



Silke Eva Kästner
Panta Rhei
![]() | |
---|---|
Author(s) | Dorothée Bauerle-Willert, Amrita Dhillon, Barry Schwabsky, Silke Kästner |
Design | arc |
Size | 20 x 28,5 cm |
Cover | Otabind brochure |
Pages | 144 |
Illustrations | 90 |
Language(s) | German, English |
ISBN | 978-3-96912-099-6 |
Silke Eva Kästner (lives and works in Berlin and Uckermark) developed her creative approach while traveling in India, New York, and Japan. She creates temporary on-site paintings as well as conceptual pieces in which the viewer comes upon prepared materials and becomes part of—or even alters—the picture. Kästner documents these encounters in photographs or filmic traces out of which she compiles films in the editing suite. Probing the potentials of painting as communication, she foregrounds the active intervention and process. In the gallery no less than the urban scene, Kästner places painting in relation to architecture in order to frame it in varying perspectives.
The monograph offers insight into the foci of Kästner’s art; the works are grouped in chapters rather than arranged in chronological sequence. This structure makes the book a space of experience that gives the reader a vivid sense of her ephemeral creations.
After studying with Katharina Grosse at the Weißensee School of Art and Design Berlin, Silke Eva Kästner won the Mart Stam Prize; she honed her craft in India on a NaFöG fellowship and in New York on a yearlong DAAD fellowship. Funding support from the Institut für Auslandsbeziehungen (ifa) enabled her to initiate an ongoing exchange project between Kashmir and Berlin. Her work has been on view at numerous institutions including the Schirn Kunsthalle Frankfurt; the Devi Art Foundation, Delhi; Berlinische Galerie, Berlin; the Queens Museum of Art, New York; Künstlerhaus Bethanien, Berlin; and the Haus der Kulturen der Welt, Berlin.
More books
-
Nicola Staeglich – Farbe schwebend / Color floating
22€ Add to cart“The more slowly one approaches Staeglich’s works, the more they reveal.” Stephan Berg
Nicola Staeglich transforms color and traces of the act of painting into complex pictorial spaces that exude light and make time visible. Using an extra-wide brush, she applies luminous oil paints to (semi-) transparent foils and solid support media made from acrylic glass. Each movement of her body leaves a distinct mark on the paintings. Once the works are placed in the exhibition space, they absorb their environment and ambient light as well as the eye. The artist’s experimental approach generates a rich dynamic: paint hovers in mid-air, disembodied, while a constant oscillation between color and surface, between pictorial body and setting unlocks novel dimensions in space and time. The picture continually coalesces in the eye of the beholder, metamorphosing as the angle of incidence shifts and the mind parses the traces and strata of paint. Even in printed form, Staeglich’s works convey a rousing vitality.
The catalogue accompanies Staeglich’s solo exhibition at Städtische Galerie Waldkraiburg.
- Out of stock
Soulages
Malerei 1946–201942€ Read more“I paint not with black but with light.”
Pierre Soulages (b. Rodez, France, 1919; lives and works in Paris and Sète, France) is an eminent figure in abstract painting. A member of the Nouvelle École de Paris, he developed his first nonobjective pictures early on, in 1946, putting bars of bold color, typically black, on white grounds. His embrace of total non-representationality, an art that depicts nothing, that stands for nothing but itself, amounted to a radical challenge to the traditional values of painting. In 1979, his work entered a new phase, a painting he calls “outrenoir” or “beyond black.” Soulages now occupies a singular position, and not only by virtue of his choice of materials such as walnut stain and tar and implements like scrubbers, iron hooks, and spatulas. The book documents the arc of his oeuvre from his beginnings after World War II to the present. Illustrating the evolution of his art, it shows how he remained true to his creative vision, a consistency that is doubly imposing given the extraordinary length of his career.
Pierre Soulages studied at the École Régionale des Beaux-Arts, Montpellier, before moving to Paris in 1946. He contributed work to documentas I, II, and III and the 26th Biennale di Venezia. His work has been shown at the Museum of Fine Arts, Houston; the Hermitage Museum, Saint Petersburg; the Musée du Louvre and the Centre Pompidou, Paris; and the Musée Fabre, Montpellier. The Musée Soulages in his native Rodez opened in 2014.
-
Michelle Jezierski
Verge28€ Add to cartHow does a simple line become a horizon? When do we begin to see colors and shapes as a landscape? Michelle Jezierski’s painting homes in on the tipping point at which our perception begins to oscillate between color/surface and space/representation. At that very point, she captures the essence of the landscape as such, which is not a concrete place but a metaphor for inner states of affairs. To get there, Jezierski distills what she sees in her surroundings down to the elements of painting—shapes and colors—which just barely intimate a pictorial space while persistently drifting toward abstraction. The defining feature of her technique is that she layers several pictorial planes and spaces on the canvas in staggered arrangements. “Perpetually discovering new ways to unsettle the visual space,” as she puts it, she engenders ruptures and structures that open up multiple perspectives and a portal for reflection on one’s own perception. Above all, however, the cuts lend her pictures a peculiar rhythm that powerfully pulls in the gaze, making the reader paging through this catalogue forget time and space.
-
Toni Mauersberg
Entre Nous28€ Add to cartToni Mauersberg (b. Hannover, 1989; lives and works in Berlin) is interested in the different layers of a picture’s signification: there is, in the first instance, what it depicts; then the larger tradition in which it is grounded; and finally, the conditions of its genesis. She employs a range of painterly strategies and techniques to uncover the potentials of paintings as a medium of understanding, insight, and storytelling. The question that animates her art is how it is possible, in this post-religious, post-rational, and post-individual age, to be one’s own person. In her most recent series, Pas de Deux, Mauersberg investigates the complex visual language of abstract painting, which originated in part in a quest for new ways of representing spirituality and emancipation. Combining nonrepresentational pictures with portraits, she draws attention to how both are products of “making,” composed of nothing but color, while enlarging their interpretative ambits. The dialogue between the paintings is meant to help the beholders chart their own course as they unlock what appear to be hidden laws encoded in pictures.
Toni Mauersberg studied Jewish studies at Freie Universität Berlin in 2008–2012 and fine arts with Leiko Ikemura at the Berlin University of the Arts from 2009. In 2017, she was Michael Müller’s master student.
-
Hans Karl Zeisel
Hundred and more34,95€ Add to cartPossibilities of Concrete Art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
-
B.A.R.O.C.K.
24,80€ Add to cartArtistic Interventions in the Caputh Palace. Contemporary Parallels to the Baroque Era
Four international women artists spent more than three years studying Caputh Palace near Potsdam and creating works specifically for this magnificent location. The tapestries by Margret Eicher (b. 1955, Viersen; lives and works in Berlin), the floral scans by Luzia Simons (b. 1953, Quixadá, Brazil; lives and works in Berlin), the wax sculptures by Rebecca Stevenson (b. 1971; lives and works in London), and the ceiling painting projections by Myriam Thyes (b. 1963, Luxembourg; lives and works in Düsseldorf) blend into the surrounding space both naturally and surprisingly. With twelve double-page collages, the large-sized catalog is an artistic commentary on the ambitious project.
- Out of stock
Hans Karl Zeisel
Hundred and more34,95€ Read morePossibilities of concrete art
What is possible without turning away from the cocrete? In the Bauhaus tradition, the typographer, graphic artist, designer and author Hans Karl Zeisel opens up countless design options with basic forms. His wooden cuboids demand a humorous approach to sculpture. They are creativity training, study tools and meditation game all in once. A playful experiment that reveals the diversity of concrete art.
-
Matthew Davis
Kustodiev28€ Add to cartAn Expressive Instant in Painting
The art of Matthew Davis (b. 1969, Colchester, UK; lives and works in Berlin) operates between the micro and macro dimensions, between control and chance. Working with extraordinary precision, the artist applies drops of synthetic resin varnishes and enamel paints to canvases laid flat. The artist’s book Kustodiev showcases a recent innovative turn in Davis’s output, whose latest works were inspired by the lusciously colorful pictures of the Russian painter Boris Kustodiev (1878–1927). Kustodiev was manufactured using offset presses and Office Offset, a largely forgotten reproduction process based on miniature offset printing machines. The publication is released in a limited edition of 250 copies.
Matthew Davis studied at the Camberwell College of Arts, London, and the Norwich School of Art and Design. His work has been shown at the Konrad-Adenauer-Stiftung, Berlin; Künstlerhaus Wien, Vienna; Kunsthalle Wilhelmshaven; and other museums and galleries.
-
ELMGREEN & DRAGSET
READ48€ Add to cartThroughout their careers, the artist duo Elmgreen & Dragset (Michael Elmgreen, b. Copenhagen, Denmark, 1961, and Ingar Dragset, b. Trondheim, Norway, 1969, live and work in Berlin) have eschewed the traditional “White Cube” exhibition format by creating large-scale installations and staging narrative situations in which autobiographical quotes blend with fictional stories and cultural references.
For the solo exhibition READ, Elmgreen & Dragset have transformed Kunsthalle Praha into a minimalist version of a modern public library to prompt reflections on our relationship with physical books and knowledge in the age of digital media. With new works by Elmgreen & Dragset as well as performances, videos, collages, paintings, and sculptures by other artists, READ also probes the relation between books and the making of art.
This richly illustrated publication documents the dynamic interaction between language, books, and art. With contributions from renowned scholars and a curatorial text by Elmgreen & Dragset.
-
MS 00 22
Michael Sailstorfer – Works 2000–202245€ Add to cartMS 00 22 – Michael Sailstorfer: Works 2000–2022
Michael Sailstorfer (b. Velden/Vils, Germany, 1979; lives and works in Berlin) is one of the most renowned German sculptors and object artists of his generation. His sculptural creations, which often require extensive planning and complex production processes, are the results of reflections on and reinterpretations of everyday objects: intriguing, bizarre, and sometimes humorous experimental arrangements and artifacts that interact with their environments, create spaces, or self-deconstruct. These transformative processes combine conceptual depth with poetic allure and tell stories of the passage of time and disintegration. Many of Sailstorfer’s installations depend on the beholder’s active engagement for their effect. He typically documents his sculptural experiments with the camera and later shares them with the public in the form of videos or photographs.
The extensive monograph MS 00 22 presents the most important works from Sailstorfer’s creative career. Formally diverse writings and conversations with the artist offer profound insight into his practice.
Michael Sailstorfer studied with Olaf Metzel at the Munich Academy of Fine Arts from 1999 until 2005 and at Goldsmiths College, London, in 2004–05. He has won a number of art awards, including the Kunstpreis junger westen (2011) and the Vattenfall Contemporary (2012). Selected solo exhibitions: Schirn Kunsthalle, Frankfurt (2007); Kestnergesellschaft, Hannover (2010); Kunsthalle Nürnberg (2011); Contemporary Arts Center, Cincinnati, Ohio (2014).
-
SOMA
Collective SineUmbra18€ Add to cartOn the Disappearance of Italian Culture
Under the collective label SineUmbra, the artists Luisa Eugeni (b. Assisi, Italy, 1987; lives and works in Berlin) and Mattia Bonafini (b. Legnago, Italy, 1980; lives and works in Bremen) develop interdisciplinary projects that they realize as sprawling multimedia installations comprising video projections, sound, and performative elements. The point of departure for their project SOMA was Pier Paolo Pasolini’s 1975 essay Disappearance of the Fireflies, which probes the wrenching transformation that Italian society and the country’s very landscapes have undergone since the 1960s. SOMA melds performance art, the visitors’ movements, geography, and psychology in a space of experience that speaks to all senses for an exploration of the impact that traumata inflicted on individuals and communities by natural disasters and social changes have on the human soul and perceptual capacities. In keeping with the artists’ collective and dynamic creative vision, the catalogue embeds the multimedia installation in a context fleshed out by rich photographic documentation and numerous texts.
On occasion of the master class graduate exhibition at the Bremen University of the Arts in 2019, the two artists were awarded the renowned Karin Hollweg Prize for Fine Art. The publication accompanies their first solo show at Kunsthalle Bremen.
-
Sinje Dillenkofer
Archives Vivantes34€ Add to cartSinje Dillenkofer’s (b. Neustadt a.d.W., 1959) body of work ARCHIVES VIVANTES inquires into the idea of the “archive,” harnessing the means of visual art to allow us to see and perceive what the archive does not reveal. With staged photographs that combine conceptual rigor with a wide spectrum of creative techniques and devices, Dillenkofer’s pictorial essay turns the spotlight on specimens, artifacts, graphic art, and writings compiled by the explorer and naturalist Alexander von Humboldt (1769–1859) and the ornithologist Carlo von Erlanger (1872–1904). Examining the archive as a model of nature and reality as well as a mirror of “human nature,” the artist develops compositional ideas inspired by the peculiar features of the objects in the collections in visual analogies, pictorial spaces, and spatial compositions. Animals and plants that died long ago “in the service of science” are vividly embodied through the distinctive use of light and shadow. The resulting pictures consider the archive in a new context, framed by our complex relationships with nature, humankind, society and its values and ideals, circumstances and constellations of power. The pictures were taken in six German collection archives: at the Museum bei der Kaiserpfalz Ingelheim, the Naturhistorisches Museum Mainz, the Senckenberg Forschungsinstitut und Naturmuseum Frankfurt, the Stadtmuseum Berlin, and the Stuttgart State Museum of Natural History. Dillenkofer was the first artist to be invited by the Berlin State Library—Prussian Cultural Heritage to translate Humboldt’s American travel diaries into art.
Sinje Dillenkofer studied at the Stuttgart State Academy of Art and Design and has taught at universities and art academies. Her work is held by the Victoria & Albert Museum in London, the ZKM | Center for Art and Media Karlsruhe, the Staatsgalerie Stuttgart, and the Berlinische Galerie, among others.
-
Heike Negenborn
Terra Cognita24€ Add to cartLebensraum of our Time: Contemporary Landscape Painting
The central theme of Heike Negenborn (b. 1964, Bad Neuenahr-Ahrweiler; lives and works in Windesheim) is the seen lebensraum. In reference to seventeenth-century Dutch landscape painting, her works stand in a specific tradition of capturing reality. With her new group of works titled Net-Scape – Landscape in Transition, Negenborn transfers art historical references into contemporary images. The artist is interested in the possibilities of media transfer and the increasing appropriation of analog reality by the digital image. The present volume provides impressive insights into the developments of the landscape painter from 2007 to 2020.
Heike Negenborn studied fine arts at Austin College, Texas, Art Education at Johannes Gutenberg Universität Mainz, and Painting and Printmaking at the Akademie für Bildende Künste Mainz.
-
Franziska Opel
Close and Cold32€ Add to cartWith sex toys, the potential for misinterpretation and ill-advised use is vast, as countless slapstick comedies illustrate. Steering clear of quick laughs, Franziska Opel deftly harnesses this anarchic power of misunderstanding to explode our perceptions and worldview. Her works are painstakingly planned experimental arrangements in which she modifies or deforms mundane objects as well as those sex toys in subtle ways or powers them up in series, making us see them with fresh eyes. They cast a spell over us with their sensual allure, while our associative circuits processing what we see spark a certain sense of irritation. Curiosity, attraction, bewilderment, shame—expertly staged in photographs for this catalogue, the works elicit a wide range of emotions. Their energizing contradictions are elaborated by contributions from gifted writers: standalone poetic-narrative writings that reflect on several key aspects of Opel’s art in offhanded yet challenging ways.
-
Jan Zöller
10€ Add to cartJan Zöller’s (b. Haslach, 1992; lives and works in Karlsruhe) art has the aura of a jerry-rigged, cosmic, comedic theater. Flames gutter, pant legs and elbows dance, run, and go up in fire. Wells, basins, and tubs are central motifs, symbolizing communal settings, but also the circulation of vital energies, of human and economic interconnections. Zöller’s paintings take fractured or antiquated systems, today’s art world among them, and reforge them into something new. In painting, he reflects on what being an artist means to him, driven by an interest less in a dialogue with art history or other contemporary painters than in the psychosocial relationships and conditions that inform his work. His paintings, sculptures, and installations probe the discrepancy between economic production and the spiritual and magical dimension of art.
- Release June 2025
Ernst Wilhelm Nay
Monograph (EN)58€ Add to cartThe Great German Artist’s Imposing Oeuvre
Ernst Wilhelm Nay (b. Berlin, 1902; d. Cologne, 1968) was one of the most interesting painters of European modernism. Spanning the decades from the 1930s to his death in Cologne in 1968, his output encompasses paintings as well as an abundance of works on paper. The new monograph surveys all periods in Nay’s oeuvre, from the “Fishermen paintings” to the striking late pictures, which leave no doubt about the artist’s outstanding gift for color. Nay’s evolution is embedded in the history and ideas of his time, on which he reflected in lectures, writings, and notes. The volume unlocks a wide spectrum of fresh insights into Nay’s life and art.
-
Philip Loersch
POW – PORTRAITIST OF WRITING34€ Add to cartPhilip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
-
Angelika J. Trojnarski
Noble Earth38€ Add to cartAngelika J. Trojnarski (born 1979 in Mrągowo/Polen; lives and works in Düsseldorf) examines facets of nature through an ecological, scientific, poetic study of their phenomena. Through a process centered on painting, her art articulates allegorical relationships between some of the most significant contentions of our time: humans and nature, strength and fragility, crisis and hope. She expresses a desire to understand nature by reproducing its workings, pointing to its incredible might while underscoring its increasing fragility. Trojnarski overlays raw canvases with paper fragments, employing brushwork and collage to apply materials like graphite or soot, generating a source of energy and suspense through color and contrast. The monograph offers an overview of the last decade of Trojnarski’s work.
Angelika J. Trojnarski 2006–2013 studies at Kunstakademie Düsseldorf. 2006–2009 Painting with Jörg Immendorff, Markus Lüpertz and Herbert Brandl, from 2010 Free Art with Andreas Gursky.
-
Ann Wolff
Observations and Reflections44€ Add to cart“Art is coming from my inside. I am working as its servant.—I let it out not thinking too much—using my hands and gesture—choosing a material to put it on place. I do not use the art. It is using me.“
Ann Wolff (b. Lübeck, 1937; lives and works in Visby and Kyllaj, Sweden) has ranked among the most significant and most influential glass artists on the international scene for over five decades. Yet she has also worked in bronze, aluminum, nickel silver, and concrete, creating abstract as well as figurative sculptures, and produced a sizable oeuvre on paper: pastels, drawings, and fine art prints. Ann Wolff enrolled at the legendary Ulm School of Design in the 1950s to study visual communication with Otl Aicher. From 1993 until 1998, she was professor of “materials-related design” at the University of Fine Arts (HFBK) in Hamburg. Her works, which have garnered an array of prizes, have been shown in numerous solo exhibitions and are held by renowned public and private collections all over the world.
-
Tobias Pils
Drawings55€ Add to cartDrawings is the first book dedicated exclusively to the painter Tobias Pils’s (b. Linz, 1971; lives and works in Vienna) drawings. His graphical forms—the lines, figurations, even the intervening spaces—constantly change the direction in which they set out. Their ambivalence destabilizes any attempt at interpretation. One would think that the indeterminacy of Pils’s visual idiom must torment him, yet in fact this state of existential tension fills him with absurd pleasure. Rather than conceiving his works with a clear objective in mind, he allows himself to fall into them. He—his art—remains open to everything that happens in the creative process. Taken together, Pils’s drawings operate along the diffuse boundary between order and disorder, as though, acknowledging the disordered present (the life we lead), they came from an ordered past (the life we have constructed for ourselves).
Tobias Pils studied at the Academy of Fine Arts Vienna from 1990 until 1994. His works have been displayed in museums around the world, including at the mumok, Vienna (2021); the Pinakothek der Moderne, Munich (2020); the Musée Picasso, Paris (2020); the Kunstmuseum Bonn (2020); Le Consortium, Dijon (2018); the Aspen Art Museum (2018); the Chinati Foundation’s John Chamberlain Building, Marfa (2016); and the National Art Museum of China, Beijing (2010). In 2020, he executed a large wall painting at the École normale supérieure in Paris-Saclay.