Andreas Wegner
Wir fahren mit der Schneckenpost, weil die uns keinen Pfennig kost
 | |
|---|---|
| Author(s) | M. Ambach, M. Babias, J. Becker, B. Franzen, V. Fremlová, H. Fricke, R. Kersting, H. Loreck, J. Miller, M. Terkessidis, H. K. Ventura, P. Wächtler, A. Wegner, T. Wulffen, F. Zólyom |
| Design | mahlke.one |
| Size | 24 x 32 cm |
| Cover | Softcover |
| Pages | 360 |
| Illustrations | 289 |
| Language(s) | German, English |
| ISBN | 978-3-96912-256-3 |
The art of Andreas Wegner is an inquiry into capitalist urbanity. His interventions explore alternative models for urban interaction, trade, city development, traffic, or the use of public space. Inspired by Joseph Beuys’s social sculpture and Charles Fourier’s social utopias, Wegner founded, e.g. a cooperative department store in Berlin, a grocery store in Vienna, and conducted real estate business as a form of creative resistance. This monograph illustrates the artist’s most important projects with ample imagery, essays by renowned authors, interviews, and his own texts. Alongside collective initiatives, installations, photography, film, and sculpture, painting remains a constant in Wegner’s oeuvre to this day.
More books
- temporarily not available
David Hockney: Insights
Reflecting the Tate CollectionRead moreDavid Hockney (born 1937 in Bradford) is one of the most influential and technically versatile artists living today. This new publication gathers some of his most defining work from the 1960s to the present, including major works in the Tate collection. From early graphic cycles, double portraits and iconic pool paintings through to his photo collages, plein air landscapes, iPad drawings, and multimedia installations, the volume documents central themes and genres in Hockney’s oeuvre, as well as his constant experimentation.
Original essays by renowned critics and commentators illuminate the artist’s search for new forms of expression, the topographical and biographical reference points of his work, the technical innovation of his painting and printmaking, as well as his approach to new media.
-
Barbara Armbruster
Meins Mine24€ Add to cartAn Intercultural Artistic Narrative between Germany and Egypt
In her works, Barbara Armbruster (b. Bad Waldsee; lives and works in Stuttgart) deals with cultural and social spaces, structures, and identities. Influenced by many years of residence in Cairo, Armbruster’s diverse works are points of relationship between two completely different cultural spaces. In her paintings, drawings, photographs, installations, and performative videos, the artist pursues a cross-cultural approach that tells of her time in Egypt and Germany on both a documentary and personal level. The monograph provides fascinating insight into Armbruster’s continuously developed language of expression between Arabic calligraphy, stylized ornamentation, and the photographic staging of everyday architecture.
Barbara Armbruster studied Graphic Art at the Staatliche Akademie der Bildenden Künste Stuttgart, where she later held a teaching position. Her works have been widely exhibited at, among others, the Goethe-Institut in Cairo, the Landesmuseum Württemberg in Stuttgart, and the Kunstverein Freiburg.
- out of stock
Drucksache Bauhaus
38€ Add to cartThe Early Years of the Weimar Print Workshop
At the Staatliches Bauhaus in Weimar, the print workshop began operation in the spring of 1919 as the first workshop. Printmaking corresponded to the basic idea of the Bauhaus in that it realized the unity of art and craftsmanship in an ideal manner. With the groundbreaking project Bauhaus-Drucke. Neue Europaeische Graphik, four portfolios were created in which forty-five representatives of the European artistic avant-garde participated. In the announcement brochure of 1921, it stated: “The many who do not yet know about the work of the Bauhaus, and who cannot know, are to be made aware of us through this work.” The book presents the portfolios published between 1921 and 1924, together with other works printed at the Bauhaus by Lyonel Feininger, Wassily Kandinsky, and Oskar Schlemmer. The Stuttgarter Prolog also sheds light on the influence of Adolf Hölzel, whose students and later Bauhaus masters Oskar Schlemmer and Johannes Itten brought many of his ideas to the Bauhaus.
- temporarily not available
CLARA MOSCH
and early art events in the GDRRead moreThe legendary producer-run gallery Clara Mosch and the artists’ group of the same title that gathered around it were founded in Karl-Marx-Stadt (today’s Chemnitz) in 1977 and existed until 1982. The catchy name was an acronym of the contributors’ last names: CLA = Carlfriedrich Claus, RA = Thomas Ranft and Dagmar Ranft-Schinke, MO = Michael Morgner, SCH = Gregor-Torsten Schade. As the founders of the first producers’ gallery in the GDR and creators of diverse oeuvres, the group’s artists rank among the foremost exponents of avant-garde art in East Germany. The book presents works of art, limited editions, and posters as well as photographs from the Ralf-Rainer Wasse archive in the collections of the Lindenau-Museum in Altenburg. One thematic focus is on Clara Mosch’s land-art happenings and plein-air pieces. The unconventional actions attest to the group’s stated objective of building greater awareness of the ongoing devastation of the local environment. Forty years after the fact, Clara Mosch’s work has lost none of its relevance and urgency.
- Out of stock
Voré
Stückwerk Mensch18€ Read moreHistorically Anchored Installations with Current Political References
The sculptures by Voré (b. 1941 in Karlsruhe, lives and works in Ettlingen) reflect the artist’s examination of the conditions of human existence and the human state of mind. Finely polished forms, splinters, and rough fractures become a statement of content and at the same time constitute the formal tension of the respective object. The process of creation can be seen in the rough remaining parts and traces of the various tools. Parallel and closely related to this, drawings and collages are created as independent works or as components of installations. Formal impulses of the sculptural concept are taken up, graphically processed, and projected back into the sculptural work. The present volume presents projects from six decades with numerous illustrations.
-
Pharaonengold
3.000 Jahre altägyptische Hochkultur27,50€ Add to cartThe Mysterious World of the Pharaohs and their Magical Relationship to Gold
Hardly any other culture fascinates as much as the high culture of ancient Egypt. At its center were the pharaohs, those legendary kings who, according to the beliefs of the ancient Egyptians, descended directly from the gods. Gold was ascribed a special symbolic and religious power; it stood for eternity and indestructibility and, as the “flesh of the gods,” was a sacred metal. The book brings together 150 exhibits from pharaonic tombs from the Old Kingdom of the Third Dynasty (circa 2680 B.C.E.) and the oldest gold statue of an Egyptian pharaoh to Tutankhamun and Horemheb (circa 1330–1310 B.C.E.).
-
Katja Aufleger
Schwindelerregende Höhen30€ Add to cartOn a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
-
ELASTE
1980 – 198649€ Add to cartThe story of ELASTE is the story of a movement – that of the New Wave generation in West Germany. Founded in 1980 in Hanover, the magazine was a beacon of cultural revolt and the first glossy indie magazine of the Federal Republic: self-published, a statement somewhere between pop avant-garde, subversion, and a sharp sense of style. Among those who shaped the look and spirit of the magazine were Jon Savage, Ellen von Unwerth, and Diedrich Diederichsen. No other magazine operated at the intersection of music, fashion, and society quite like ELASTE — with headliners such as Warhol, The Rolling Stones, and Kraftwerk. This book by the magazine’s editors Thomas Elsner and Michael Reinboth, looks back — at the pioneering spirit, the minds, and the stories behind the magazine.
Incl. download code card for 14 tracks from ELASTE RECORDS
-
Werner Schmidt
James Joyce und die Farben des Ulysses59€ Add to cartThis imposing volume is the fruit of the artist Werner Schmidt’s decades-long immersion in the preeminent literary monument of the twentieth century: James Joyce’s Ulysses.
What began as a personal reader’s voyage now attains definite form in an eloquently colorful, interdisciplinary and polyphonic tribute—a work between literary study, theory of color, visual art, and reflection on language.
In the book’s first part, Schmidt analyzes and visualizes the use of colors in Ulysses in unique chromatic diagrams and coded color stripes that were literally painted on the walls in exhibitions. They are complemented by a series of photographs taken in Dublin, the novel’s setting, and accompanied by probing meditations on literary and linguistic facets and aspects of politics and the history of religion in the Joycean universe.
The second part gathers the voices of twenty renowned Joyce scholars, who, in five thematically organized chapters, share their perspectives on the color, texture, structure, and effect of Ulysses.
A feast for all who revere Joyce—and a gift of anyone who would not just read but truly wrap their mind around literature in its boldest and most luminous incarnation.
With texts by Florian Arnold, Dorothée Bauerle-Willert, Erik Bindervoet, Heinz Brüggemann, Jakob Brüssermann, Michael Deckard, Toni Hildebrandt, Otto Jägersberg, Christa-Maria Lerm Hayes, Jūratė Levina, Susanne Peters, Christoph Poetsch, Saskia C. Quené, Dieter Ronte, Werner Schmidt, Fritz Senn, Dirk Teuber, Vega Tescari, Shane Walshe, Andreas Weigel, Keith Williams, Ursula Zeller
-
Harte Zeiten
Ciężkie Czasy34€ Add to cartIncreasingly pressing global political and societal challenges are always also rewarding subjects of creative engagement, and sometimes artists devise anticipative approaches to real-world problems.
Harte Zeiten—Ciężkie Czasy is a cooperative venture launched by Künstlerbund Baden-Württemberg; Port25—Raum für Gegenwartskunst, Mannheim; and Galeria Miejska bwa, Bydgoszcz, Poland. It showcases works by altogether ten Polish and ten German contemporary artists. Putting the principle that art knows no boundaries into practice, the publication, with statements from Wolfgang Ullrich, Joanna Kiliszek, Schamma Schahadat, and others as well as documentation of the symposium held in September 2021, inspires forward-looking reflections on the conditions in which cultures thrive and similarities and differences between the two countries and beyond.
-
6 U L
Lust and Desire in Art and Design28€ Add to cart“Whose Jizz is this?” Sechs-u-ell: to make sense of the publication title, trust your college German and your phonetic ear. “Sexual,” here, comprises the entire broad spectrum of what we associate with carnal pleasure. Lust, desire, ecstasy, repression, obsession—the world of art, fashion, and design abounds with specimens of eroticism and sexuality in their infinite variety, shopworn stereotypes be damned. Looking back on the thorough revision of society’s ideas about sexuality in the past three decades, the book inquires into how the works of visual artists, fashion creatives, and designers reflect today’s public debates over biological and social gender roles, power structures, and sexual violence or the fading of taboos over sexual practices. With works and designs by Walter Van Beirendonck, Monica Bonvicini, Tracey Emin, Hans-Peter Feldmann, Jürgen Klauke, Peaches, Cindy Sherman, Kara Walker, Vivienne Westwood, and many more. This book documents a grand exhibition scheduled for the past summer at the GRASSI Museum of Applied Arts, Leipzig, which had to be canceled due to the Covid-19 pandemic.
-
Shara Hughes
Time Lapsed35€ Add to cartShara Hughes (b. Atlanta, 1981; lives and works in New York) describes her pictures and drawings as psychological or invented landscapes. Her cliff coasts, river valleys, sunsets, and lush gardens, often framed by abstract patterns, might be the settings of fairy tales or scenes from paradise. As the New Yorker put it, the paintings “use every trick in the book to seduce, but still manage to come off as guileless visions of not-so-far-away worlds.” Wielding oil paint, brushes, spatulas, and spray cans, the artist celebrates painting itself, not infrequently quoting the masters of past eras.
Shara Hughes studied at the Rhode Island School of Design and later attended the Skowhegan School of Painting and Sculpture. Her most recent solo exhibitions are currently on view at the FLAG Art Foundation, New York, and the Kunstmuseum Luzern, Switzerland. In 2021, she had shows at the Yuz Museum, Shanghai; the Contemporary Art Museum St. Louis; the Garden Museum, London; the Aspen Museum of Art, Colorado; and at Le Consortium, Dijon.
-
Chunqing Huang
Painter’s Portrait II18€ Add to cartThe artist Chunqing Huang’s (b. Heze, China, 1974) Painters’ Portraits are anything but conventional likenesses. The portraits of artists including Louise Bourgeois, Anselm Kiefer, Martin Kippenberger and Imi Knoebel are acts of gestural-expressive abstraction and probing visual studies of the artist’s own recollections. Chunqing Huang paints meditations on art itself, systematically working through the vocabulary of abstract painting from Germany to the United States. The series Painter’s Portrait II features Chunqing Huang’s thirty most recent works from a series the artist has been transferring to canvases measuring 40 x 30 cm since 2016.
Painter’s Portrait II represents Chunqing Huang’s personal reflections on her influences, from Impressionism to expressive tendencies in abstract painting, which now make its début in book form. The catalogue showcases the portraits, each of which is distinguished by its own gestural quality and individual palette.
Chunqing Huang studied painting and interdisciplinary art at the Städelschule, Frankfurt am Main, where Wolfgang Tillmans and Peter Angermann were her teachers, and graduated from Hermann Nitsch’s master class. The German-Chinese artist’s work has been featured in numerous solo and group exhibitions. A first selection from the Painter’s Portrait series was on view at Kunsthalle Wiesbaden and Museum Wiesbaden in the summer of 2021; the catalogue Painter’s Portrait II is released in conjunction with her exhibition of the same title at 68projects, Berlin.
-
On Air
Der Klang des Materials in der Kunst der 1950er bis 1970er Jahre40€ Add to cartOn Air showcases a distinctive art form, the sound sculpture, retracing its evolution from the early 1950s, when artists begin dismantling the conventional boundaries of art, to the early 1970s. In no more than a quarter-century, the range of possible answers to the question “What is art?” grows vastly larger. Propelled by the idea of the work of art as a machine and instrument, sounds, noises, tones, vibrations, silence, words, breath become a “tangible” sculptural material. Artists enrich visual perception by adding the acoustic dimension, interweave seeing and hearing, explore time and space with fresh zeal. In emerging artistic genres such as performance, installation, or media art, sound is an integral component of the work. The book focuses on sound objects by Yaakov Agam, Joseph Beuys, Hermann Goepfert, Yves Klein, Jannis Kounellis, Bruce Nauman, Robert Rauschenberg, Jean Tinguely, David Tudor, Timm Ulrichs, and others.
With five scholarly essays and numerous illustrations and notes on individual works, the comprehensive publication offers an attractive introduction to the subject.
-
Anna Bogouchevskaia
Shouldn’t Be Gone25€ Add to cartAnna Bogouchevskaia (b. Moscow, 1966; lives and works in Berlin) sees her work in sculpture as a geopolitical engagement with concerns on the intersection between figuration and abstraction. Macroscopic aluminum drops, bizarre bronze flowers, fog and snow made of silver—the artist, a committed environmentalist, has created a peculiar and fascinating world of evanescent natural phenomena. Focusing on two molecules—carbon dioxide and water—in their various states of aggregation, she draws attention to the threats posed by climate change.
The publication Shouldn’t be gone presents Bogouchevskaia’s most recent works since 2019: an urgent message of warning from an artist whose sculptural oeuvre even today has the air of a monument to a world in demise.
-
Me, Family
Portrait of a Young Planet40€ Add to cartA Journey Through Many Worlds
In these times of great uncertainty, the themes that surface in the works of the thirty-six international artists gathered in Me, Family are more relevant than ever. Compiled by Francesco Bonami with a nod to Edward Steichen’s historic exhibition The Family of Man, the volume paints a multifaceted portrait of humanity in the early decades of the twenty-first century. The original installation of photographs and excerpts from writers opened at the Museum of Modern Art in New York in 1955 and then went on a seven-year tour of one hundred and fifty museums all over the world. Matching the radicalism of Steichen’s conception, Me, Family presents works by contemporary artists who harness a wide range of media and genres to explore the ways in which humans today engage with their manifold coexistent histories and the diverse challenges they confront. Including reproductions of contemporary art as well as representations of social networks, fashions, information technologies, advertising, sound, music, and performances, the book captures a reality that is beautiful, dramatic, and intoxicating by turns. With writings by Roland Barthes, Francesco Bonami, Edward Steichen, and others.
With works by Lawrence Abu Hamdan, Doug Aitken, Sophia Al Maria, Yuri Ancarani, Darren Bader, Lara Baladi, Cao Fei, Cheng Ran, Clément Cogitore, István Csákány, Christian Falsnaes, Harun Farocki, Simon Fujiwara, Rainer Ganahl, Theaster Gates, Jack Goldstein, Andreas Gursky, Thomas Hirschhorn, Hassan Khan, Ga Ram Kim, Olia Lialina, Li Ming, Cristina Lucas, Karolina Markiewicz & Pascal Piron, Eva & Franco Mattes, Shirin Neshat, Philippe Parreno, Mario Pfeifer, Jon Rafman, Cindy Sherman, Marianna Simnett, Rudolf Stingel, Thomas Struth, Wolfgang Tillmans, Jordan Wolfson, Wong Ping, and Akram Zaatari.
-
SOMA
Collective SineUmbra18€ Add to cartOn the Disappearance of Italian Culture
Under the collective label SineUmbra, the artists Luisa Eugeni (b. Assisi, Italy, 1987; lives and works in Berlin) and Mattia Bonafini (b. Legnago, Italy, 1980; lives and works in Bremen) develop interdisciplinary projects that they realize as sprawling multimedia installations comprising video projections, sound, and performative elements. The point of departure for their project SOMA was Pier Paolo Pasolini’s 1975 essay Disappearance of the Fireflies, which probes the wrenching transformation that Italian society and the country’s very landscapes have undergone since the 1960s. SOMA melds performance art, the visitors’ movements, geography, and psychology in a space of experience that speaks to all senses for an exploration of the impact that traumata inflicted on individuals and communities by natural disasters and social changes have on the human soul and perceptual capacities. In keeping with the artists’ collective and dynamic creative vision, the catalogue embeds the multimedia installation in a context fleshed out by rich photographic documentation and numerous texts.
On occasion of the master class graduate exhibition at the Bremen University of the Arts in 2019, the two artists were awarded the renowned Karin Hollweg Prize for Fine Art. The publication accompanies their first solo show at Kunsthalle Bremen.
- Release September 2025
The Magnificent Seven+
Strong Contemporary Female Artists44€ Add to cartWhen The Magnificent Seven hit the silver screen in 1960, heroism was firmly men’s business. Now it is women artists who are redefining the art world with visionary energy. Sebastian C. Strenger portrays outstanding women making art today, including Ingeborg Lüscher, Elfie Semotan, Xenia Hausner, Valérie Favre, Sandra Vásquez de la Horra, and Cristina Lucas. Their works question power structures, play with identity, or deconstruct prevailing narratives. Their art is figurative or abstract, narrative or conceptual, political or introspective. These women are changing the art market and dominate the new canon at international institutions by calling existing structures in question and opening up spaces for fresh thinking.
-
Glückliche Tage
32€ Add to cartWe see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue—a metaphor for the human condition materialized in paper—one overhears this serenely melancholy echo of the works.
Artists: Rui Chafes, Tamara Eckhardt, Nan Goldin, Felix Gonzalez-Torres, Barbara Hammer, Carsten Höller, Ken Lum, Johanna von Monkiewitsch, Yoko Ono, Heike Weber, Stefan Wissel
With contributions by: Yevgenia Belorusets, Nell Sophie Bender, Elias Bendfeldt, Laura Berestecki, Annabella Ernst, Annika Gaeth, Hristina Georgieva, Markus Heinzelmann, Malwin Kraßnigg, Max Florian Kühlem, Natascha Laurier, Martin Middeke, Navaz Roomi-Mirhosseini, Vanessa Joan Müller, Julia Neumann, Martin Paul, Caroline Planert, Maike Prause, Arne Rautenberg, Kira Sophie Röller, Gina Marie Schwenzfeier
-
Verena Issel
Yellow Pages. Installations and their individual components45€ Add to cartVerena Issel’s installations feel friendly and inviting, they are soft, round, colorful—we cannot but smile when we look at them. The sculptures and pictures she makes for them are replicas, sometimes laced with irony, of familiar objects from nature and culture—palm trees, ancient columns, and more—which she manufactures out of materials that surround us in everyday life and the domestic sphere such as an old bag, foamed plastic fragments, or a drainpipe. They are awkward giants, monochrome, simplified, two- and three-dimensional forms that wish us no ill. Taking a closer look, we realize that they embody what has been lost, that they are a plastic version of what we are destroying or have destroyed already: nature, obviously, but also ourselves and our cultural and social achievements. Their merriment and sympathy are tinged with melancholy, and the loss is doubly painful when we consider that the sculptures and graphic art are filled with no more than an imitation of life, and an exaggerated one. This catalogue presents a survey of Issel’s diverse and sprawling oeuvre. Expertly choreographed shots of the colorful works convey vivid impressions of her installations.
