Urban Art! Biennale® 2019
Meinrad Maria Grewenig, Weltkulturerbe Völklinger Hütte
Don Karl, Robert Kaltenhäuser, Frank Krämer, Meinrad Maria Grewenig
24 x 28 cm
The World’s Most Important Exhibition of Urban Art — Presented for the Fifth Time in 2019
Its themes are the city and urban lifestyle, its can-vases walls, doors, or windows, its artists cosmo-politan. Since the turn of the millennium, Urban Art has developed out of the non-commercial, often illegal art forms of graffiti and street art. Although it makes use of the same stylistic means — spraying, tagging, the deliberate inclusion of drips, the use of graffiti scripts, etc. — it transports these as commis-sioned works into the legal space of the museum, gallery, or architecture. The Urban Art Biennial at the World Cultural Heritage Site Völklinger Hütte is the largest international exhibition of its kind. Fifty individual works and twenty-five installations by one hundred artists shed light on the latest developments and positions from Western metropolises, as well as from current hot spots around the globe.
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Grott18€ Read more
A Facsimile by the Theologian and Artist
The genesis of images is a central aspect of the work of the Munich-based theologian and artist Thomas Lehnerer (b. Munich, 1955; d. ibid., 1995). In drawings and sculptures, as well as in spatial and conceptual works, the production of images creates a counter-world to our own lives. By transferring fundamental experiences of human existence into art, Lehnerer creates an equivocal, anthropological space for observation and reflection. The artist’s book Grott, published in 1986, contains ambiguous elements. All drawings are positioned on the right page. In the not yet dried state, a double image was formed on the left side, which relativizes the “primary image.” The depictions of animals, people, and the environment were drawn nearly without interruption from a single line. In this style of continuous movement, the overall image can be traced back to its beginning. For Lehnerer, it was important to understand human (self-)consciousness from the perspective of the history of evolution, since there are countless models of thought and belief within this narrative. Grott refers in the title, as well as in the drawings, to the charged relationship between the earthly and the spiritual.
Lovely Planet. Polen / Poland16€ Add to cart
An Unconventional and Humorous Guide to a Country of Contrasts
In 2015, the photographer Jakob Ganslmeier (b. Munich, 1990; lives and works in Berlin) went on an extended tour of Poland in search of shots that captured the country’s social realities and way of life at a time of wrenching changes. The title of his project evokes associations with Lonely Planet, one of the world’s best-selling series of travel guides, and the artist took inspiration from the format of the popular books, where recommendations for readers exploring strange lands are grouped by categories. Crisscrossing Poland—he covered over ten thousand kilometers—Ganslmeier encountered widely different people and draws our attention to places that would never make it into a guidebook. His pictures show a country of extremes, between boomtown optimism and decline, consumerism and poverty, gleaming façades and bleak village streets.
Jakob Ganslmeier studied at the Ostkreuzschule für Fotografie, Berlin, and at the Bielefeld University of Applied Sciences. His pictures, which have garnered numerous awards, are frequently featured in leading German media and have been shown in exhibitions in Germany and abroad, including at the Brandenburgisches Landesmuseum für moderne Kunst, Cottbus, the Nobel Peace Center, Oslo, the Triennale der Photographie Hamburg, and the Fondation Calouste Gulbenkian, Paris.
Freies Spiel44€ Add to cart
The function of art in human existence
Throughout his short life, the Munich-based theologian and artist Thomas Lehnerer (1955–1995) did not take the existence of art for granted. In his writings, above all in Methode der Kunst (Methods of Art), he developed a concept of art in the continuation of key texts from the fields of aesthetics, cultural theory, and art history, which can also be found in his own artistic work. The small-format figurative sculptures by Lehnerer, as well as his drawings, watercolors, and early installations, follow theoretical premises and address comprehensive themes of human existence. The present volume documents his examination of human existence, which is deepened by the inclusion of cultural historical figures and idols.
Synthese25€ Add to cart
The First Comprehensive Overview of the Work of the Photo Artist from 1972 to the Present Day
Ralf Cohen (b. 1949, Solingen; lives and works in Karlsruhe) makes use of the entire material complex of photographic image production for his own creative purposes. He works exclusively with analog processes and explores the limits of the medium with a variety of experiments in the darkroom, altering his photographs through solarization, long-term exposure, light/dark reversal, chromatic filtering, and further manual processing. This comprehensive volume presents Cohen’s works, from the high-contrast black-and-white architectural photographs of the early period and the work groups of people in cities from the late 1980s to the latest photographic series with their enigmatic light effects, seemingly glowing planetary surfaces, hails of stars, and fantastical islands. Ralf Cohen’s fascinating cosmos of imagery breaks viewing habits and, with his imaginary universes, opens up a new perception of the world.
Second Life – 100 Arbeiter14,80€ Add to cart
The Workman Sculptures at Völklinger Hütte Steelworks
Sculptures on topics of everyday life are at the center of the work of Ottmar Hörl (b. 1950, Nauheim; lives and works in Frankfurt/Main and Wertheim). His major projects gained international recognition, they are based on the artist’s concept of art as a communication model. For the Völklingen Ironworks World Heritage Site, Hörl conceived the sculpture project Second Life, which features 100 figures modeled on the Völklingen ironworker with helmet and work clothes. The book documents the impressive project that focuses on the universal theme of the Völklingen Ironworks: work and the working people.
Stories Told by Stones15€ Add to cart
“I find the question of a consciousness of stones genuinely inspiring, captivating, and provocative!”
Elsa Salonen (b. 1984, Turku; lives and works in Berlin and Finland) produces colored crystals from the pigments of flowers, draws stellar constellations with finely ground meteorite dust on glass, or distils liquid from plants. The Finnish artist experiments with a wide range of “poetic” materials, reviving lost animistic rituals and magical practices. Her subtle works in the field of tension between installa-tion, painting, and conceptual art combine mysti-cism with science, ancient knowledge with recent findings — supported by a great respect for nature. This volume documents her artistic search for consciousness as the primary source of all physical matter.
16 Artists in Dialogue with W. G. Sebald35€ Add to cart
On Memories and Temporalities
Pensive Images examines the complex and invariably singular relationships through which images and memories are inextricably linked. The book relates to the work of the German writer W. G. Sebald (b. 1944, Wertach; d. 2011, Norfolk), especially to four fictional stories he published between 1990 and 2001, in which he inserted non-captioned blackand- white photographs of uncertain provenance and nature into the text like memories punctuating ways reminiscent of his writing. It brings together 16 artists who, in ways reminiscent of Sebald’s approach, explored the realms of memory and past from the perspective of experience and intertwining temporalities.
With works by Mathieu Kleyebe Abonnenc, Dove Allouche, Lonnie van Brummelen / Siebren de Haan, Moyra Davey, Tacita Dean, Jason Dodge, Félix González-Torres, Ian Kiaer, Jochen Lempert, Zoe Leonard, Helen Mirra, Dominique Petitgand, John Stezaker, Danh Vo and Tris Vonna-Michell.
Otto Dix in Baden-Württemberg
Museumsführer9,80€ Add to cart
Seven Museums Jointly Present the World’s Largest Collection of Works by the Famous German Painter.
In 1933, after the loss of his professorship in Dresden and mounting defamation by the National Socialists, Otto Dix (b. 1891, Untermhaus; d. 1969, Singen) retired to Lake Constance, where he lived for more than thirty years. Together, seven museums in the state of Baden-Württemberg — including the museum in his former home in Hemmenhofen — have the world’s most comprehensive collection of his works at their disposal, providing insight into all facets of his creative work: from the social criticism of the major works, at times depicted with brutal verism, to the old masterly glaze painting of his inner emigration and the expressive alla prima paintings of the late years. For the first time ever, this treasure trove is presented in one volume.
The participating museums: Kunstmuseum Albstadt, Zeppelin Museum Friedrichshafen, Museum Haus Dix, Gaienhofen-Hemmenhofen, Kunsthalle Mannheim, Kunstmuseum Singen, Kunstmuseum Stuttgart, Staatsgalerie Stuttgart.
Double Issues24€ Add to cart
Sales Spaces without Merchandise
In her installations, Laura Schawelka (b. 1988, Munich; lives and works in Berlin) makes use of photography, video, and sculpture in a multilayered dialogue. In her latest works, the artist focuses on the role of photography in the development of modern consumer society. What does it mean if goods are only communicated through other goods, such as computers, cell phones, tablets? If this withholding of the genuine object is precisely what prompts the desire for it? The artist creates sales spaces without merchandise, in which images, photographs, and videos have replaced consumer goods of any kind.
Laura Schawelka studied at the Städelschule in Frankfurt am Main as a student of Tobias Rehberger master-class. In 2015, she was awarded the Master of Fine Arts at the California Institute of the Arts in Los Angeles, and in 2017 she moved to Paris as the recipient of a studio bursary of Hessische Kulturstiftung.
Joanna Pousette-Dart32€ Add to cart
„A kind of Dialogue between Myself and the Horizon.“
The works of Joanna Pousette-Dart (b. 1947, New York; lives and works in New York) are deeply rooted in the vast expanse of the American desert landscape, without ever committing themselves to a strict objectivity. As early as the 1970s, the artist abandoned the rectangular form of her canvas in favor of dynamically balanced panels that open out to the respective space. This volume presents her fascinating paintings from 2004 till 2019, which oscillate between landscape and abstraction, line and form. Born in New York to abstract expressionist painter and founding member of the New York School of painting, Richard Pousette-Dart, Joanna Pousette-Dart’s experience as a painter rises from rich tradition. Her work is held in the collection of the Museum of Fine Arts, Boston, the Solomon R. Guggenheim Museum, New York, and the Museum of Modern Art, New York, amongst others.