





Felix Schramm
Things To Come
![]() | |
|---|---|
| Author(s) | Hans-Jürgen Hafner, Sebastian Hammerschmidt, Elisabeth Mangini, Anne Vieth, Maria Villa |
| Design | Lai Ping So |
| Size | 24 x 32 cm |
| Cover | 7 booklets glued together |
| Pages | 168 |
| Illustrations | 138 |
| Language(s) | German, English |
| ISBN | 978-3-96912-177-1 |
Felix Schramm’s (b. Hamburg, 1970; lives and works in Düsseldorf) sculptural oeuvre reflects a probing engagement with space and the body. In works in a variety of media, including installations that intervene into a given setting, sculptures, and collages, the artist creates three-dimensional forms out of classical materials and industrial staples as well as detritus and dust. Deformations, rifts, cracks, or impurities undermine the existing order in his constructed formal ensembles, allowing novel correspondences in space and interconnections across time to emerge. The material and its subjection to form are held in a precarious balance; disintegration, which is an integral element of Schramm’s art, paves the way for artistic assertion and reformulation. The extensive publication gathers works and exhibitions of the past five years. It is Schramm’s first monograph, presenting a cross-section of his entire oeuvre with all bodies of work.
Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
More books
- Release July 2023

Martha Rosler
32€ Add to cartThe American conceptual artist and pioneer of critical feminism Martha Rosler (b. 1943 in Brooklyn, NY, lives and works in Brooklyn, NY) has influenced numerous contemporary artists with the radicalism of her artistic position. Rosler’s work is always political and examines questions of power and violence, the ideals of beauty and their demolition, and the purported contrasts between war and consumption. For her sociocritical collages and videos, Rosler uses found pictorial material that has already been published. The artist delights in working with photos from public sources like magazines and newspapers, which she processes and arranges in new contexts in order to visualize inequality and protest. Following on from Rosler’s iconic series House Beautiful: Bringing the War Home (ca. 1967–1972), at the heart of the publication lies the confrontation with warlike disputes as conveyed in the media, together with the associated dissonance between the private and the political.
Martha Rosler received a Bachelor of Arts from Brooklyn College in 1965 and a Master of Arts from the University of California, San Diego in 1985. In 1975 she began to write reviews for Artforum and other art magazines. She teaches at School of Arts of Rutgers University in New Brunswick, New Jersey.
- Out of Stock

Queen Elizabeth II
Sammlung Luciano Pelizzari27,50€ Read moreErinnerungsstücke einer Legende
Im Leben von Elisabeth II. (geb. 21. April 1926 in London) spiegelt sich eine ganze Epoche. Die britische Königin hat alle deutschen Bundeskanzler und sämtliche englischen Premierminister von Winston Churchill bis Boris Johnson erlebt. Sie ist die am häufigsten abgebildete Person des 20. und 21. Jahrhunderts. Das Buch präsentiert Fotos, Gemälde, Briefmarken und Münzen aus der Kollektion von Luciano Pelizzari, einer der größten Sammlungen dieser Art weltweit. Es zeigt die Queen als Mensch und Monarchin, dokumentiert ihr Zusammentreffen mit bedeutenden Persönlichkeiten und Ereignissen ihrer Regierungszeit und präsentiert sie in zahlreichen Darstellungen aus Kunst und Kultur.
-

Toni Mauersberg
Entre Nous28€ Add to cartToni Mauersberg (b. Hannover, 1989; lives and works in Berlin) is interested in the different layers of a picture’s signification: there is, in the first instance, what it depicts; then the larger tradition in which it is grounded; and finally, the conditions of its genesis. She employs a range of painterly strategies and techniques to uncover the potentials of paintings as a medium of understanding, insight, and storytelling. The question that animates her art is how it is possible, in this post-religious, post-rational, and post-individual age, to be one’s own person. In her most recent series, Pas de Deux, Mauersberg investigates the complex visual language of abstract painting, which originated in part in a quest for new ways of representing spirituality and emancipation. Combining nonrepresentational pictures with portraits, she draws attention to how both are products of “making,” composed of nothing but color, while enlarging their interpretative ambits. The dialogue between the paintings is meant to help the beholders chart their own course as they unlock what appear to be hidden laws encoded in pictures.
Toni Mauersberg studied Jewish studies at Freie Universität Berlin in 2008–2012 and fine arts with Leiko Ikemura at the Berlin University of the Arts from 2009. In 2017, she was Michael Müller’s master student.
-

Stephan Grunenberg
10€ Add to cartStephan Grunenberg (b. 1954) paints peculiar portraits: not heads or sitting and reclining figures but seemingly independent feet, legs, trousers, socks or soles of shoes. These and other under-appreciated motives are playfully arranged in captivating compositions which take issue with our hierarchical habits while looking at art. “Leaving out the ‘civilized’, educated head and centering on neglected parts such as the legs, including the lower abdomen—which is either eroticized or made taboo—is the artist’s point”, writes Oliver Koerner von Gustorf in an essay that accompanies the images inside this small and attractive new book. The paintings reproduced in this volume were all exhibited in Grunenberg’s latest exhibition in 2024, which was titled tongue-in-cheek „Representatives Regional To Earth.”
-

Laura Schawelka
Double Issues24€ Add to cartSales Spaces without Merchandise
In her installations, Laura Schawelka (b. 1988, Munich; lives and works in Berlin) makes use of photography, video, and sculpture in a multilayered dialogue. In her latest works, the artist focuses on the role of photography in the development of modern consumer society. What does it mean if goods are only communicated through other goods, such as computers, cell phones, tablets? If this withholding of the genuine object is precisely what prompts the desire for it? The artist creates sales spaces without merchandise, in which images, photographs, and videos have replaced consumer goods of any kind.
Laura Schawelka studied at the Städelschule in Frankfurt am Main as a student of Tobias Rehberger master-class. In 2015, she was awarded the Master of Fine Arts at the California Institute of the Arts in Los Angeles, and in 2017 she moved to Paris as the recipient of a studio bursary of Hessische Kulturstiftung.
-

Ilit Azoulay
Facts and Tales. Truth be Told120€ Add to cartIn an era in which multiple perspectives and oral histories are increasingly vital, Facts and Tales—Truth Be Told delves into the haunting work of Ilit Azoulay. The artist, who was born in Jaffa in 1972, transforms objects, archives, and museum holdings into vessels, challenging traditional hierarchies of knowledge. In her most recent solo exhibition Mere Things at the Jewish Museum, New York, Azoulay presents works that probe the delicate balance between factual representation and nuanced storytelling.
The publication accompanying the exhibition includes archival pages, the artist’s notes, and depictions of the works as well as an introduction by curator Shira Backer and an essay by the art critic, curator, and writer Sarit Shapira, who passed away in 2018. Titled Houses of Junk and Specters: On Ilit Azoulay’s Early Works, it underscores the importance of honoring both factual accuracy and oral histories and invites readers to explore the complex interplay between concrete evidence and the rich and nuanced stories.
Azoulay has devised a singular method to shed light on the blanks in hegemonic narratives and expose them. As though to produce an extortion letter, she clips her pictures from archival materials and photographs of the walls of abandoned buildings and composes them in collages interweaving a multiplicity of views. The resulting works question the exclusive truth claim of museum expertise and reveal its constructed quality. The catalog of her works, designed as a box replete with texts and images, reflects this approach, aiming to dismantle established narratives and open up diverse perspectives.
Box containing 6 different standalone publications, limited edition of 500 copies
THIS PUBLICATION WAS MADE POSSIBLE BY THE GENEROUS SUPPORT OF THE GALLERY LOHAUS SOMINSKY, MUNICH
-

Nobuyuki Tanaka
Primordial Memories25€ Add to cartThe craft of traditional Japanese lacquer finishing in contemporary art
In his extraordinary sculptures, Nobuyuki Tanaka (b. 1971 in Tokyo) combines a lacquer finishing that has been practiced in Japan for centuries with an organic formal language. Tanaka is considered the most important representative and pioneer of the use of lacquer in contemporary art. He uses the material in polished deep black or intense red as a multi-layer coating for large-format sculptures. This results in abstract works with lively, curved, glossy surfaces in which the multi-faceted effect created by the interplay with changing light conditions plays a key role. The lavishly illustrated book includes texts by Britta E. Buhlmann, Beatrice Kromp, Antje Papist-Matsuo, Annette Reich, Atsuhiko Shima, and Nobuyuki Tanaka.
In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
-

Lovis Corinth
Maestro del colore – Maestro della grafica35€ Add to cartLovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
-

The Scharf Collection.
Goya – Monet – Cézanne – Bonnard – Grosse48€ Add to cartThe Scharf Collection is a German private collection of French art from the nineteenth and twentieth centuries and international contemporary art. Now in its fourth generation, it continues a branch of the renowned Otto Gerstenberg Collection in Berlin, which encompasses everything from the beginnings of modernism, represented by Francisco de Goya, to the French avant-garde of the second half of the nineteenth century with Gustave Courbet, Edgar Degas and the entire graphic oeuvre of Henri de Toulouse-Lautrec. The richly illustrated catalog accompanies the collection’s first comprehensive exhibition at the Alte Nationalgalerie – Staatliche Museen zu Berlin and the Kunstpalast in Düsseldorf.
-

John M Armleder
CA. CA.19€ Add to cartCommentaries on our Present Day Realities and the Status of Art
John M Armleder (b. 1948, Geneva; lives and works in Geneva and New York) is one of the most influential contemporary conceptual, performance and object artists. The profound and the banal, control and coincidence, high culture and everyday life coalesce in Armleder’s work to create a unique experience. The works of the Swiss – often humorous or ironically twisted commentaries on contemporary reality – draw on the formal repertoire of Classical Modernism, as well as on video and design. The book focuses on large-scale, site-specific installations and wall pieces, showing in detail the broad spectrum of Armleder’s work.
John M Armleder studied at the École des Beaux-Arts in Geneva. He represented Switzerland 1986 at the 42nd Biennale di Venezia and participated in documenta 8 one year later. His work has been exhibited at the Museum of Modern Art, New York, Palais de Tokyo, Paris, and Belvedere, Vienna, amongst others.
-

HALBwertsZeit
Zum Umgang mit ‚abgelaufenen‘ Sammlungen28€ Add to cartDo collections have an expiration date? Shifting interests, evolving social contexts, and discursive developments influence when a collection or its presentation is said to be outdated and what that implies for the constraints on, or options for, the actions to be taken in response. The revision or reorientation of a collection presuppose a critical engagement with the criteria regarded as valid at the time, which concern the origins, composition, objectives, and significance of a collection, among other aspects.
The contributions to this volume intertwine historical case studies with contemporary questions about the reasons and circumstances that give rise to the assessment that a collection has outlived its shelf life.
-

Ann Wolff
Observations and Reflections44€ Add to cart“Art is coming from my inside. I am working as its servant.—I let it out not thinking too much—using my hands and gesture—choosing a material to put it on place. I do not use the art. It is using me.“
Ann Wolff (b. Lübeck, 1937; lives and works in Visby and Kyllaj, Sweden) has ranked among the most significant and most influential glass artists on the international scene for over five decades. Yet she has also worked in bronze, aluminum, nickel silver, and concrete, creating abstract as well as figurative sculptures, and produced a sizable oeuvre on paper: pastels, drawings, and fine art prints. Ann Wolff enrolled at the legendary Ulm School of Design in the 1950s to study visual communication with Otl Aicher. From 1993 until 1998, she was professor of “materials-related design” at the University of Fine Arts (HFBK) in Hamburg. Her works, which have garnered an array of prizes, have been shown in numerous solo exhibitions and are held by renowned public and private collections all over the world.
-

Simone Haack
HAIR30€ Add to cartSimone Haack (b. 1978 in Rotenburg/Wümme, lives and works in Berlin) has always made the inwards legible in the outer appearance of her figures in her painting. This is also the case in her block of works in the exhibition of the same name, Hair. Already in the late 17th century, magic and superstition were attributed to hair. In it one suspected the whole power of the soul. The artist, who was formed in the painting class of Katharina Grosse and Karin Kneffel, symbolically reveals the fragility of the DNA of human beings through her hair landscapes, which are sometimes placed macroscopically in the picture in the spirit of a New Magic Realism. At the same time, her accompanying exhibition publication always also tells of the triangle of tension of physical as well as psychological existence, which in her case runs through the painterly psychoanalysis.
-

Adrian Schiess
The Song Element68€ Add to cartThe Renowned Swiss Artist and His Work in Its Architectural Setting
Smoothly painted panels laid out on the floor have earned Adrian Schiess (b. 1959, Zurich; lives and works in Mouans-Sartoux, France) international renown. His objects, which may be placed in a room as desired, are conceived as platforms of creative engagement with the appearance and disappearance of painting. They have become integral components of buildings by world-famous architects including Norman Foster and Herzog & de Meuron. For this book, Schiess has compiled spectacular series of photographs and extensive conversations that probe the peculiar quality of his work: hybrid and fluctuating and yet always utterly distinctive. It is the first publication to put the focus on this essential aspect of his output, documenting works created between 1993 and 2018.
Adrian Schiess studied at the Kunstgewerbeschule Zürich and trained as a graphic designer. His works were on display at the 44th Biennale di Venezia and at documenta IX.
-

Philip Loersch
POW – PORTRAITIST OF WRITING34€ Add to cartPhilip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
-

Larissa Kikol
Neue abstrakte Malerei26€ Add to cartAbstract painting has reinvented itself: rid of political and ideological burdens, it now stands for pure creative autonomy. From the Abstract Expressionism of the postwar era to today’s expansive ease—in essays and conversations, Larissa Kikol sheds light on how this art form broke free of the narratives that attended its emergence and performed a “great reset.” From the seminal innovations of Katharina Grosse or Albert Oehlen and radically subjectivist approaches in Cecily Brown or André Butzer to cutting-edge tendencies like Dirty Minimalism and Post Vandalism, the book presents thrilling insights into a painting that puts emotion, color, and shapes center stage. An inspiring look at the renaissance of abstract art in the 21st century and a must-have reference work for all art lovers.
Artists: Frederic Anderson, Karla Black, Frank Bowling, Andreas Breunig, Jenny Brosinski, Cecily Brown, André Butzer, Diamonds Crew, Willehad Eilers, Jadé Fadojutimi, Helen Frankenthaler, Katharina Grosse, Antwan Horfee, Aneta Kajzer, Joan Mitchell, Michael Müller, Oscar Murillo, NEU, NUG, Albert Oehlen, David Ostrowski, Over, Daisy Parris, Marco Pariani, Jackson Pollock, Christopher Wool
-

GETA BRĂTESCU
Film and Video 1977–201842€ Add to cartGeta Brătescu (b. Ploiești, 1926; d. Bucharest, 2018) is now widely regarded as one of Eastern Europe’s most important avant-gardists. In the Western art world, however, she was largely obscure until her participation in documenta 14 in 2017 and the Venice Biennale of the same year. Questions of abstraction, the political potential of the image, and the subjective experience of self, memory, and history inform her stylistically diverse oeuvre in a wide range of media, which evolved under the repressive conditions of the Ceaușescu regime yet kept pace with the discourses of the Western avant-gardes. This richly illustrated volume focuses on her collages and drawings as well as her works on film and video from the late 1970s until her death.
-

Kay Rosen
NOW AND THEN35€ Add to cartKay Rosen (b. Corpus Christi, TX, 1943; lives in New York City and Gary, IN) has made art out of language since the 1970s. She garnered international acclaim with wall pieces spelling individual words, phrases, or strings of letters, often on a vast scale. Her works combine minimalist form, aesthetic force, and clever ideas in compelling ways. By modulating their arrangement and typographic and color design, the artist puts irritating twists on everyday terms and expressions. Subtle alterations often yield striking effects. Through punning, reframing, and onomatopoeic exploration, Rosen continually unearths unexpected layers of meaning. Released on occasion of the artist’s eightieth birthday, the publication presents wall pieces, paintings, drawings, prints, and video stills, inviting readers to discover or rediscover a multifaceted oeuvre that blends lightness and humor with analytical acumen in singular fashion.
Kay Rosen obtained a B.A. in linguistics, Spanish, and French at Tulane University’s Newcomb College in New Orleans, LA, in 1965. She then taught Spanish at Indiana University in Gary while attending studio classes at the School of the Art Institute of Chicago, where she subsequently taught for twenty-four years.
-

Anna Virnich
10€ Add to cartAnna Virnich’s (b. Berlin, 1984; lives and works in Berlin) works resemble a speculative narrative. The artist has collected fabrics, garments, and bedspreads since her childhood, which she cuts up, exposes to the elements, dyes, and sometimes paints on to construct pictures and spaces. Her works are paintings and objects at once and defined by a powerful physical presence in conjunction with a ghostly emptiness. They recall Helen Frankenthaler’s liquefied chromatic landscapes, Paul Thek’s post-minimalist physicality, and the silver-foil transcendence of Andy Warhol’s Factory. Everything in Virnich’s art is a shell or membrane through which something filters in or out, “a part of emerging networks and an exchange of substances, technology, bodies, imageries, of the light of the eyes,” as Baptist Ohrtmann writes. Gathered, the textiles unfold an abstract tale of becoming and passing away, of painting, birth, artificiality, and science fiction.
-

The Art of Society
1900–194529€ Add to cartThe Collection of the Nationalgalerie, Berlin
The Neue Nationalgalerie in Berlin, the last building designed by Mies van der Rohe, has been closed a full six years for refurbishment. To mark its reopening the museum is presenting the highlights of its classical modernist collection under the title The Art of Society, 1900–1945. Visionary, critical, resigned or utopian, the paintings and sculptures bear witness to art’s dialogue with prevailing social conditions – from the German Empire to the First World War, the Weimar Republic and ultimately National Socialism. The catalogue documenting all works in the exhibition traces the major artistic tendencies during the first half of the 20th century in thirteen chapters. The Art of Society, 1900–1945 offers a renewed encounter with works by Edvard Munch, Ernst Ludwig Kirchner, Tamara de Lempicka, Lotte Laserstein, Otto Dix, George Grosz, Max Beckmann, and many others that is as captivating as it is illuminating.
Click here for the German edition.




















