a conversation with Nicholas Baume, director and chief curator, Public Art Fund, New York.
-
GABRIELE BASCH, GESA LANGE
UND_NEWS_FROM_NOW_HERE18€ Add to cartBeyond Painting
Gabriele Basch’s (b. 1964, Bad Homburg; lives and works in Berlin) cut-outs and Gesa Lange’s (b. 1972, Tongeren, Belgium; lives and works in Hamburg) drawings are meditations on construction and deconstruction as well as doubts and how to overcome them. Both artists expand the range of painting: Basch, with incisions into the medium and a creative handling of the tinged shadows that transform the painted panel into a wall-mounted object; Lange, by embroidering her canvases with colorful threads that open up the pictorial space on all sides. The book presents works by both artists, initiating an animated and dynamic dialogue between their nonrepresentational visual idioms. Gabriele Basch is professor of painting at the Hochschule für Angewandte Wissenschaften Hamburg. Gesa Lange is professor of graphic art at the Hochschule für Angewandte Wissenschaften Hamburg. She has received the Kunsthalle Rostock Prize and other awards.
-
Jan Zöller
10€ Add to cartJan Zöller’s (b. Haslach, 1992; lives and works in Karlsruhe) art has the aura of a jerry-rigged, cosmic, comedic theater. Flames gutter, pant legs and elbows dance, run, and go up in fire. Wells, basins, and tubs are central motifs, symbolizing communal settings, but also the circulation of vital energies, of human and economic interconnections. Zöller’s paintings take fractured or antiquated systems, today’s art world among them, and reforge them into something new. In painting, he reflects on what being an artist means to him, driven by an interest less in a dialogue with art history or other contemporary painters than in the psychosocial relationships and conditions that inform his work. His paintings, sculptures, and installations probe the discrepancy between economic production and the spiritual and magical dimension of art.
-
Michel Majerus 2022
49€ Add to cartMichel Majerus (1967–2002) ranks among the most interesting painters of his generation and left a singular and multifaceted oeuvre that still speaks powerfully to contemporary concerns. His works quote phenomena of everyday culture such as comic strips, advertisements, and videogames as well as sources of inspiration from art history ranging from minimalism to Pop Art. Decontextualizing the different elements of pictures, he integrated them into novel contexts of meaning by, for instance, setting them on a par with art-historical references.
Twenty years after his death, a series of exhibitions throughout Germany showcase different periods and aspects of his creative output. Five solo exhibitions at the KW Institute for Contemporary Art, the Neuer Berliner Kunstverein (n.b.k.), the Kunstverein in Hamburg, the Michel Majerus Estate, and Galerie neugerriemschneider, Berlin, pay tribute to Michel Majerus’s art in unprecedented breadth.
Concurrently, thirteen museums mount presentations of works by Michel Majerus from their collections: Ludwig Forum Aachen; Kunsthalle Bielefeld; Kunstmuseum Bonn; Museum Folkwang, Essen; Sprengel Museum Hannover; Museum Ludwig, Cologne; Kunsthalle Mannheim; Städtische Galerie im Lenbachhaus, Munich; Neues Museum Nürnberg, Nuremberg; Saarlandmuseum—Moderne Galerie, Saarbrücken; Kunstmuseum Stuttgart; Staatsgalerie Stuttgart; and Kunstmuseum Wolfsburg.
The extensive publication accompanying the exhibition series Michel Majerus 2022 includes three essays and two artists’ contributions as well as visual documentation of the exhibitions and presentations from the collections. It is rounded out by a biographical sketch of Michel Majerus, a history of exhibitions of his work, and archival photographs.
