Tamara Suhr
Skulpturen
 | |
|---|---|
| Author(s) | Anne Hein, Christiane Hoffmann |
| Design | Marlen Albrecht |
| Size | 22 x 30,5 cm |
| Pages | 112 |
| Illustrations | 64 |
| Cover | Hardcover |
| Language(s) | German, English |
| ISBN | 978-3-947563-69-2 |
Hesitant yet Immediately Present
As a sculptor, Tamara Suhr (b. 1968, Tübingen; lives and works in Ludwigsburg) has devoted herself unswervingly to the human figure. Her subjects are figures of children whose hesitancy always embodies a certain curiosity, a sense of expectation. In their form reduced to the essential, indeed almost archaic, they radiate calm and serenity—supported by balance with regard to both the motif and possible associations. In their small size and vulnerability, Suhr’s figurative sculptures, painstakingly crafted in bronze, seem apparently in need of protection, yet they appear strong and courageous. They stand, gaze, crouch, fish, swim or balance. They are present, in the here and now, a symbol for the children of the world.
More books
-
Beate Höing
It’s all about Love28€ Add to cartRecollections—What remains?
The painter and ceramist-sculptor Beate Höing (b. 1966, lives and works in Coesfeld and Münster) creates works of art whose aesthetic is deeply informed by the ornamentation and manual techniques of folk art. Drawing inspiration for her motifs from souvenir culture, but also from fairy tales and myths, she unfurls her burgeoning imagination in works defined by an unmistakable style and a singular allure. Poetic pictures and sculptures deftly toy with the conventions of kitsch and forms of traditional craftsmanship. Tangible objects, associations, and recollections coalesce in an ambivalent play between reality and fiction in which only a fine line separates dream from nightmare, congeniality from alarm.
The lavishly illustrated monograph presents a comprehensive survey of the artist’s output between 2011 and 2021.
-
Stefan Knauf
10€ Add to cartStefan Knauf (b. Munich, 1990; lives and works in Berlin) uses selected materials such as construction supplies or plants to investigate the histories of botany, migration, trade, science, and architecture and critique an idealized and anthropocentric conception of nature that is still prevalent. His sculptures, geometric-abstract pictures, and installations, with echoes of constructivism and minimal art, are contact zones in which everything is related to everything: human and non-human history, the natural and the artificial, ecology and ideology. Knauf’s works do not propose to unravel these entanglements. Rather, they suggest alternative perspectives and topographies guided by the idea of the “modified landscape” and devise material and alchemistic forms of knowledge and a novel and multiperspectival approach to the history and reality of the Anthropocene.
-
Räume hautnah (GERMAN)
Draiflessen Collection32€ Add to cartWe live in spaces that we shape in accordance with our own ideas. Our everyday lives leave traces in them that speak to our habits. Spaces promise shelter and belonging, but they can also instill a sense of constraint. We grow into the spaces we inhabit—and they in turn become expressions of our personalities. Conversely, spaces, depending on their architecture and location, inform our existence. RÄUME HAUTNAH gathers works of art that, rather than conceiving of the human sphere and the spatial domain as separate, comprehend them in their complex entanglements: in bodily experience, emotional dependency, or the instinctive need for protection. An essay by Olesja Nein, the project’s curator, offers an introduction to the exhibition and takes the reader on a tour, describing each artist’s space of activity and supplying helpful information. Philipp Zitzlsperger, meanwhile, zooms in on a key aspect of the art in the exhibition, the imprint as an artistic technique with a distinctive aura, and illuminates its origins and significance since the dawn of modernism.
Artists: Absalon, Shannon Bool, Heidi Bucher, Eileen Gray, Do Ho Suh, Mary Mattingly, Tracey Snelling, Francesca Woodman
-
Ivonne Thein
TECHNO BODIES28€ Add to cartIn her multidisciplinary work, Ivonne Thein (born 1979 in Meiningen, lives and works in Berlin) addresses the current body images of a digital culture that is undergoing fundamental change due to extensive technologization. Today, new technologies are profoundly shaping both the physical body and its virtual representations in the visual culture of our time. Thein works with AI systems for her installations and places the question of the problem of imitating nature, and thus the relationship between art, technology and body, at the center of her artistic work. To do this, she combines digital techniques with sculptures that she creates by hand from silicone. Thein thereby evokes an intrusive closeness in the exhibition space, as the images generated with the AI no longer remain just a pure data set on the screen. The book presents works from 2020–2023.
-
Judit Reigl
Kraftfelder / Centers of Dominance28€ Add to cartBeginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression. Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.
On occasion of Reigl’s centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist’s first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century.
Judit Reigl studied painting at the Academy of Fine Arts in Budapest from 1942 until 1945 and was a fellow at the Hungarian Academy in Rome in 1947–48. From 1950 onwards, she lived and worked in France.
-
João Penalva
The Asian Books40€ Add to cartThe First Survey on the Exceptional Artist Books of João Penalva
Since 2007 João Penalva (b. 1949, Lissabon; lives and works in London) has exhibited large format unbound books, printed with archival inks on fine art paper, displayed on tables with chairs, to be handled freely. Each one is published in an edition of three and one artist’s proof. Those whose content relate to Asia, whether factually or fictionally, are collected here for the first time: Taipei Story, 2007; Portraits: Machines and Kabuki Wigs, 2009; The Toshiba Book of Happiness, 2009; Hello? Are you there?, 2009; Michio Harada, 2015; Boro, 2017.
João Penalva studied Fine Art at the Chelsea School of Art in London. His works have been shown in manifold international exhibitions. Penalva represented Portugal 2001 at the Venice Biennale and 1996 at the São Paulo Biennale.
-
Michelle Jezierski
Verge28€ Add to cartHow does a simple line become a horizon? When do we begin to see colors and shapes as a landscape? Michelle Jezierski’s painting homes in on the tipping point at which our perception begins to oscillate between color/surface and space/representation. At that very point, she captures the essence of the landscape as such, which is not a concrete place but a metaphor for inner states of affairs. To get there, Jezierski distills what she sees in her surroundings down to the elements of painting—shapes and colors—which just barely intimate a pictorial space while persistently drifting toward abstraction. The defining feature of her technique is that she layers several pictorial planes and spaces on the canvas in staggered arrangements. “Perpetually discovering new ways to unsettle the visual space,” as she puts it, she engenders ruptures and structures that open up multiple perspectives and a portal for reflection on one’s own perception. Above all, however, the cuts lend her pictures a peculiar rhythm that powerfully pulls in the gaze, making the reader paging through this catalogue forget time and space.
-
Filip Henin
10€ Add to cartThe events captured in Filip Henin’s (b. Mayen, 1986; lives and works in Berlin) paintings are set in a world beyond time and place, as though on an empty stage prepared for a Samuel Beckett production. It is virtually impossible to say whether a picture shows a coastal region or a craggy slope up in the mountains, whether a field of blue represents the sea or a band of open sky. Henin strips landscapes down no less than human figures, subtracting specific features to isolate basic forms that might be found in the hill country around his hometown in western Germany or in Tuscany. His work integrates quotations from antiquity, Romantic landscape painting, and postmodernism as well as Italian Transavanguardia, the mysticism of Francesco Clemente and Sandro Chia, and the figurative painting of the 1990s. Without veering into drama or pathos, he harnesses two utterly antithetical energies: the reflection on painting and the history of art and the need to be simple.
-
auf Erkundung
Anne Deuter und Monika Supé25€ Add to cartA Dialogue on Time
The two artists Anne Deuter (b. 1986, Halle; lives and works in Halle) and Monika Supé (b. 1967, Munich; lives and works in Munich) engage in self-exploration to find ways to convey an experience of body, space, and time. Grappling with formalist elements, they devise their compositional practices in graphite and ink and in words and images, respectively. Enhanced by selected works by contemporary poets, the publication opens up new perspectives on what it means to exist in time.
Anne Deuter studied visual art and art history at the Ernst-Moritz-Arndt-Universität Greifswald. She rounded out her education in the book art program at Burg Giebichenstein Kunsthochschule Halle. Monika Supé studied architecture at the Technischen Universität München and completed a doctorate on visual perception training at the Technische Universität Kaiserslautern. Since 1995, she has taught in the design divisions of various universities.
-
Ossian Fraser
DISSOLVING ACTS38€ Add to cartOssian Fraser (b. Edinburgh, 1983; lives in Munich and Berlin) molds and captures evanescent moments. Working with volatile materials such as water, dust, or light, the artist exposes the latent potentials of unremarkable situations in the urban fabric and natural scenes. A tunnel in a city, a rock face in the mountains become points of departure and elementary components of his site-specific interventions, which he records in photographs. The book is the first to offer comprehensive insight into Fraser’s artistic practice. Series of pictures showcasing his conceptual and poetic pieces alternate with conversations that not only demarcate the framework in which his art operates, but also touch on the great issues of our time.
Ossian Fraser studied fine arts and sculpture at the Alanus University of Arts and Social Sciences, Bonn, from 2006 until 2009 and at the Weißensee Kunsthochschule, Berlin, from 2009 until 2013, rounding out his education in Albrecht Schäfer’s master class in 2013–2014.
-
MK Kaehne
Π = 3,1415935€ Add to cartThe biography of conceptual artist MK Kaehne (b. Vilnius, 1963; lives and works in Berlin) oscillates between Vilnius, Moscow and Berlin. Influenced by Russian Constructivism, he draws and builds suitcase sculptures with a department store aesthetic, a reversal of the readymade principle. His focus gradually shifted from the formal to the psychological, towards life-size figures such as It’s me (2023): a hyper-realistic replica of himself, lying upside down in the mud, with a garden gnome next to him. Kaehne’s work is strictly analytical, but the results are full of tragedy and irony. Unintentional drawings, in which biographical, Dadaist and political elements merge, accompany his oeuvre. A total work of art that traces personal and social development.
-
Stephan Kaluza
Fragmente eines Ängstlichen28€ Add to cartA Novel on Coping with Guilt or the Feeling of Having Violated Life
The filmmaker Castner and the anthropologist Pollock not only share the similarity of their names with those of Castor and Pollux, the fabled twins of Greek myth, but also a hard fate: an irreparable guilt whose motifs run through the entire novel. Pollock is forced to admit to himself that, in his role as a scientist, he was involved in a genocide against indigenous people in Panama; Castner, meanwhile, tries to get a handle on his bouts of excessive hypochondria. In episodic flashbacks and an interview that gradually turns into an emotional dispute between them, the two characters analyze the minutiae of their life stories and arrive at a surreal insight.
Castor and Pollux were known in antiquity as the patrons of sailors, who took their bearings from the twins’ constellation. That is why water figures in this novel as the element that unites all narrative planes. Water—like life—will fill any vacant space regardless of shape and adapt to all circumstances.
Stephan Kaluza (b. Bad Iburg, 1964; lives and works in Düsseldorf) is a visual artist, working in the media of photography and painting, and a writer whose output includes plays, novels, and nonfiction books. The philosophy of nature is a central theme in both Kaluza’s art and his fiction.
-
Arantxa Etcheverria
Doors38€ Add to cartThe Mythical Power of Grids
Arantxa Etcheverria’s (b. 1975, France; lives and works in Bucharest) creative practice encompasses painting, sculpture, performance, photography, and film. Since 2006, she has been especially interested in modernist architecture, a ubiquitous sight in her adopted country, Romania. Blending rationalism with speculation, the artist draws on historical references including post-Communist turbo architecture, Op art, and minimalism for works that balance between figuration and abstraction, construction and deconstruction. This book documents Etcheverria’s more recent panel paintings and installations, seen in interaction with actors in monochrome costumes. With essays by the Paris-based Romanian curator and critic Ami Barak and the art historian and curator Alina Şerban.
Arantxa Etcheverria studied fine arts at Villa Arson, Nice, and stage design at the Théâtre national de Strasbourg.
- Release May 2025
Matthias Dornfeld
danke esslingen42€ Add to cartAt first glance, the paintings of Matthias Dornfeld might strike us as naïve or even primitive. However, his still lifes, flower and animal depictions, and abstracted portraits occur in a compelling discourse with the avant-garde of European art history. Yet the works are equally accessible without that background, namely with their playful and provocative gestures, which tend to push the depictions to the brink of possibilities. After a comprehensive retrospective in the Villa Merkel Esslingen, this book documents the show and includes texts by Friedrich Meschede, Daniela Stöppel, and Christian Gögger. The in-depth essays illuminate Dornfeld’s oeuvre and iconography and furthermore discuss the unconventional hanging of the show as well as its reception.
-
Sonja Yakovleva
10€ Add to cartSonja Yakovleva (b. Potsdam, 1989; lives and works in Frankfurt am Main) uses pornographic representations and images from the internet as templates for papercuts, some in large formats, that grapple with personal and public stories about women, power relations, sexuality, and violence. The silhouettes show popular motifs that have served to ingrain fairy tales, myths, and ideologies in the collective consciousness from the colonial era to modernism and the early twenty-first century. Yakovleva, whose art is often associated with sex-positive feminism, appropriates this folkloristic visual idiom and hybridizes and sexualizes it. Dessous and strap-on dildos, for example, figure as preserved specimens of butterflies and insects, bringing historic scientific expeditions to mind. Yet her work also addresses the capitalist urge to categorize, evaluate, and market every kink.
-
Wyatt Kahn
Paintings and Sculptures36€ Add to cartWyatt Kahn’s (b. New York, 1983; lives and works in New York) work hovers between two and three dimensions, reviving aspects of American 1960s Minimal Art. In the tradition of minimalist abstraction, his multipart paintings seem devoid of content, but their construction is a sophisticated choreography of geometric shapes. Instead of delineating them on the canvas itself, he transforms them into physical elements composed of canvas stretched over strips of wood that he mounts on the wall as reliefs, making the latter an integral part of the composition. Working on the interface between painting and sculpture, the artist also references Ellsworth Kelly’s single and multiple shaped canvases.
Wyatt Kahn’s works are held by major collections including the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Centre Pompidou, Paris; the Museum of Contemporary Art, Los Angeles; the Dallas Museum of Art; the Museum of Contemporary Art, Chicago; and the Albright-Knox Art Gallery, Buffalo.
- Release May 2025
Antonia Hirsch
Phenomenal Fracture24€ Add to cartIn a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined. Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder’s body. The book accompanies Hirsch’s solo exhibition “Phenomenal Fracture” at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humorous.
-
Zwischen Freiheit und Moderne
Die Bildhauerin Renée Sintenis29€ Read moreThe Successful Sculptor and Symbol of the “Neue Frau”
Renée Sintenis (b. 1888, Glatz; d. 1965, Berlin) belongs to the first generation of professional female sculptors at the beginning of the twentieth century. She made skillful use of her business relations with her gallerist Alfred Flechtheim, who introduced her to collectors in Paris, London, and New York. The market for, in particular, her lively, small animal sculptures was quite lucrative. These experienced renewed popularity in the 1950s through her Berlin Bear statuette, which has been presented in a small version at the Berlin International Film Festival since 1960. The catalog sheds light on the sculptor’s diverse oeuvre and provides insight into the self-image of one of the most successful women artists of the Weimar Republic, who embodied the type “Neue Frau” (new woman) due to her dazzling appearance.
-
Beyond the Box
Dohmen Collection30€ Add to cartBreaking the Mold of Convention
Presenting installations, sculptures, objects, and paintings from Mexico, Cuba, West Africa, Israel, Bulgaria, Russia, South Korea, and Japan, rounded out by extraordinary works from the U.S. and Europe, this selection from the Dohmen Collection features artists from countries that did not typically register on “Western” art radars until fifteen years ago. It was the seminal documenta 11 (2002), curated by a team led by Okwui Enwezor, that ushered in a departure from the contemporary art world’s entrenched geopolitical ideas. This book showcases a treasure that has long been ahead of its time yet did not attract public attention: the private collection of Werner Dohmen, a physician in Aachen. It includes works by Mariana Castillo Deball, Wim Delvoye, Jimmie Durham, Diango Hernández, Rodney McMillian, Pavel Pepperstein, Nora Turato, Haegue Yang, and other artists who continue to provoke audiences, ask probing questions, and prompt fresh thinking.
Dr. med. Werner Dohmen has been head of the board of Neuer Aachener Kunstverein since 1988. In addition to building his own collection, he has been a committed supporter of the intercultural project No es arte, which advocates for the return of goldwork of the pre-Colombian Tairona people that was stolen from sacred sites during the colonial conquest of South America.
-
Maria Braune
Keep Away From Fire28€ Add to cartMaria Braune’s (b. Berlin, 1988; lives and works in Munich and Bamberg) work revolves around a material she developed; named Migma, it consists of eight different renewable natural resources. She heats it, then casts and molds it in a process that continues for weeks. The resulting sculptures and installations sprawl throughout the space like sensuous organisms. Associations of growth and symbiosis emerge, but discontinuities and disintegration come into view as well. Braune’s creative process is part of an ecosystem and thoroughly anchored in the now. Her material is a vitally alive substance to which she responds in an immediate engagement, connecting it to mythological and narrative significations and setting it in relation to her own world.
Maria Braune studied woodcarving at the Fachhochschule für Bildhauerei in Berchtesgaden, Germany, in 2009–2011, then fine arts with Hermann Pitz at the Academy of Fine Arts Munich, where she graduated in 2017.
