Welt ohne Inventar
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|---|---|
| Author(s) | Reinhard Voss, Katja Hachenberg |
| Design | Renate Koch |
| Size | 14 x 20.5 cm |
| Cover | Hardcover |
| Pages | 112 |
| Illustrations | 26 |
| Language(s) | German |
| ISBN | 978-3-942924-22-1 | Out of stock |
The stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
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YAEL BARTANA
THE BOOK OF MALKA GERMANIARead moreShe Is Hope. She Is the Leader. She Is the Messiah. She Is History. She Is Fake.
The video artist Yael Bartana (b. Kfar Yehezkel, Israel, 1970; lives and works in Amsterdam and Berlin) makes work that explores the visual language of identity and the politics of commemoration. The critical scrutiny of collective expectations of political or religious salvation is a central concern in her art. In the video installation Malka Germania—Hebrew for “Queen Germany”—Bartana creates alternative realities from the German-Jewish past and present that bring scenes of the collective unconscious to light. The publication follows the epiphany of Malka Germania, a female redeemer figure, in five chapters whose layout is modeled on that of the Talmud, the central text in Rabbinical Judaism. This organization reflects the polyphonic complexity, rich nuance, and ambivalence that the work casts into visuals and underscores that there is no simple answer. The book includes an interview with the artist and contributions by Sami Berdugo, Christina von Braun, Michael Brenner, Max Czollek, and others. It is published on occasion of the exhibition Yael Bartana—Redemption Now at the Jewish Museum Berlin.
Yael Bartana studied at the Bezalel Academy of Arts and Design, Jerusalem, the School of Visual Arts, New York, and the Rijksakademie van beeldende kunsten, Amsterdam. Her work is held by collections all over the world and has been presented in solo exhibitions at venues including the Stedelijk Museum, Amsterdam, the Pérez Art Museum Miami, and the Moderna Museet, Malmö.
Click here for the German edition.
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Etsu Egami
Rainbow18€ Add to cartWhat is worth talking about in art eludes language. Aesthetic experience is without words, like a human encounter that touches upon our innermost being. Etsu Egami is interested in the margins of understanding, where the communication of ideas and feelings threatens to fail, where forms become illegible. That is the point on which she homes in with her brush, which she wields in a rough calligraphic style, putting almost translucent oil paints on the canvas. Spectral faces emerge that dissolve into abstraction; abstract forms, beheld from the corner of one’s eye, momentarily coalesce into a likeness. Painting, to Egami, is a physical and performative act, the brush an extension of her arm, bringing a picture into being in sweeping rhythmical motions. As we contemplate her work, that momentum imparts itself to us: first our eyes begin to wander, then we feel our bodies stir, and finally the spirit, too, pulsates in the rhythm of the brush. Gathering Egami’s most outstanding works, this catalogue is a universal invitation to join a peculiar dance, an arc of light the artist traces across all barriers to understanding and that speaks to our senses.
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Irmel Droese. Felix Droese
Die Fruchtbarkeit der Polarität28€ Add to cartA Tribute to the Artist Couple
Irmel Droese (b. 1943, Landsberg an der Warthe) and Felix Droese (b. 1950, Singen/Hohentwiel) first met in 1970, when both were students in Joseph Beuys’s class at the Kunstakademie Düsseldorf. In a decades-long partnership in life and art, they have built oeuvres that, both each for itself and in dialogue with each other, scrutinize a rapidly changing reality. Irmel Droese creates expressive stage characters, sculptural oil paper figures, and depictions of humans on paper, while Felix Droese’s diverse ensembles and large-format papercuts grapple with money, economic questions, and the rising predominance of commercial considerations. His art gained international renown with his participation in documenta 7 in 1982 and the 43rd Biennale di Venezia in 1988. Designed in close collaboration with the artists, the publication documents their separate and joint oeuvres, drawing attention to societal questions.
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Sonja Yakovleva
10€ Add to cartSonja Yakovleva (b. Potsdam, 1989; lives and works in Frankfurt am Main) uses pornographic representations and images from the internet as templates for papercuts, some in large formats, that grapple with personal and public stories about women, power relations, sexuality, and violence. The silhouettes show popular motifs that have served to ingrain fairy tales, myths, and ideologies in the collective consciousness from the colonial era to modernism and the early twenty-first century. Yakovleva, whose art is often associated with sex-positive feminism, appropriates this folkloristic visual idiom and hybridizes and sexualizes it. Dessous and strap-on dildos, for example, figure as preserved specimens of butterflies and insects, bringing historic scientific expeditions to mind. Yet her work also addresses the capitalist urge to categorize, evaluate, and market every kink.
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Emil Nolde
A Critical Approach by Mischa Kuball40€ Add to cartWhat is Visible and What is Not
Mischa Kuball (b. 1959, Düsseldorf; lives and works in Düsseldorf) investigates public and institutional spaces and the social and political discourses that shape them. At the invitation of the Draiflessen Collection and with support from the Nolde Stiftung, the conceptual artist grappled with the life and oeuvre of the painter Emil Nolde (1867–1956) and created a body of work titled Nolde/critique/Kuball. In piece after piece, Kuball drains Nolde’s works of the colors that made the Expressionist famous, challenging the beholder’s preconceptions and examining perception and its constituent processes. Laid out in black and white, the book accordingly directs our attention not only to what a picture shows, but also to how structures and organizing principles emerge into view.
Mischa Kuball has been professor of public art at the Kunsthochschule für Medien Köln, and associate professor of media art at the Staatliche Hochschule für Gestaltung/ZKM Karlsruhe since 2007.
Note: This publication is released in German, English and Dutch. When ordering, please let us know which edition you would like to receive. Use the annotation box on the checkout page.
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Jürgen Claus
To the Oceans with Imagination18€ Add to cartThe Sea as a Space of Artistic Experience
Jürgen Claus’s (b. 1935, Berlin; lives and works in Aachen and Baelen, Belgium) oeuvre encompasses paintings, films, light and solar installations, and underwater art. He is also a prolific writer on art, with theoretical works that have sold over 100,000 copies. “Jürgen Claus is the first one to see the ocean through an artist’s rather than a scientist’s lens,” Michel Ragon writes. In this book, Claus intertwines his experiences working on the fascinating underwater installations with a pressing contemporary concern: the global efforts to restore the seas to health. The publication combines visual art, architecture, poetry, and music for a multifaceted engagement with the world’s oceans.
Jürgen Claus majored in theater studies at the Universität München and was a research associate at the Massachusetts Institute of Technology (MIT) and professor of media art at the Kunsthochschule für Medien Köln, Cologne.
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Maximilian Rödel
Celestial Artefacts50€ Add to cart“One must break free from wanting something and confine oneself instead to being something.” — Maximilian Rödel
Inky black, apricot, magenta, and a pastel purple: apparent monochromes, the paintings of Maximilian Rödel (b. Braunschweig, 1984; lives and works in Berlin) actually do not just traverse color spectrums; in a sense, they chart horizons of experience. To contemplate them is to embark on a voyage through space and time. Foreground and background are one, depth and surface at once; an undertow makes itself felt in which the nuances of color interweave, blur into one another, shimmer, flare up. The artist describes his pictures as an unfocused energy that already exists; he merely uncovers it.
The first publication on Rödel’s work presents the exhibition Celestial Artefacts at Neuer Aachener Kunstverein, with an emphasis on the Prehistoric Sunsets series (2018–2021). It is complemented by reproductions of selected works and an extensive index that also includes details from earlier series that are relevant in the context. Aperçus contributed by Rafael Horzon and Leif Randt and writings on art by Domenico de Chirico, Lena Fließbach, Stefanie Gerke, Philipp Hindahl, and Maurice Funken add another dimension to the paintings.
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Ernst Gamperl
Zwiesprache Dialogue34€ Read moreUnique wooden sculptures as the result of a ten‑year process
Ernst Gamperl (b. 1965, Munich; lives and works in Tremosine) is fascinated by the dialogue with living material and the quality of the unpredictable. He creates room-sized wooden objects, into the design of which he incorporates the natural drying process, cracks, and irregularities—a revolutionary technique of woodturning which has led to completely new standards, technically often at the limits of what is feasible. In a ten-year process, Gamperl transformed a roughly 230-year-old uprooted oak into an ensemble of vessels and sculptures. The artist’s book conveys the fascination of the material and the craft, brings us close to the objects, and documents the challenging work process.
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Africa
in the View of the Photographers19,90€ Add to cartContemporary Photography from Africa
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Jean-Marie Biwer
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“These things are there, we just need to look at them. They are simple, but today they have the power to bring so much to people.”—Jean-Marie Biwer
Jean-Marie Biwer’s work has been shown throughout Europe and in 1993 he represented Luxembourg at the 45th Biennale di Venezia. His works can be found in the Musée National d’Histoire et d’Art Luxembourg, IKOB, Museum of Contemporary Art, Eupen, and Mudam Luxembourg – Musée d’Art Moderne Grand-Duc-Jean amongst others.
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Logan T. Sibrel
But I’m Different50€ Add to cartLogan T. Sibrel’s (born 1986 in Jasper, IN, lives and works in Brooklyn, NY) paintings and drawings depict moments of great joy and beauty, but also fear, sadness, desire and aggression. Frequently only part of the mostly male figures is depicted. Sibrel’s cropping can feel simultaneously intimate and alienating—fragmentary stories are told that touch you through their authenticity and vulnerability. Sibrel’s artistic maneuvers include overlapping, shifted perspectives, and text fragments that appear like snippets of overheard conversations and thus create a collage effect.
This book is the artist’s first comprehensive publication with works from the last twenty months. While the first part presents the artist’s paintings, the second part presents his drawings with the edges of the backing paper digitally removed so that it looks as if the images were drawn directly into the book.
Logan T. Sibrel completed his bachelor’s degree at Indiana University in Bloomington in 2009 and his master’s degree at Parsons New School of Design in New York in 2011. His most recent solo exhibitions include In Another Life and Galerie Thomas Fuchs (Stuttgart, DE) and Brake For Your Sweetheart at Auxier Kline (New York, NY).
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Martin Noël
paintprintpaint35€ Add to cartA Comprehensive Overview on the tenth Anniversary of the Death of Martin Noël
Martin Noël (b. 1956, Berlin; d. 2010, Bonn) was a German painter, draftsman, and printmaker. He was one of the formative innovators of the long-neglected techniques of linocut and woodcut. With his large-format works on paper, he created a position for himself in contemporary art that is as much respected as it is independent. On the occasion of the tenth anniversary of the artist’s death, this volume presents a comprehensive overview of his work from the mid-1980s to the last year of his life in 2010. Thirty-five exceptional works document Noël’s path from his early years as a painter, via the middle phase marked by printing blocks, linocuts and woodcuts, up to his late paintings.
Martin Noël studied Graphics and Painting at the Rheinische Fachhochschule Köln, Cologne. His works are included in, among others, the Federal Collection of Contemporary Art, the Kunstsammlungen Chemnitz, and the collection of the Museum Pfalzgalerie Kaiserslautern.
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Pensive Images
16 Artists in Dialogue with W. G. Sebald35€ Add to cartOn Memories and Temporalities
Pensive Images examines the complex and invariably singular relationships through which images and memories are inextricably linked. The book relates to the work of the German writer W. G. Sebald (b. 1944, Wertach; d. 2011, Norfolk), especially to four fictional stories he published between 1990 and 2001, in which he inserted non-captioned blackand- white photographs of uncertain provenance and nature into the text like memories punctuating ways reminiscent of his writing. It brings together 16 artists who, in ways reminiscent of Sebald’s approach, explored the realms of memory and past from the perspective of experience and intertwining temporalities.
With works by Mathieu Kleyebe Abonnenc, Dove Allouche, Lonnie van Brummelen / Siebren de Haan, Moyra Davey, Tacita Dean, Jason Dodge, Félix González-Torres, Ian Kiaer, Jochen Lempert, Zoe Leonard, Helen Mirra, Dominique Petitgand, John Stezaker, Danh Vo and Tris Vonna-Michell.
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Ohne Schlüssel und Schloss
Chancen und Risiken von Big Data19,90€ Add to cartVon Kunsthandwerk zu digitaler Verschlüsselung
An jeder Haustür ziehen wir Grenzen, wir schließen auf und schließen ab. Und noch in jüngster Vergangenheit war eindeutig, was als Verschlusssache galt. Ganz anders stellt sich diese Frage im IT-Zeitalter. Ausgehend von der kunsthandwerklichen Sammlung des Museum Pfalzgalerie Kaiserslautern wird deutlich, wie in früheren Jahrhunderten über mechanisch und symbolisch aufwendig gestaltete Schlösser, Schränke oder auch Reliquienbehältnisse Distanzen austariert wurden. Sie alle sind sichtbares Vehikel für die bewusste Wahrnehmung von innen und außen, zugehörig und ausgegrenzt, wissend und unwissend oder öffentlich und privat. Für Big Data gilt dies in keiner Weise mehr. Beim Digitalen werden Serviceleistungen mit Datenerhebungen verbunden, deren weiteren Einsatzbereiche wir weder unmittelbar verstehen noch überblicken können. Historische, technologische und philosophische Überlegungen bieten wichtige Beträge zur aktuellen Debatte und Einschätzung der Risiken und Chancen von Big Data.
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HALBwertsZeit
Zum Umgang mit ‚abgelaufenen‘ Sammlungen28€ Add to cartDo collections have an expiration date? Shifting interests, evolving social contexts, and discursive developments influence when a collection or its presentation is said to be outdated and what that implies for the constraints on, or options for, the actions to be taken in response. The revision or reorientation of a collection presuppose a critical engagement with the criteria regarded as valid at the time, which concern the origins, composition, objectives, and significance of a collection, among other aspects.
The contributions to this volume intertwine historical case studies with contemporary questions about the reasons and circumstances that give rise to the assessment that a collection has outlived its shelf life.
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Penny Hes Yassour
Temp-Est24€ Add to cartA Monograph about the Award-Winning Israeli Artist
Penny Hes Yassour (b. 1950, lives and works at kibbutz En-Harod Ihud) tells stories and keeps history alive, explores the boundary between remembering and forgetting. In her installations she combines sound, image, and a multi-part world of objects into narrative mise-en-scènes of great poetic power. Hes Yassour leads the viewer through the Jordan Valley with its many watchtowers, accompanies the transformation of the landscape in a gigantic, stagelike water basin, and documents the flight of bats in a narrow, labyrinthine spatial installation. The book published on the occasion of the artist’s first exhibition in Germany provides comprehensive insights into her subtle artistic work.
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James Francis Gill
Catalogue Raisonné of Original Prints, Vol. 239€ Add to cartThe Catalogue Raisonné of the Co-Founder of American Pop Art
James Francis Gill (b. 1935, Tahoka; lives and works in Texas) is one of the most important artists of American Pop Art. His paintings, often based on photographs, provide an unusually personal approach to the icons of the 1950s and 60s. Gill suddenly became Hollywood’s most celebrated artist when his Marilyn Triptych was added to the permanent collection of The Museum of Modern Art in New York in 1962 – even before the works of Andy Warhol. Through friendships with celebrities such as John Wayne, Martin Luther King, and Marlon Brando, Gill became the contemporary artist-witness of an entire generation. Nevertheless, he kept his distance from the exuberant Hollywood of the time and surprisingly withdrew in 1972, only to reappear on the art market thirty years later. This catalogue raisonné in two volumes impressively documents his work from the early political motifs to the Pop Art icons of his late work.
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Stephan Kaluza
Die dritte Natur14€ Add to cartThe Nature of Art as Totality and Idyll
The philosophy of nature is central to the artist Stephan Kaluza’s (b. Bad Iburg, 1964; lives and works in Düsseldorf) work. As he sees it, there exists a succession of different natures: first nature is Kaluza’s designation for a world as immediately felt by (early) humans, part of an encompassing and close-range experiential totality they labeled ‘nature’ and perceived as a physical, but also spiritual and emotional concatenation of events. Second nature is stripped down to an objective and utilitarian quality; nature becomes a resource, the basis of life, the environment. In a kind of linguistic turn, speech mediates a surrogate, an alternative world, that positions nature as culture’s opposite; the former becomes replaceable in favor of latter. Yet this culture is far from devoid of yearnings for the immediacy that it has lost, and so develops an ‘artificial idyllic nature’ in turn. This third nature of the arts—a purely human nature—harks back to the archetypes of a first nature in escapism and totalized immersion.
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Roland Schappert
Liebe +–24€ Add to cartRoland Schappert’s Liebe+– is a poetic voyage into the mysterious and paradoxical landscapes of love. Combining an unrelenting eye with lyrical precision, Schappert captures the fragile equilibrium between intimacy and distance, between the longing for union and the need for detachment. The +– in the title is a symbolic shorthand for the ambivalence of love: attraction and repulsion, delight and pain, their constant interplay defining the dynamic of love.
The terse and sometimes aphoristic writings enter into a dialogue with the author’s artful and enigmatic pictures and sculptures—text images sewn out of strings of beads or painted in Champagne chalk that subtly mirror and refract the emotional tension of the poems. Nimbly balancing on the fine line between devotion and disaffection, Schappert’s verses are interspersed with ironic allusions to our digital and urban contemporary world.
By forging a symbiosis of poetry and image, this artist’s book charts a world unto itself in which the boundaries between I and you blur and subject and object are fused in a collective we. It invites us to contemplate love with a fresh eye—as tender touch and fractious idea, as a play of expectation and disappointment that we begin anew every day.
‘Love in the age of social media and dating apps, but not from a Gen Z perspective – but from someone who has known this feeling for much longer. And who brings his experiences – which are certainly representative of many – in ever new combinations of text and images into a form that makes reading and viewing a memorable experience.’ – Wolfgang Ullrich
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Roland Schappert
Coronasehnsucht14€ Add to cartThe coronavirus pandemic hit us in a time of disparate foci of attention. A fundamental lack of comprehension and hate speech contrast sharply with an unspoken consonance of ideas as well as feelings. What do reality, statistics, love, and yearnings do to us? They are playing a game with reality, sans fiction. Relationships sustain our lives. What was unmistakable before is now manifest, with stark certainty. Are we ready for loving dissension? Can we bear to think only as far ahead as we can see? How do our emotions answer these questions, and how does our intellect? The Cologne visual artist and writer Roland Schappert retraces his personal voyage through this sun-kissed rain-drenched time. The book is a diary-like tour de force of digital amorous overtures, an attempt to explain the world of art via WhatsApp, and the real challenges of life as a single artist in a major German city in precarious circumstances.
