What is Vienna Actionism?
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|---|---|
| Editor(s) | Wiener Aktionismus Museum |
| Author(s) | Eva Badura-Triska, Julia Moebus-Puck, Lisa Moravec |
| Design | Studio FRANZ |
| Size | 17.9 x 25.5 cm |
| Cover | Hardcover |
| Pages | 292 |
| Language(s) | English |
| ISBN | 978-3-96912-157-3 |
| Illustrations | 267 |
Blows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. Vienna in the late 1960s: what had started in the artists’ homes and studios was now brough out on the grand stage, and taboos were broken in full view of the public.
The Vienna Actionism Museum’s first publication is dedicated to the idea of Vienna Actionism in the dynamic context of abstract realism, Fluxus, and the international Happening scene. The book relates the story of one of art history’s most influential art movements, spearheaded by the Actionists Günter Brus and Otto Muehl, Hermann Nitsch and Rudolf Schwarzkogler.
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Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
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Karin Hochstatter
gegengerade20€ Add to cartA Provocation of Vision between Surface and Depth
In her sculptural works, Karin Hochstatter (b. 1960, Cologne; lives and works in Cologne) deals with forms and their dissolution, as well as the perceptual mechanisms that arise from this. Everyday materials from high-tech production processes, such as construction products and foils, become fragile and expansive structures that question both our way of seeing and our notion of sculpture. The book documents her more recent works since 2012, which always exist as singular events in space and never appear a second time in the same way.
Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
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Sebastian Stöhrer
Residents40€ Add to cartIf there’s an artist whose oeuvre merits the title “creation,” it is Sebastian Stöhrer. Shaping clay—essentially, soil—he molds his “residents”: colorful and friendly-looking sculptural beings, some of them enhanced with sticks or branches reminiscent of limbs. Despite their air of levity and humor, they are not the products of mere momentary inspiration or a whim. It takes decades of dedicated experimentation with the kiln based on the millennia-old art of ceramics as well as expert knowledge of chemistry and physics to create such colors and shapes. Stöhrer has been called an alchemist, and indeed he has made it his mission to vindicate this researcher’s craft, an ancestor of the natural sciences. Alchemy, like Stöhrer’s oeuvre, combines pure rationality with coincidence and a scintilla of magic. The artist plays an intuitive and sensual game with his clay and the virtually incalculable chromaticity of the glazes—chaos, anarchy, and irrepressible urges being an integral dimension of all creation. In Stöhrer’s “residents,” we encounter the embodiments of that creation: likenesses of ourselves and perhaps also heralds of a future more good-natured version.
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Wege in die Abstraktion
Marta Hoepffner und Willi Baumeister24,90€ Add to cartUnknown Influences of Modern Painting and Photography
Marta Hoepffner (b. 1912, Pirmasens; d. 2000, Lindenberg) is considered a pioneer of experimental photography. For the first time, this book compares the artist’s early photographic experiments, portraits, and color photographic studies with the paintings of Willi Baumeister (b. 1889, Stuttgart, d. 1955 Stuttgart). As professor at the Frankfurter Kunstschule – today’s Städelschule – Baumeister had a decisive influence on the development of his student Hoepffner. An extraordinary book that presents more than fifty works from the 1910s to the 1970s.
Marta Hoepffner’s works have been exhibited at, among others, the Centre Georges Pompidou in Paris, the San Francisco Museum of Modern Art, and the National Portrait Gallery in London. Willi Baumeister studied at the Kunstakademie in Stuttgart and was a member of the influential November Group. He was defamed as “degenerate” during the Nazi regime and is now considered one of the outstanding artists of modernism.
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DAWN OF HUMANITY – ART IN PERIODS OF UPHEAVAL
37€ Add to cartThe book and exhibition present works from the first two decades of the twentieth century from the Kunstmuseum Bonn’s collection in dialogue with contemporary creative positions. What the works have in common across the distance of a century is their genesis in, and reflection on, a time of major social and political crisis. Back then, life had been profoundly changed by the industrial revolution; nowadays, climate change, wars, and the rising political power of right-wing ideologies are transforming the life of our communities. The presentation conceives art as a tool that lets us interrogate the world and imparts fresh intellectual impulses, and so also plays an active part in our societies. The title Menschheitsdämmerung – Dawn of Humanity – is borrowed from the poetry anthology of the same title released by Kurt Pinthus in 1919, which samples the Expressionist lyric poetry of the young century in four chapters: “Downfall and Outcry”; “Love Human Beings”; “Awakening of the Heart”; “Entreaty and Indignation.” Florian Illies, who already wrote an afterword for the 2019 centenary edition of Menschheitsdämmerung – the bestselling poetry anthology in the history of German literature – contributed the keynote essay in the book.
Artists: Nevin Aladağ, Francis Alÿs, Kader Attia, Yael Bartana, Rebekka Benzenberg, Monica Bonvicini, Andrea Bowers, Heinrich Campendonk, Louisa Clement, Max Ernst, Georg Herold, Franz M. Jansen, Alexej von Jawlensky, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, August Macke, Helmuth Macke, Goshka Macuga, Marie von Malachowski-Nauen, Carlo Mense, Zanele Muholi, Heinrich Nauen, Grace Ndiritu, Anys Reimann, Deborah Roberts, Daniel Scislowski, Paul Adolf Seehaus, Tschabalala Self, Monika Sosnowska, William Straube, Emma Talbot, Hans Thuar, Lawrence Weiner
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Nicola Staeglich
Color Light Matter Mind36€ Add to cart“This painting springs from the ambition to paint color into the air.” (Ulrich Loock)
Nicola Staeglich’s (b. Oldenburg, 1970; lives and works in Berlin) work with color achieves a distinctive intermediate state between physical presence and atmospheric radiance. She stages painting now as a performative action with broad propositions in color, now as an installation in three dimensions with multilayered translucent painted panels. Color Light Matter Mind is Staeglich’s first monograph, setting recent works in relation to her earlier output (1998–2021). From the spiral-shaped reliefs to her Liquid Lights, the artist opens up a fresh dimension for color.
Nicola Staeglich studied at the Städelschule, Frankfurt, the Academy of Fine Arts Mainz, and the Chelsea College of Art, London. She won numerous fellowships and has been professor of painting/graphic art at the Hochschule der bildenden Künste Essen since 2015. Her work has been presented in numerous solo exhibitions in Germany and abroad and is held by private and public collections.
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Hans Hofmann
Chimbote24€ Add to cartExpressive Forms between Art and Architecture
As an exponent of Abstract Expressionism, Hans Hofmann (b. Weißenburg, Germany, 1880; d. New York, USA, 1966) ranks among the preeminent artists of the twentieth century. As a teacher at his Hans Hofmann School of Fine Arts, which he founded in 1933 after emigrating to the United States, he exerted a formative influence over a generation of young painters. With Arshile Gorky, Willem de Kooning, Jackson Pollock, and others, he was a member of the illustrious New York School, a loose association of visual artists. In 1950 he was spending time in Europe and collaborated with the architects Josep Lluís Sert and Paul Lester Wiener on designs for colorful wall paintings to be executed on buildings in Chimbote, Peru. The urban masterplan they developed for the city’s post-World War II expansion was never realized, and so Hofmann’s intensely colorful works in large formats have been known only to specialists. The selection gathered in this book together with drawings and a city plan provides focused insight into a visionary project.
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Roland Schappert
Liebe +–24€ Add to cartRoland Schappert’s Liebe+– is a poetic voyage into the mysterious and paradoxical landscapes of love. Combining an unrelenting eye with lyrical precision, Schappert captures the fragile equilibrium between intimacy and distance, between the longing for union and the need for detachment. The +– in the title is a symbolic shorthand for the ambivalence of love: attraction and repulsion, delight and pain, their constant interplay defining the dynamic of love.
The terse and sometimes aphoristic writings enter into a dialogue with the author’s artful and enigmatic pictures and sculptures—text images sewn out of strings of beads or painted in Champagne chalk that subtly mirror and refract the emotional tension of the poems. Nimbly balancing on the fine line between devotion and disaffection, Schappert’s verses are interspersed with ironic allusions to our digital and urban contemporary world.
By forging a symbiosis of poetry and image, this artist’s book charts a world unto itself in which the boundaries between I and you blur and subject and object are fused in a collective we. It invites us to contemplate love with a fresh eye—as tender touch and fractious idea, as a play of expectation and disappointment that we begin anew every day.
‘Love in the age of social media and dating apps, but not from a Gen Z perspective – but from someone who has known this feeling for much longer. And who brings his experiences – which are certainly representative of many – in ever new combinations of text and images into a form that makes reading and viewing a memorable experience.’ – Wolfgang Ullrich
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Jörg Heieck
CRUX29€ Add to cartTwo Fascinating Series of Works by the Photographer and Physicist
Expertly wielding the vintage photographic technique of the cyanotype, Jörg Heieck (b. 1964, Münster; lives and works in Kaiserslautern) transmutes nature into a fascinating play of shades of blue and defamiliarized shapes. Desolate sceneries, barren landscapes—the first series gathered in the book was created in the Sahara, Iceland, and Spitsbergen. Humanity has reached a crossroads: can we avert the destruction of the planet? Contrasting this symbolic crux, the second section presents populated intersections replete with signage from China, Japan, Russia, Israel, India, Greece, and Georgia. With these panoramas of urban life standing as a counterpoint to the abstraction in the photographs in the first section, the book offers insight into the artist’s extraordinary oeuvre.
Jörg Heieck has a PhD in physics and worked for many years as a researcher at Agfa, Kodak, and the ITER nuclear fusion reactor project. His art has been shown in numerous countries, including at the Goethe-Institutes in Damascus and Beirut, the Aleppo International Photo Festival, the Wilhelm-Hack-Museum, Ludwigshafen, and Kunsthalle Mannheim.
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Filip Henin
10€ Add to cartThe events captured in Filip Henin’s (b. Mayen, 1986; lives and works in Berlin) paintings are set in a world beyond time and place, as though on an empty stage prepared for a Samuel Beckett production. It is virtually impossible to say whether a picture shows a coastal region or a craggy slope up in the mountains, whether a field of blue represents the sea or a band of open sky. Henin strips landscapes down no less than human figures, subtracting specific features to isolate basic forms that might be found in the hill country around his hometown in western Germany or in Tuscany. His work integrates quotations from antiquity, Romantic landscape painting, and postmodernism as well as Italian Transavanguardia, the mysticism of Francesco Clemente and Sandro Chia, and the figurative painting of the 1990s. Without veering into drama or pathos, he harnesses two utterly antithetical energies: the reflection on painting and the history of art and the need to be simple.
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Liam Gillick
Filtered Time (GERMAN)28€ Add to cartThe sculptor and object artist Liam Gillick (b. Aylesbury, UK, 1964; lives and works in New York) has created an intervention titled Filtered Time for the historic galleries of the Pergamon Museum in Berlin. Projections of light and color and acoustic effects condense six thousand years of cultural history into an immersive spatial experience. Gillick initiates a conversation between the iconic Processional Way and the Ishtar Gate from Babylon, the monumental sculptures of Tell Halaf, and other exhibits, engendering new layers of meaning across all historical periods. The first joint project of the Vorderasiatisches Museum and the Hamburger Bahnhof—Nationalgalerie der Gegenwart makes for a singular visual and sensory experience. Designed by the artist himself, the publication not only documents the richly colorful production, but also provides insight into the eventful history of the museum, which is approaching its centennial.
Liam Gillick studied at the Hertfordshire College of Art in 1983–1984 and at Goldsmiths, University of London from 1984 until 1987. Gillick is a prolific published writer as well, producing essays, reviews, fiction, and theatrical scenarios.
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René Holm
45€ Add to cartRené Holm goes for the big picture, painting the ambivalence of human existence and our relationship with nature. Some of his protagonists are physically naked, and all embody an interior life through their poses. The faceless figures function as screens onto which the beholders can project their own feelings, as symbols of universal human experiences. That is why, Holm notes, people very often recognize themselves in his protagonists. The effect is in part due to the forest, the setting of all pictures in this catalogue, which has been Holm’s studio and preferred backdrop for decades. It is where he finds the twilight that glows in all of our souls: woodlands nourish and menace us, they are home to helpful fairies and nasty demons, one can find life and death alike in them. He translates the sublime of the forest—a central motif in the Romantics—into a contemporary visual idiom. In his pursuit of this endeavor, he has recently ventured a radical aesthetic change: instead of using thick paints as before, he now applies the pigments to the canvas in thinner and drier layers. The book illustrates this spectacular fresh start, carrying us off into the depths of the soul and mysterious woodlands.
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Plastique Fantastique
A Journey through an ephemeral Realm32€ Add to cartIn the wake of Frank Lloyd Wright’s pioneering work, visionary architects including Frei Otto and Buckminster Fuller established bubbles as a recognized artistic and architectonic form. The Berlin-based art duo Plastique Fantastique (Marco Canevacci and Yena Young) go one step further and harness them as a medium of temporary social interactions. The philosopher Vilém Flusser conceived of space in the digital universe as a network of relational settings in which humans can be in multiple places at one, as a “bubble that extends into the future.” Plastique Fantastique transform our urban and rural environments into laboratories for such spaces in which urgent social, political, and aesthetic questions are negotiated. Oversized translucent bubbles, traffic islands ringed by diaphanous tubes, giant lifebelts, air-filled sausages that the audience at a Peaches concert pass over their heads: Plastique Fantastique’s installations fuse art, performance, people, and architecture in a multisensory experience that blurs the conventional boundaries of art and focuses our attention on the larger bubble in which human existence is contained. Richly illustrated with exceptional photographs, this monograph is the first to document a representative selection from the duo’s projects of the past two decades.
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Elsa Salonen
Stories Told by Stones15€ Add to cart“I find the question of a consciousness of stones genuinely inspiring, captivating, and provocative!”
Elsa Salonen (b. 1984, Turku; lives and works in Berlin and Finland) produces colored crystals from the pigments of flowers, draws stellar constellations with finely ground meteorite dust on glass, or distils liquid from plants. The Finnish artist experiments with a wide range of “poetic” materials, reviving lost animistic rituals and magical practices. Her subtle works in the field of tension between installa-tion, painting, and conceptual art combine mysti-cism with science, ancient knowledge with recent findings — supported by a great respect for nature. This volume documents her artistic search for consciousness as the primary source of all physical matter.
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ODOR
Immaterial Sculptures40€ Add to cartThe effect of odor is immediate. Smells arouse feelings in us, put us in moods, awaken recollections. They color the other senses and shape our perceptions more profoundly than we are aware. Scents create closeness and distance at the same time. They become imprinted on our memories and consolidate our experiences. And yet their existence in the world of three dimensions remains invisible, and the act of picking up a scent is fleeting.
The publication Odor—Immaterial Sculptures zooms in on the power of smells. Contributions from curators, artists, scientists, and scholars frame a variety of perspectives on this evanescent phenomenon, examining the olfactory sense and the qualities of the immaterial. Full-page plates conceived by the artists provide additional information, imagery, and contexts around the individual works, which put odor as an olfactory and spatial experience at the center of the engagement with art. The works operate between the poles of time and space, individual and community, consciousness and the subconscious, visibility and invisibility, the everyday and the miraculous, the sense of self and the perceptions of others, presence and absence, life and death.
Artists : Jason Dodge, Carsten Höller, Koo Jeong A, Oswaldo Maciá, Teresa Margolles, Pamela Rosenkranz, Sissel Tolaas, Clara Ursitti, Luca Vitone
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Der tanzende Blick
Roman Novitzkys Stuttgarter BallettRead moreWeightlessness, Grace, Emotions
The photographs by Roman Novitzky (b. 1984 in Bratislava) reveal the entire vocabulary of dance—and yet convey much more than this. With his camera, the first soloist of the Stuttgart Ballet not only captures hidden moments in rehearsal or from the side stage, but also opens the door to his own cosmos for the viewer. He depicts sweat and tension, doubt and euphoria, and gives the audience intimate insight behind the scenes of the Stuttgart Ballet. Roman Novitzky’s first monograph comprises more than sixty photographs of the ballet hall, the cloakroom, and guest performances. It not only stands for his two passions, dance and photography, but also describes his photographic approach, shaped by years of dance experience, which gives the viewer familiar insights into his everyday surroundings.
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Andreas Eriksson
Read moreAll is related, from the outside in. Look what’s behind it.
Andreas Eriksson (b. 1975 in Björsäter, lives and works in Medelplana, Sweden) is one of Sweden’s most notable contemporary artists. His artistic practice is based on a traditional painterly language, but he constantly expands this field to also encompass a vast production of textile works. He examines different histories through conceptual twists and turns in sculpture and prints. This monograph, the artist’s first, seeks to explain and illustrate Eriksson’s development and thoughts behind the meandering array of works he produces. It is a close look behind the canvas.
Andreas Eriksson studied at the Royal Academy of Fine Arts in Stockholm from 1993 to 1998 and represented Sweden with the Nordic Pavilion at the 54. Biennale di Venezia. His most comprehensive solo exhibition to date took place in 2014 at Bonniers Konsthall, Stockholm.
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Sabine Hornig
Passage through Presence45€ Add to cartLayered Spacetimes in Large Formats
Sabine Hornig (b. 1964; lives and works in Berlin) has earned international acclaim with sculptures, photographs, and architectural interventions that interweave image, perspective, and space in distinctive ways. Her works feature translucent pictorial planes on glass panes; integrating these sculptural elements into the setting, she creates environments in which meaning unfolds as viewers allow their gazes—and themselves—to wander. For her new works, which engage with architecture, the artist superimposes enormous photographs on entire façades and concourses. This publication is the first to put the focus on Sabine Hornig’s art in three dimensions, detailing her process from the building of sculptural models and the combination with transparent photographic layers to her creation of works in public settings. It showcases her largest installation to date, at LaGuardia Airport in New York City, which she discusses in a conversation with Nicholas Baume, director and chief curator, Public Art Fund, New York.
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FINALE
DIRECTOR’S CUT25€ Add to cartThe Best Part …
In 1994, Britta Erika Buhlmann took the helm at Museum Pfalzgalerie Kaiserslautern, from which she will retire in the spring of 2022. In her twenty-eight-year tenure, she has enlarged the museum’s art collection and put her personal stamp on it. The classical modernism division was strengthened with the addition of major works by Otto Dix, Hermann Scherrer, and Karl Buchheister, while key pieces by François Morellet, Martin Willing, Werner Pokorny, and others have enriched the museum’s holdings in sculpture. A newly established division of the collection is dedicated to the creations of American artists such as Eric Levin, Kiki Smith, Charles Pollock, and Richard Pousette-Dart. More than a few artists—the list includes Carmen Herrera, Pierrette Bloch, Eva Jospin, and Nobuyuki Tanaka—made their German or even European début at the mpk.
In this book, members of the mpk’s staff offer their takes on selected works in the collection, unfurling a subjective story of their engagement with works that have earned the museum its reputation as a “place of discoveries.”
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Fahar Al-Salih
Beyond Fairy Tales39€ Add to cartBridges between East and West
The protection and sense of belonging one feels where one is at home, and what it is like to lose both of them: these are central concerns in the art of Fahar Al-Salih (b. Belgrade, 1964; lives and works in Karlsruhe). Having grown up in Kuwait, where a classical education in visual art was inconceivable, Al-Salih came late to his métier; Markus Lüpertz was among his teachers, and he completed his education in Hermann Nitsch’s master class. Seeing himself as a “bridge-builder” between the cultures of the Arab world and Europe, Al-Salih probes the different lived realities in which his itinerant biography has been set. No more linear than his path through life, his oeuvre is defined by subjects to which he keeps returning in a kind of cyclical motion. This publication offers unprecedented insight into Al-Salih’s creative approach and his articulations of individual yearnings, the comforts of safety, and political and social upheavals. His work achieves a deft interweaving of global perspectives and migrant realities.
