




Kurt Weidemann
Wo der Buchstabe das Wort führt
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| Author(s) | Kurt Weidemann |
| Design | Kurt Weidemann |
| Size | 24,5 x 33 cm |
| Pages | 368 |
| Illustrations | 500 |
| Cover | Hardcover |
| Language(s) | German |
| ISBN | 978-3-893225-21-7 | Out of stock |
Signierte Sonderauflage
Kurt Weidemanns Ansichten über Schrift und Typografie ist das beeindruckende Ergebnis eines über Jahrzehnte erlebten und reflektierten Berufslebens als Schriftsetzer, Typograf, Autor, Lehrer und Berater. Das Buch schildert die persönlichen, philosophischen und fachlichen Ansichten seines Metiers.
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Ion Bitzan
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Joanna Pousette-Dart
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Gerhard Neumaier
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Franz Erhard Walther
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João Penalva
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Wolfgang Gäfgen
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Fidel Martínez
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Ilit Azoulay
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Box containing 6 different standalone publications, limited edition of 500 copies
THIS PUBLICATION WAS MADE POSSIBLE BY THE GENEROUS SUPPORT OF THE GALLERY LOHAUS SOMINSKY, MUNICH
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Elsa Salonen
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Der tanzende Blick
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Otto Dix in Baden-Württemberg
Museumsführer9,80€ Read moreSeven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
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Michelle Jezierski
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Michelle Jezierski studied with Tony Cragg at the Berlin University of Arts and graduated from Valérie Favre’s class in 2008. She also received a fellowship for a semester abroad at Cooper Union, New York, where she studied with Amy Sillman.
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Roland Schappert
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The terse and sometimes aphoristic writings enter into a dialogue with the author’s artful and enigmatic pictures and sculptures—text images sewn out of strings of beads or painted in Champagne chalk that subtly mirror and refract the emotional tension of the poems. Nimbly balancing on the fine line between devotion and disaffection, Schappert’s verses are interspersed with ironic allusions to our digital and urban contemporary world.
By forging a symbiosis of poetry and image, this artist’s book charts a world unto itself in which the boundaries between I and you blur and subject and object are fused in a collective we. It invites us to contemplate love with a fresh eye—as tender touch and fractious idea, as a play of expectation and disappointment that we begin anew every day.
‘Love in the age of social media and dating apps, but not from a Gen Z perspective – but from someone who has known this feeling for much longer. And who brings his experiences – which are certainly representative of many – in ever new combinations of text and images into a form that makes reading and viewing a memorable experience.’ – Wolfgang Ullrich
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Can Yasar Köklü
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