What is Vienna Actionism?
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|---|---|
| Editor(s) | Wiener Aktionismus Museum |
| Author(s) | Eva Badura-Triska, Julia Moebus-Puck, Lisa Moravec |
| Design | Studio FRANZ |
| Size | 17.9 x 25.5 cm |
| Cover | Hardcover |
| Pages | 292 |
| Language(s) | English |
| ISBN | 978-3-96912-157-3 |
| Illustrations | 267 |
Blows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. Vienna in the late 1960s: what had started in the artists’ homes and studios was now brough out on the grand stage, and taboos were broken in full view of the public.
The Vienna Actionism Museum’s first publication is dedicated to the idea of Vienna Actionism in the dynamic context of abstract realism, Fluxus, and the international Happening scene. The book relates the story of one of art history’s most influential art movements, spearheaded by the Actionists Günter Brus and Otto Muehl, Hermann Nitsch and Rudolf Schwarzkogler.
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The Psyche of the Portrait
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FREETERS’ AI approach should be understood less as a scientific methodology and more as a call not to reduce our intelligence to only rational thought processes with a utility maxim. Of course, AI has already made impressive progress in many areas of our public services via the hard components of machine learning. However, it is doubtful whether this approach alone can really give rise to a superintelligence that will one day create a resource-saving paradise on earth. Nor is it guaranteed that we as Homo Sapiens will be assigned a place in this paradise by such a unilaterally gifted superintelligence. Cognitively, this machine will be superior to us in any case – only the necessary feeling of happiness of a consensual coexistence does not seem quite conceivable.
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Philip Loersch
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with free download link on the inside
You’ve read right, and you’re going to hear it: a bureaucratic document—we’re all familiar with it, for a new one arrives every year—is the subject of this inspired collaboration between the graphic artist Philip Loersch and the virtuoso vocalist Johannes Steck.
The “Renteninformation”—an official letter on cheap paper informing the recipient about their expected future retirement benefits—makes many cultural workers, and others, crack up or break out in tears: arriving unexpectedly, it launches us on an emotional roller coaster between excitement, fascination, resignation, and sheer madness.
The manuscript for this audiobook is Loersch’s actual Renteninformation for 2022. Its intonation is the culmination of a series of works the artist has pursued since 2016. Every year, he has produced a naturalist colored-pencil drawing of his Renteninformation, embedding it in idyllic scenes—in the garden on a summer afternoon, amid autumn foliage, or on a frozen lake, delicately and accurately executed down to the smallest leaf of grass and the tiniest letter.
“Renteninformation 2022” is the ideal gift for all vinyl lovers who need to close a “pension gap” in their collections and a stunning audio experience that redefines what the satire of reality itself and conceptual art can do.
Philip Loersch (b. Aachen, 1980) is best known for his unconventional drawings. His works combine painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His art has been exhibited at renowned institutions such as Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst, and helped initiate the exhibition series “Drawing Wow.”
Johannes Steck (b. Würzburg, 1966) is one of Germany’s best-known audiobook narrators, having sold over four million copies, including of books by Simon Beckett and Ken Follett, in a three-decade career. Television viewers also know his voice from trailers on Kabel 1 and DMAX and documentaries on ZDF, BR, and Sky. His work has garnered awards including the 2012 HörKules.
