







What is Vienna Actionism?
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Editor(s) | Wiener Aktionismus Museum |
Author(s) | Eva Badura-Triska, Julia Moebus-Puck, Lisa Moravec |
Design | Studio FRANZ |
Size | 17.9 x 25.5 cm |
Cover | Hardcover |
Pages | 292 |
Language(s) | English |
ISBN | 978-3-96912-157-3 |
Illustrations | 267 |
Blows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. Vienna in the late 1960s: what had started in the artists’ homes and studios was now brough out on the grand stage, and taboos were broken in full view of the public.
The Vienna Actionism Museum’s first publication is dedicated to the idea of Vienna Actionism in the dynamic context of abstract realism, Fluxus, and the international Happening scene. The book relates the story of one of art history’s most influential art movements, spearheaded by the Actionists Günter Brus and Otto Muehl, Hermann Nitsch and Rudolf Schwarzkogler.
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Felix Schramm
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Felix Schramm studied at the Accademia di Belle Arti, Florence, from 1991 until 1993 and at the Academy of Fine Arts Düsseldorf, where he was in Jannis Kounellis’s master class, from 1994 until 1998. He rounded out his education with residencies in Tokyo in 2000 and at Villa Massimo in Rome in 2008.
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Verena Issel
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Brandon Lipchik
10€ Add to cartIn recent years, a Wagnerian night has settled over Brandon Lipchik’s (b. Erie, PA, 1993; lives and works in Brooklyn, NY, and Berlin) pictures. Moons rise; beasts and titans populate a homogeneous world of swimming pools, white picket fences, and neatly mowed lawns. Synthesized on a computer screen and then transferred to canvas by hand, the artist’s paintings revolve around the backyard as a mythically fraught scene of popular culture. The garishly lit multiperspectival pictures replicate characteristic shots from 1980s gay porn films and quote a clean American Apparel look. Lipchik subjects men’s bodies, spaces, plants, objects, and animals to digital deconstruction, obtaining rudimentary and abstract shapes. Staring at smartphones or gazing on water surfaces, his characters recall early digital animations and seem oddly hollow, like empty avatars waiting to be filled with new speculative content.
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Martin Noël
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Martin Noël (b. 1956, Berlin; d. 2010, Bonn) was a German painter, draftsman, and printmaker. He was one of the formative innovators of the long-neglected techniques of linocut and woodcut. With his large-format works on paper, he created a position for himself in contemporary art that is as much respected as it is independent. On the occasion of the tenth anniversary of the artist’s death, this volume presents a comprehensive overview of his work from the mid-1980s to the last year of his life in 2010. Thirty-five exceptional works document Noël’s path from his early years as a painter, via the middle phase marked by printing blocks, linocuts and woodcuts, up to his late paintings.
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nolde/kritik/documenta (German)
42€ Add to cartEmil Nolde (1867–1956) ranks among the best-known classic modernists. Contemporary perceptions of the artist and his oeuvre are informed by mythmaking as well as its deconstruction. After the Second World War, Nolde himself and art historians of the time portrayed him as a victim of Nazi persecution. More recent critics have drawn attention to his anti-Semitic views and his opportunism in his dealings with the Nazi authorities.
With support from the Nolde Foundation, Seebüll, the Düsseldorf-based conceptual artist Mischa Kuball (b. 1959) delved into the documentary record to shed light on this profoundly ambivalent figure and frame a critical perspective on Emil Nolde’s output and actions. The first fruits of his endeavors were shown at the Draiflessen Collection, Mettingen, in the winter of 2020–2021.
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An enlarged and revised edition of the catalogue “nolde / kritik / documenta” is released in conjunction with the exhibition at the Fridericianum, Kassel (December 9, 2022–February 19, 2023).
Mischa Kuball has been professor of public art at the Academy of Media Arts Cologne and associate professor of media art at the Karlsruhe University of Arts and Design/ZKM since 2007.
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Banksy’s Dismaland & Others
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René Holm
Let me be your everlasting light25€ Add to cartLight is the theme of the new paintings by René Holm (b. Esbjerg, 1967). Faceless protagonists traversing symbolic forests with leafless trees occurred already in previous works, stripping them of individual or local signifiers and moving them into a spiritual and universal realm. Skulls with burning candles in Still lifes symbolize the fragility of life and unavoidability of death. Holm goes a step further and makes his figures carry the symbols in their hands or even has them become themselves live “still lifes” with burning candles on their backs. The presence of death is not a picture to behold from afar but a truth to be aware of and carry with us every day. The burning candles also mean that we’re here with our sorrow as well as our light. We must burn to shine. This book accompanies the artist’s gallery exhibition Let me be your everlasting light in Horsens, Denmark.
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Secundino Hernández
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Secundino Hernández studied at the Universidad Complutense de Madrid from 1995 until 2000 and at the Royal Spanish Academy in Rome in 2005–2006.
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Hofmann’s Ways
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Pokorny
25€ Add to cart“Abstraction means the omission of the irrelevant and the unnecessary in order to find more substantial content and form.”—Werner Pokorny
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MK Kaehne
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Chunqing Huang
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Chunqing Huang studied painting and interdisciplinary art at the Städelschule, Frankfurt am Main, where Wolfgang Tillmans and Peter Angermann were her teachers, and graduated from Hermann Nitsch’s master class. The German-Chinese artist’s work has been featured in numerous solo and group exhibitions. A first selection from the Painter’s Portrait series was on view at Kunsthalle Wiesbaden and Museum Wiesbaden in the summer of 2021; the catalogue Painter’s Portrait II is released in conjunction with her exhibition of the same title at 68projects, Berlin.
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Ingo Mittelstaedt
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Ingo Mittelstaedt (b. 1978, Berlin; lives and works in Berlin and Hamburg) creates staged photographs, combining and contrasting them with diverse objects in expansive installations. His pictorial arrangements probe a variety of concerns and imageries that he sources from museum settings or the modes of representation in ordinary advertising brochures. Gestures of showing, pointing, bringing out, and uncovering are leitmotifs in Mittelstaedt’s canny and subtly humorous exploration of the potentials and limitations of the photographic medium.
Ingo Mittelstaedt studied fine arts at the Hochschule für Bildende Künste Braunschweig and received numerous emerging-artist awards, including the New York fellowship of the Niedersächsische Sparkassenstiftung. His work has been shown at Kunstverein Hannover, the Wilhelm-Hack-Museum, Ludwigshafen, Marta Herford, and elsewhere.
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Simone Haack – Untangling the Strands / Démêler les Fils
24€ Add to cartSimone Haack’s (b. Rotenburg/Wümme, 1978; lives in Berlin) most recent body of work delves into the theme of hair as a parameter of identity straddling the division between nature and culture. Her second publication with DCV is released on the occasion of two exhibitions: Untangling the Strands at Berlin’s Abguss-Sammlung Antiker Plastik, a collection of casts of ancient sculpture, which are seen in dialogue with her hair pictures; and Helix of Realism at Galerie Droste, Paris, which is part of the official program of events around the grand Surrealism exhibition held at the Centre Pompidou in celebration of the Surrealist Manifesto’s centennial. The new book is the first to shed light on the aspect of the surreal in the artist’s oeuvre and uncovers a major source of her visual inspiration: the dream diaries that Haack has kept since she was seventeen and the interest in the unconscious they reflect. It is above all the logic of the dream as well as feelings and moods that inform her paintings.
Haack: “My goal is to use the means of realism to visualize what cannot be seen. To get into an automatism that lets the unconscious speak in order to infuse the pictures with a life of their own. To shed light on the domain where the myths originate.”
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Penny Hes Yassour
Temp-Est24€ Add to cartA Monograph about the Award-Winning Israeli Artist
Penny Hes Yassour (b. 1950, lives and works at kibbutz En-Harod Ihud) tells stories and keeps history alive, explores the boundary between remembering and forgetting. In her installations she combines sound, image, and a multi-part world of objects into narrative mise-en-scènes of great poetic power. Hes Yassour leads the viewer through the Jordan Valley with its many watchtowers, accompanies the transformation of the landscape in a gigantic, stagelike water basin, and documents the flight of bats in a narrow, labyrinthine spatial installation. The book published on the occasion of the artist’s first exhibition in Germany provides comprehensive insights into her subtle artistic work.
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Margret Eicher
Lob der Malkunst38€ Add to cartContemporary Visual Communication in a Historic Weaving Technique
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Vanessa Henn
Same Same35€ Add to cartVanessa Henn’s (b. Stuttgart, 1970; lives and works in Berlin) objects and installations blend formal reduction with playful comedy. The handrails she makes out of a wide variety of materials run along walls, project into rooms, trace spirals, mark lines or arcs, and often solicit our active engagement. Besides banisters, her oeuvre, which straddles the line between architecture and sculpture, also comprises bridges, stairs, and fences. All her creations are energized by the tension between the static work of art and its dynamic environment, which the artist resolves by integrating her works into the goings-on of everyday life. A guardrail that runs perpendicular to a flight of stairs or abruptly ends in the ceiling or floor is relieved of its function; rather than helping us go where we are going, it is a companion who invites us on a stroll into the imaginary and uncertain. And that is what makes Vanessa Henn’s art so alluring.
The book presents Vanessa Henn’s latest works from the years 2019-2023.
Vanessa Henn studied sculpture at the State Academy of Fine Arts Stuttgart (1992–2001) and at Edinburgh College of Art (1995–1996) and completed a Master of Fine Art at the University of Canterbury School of Fine Art in Christchurch, New Zealand (1999–2000).
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Flatland
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The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
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Jörg Heieck
CRUX29€ Add to cartTwo Fascinating Series of Works by the Photographer and Physicist
Expertly wielding the vintage photographic technique of the cyanotype, Jörg Heieck (b. 1964, Münster; lives and works in Kaiserslautern) transmutes nature into a fascinating play of shades of blue and defamiliarized shapes. Desolate sceneries, barren landscapes—the first series gathered in the book was created in the Sahara, Iceland, and Spitsbergen. Humanity has reached a crossroads: can we avert the destruction of the planet? Contrasting this symbolic crux, the second section presents populated intersections replete with signage from China, Japan, Russia, Israel, India, Greece, and Georgia. With these panoramas of urban life standing as a counterpoint to the abstraction in the photographs in the first section, the book offers insight into the artist’s extraordinary oeuvre.
Jörg Heieck has a PhD in physics and worked for many years as a researcher at Agfa, Kodak, and the ITER nuclear fusion reactor project. His art has been shown in numerous countries, including at the Goethe-Institutes in Damascus and Beirut, the Aleppo International Photo Festival, the Wilhelm-Hack-Museum, Ludwigshafen, and Kunsthalle Mannheim.
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Matilde Damele
New York. 1999-201435€ Add to cartNew York and street photography were made for each other, which is why Matilde Damele (b. Bologna; lives and works in Rome), a master of the genre, left home for the big city in the late 1990s. She spent fifteen years in New York, and now her forays have congealed in this singular picture book. The light, the skyscraper-lined avenues, the pedestrians hurrying past and their loneliness in crowds—nimbly wielding her camera, Damele recorded all of it in classic black and white. The result is an outstanding portrait of a forward-looking metropolis that continually draws our attention to its past.