

Hans Karl Zeisel
Hundred and more
![]() | |
---|---|
Author(s) | Hans Karl Zeisel |
Design | Hans Karl Zeisel, Pia Viola Zeisel |
Cover | Softcover in a box with four wooden blocks |
Size | 15 x 15 cm |
Pages | 228 |
Illustrations | 100 |
Language(s) | German, English |
ISBN | 978-3-942924-29-0 | Out of stock |
Possibilities of concrete art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
Out of stock
Out of stock
More books
-
Philip Loersch
POW – PORTRAITIST OF WRITING34€ Add to cartPhilip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
-
Toni Mauersberg
Entre Nous28€ Add to cartToni Mauersberg (b. Hannover, 1989; lives and works in Berlin) is interested in the different layers of a picture’s signification: there is, in the first instance, what it depicts; then the larger tradition in which it is grounded; and finally, the conditions of its genesis. She employs a range of painterly strategies and techniques to uncover the potentials of paintings as a medium of understanding, insight, and storytelling. The question that animates her art is how it is possible, in this post-religious, post-rational, and post-individual age, to be one’s own person. In her most recent series, Pas de Deux, Mauersberg investigates the complex visual language of abstract painting, which originated in part in a quest for new ways of representing spirituality and emancipation. Combining nonrepresentational pictures with portraits, she draws attention to how both are products of “making,” composed of nothing but color, while enlarging their interpretative ambits. The dialogue between the paintings is meant to help the beholders chart their own course as they unlock what appear to be hidden laws encoded in pictures.
Toni Mauersberg studied Jewish studies at Freie Universität Berlin in 2008–2012 and fine arts with Leiko Ikemura at the Berlin University of the Arts from 2009. In 2017, she was Michael Müller’s master student.
-
Silke Eva Kästner
Panta Rhei36€ Add to cartSilke Eva Kästner (lives and works in Berlin and Uckermark) developed her creative approach while traveling in India, New York, and Japan. She creates temporary on-site paintings as well as conceptual pieces in which the viewer comes upon prepared materials and becomes part of—or even alters—the picture. Kästner documents these encounters in photographs or filmic traces out of which she compiles films in the editing suite. Probing the potentials of painting as communication, she foregrounds the active intervention and process. In the gallery no less than the urban scene, Kästner places painting in relation to architecture in order to frame it in varying perspectives.
The monograph offers insight into the foci of Kästner’s art; the works are grouped in chapters rather than arranged in chronological sequence. This structure makes the book a space of experience that gives the reader a vivid sense of her ephemeral creations.
After studying with Katharina Grosse at the Weißensee School of Art and Design Berlin, Silke Eva Kästner won the Mart Stam Prize; she honed her craft in India on a NaFöG fellowship and in New York on a yearlong DAAD fellowship. Funding support from the Institut für Auslandsbeziehungen (ifa) enabled her to initiate an ongoing exchange project between Kashmir and Berlin. Her work has been on view at numerous institutions including the Schirn Kunsthalle Frankfurt; the Devi Art Foundation, Delhi; Berlinische Galerie, Berlin; the Queens Museum of Art, New York; Künstlerhaus Bethanien, Berlin; and the Haus der Kulturen der Welt, Berlin.
-
Stephan Kaluza
Das Rheinprojekt48€ Add to cartReinterpreting the Classical Panorama
The mythical character of the Rhine as a ‘German symbol’ has long been of profound interest to poets and visual artists. Today, however, the Rhine has lost the aura of a great romantic river along much of its course: from Basel to Rotterdam, it serves as a high-volume shipping lane, and sprawling industrial installations line its banks.
At the dawn of the new millennium, Stephan Kaluza (b. Bad Iburg, 1964; lives and works in Düsseldorf) went on an almost eight-months-long walking tour, following the Rhine from its source at the foot of Piz Badus in Switzerland to its debouchment into the North Sea near Rotterdam. During this thousand-mile trek along the river’s right bank, he stopped every minute—after between two and three hundred feet—to take a photograph of the opposite shore. In this way, his camera compiled a painstaking record of the Rhine in 21,449 individual shots. Digitally assembled in a single six-inch-tall composite image, the pictures form a two-and-a-half-mile stream.
What Kaluza created in this project would have been inconceivable before the development of digital photography, which made the seamless presentation of the pictures in a single panoramic band possible. What is more, the computers capable of processing the enormous quantities of data did not arrive until a few years ago. It took the artist’s assistants a full two years just to edit the images. Harnessing digital technology, Kaluza creates for photography what had been the exclusive precinct of painting: a sweeping holistic perspective. A large number of the fascinating panorama photographs were published in the imposing tome Der Rhein in 2007. Das Rheinprojekt now presents a freshly composed selection from this treasure trove.
Stephan Kaluza received a comprehensive education in Düsseldorf in the 1990s, studying photography at the city’s University of Applied Sciences, art history at the Academy of Fine Arts, and history and philosophy at Düsseldorf University. Since 1995, his work has been shown at numerous galleries in Seoul, Shanghai, Jerusalem, Los Angeles, Berlin and elsewhere. Kaluza’s plays have been performed in Düsseldorf, Berlin, and Stuttgart.
-
Secundino Hernández
Miettinen Collection36€ Add to cartSecundino Hernández’s (b. Madrid, 1975; lives and works in Madrid und Berlin) paintings and works on paper blend figuration and abstraction, the linearity of drawing and exuberant color, minimalism and gesture. Slowly and methodically moving across the canvas, Hernández sets down sinuous lines and marks, using a brush or applying the paint straight from the tube before rinsing and scratching off the surfaces. The resulting compositions feel organized yet charged with explosive energy and evince manifold references: a physicality reminiscent of Action Painting, cartoon-style terse figuration, and passages that bring to mind Old Masters and especially the Spaniards El Greco and Velázquez. As Hernández observes, his works “may look like Action Painting or Expressionism, but they represent a profound and painstaking scrutiny of these visual idioms, a way of articulating my own contemporary perspective on certain aesthetic movements.”
Secundino Hernández studied at the Universidad Complutense de Madrid from 1995 until 2000 and at the Royal Spanish Academy in Rome in 2005–2006.
-
Jean-Marie Biwer
D’après nature42€ Add to cartPainterly Investigations of the Present
For over four decades, Jean-Marie Biwer (b. 1957, Dudelange, Luxembourg; lives and works in Basbellain, Luxembourg) has made art that records his fine-grained observations. Grappling with the grand themes of art history – the landscape, the human figure, the still life – Biwer consistently questions the role painting can play in a world shaped by a deluge of images and information. Responding to the omnipresence of the latter and reacting to the increasingly frantic pace of our lives, he creates paintings that allow the intensity of the present moment to unfold. The richly illustrated book gathers his most important works since 2005.
“These things are there, we just need to look at them. They are simple, but today they have the power to bring so much to people.”—Jean-Marie Biwer
Jean-Marie Biwer’s work has been shown throughout Europe and in 1993 he represented Luxembourg at the 45th Biennale di Venezia. His works can be found in the Musée National d’Histoire et d’Art Luxembourg, IKOB, Museum of Contemporary Art, Eupen, and Mudam Luxembourg – Musée d’Art Moderne Grand-Duc-Jean amongst others.
-
Fabian Treiber
For a While Longer34€ Add to cartUnstable Prototypes of a Reality We Know
Fabian Treiber’s (b. Ludwigsburg, 1986; lives and works in Stuttgart) paintings show what appear to be interiors while interrogating subjective projections and our perceptions of reality. The artificial spaces bear witness to human existence even though there are no people to be seen. In his still lifes, Treiber negotiates classical questions of painting: form and structure, color and composition, representation of space and organization of the surface. His paintings primarily implement formal rather than narrative decisions. This lets the artist provoke a deliberate breach in which the ostensibly fallacious emerges as the essential quality of painting—the effect is that of works that seem somehow off but are actually just right.
Fabian Treiber studied painting and intermedia design at the Stuttgart State Academy of Art and Design (ABK Stuttgart). His works have won him a Karl Schmidt Rottluff Fellowship; he was also a finalist for the 2021 Hans Purrmann Grand Prize. He has had numerous solo shows, including at Kunsthalle Nürnberg, Nuremberg; Kunstverein Ludwigsburg; and Galerie Ruttkowski;68, Cologne; and contributed to group exhibitions at Kunsthalle Düsseldorf; Villa Merkel—Galerien der Stadt Esslingen a.N.; and Staatliche Kunsthalle Baden-Baden. For a while longer is published on occasion of his first solo exhibition at Haverkampf Galerie.
-
100 Windows
Site-specific art installations at Berlin-Weekly project space28€ Add to cartEstablished in 2010 by Stefanie Seidl in a former gateway for horse-drawn carriages that is now enclosed by glazing at both ends, the project space BERLIN-WEEKLY offers the narrow yet exceptionally tall display space to artists as a highly visible public stage for installations that respond to the setting or site. Its unilateral orientation toward the street makes BERLIN-WEEKLY a creative intervention into the urban fabric that harnesses the shopwindow format. The book presents 100 selected window installations to illustrate the widely diverse ways in which individual artists have engaged with the venue, time and again transforming the unusually shaped small space.
With works by: Menno Aden, Alexandra Baumgartner, Isabelle Borges, Astrid Busch, Simon Faithfull, Moritz Frei, Max Frisinger, Wolfgang Flad, Dagmara Genda, Andreas Greiner & Armin Keplinger, Sabine Groß, Marc van der Hocht, Sabine Hornig, Irène Hug, Bettina Khano, Julia Kissina, Nikolaus List, Ulrike Mohr, Virginie Mosse, Piotr Nathan, Katja Pudor, Philip Topolovac, Inken Reinert, Sophia Schama, Geerten Verheus, Sinta Werner, Barbara Wille, and others
-
Julius Hofmann
Western Philosophies35€ Add to cartJulius Hofmann (b. Göttingen, 1983; lives and works near Göttingen) has mastered the traditional aspects of painting and commands a broad repertoire of creative techniques. This expertise enables him to call conventional painting in question by combining it with the aesthetic of 1990s computer graphics. The simple and often grotesque symbolism of the imperfect digital imagery contrasts with a perfectionistic figurative painting. This approach lends his pictures a disconcerting and unexpected quality.
Western Philosophies is an episode in Hofmann’s ongoing work confronting consumerist society with its dark secrets and its indifference. Meanwhile, his creative process is also an exploration of the artist’s personal fears and frustrations. In depicting his figures, landscapes, and machines, he draws our attention to the painterly originality of structures and surfaces. The protagonists, to his mind, play a subordinate role, typically serving him as vehicles—he is more interested in the “how” than in the “what.”
Julius Hofmann studied painting with Neo Rauch and Heribert C. Ottersbach at the Academy of Fine Arts Leipzig (HGB) from 2005 until 2011. His work is represented in international collections and institutions.
-
Roland Schappert
Liebe +–24€ Add to cartRoland Schappert’s Liebe+– is a poetic voyage into the mysterious and paradoxical landscapes of love. Combining an unrelenting eye with lyrical precision, Schappert captures the fragile equilibrium between intimacy and distance, between the longing for union and the need for detachment. The +– in the title is a symbolic shorthand for the ambivalence of love: attraction and repulsion, delight and pain, their constant interplay defining the dynamic of love.
The terse and sometimes aphoristic writings enter into a dialogue with the author’s artful and enigmatic pictures and sculptures—text images sewn out of strings of beads or painted in Champagne chalk that subtly mirror and refract the emotional tension of the poems. Nimbly balancing on the fine line between devotion and disaffection, Schappert’s verses are interspersed with ironic allusions to our digital and urban contemporary world.
By forging a symbiosis of poetry and image, this artist’s book charts a world unto itself in which the boundaries between I and you blur and subject and object are fused in a collective we. It invites us to contemplate love with a fresh eye—as tender touch and fractious idea, as a play of expectation and disappointment that we begin anew every day.
‘Love in the age of social media and dating apps, but not from a Gen Z perspective – but from someone who has known this feeling for much longer. And who brings his experiences – which are certainly representative of many – in ever new combinations of text and images into a form that makes reading and viewing a memorable experience.’ – Wolfgang Ullrich
- Release September 2025
The Psyche of the Portrait
Liliane Tomasko meets Bonnard, van Dongen, Paolozzi and Auerbach44€ Add to cartThe evolution of the portrait through the ages—that is the subject of The Psyche of the Portrait featuring selected works from the collections of the Sheffield Museums. Presenting the contemporary Swiss artist Liliane Tomasko (b. 1967) in dialogue with masterpieces by Pierre Bonnard, Kees van Dongen, Eduardo Paolozzi, Frank Auerbach, and others, the book frames a psychological perspective on art history in which the exploration of consciousness and perception is reflected in the art of portraiture. After the emphasis on the integral person and their gestalt, Sigmund Freud redirected depth psychology to discover the unconscious. Fifty years later, Jacques Lacan inspired the way of seeing in the portraits of Frank Auerbach, an exponent of the New Figuration. These diverse approaches now encounter Tomasko’s works with their gestural and performative mode of expression.
-
Mirror
Collaborative Pictures by Merrick d’Arcy–Irvine x Julia Bajanova40€ Add to cartWe humans are social creatures. Without others to reflect our behavior back to us, we lose what defines us—language, culture, the capacity for creative expression. That is why photographer Merrick d’Arcy-Irvine and fashion designer Julia Bajanova are invested in intense encounters: not only with the people who appear in their pictures, but also with each other, as artists and as humans, and between their media and the materials out of which they are made. The materiality and sensual experience of these media in the physical world are the focus of the pictures gathered in this volume, which is why d’Arcy-Irvine and Bajanova eschewed all digital technologies. Sensuality forges an emotional bond between their creative universes, whose boundaries become permeable, as do the dividing lines between genres. Colors and forms are fused in a shared language of visual art and fashion in which d’Arcy-Irvine and Bajanova write their messages in light on photographic paper. They speak to what makes us human: creative energies untrammelled by the necessities of everyday life. The pictures in Mirror, then, are reflections of our existence and portals of self-knowledge.
-
Sabrina Fritsch
syntaxerror28€ Add to cartSabrina Fritsch’s (b. Neunkirchen/Saar, 1979; lives and works in Cologne) paintings explore the potentials of the compositional process and the mechanisms of perception. Many of them feature coarse structures, textile surfaces, and delicate superimpositions. In this publication, Fritsch, who was recently appointed professor at the Düsseldorf Academy of Fine Arts, presents a résumé of the painterly oeuvre she has developed since her graduation from the same school in 2008. It encompasses two related books, each of which undertakes a structured study of a major strand in Fritsch’s art. One offers a chronological survey of a representative selection of works created between 2008 and 2019 that illustrate her playful and experimental engagement with the constituents of the painted picture: the picture-as-object, the organization of pictorial space, and the phenomenology of physical color. In addition to works on canvas boasting a wide variety of applications of materials and paint, it also covers serial variations in prints. The other showcases three exhibitions and bodies of work dating from 2020 and 2021 that are dedicated to the three color systems RGB, black-and-white (BAW), and CMYK.
-
Alexandru Chira
42€ Add to cartAlexandru Chira’s (b. Tăușeni, Romania, 1947; d. Bucharest, 2011) oeuvre systematically and comprehensively maps a fictional field of research. His paintings, drawings, and objects, whose individual elements recall switches, screens, keyboards, and levers, were designed to “bring rain and rainbows,” to promote prosperity and prevent floods. Working in his art laboratory, Chira resembled a farmer tilling his field. He sowed symbols across his paintings, sometimes transplanted them to create new semiotic interconnections, then reaped them and stored up his harvest in painted machines of varying shapes and dimensions. In the 1990s—by then Chira held a professorship and was a widely recognized artist—he fulfilled a lifelong dream by building the “Tăușeni Ensemble,” the largest monument single-handedly created by one man in Transylvania. Much of his oeuvre accordingly consists of sketches and elaborations relating to the monument. In the course of his decades-long fascination with an agrarian aesthetic, architecture, design, astronomy, history, magic, ufology, mysticism, shamanism, and theosophy fused, yielding a kind of practical knowledge as well as spiritual speculations sustaining his endeavor.
The extensive monograph with more than 750 illustrations surveys Alexandru Chira’s output of four decades and synthesizes years of research undertaken at the National Museum of Contemporary Art in Bucharest. It contains numerous transcriptions of textual parentheses, legends, and instructions on how to decode the works and poetic fragments embedded in Chira’s pictures.
-
Stephan Kaluza
Mechanik Sehnsucht. Kunsterzeugung und Betrachtung14€ Add to cartUngewohnte Antworten aus der Sicht des Kunsterzeugers
Die Frage, was Kunst ist und wie sie entsteht, wird gerne von denen beantwortet, die sie selbst nicht erzeugen. Die Betrachtung und Interpretation steht im Vordergrund und damit eine wissenschaftliche Distanz zur Kunst. Es gibt aber durchaus die Eigen-Betrachtung derer, die Kunst aktiv herstellen und naturgemäß einen inneren Blick auf die prozessualen Bedingungen haben, die überhaupt erst das entstehen lassen, was anschließend betrachtet und beurteilt wird. Diese Sichtweise ist nicht zwangsläufig identisch mit der von außen. Nicht die Interpretation oder eine deduktive Schlüssigkeit steht hier im Vordergrund, sondern ein ableitender und besonders ein schöpferischer Sinn, der sich aus dem Prozess des Kunstherstellens von selbst ergibt.
Die Arbeiten von Stephan Kaluza (geb. 1964 in Bad Iburg, lebt und arbeitet in Düsseldorf) wurden unter anderem im Ludwig Museum Koblenz, im State Contemporary Art Museum, Seoul, in der Kunsthalle Osnabrück, im Palacete des Artes Rodin, Salvador, im Museum on the Seam, Jerusalem, sowie in der KAI 10 | Arthena Foundation, Düsseldorf, ausgestellt.
- Release November 2022
X x X
Semjon Contemporary50€ Add to cartFounded by Semjon H. N. Semjon in 2011, the gallery Semjon Contemporary has built a distinctive and singular profile that has earned it an unrivaled position in the art world. It represents international positions in contemporary art that, their divergences notwithstanding, are united by the extraordinary intelligence of their engagement with the material. The result is an unmistakable visual language that permits of no modification of established choices. Despite the considerable differences of material, technique, and expression, the artists’ works enter into dialogue with one another, as parallel solo presentations and special exhibitions showcasing numerous visiting artists have demonstrated.
The book features Colin Ardley, Edward L. Buchanan, Takayuki Daikoku, Dittmar Danner aka Krüger, Ute Essig, Experimental Setup (Kata Hinterlechner and Bosko Gastager’s collective moniker), Katja Flint, Andreas Fux, Dave Grossmann, Renate Hampke, Marc von der Hocht, Nataly Hocke, Michael Kutschbach, Henrik U. Müller, Cornelia Nagel, Susanne Knaack, Katja Kollowa, Susanne Pomrehn, Thomas Prochnow, Dirk Rathke, Ursula Sax, Gerda Schütte, Gil Shachar, Li Silberberg, Karina Spechter, Klaus Steinmann, Stefan Thiel, Hitomi Uchikura, Royden Watson, and Bettina Weiß in dedicated chapters. It is rounded out by statements from collectors including Thomas Lenhart, Cornelie Kunkat, Gabriele Quandt, Roland Schnell, Nobert Fuhr and Klaus Werner, Roswitha and Jürgen König, and Helmut Ließ. Remarks by art critics and scholars and an interview with Semjon by Jan Maruhn provide additional insight into the gallery’s work.
- temporarily not available
Andreas Eriksson
Read moreAll is related, from the outside in. Look what’s behind it.
Andreas Eriksson (b. 1975 in Björsäter, lives and works in Medelplana, Sweden) is one of Sweden’s most notable contemporary artists. His artistic practice is based on a traditional painterly language, but he constantly expands this field to also encompass a vast production of textile works. He examines different histories through conceptual twists and turns in sculpture and prints. This monograph, the artist’s first, seeks to explain and illustrate Eriksson’s development and thoughts behind the meandering array of works he produces. It is a close look behind the canvas.
Andreas Eriksson studied at the Royal Academy of Fine Arts in Stockholm from 1993 to 1998 and represented Sweden with the Nordic Pavilion at the 54. Biennale di Venezia. His most comprehensive solo exhibition to date took place in 2014 at Bonniers Konsthall, Stockholm.
-
Margret Eicher
Lob der Malkunst38€ Add to cartContemporary Visual Communication in a Historic Weaving Technique
Margret Eicher’s (b. Viersen, Germany, 1955; lives and works in Berlin) large-format tapestries combine the baroque form of the woven picture with familiar motifs excerpted from contemporary media images. She digitizes her sources and then assembles them in painstaking editing work on the computer. The resulting ‘media tapestries’ occupy the interface between the traditional work of art as a physical object and the electronic noise of the digital realm: two worlds that at first glance would seem to be incompatible yet find themselves in harmonious union in Eicher’s art. In Göttliche Liebe (Divine Love), for example, Caravaggio’s Crowning with Thorns meets a kissing gay couple from a pro-tolerance campaign in Berlin, while Botticelli’s Birth of Venus is sampled together with a subway station in Frankfurt. In conceptual art production, the creative idea is central and its realization becomes secondary; in a final twist, Lob der Malkunst (Praise of Painting) elects this practice as its artistic lodestar. Eicher installs the painter Martin Kippenberger in the interior of Berlin’s Paris Bar, where he poses as a dandy and presides over a clash between the different tendencies in the art of the twentieth and twenty-first centuries.
-
Alexandra Tretter
24€ Add to cartThe art of Alexandra Tretter (*1988) is as deep as it is playful. Owing just as much to the gentle spirituality of Hilma af Klint’s late geometries as it does to Sonia Delaunay’s exuberant disc paintings, almost bursting with sheer chromatic pleasure. Her compassionately designed artist’s book combines monumental paintings with intimate works on paper, all of which are imbued with the contexts of Tretter’s own life as an artist, as a woman, as a mother.
Her kaleidoscopic figurations unfold from a center at rest in itself and multiply in symmetry and asymmetry towards all sides. She contrasts the circular form, the unchanging basic element of her compositions, with the oval, which constantly strives beyond itself, transforming itself in ever-new permutations from one figure into the next, into eyes, mouths, breasts, petals or vulvas.
Her images strive for composure, unfold and blossom, only to let go of all gestalt-like form. Once gained stability is instantly pushed into turmoil. Colors flare up violently or flow delicately about, lighten or shade each other, carry or throw each other off course. Tretter equally realizes materialization and dissolution as basic principles of her painting.
Whereby all, what her images absorb, preserve and release, is experience, growth and slow maturing. Her paintings are “figurations of affection”, in which each individual turns towards something else, doubts or grows, at times turns away or surrenders all the more consciously. They question everything, start anew and yet find their way back to themselves, into their very own.
-
John M Armleder
CA. CA.19€ Add to cartCommentaries on our Present Day Realities and the Status of Art
John M Armleder (b. 1948, Geneva; lives and works in Geneva and New York) is one of the most influential contemporary conceptual, performance and object artists. The profound and the banal, control and coincidence, high culture and everyday life coalesce in Armleder’s work to create a unique experience. The works of the Swiss – often humorous or ironically twisted commentaries on contemporary reality – draw on the formal repertoire of Classical Modernism, as well as on video and design. The book focuses on large-scale, site-specific installations and wall pieces, showing in detail the broad spectrum of Armleder’s work.
John M Armleder studied at the École des Beaux-Arts in Geneva. He represented Switzerland 1986 at the 42nd Biennale di Venezia and participated in documenta 8 one year later. His work has been exhibited at the Museum of Modern Art, New York, Palais de Tokyo, Paris, and Belvedere, Vienna, amongst others.