



Sabrina Fritsch
syntaxerror
![]() | |
|---|---|
| Editor(s) | Daniela Steinfeld, VAN HORN |
| Author(s) | Stephan Engelke, Kay Heymer, Katharina Klang, Klaus Merkel |
| Size | 21 x 29,5 cm |
| Cover | Hardcover |
| Pages | 96 |
| Illustrations | 65 |
| Language(s) | German, English |
| ISBN | 978-3-96912-074-3 |
Sabrina Fritsch’s (b. Neunkirchen/Saar, 1979; lives and works in Cologne) paintings explore the potentials of the compositional process and the mechanisms of perception. Many of them feature coarse structures, textile surfaces, and delicate superimpositions. In this publication, Fritsch, who was recently appointed professor at the Düsseldorf Academy of Fine Arts, presents a résumé of the painterly oeuvre she has developed since her graduation from the same school in 2008. It encompasses two related books, each of which undertakes a structured study of a major strand in Fritsch’s art. One offers a chronological survey of a representative selection of works created between 2008 and 2019 that illustrate her playful and experimental engagement with the constituents of the painted picture: the picture-as-object, the organization of pictorial space, and the phenomenology of physical color. In addition to works on canvas boasting a wide variety of applications of materials and paint, it also covers serial variations in prints. The other showcases three exhibitions and bodies of work dating from 2020 and 2021 that are dedicated to the three color systems RGB, black-and-white (BAW), and CMYK.
More books
-

Pharaonengold
3.000 Jahre altägyptische Hochkultur27,50€ Add to cartThe Mysterious World of the Pharaohs and their Magical Relationship to Gold
Hardly any other culture fascinates as much as the high culture of ancient Egypt. At its center were the pharaohs, those legendary kings who, according to the beliefs of the ancient Egyptians, descended directly from the gods. Gold was ascribed a special symbolic and religious power; it stood for eternity and indestructibility and, as the “flesh of the gods,” was a sacred metal. The book brings together 150 exhibits from pharaonic tombs from the Old Kingdom of the Third Dynasty (circa 2680 B.C.E.) and the oldest gold statue of an Egyptian pharaoh to Tutankhamun and Horemheb (circa 1330–1310 B.C.E.).
-

What is Vienna Actionism?
50€ Add to cartBlows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. Vienna in the late 1960s: what had started in the artists’ homes and studios was now brough out on the grand stage, and taboos were broken in full view of the public.
The Vienna Actionism Museum’s first publication is dedicated to the idea of Vienna Actionism in the dynamic context of abstract realism, Fluxus, and the international Happening scene. The book relates the story of one of art history’s most influential art movements, spearheaded by the Actionists Günter Brus and Otto Muehl, Hermann Nitsch and Rudolf Schwarzkogler.
- Release November 2025

Bettina Buck
Finding Form45€ Add to cartThe German sculptor Bettina Buck (1974-2017) called attention to herself with her “performative sculptures,” which she often presented vis-à-vis museal objects. Buck’s preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient “protagonists,” who didn’t have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2015, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to “simultaneously attract and alienate the viewer.” In the exhibition space the objects should “create a tremor, a vibration and a conversation with its surroundings.”
Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist’s estate, Bureau Bettina Buck.
-

Julia Steiner
Am Saum des Raumes24€ Add to cartExpansive Worlds
The pencil drawings of Julia Steiner (b. Büren zum Hof, Switzerland, 1982; lives and works in Basel) are monumental in size. And yet they exude an air of delicacy and evanescence, sprawling across the edges of the paper and taking possession of the space around them. Processes frozen in an instant—like wind sweeping through clouds, light piercing the night, or the ground breaking apart—erupt with unexpected vigor. The beholder believes that he has identified a motif, only to lose sight of it a moment later in the abstraction of the painterly drawing. The artist’s oeuvre lays out a cosmos of images that crack and burst into pieces, explode and implode. The present book accompanies Julia Steiner’s first institutional solo exhibition in Germany.
Julia Steiner studied at the Bern University of the Arts (HKB) from 2002 until 2007, with a semester abroad at the Berlin University of the Arts in 2005. In 2018–19, she held an interim professorship at the Braunschweig University of Art (HBK), leading the drawing class. Steiner’s work has won her several accolades, including the 2009 Swiss Art Award and the 2017 STRABAG Artaward International (Vienna).
- temporarily not available

David Hockney: Insights
Reflecting the Tate CollectionRead moreDavid Hockney (born 1937 in Bradford) is one of the most influential and technically versatile artists living today. This new publication gathers some of his most defining work from the 1960s to the present, including major works in the Tate collection. From early graphic cycles, double portraits and iconic pool paintings through to his photo collages, plein air landscapes, iPad drawings, and multimedia installations, the volume documents central themes and genres in Hockney’s oeuvre, as well as his constant experimentation.
Original essays by renowned critics and commentators illuminate the artist’s search for new forms of expression, the topographical and biographical reference points of his work, the technical innovation of his painting and printmaking, as well as his approach to new media.
-

Stephan Kaluza
Mechanik Sehnsucht. Kunsterzeugung und Betrachtung14€ Add to cartUngewohnte Antworten aus der Sicht des Kunsterzeugers
Die Frage, was Kunst ist und wie sie entsteht, wird gerne von denen beantwortet, die sie selbst nicht erzeugen. Die Betrachtung und Interpretation steht im Vordergrund und damit eine wissenschaftliche Distanz zur Kunst. Es gibt aber durchaus die Eigen-Betrachtung derer, die Kunst aktiv herstellen und naturgemäß einen inneren Blick auf die prozessualen Bedingungen haben, die überhaupt erst das entstehen lassen, was anschließend betrachtet und beurteilt wird. Diese Sichtweise ist nicht zwangsläufig identisch mit der von außen. Nicht die Interpretation oder eine deduktive Schlüssigkeit steht hier im Vordergrund, sondern ein ableitender und besonders ein schöpferischer Sinn, der sich aus dem Prozess des Kunstherstellens von selbst ergibt.
Die Arbeiten von Stephan Kaluza (geb. 1964 in Bad Iburg, lebt und arbeitet in Düsseldorf) wurden unter anderem im Ludwig Museum Koblenz, im State Contemporary Art Museum, Seoul, in der Kunsthalle Osnabrück, im Palacete des Artes Rodin, Salvador, im Museum on the Seam, Jerusalem, sowie in der KAI 10 | Arthena Foundation, Düsseldorf, ausgestellt.
-

Franz Erhard Walther
Manifestations. Catalogue Raisonné of the Posters, Books and Drafts 1958–202068€ Add to cart”I don’t make any artistic difference between a poster design and my Work Drawings.“—Franz Erhard Walther
Franz Erhard Walther (b. 1939, Fulda; lives and works in Fulda) is a German sculptor and creator of conceptual, installation, and process-based art whose work often stands in relation to his, or the beholder’s, body. For four decades, Walther designed artist’s posters, a genre that has become an anachronism in our contemporary digital world. This book is the first to gather his extensive output in the format in a single volume, rounded out by a wide-ranging survey of his designs and artist’s books.
”Artists give so much time, passion, and energy to their books that they are as important as very big installations. ‚Manifestations‘ is a very important artist book.“
Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London”The new catalogue raisonné by Franz Erhard Walther is a masterpiece of parergon aesthetics. With his ‚Manifestations‘, the blurring of the boundaries between work and design, Franz Erhard Walther, after his performative sculptures, has achieved another great success for the emancipatory differentiation of the concept of the work of art.“
Peter Weibel, Director, ZKM | Center for Art and Media, Karlsruhe”Franz Erhard Walther is nothing less than an exceptional 20th-century artist who has consistently questioned and fundamentally changed what a work of art can be. The innovative power of his comprehensive oeuvre is, of course, primarily evident in his art, but this publication of his manifold designs also provides an overview that is as wonderful as it is extraordinary.“
Andreas Beitin, Director, Kunstmuseum WolfsburgFranz Erhard Walther studied at the Werkkunstschule Offenbach am Main and the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main. He completed his education with a stint at the Kunstakademie Düsseldorf, where Gerhard Richter and Sigmar Polke were among his fellow students. His works were on display at documenta 5, 6, 7, and 8, and in 2017, Walther received the Golden Lion at the 57th Biennale di Venezia.
-

MS 00 22
Michael Sailstorfer – Works 2000–202245€ Add to cartMS 00 22 – Michael Sailstorfer: Works 2000–2022
Michael Sailstorfer (b. Velden/Vils, Germany, 1979; lives and works in Berlin) is one of the most renowned German sculptors and object artists of his generation. His sculptural creations, which often require extensive planning and complex production processes, are the results of reflections on and reinterpretations of everyday objects: intriguing, bizarre, and sometimes humorous experimental arrangements and artifacts that interact with their environments, create spaces, or self-deconstruct. These transformative processes combine conceptual depth with poetic allure and tell stories of the passage of time and disintegration. Many of Sailstorfer’s installations depend on the beholder’s active engagement for their effect. He typically documents his sculptural experiments with the camera and later shares them with the public in the form of videos or photographs.
The extensive monograph MS 00 22 presents the most important works from Sailstorfer’s creative career. Formally diverse writings and conversations with the artist offer profound insight into his practice.
Michael Sailstorfer studied with Olaf Metzel at the Munich Academy of Fine Arts from 1999 until 2005 and at Goldsmiths College, London, in 2004–05. He has won a number of art awards, including the Kunstpreis junger westen (2011) and the Vattenfall Contemporary (2012). Selected solo exhibitions: Schirn Kunsthalle, Frankfurt (2007); Kestnergesellschaft, Hannover (2010); Kunsthalle Nürnberg (2011); Contemporary Arts Center, Cincinnati, Ohio (2014).
-

Larry Rivers
An American-European Dialogue38€ Add to cartBetween French Modernism and the New York School
The American painter, musician, and filmmaker Larry Rivers (b. 1923, New York; d. 2002, New York) is considered one of the most influential protagonists of the New York art scene in the period from the 1950s to the 1970s. He played with Miles Davis and Charlie Parker, was a close friend of Frank O’Hara, and pioneered Pop Art. In dealing with contemporary artist colleagues and historical role models, he always strived to making painting visible as a medium of reflection. From an early age, Rivers was preoccupied with French painting of the late nineteenth century. During his stay in Paris in 1961/62, he met Jean Tinguely and Niki de Saint Phalle, whereupon the range of materials he used was extended to wood, cardboard, and electric light. For the first time, the present volume – the first monograph in twenty years – sheds light on Larry Rivers’ idiosyncratic art with a view to the tension between traditional French painting and Abstract Expressionism around Willem de Kooning.
-

Francis Alÿs
The Nature of the Game
Special Edition60€ Add to cartSPECIAL EDITION in clothbound slipcase
The Belgian artist Francis Alÿs (b. Antwerp, 1959) makes work that is as multifaceted as it is poetically subversive. Straddling the line between performative conceptual art and community intervention, his films and drawings chart the political and social realities of urban spaces. One of his most imposing long-term projects is Children’s Games, for which he documents children playing all over the world, from Paris and Mexico City to the Yezidi refugee camp Sharya in Iraq. The richly illustrated book contains ideas and sketches he compiled in preparation for this series. It lets us glimpse into the engine room of his artistic practice, revealing key elements of his filmic poetics. An essay by the ethnographer and filmmaker David MacDougall embeds Alÿs’s observations of children’s play in the contexts of childhood studies as well as the history of ethnographic documentary film.
Francis Alÿs (b. Antwerp, 1959) is widely regarded as one of the foremost artists working today. His oeuvre, which has garnered numerous prizes and been featured in solo exhibitions around the world, encompasses films, photographs, performances, drawings, and paintings, many of them explorations of the social and political realities of urban spaces. Since 1986, Alÿs, who trained as an architect, has lived in Mexico City, where he moved after the major earthquake of 1985 to help in the rebuilding effort.
Francis Alÿs – The Nature of the Game is the official publication of the Belgian pavilion at the 59th Biennale di Venezia, curated by Hilde Teerlinck.
- temporarily not available

Norbert Bisky
Im FreienRead moreThe beauty of male bodies, hedonism, bold colors—Norbert Bisky (b. Leipzig, 1970; lives and works in Berlin) is widely regarded as the most successful exponent of contemporary figurative painting in Germany. Now the artist has created a series of seventeen works on canvas and paper based on associations sparked by the oeuvre of the Expressionist Max Pechstein (1881–1955). The title “Im Freien” not only refers to the scenes they depict, which play out under the open sky; Bisky—who grew up in East Germany, which is to say, in what he calls “circumstances that were not free”—also grapples with the question of what liberty means to us today and what we do with it. The preoccupation with freedom led both painters to a quest for a personal utopia. Pechstein found it in the South Seas, where he had visited Palau, then a German colony, in 1914; the archipelago seemed paradisiacal to him, an idyll far removed from political and social reality. Bisky, by contrast, focuses less on the exotic landscape than on its residents, whom he stages as individual members of a globalized society.
Norbert Bisky enrolled at Humboldt-Universität in Berlin in 1994 to read German literature and art history but switched to the Berlin University of the Arts before year’s end; he studied painting with Georg Baselitz and entered Baselitz’s master class in 1999. He was a visiting professor at the Haute école d’art et de design, Geneva, in 2008–2010 and at the Braunschweig University of Art (HBK) in 2016–2018.
-

Alexandru Chira
42€ Add to cartAlexandru Chira’s (b. Tăușeni, Romania, 1947; d. Bucharest, 2011) oeuvre systematically and comprehensively maps a fictional field of research. His paintings, drawings, and objects, whose individual elements recall switches, screens, keyboards, and levers, were designed to “bring rain and rainbows,” to promote prosperity and prevent floods. Working in his art laboratory, Chira resembled a farmer tilling his field. He sowed symbols across his paintings, sometimes transplanted them to create new semiotic interconnections, then reaped them and stored up his harvest in painted machines of varying shapes and dimensions. In the 1990s—by then Chira held a professorship and was a widely recognized artist—he fulfilled a lifelong dream by building the “Tăușeni Ensemble,” the largest monument single-handedly created by one man in Transylvania. Much of his oeuvre accordingly consists of sketches and elaborations relating to the monument. In the course of his decades-long fascination with an agrarian aesthetic, architecture, design, astronomy, history, magic, ufology, mysticism, shamanism, and theosophy fused, yielding a kind of practical knowledge as well as spiritual speculations sustaining his endeavor.
The extensive monograph with more than 750 illustrations surveys Alexandru Chira’s output of four decades and synthesizes years of research undertaken at the National Museum of Contemporary Art in Bucharest. It contains numerous transcriptions of textual parentheses, legends, and instructions on how to decode the works and poetic fragments embedded in Chira’s pictures.
-

Tony Cragg
Points of View24€ Add to cartThe biomorphic and monumental sculptures of British sculptor Tony Cragg (born 1949, lives in Wuppertal) impress with their virtuosity and their dynamic appearance. They might even evoke movement, as if they are still becoming. Often exhibited outdoors, and in church or museum contexts, they blend into their surroundings like organic entities. Since the 1960s, Cragg’s search for sculptural form manifested through methods like layering and stacking existing materials, rearrangement, and assemblage. He now employs both traditional and new technologies and materials, yet his sculptures have to be seen in clear contrast to normative, repetitive industrial production. This book documents Cragg’s 2025 exhibition in the Anhaltische Gemäldegalerie Dessau.
-

DAWN OF HUMANITY – ART IN PERIODS OF UPHEAVAL
37€ Add to cartThe book and exhibition present works from the first two decades of the twentieth century from the Kunstmuseum Bonn’s collection in dialogue with contemporary creative positions. What the works have in common across the distance of a century is their genesis in, and reflection on, a time of major social and political crisis. Back then, life had been profoundly changed by the industrial revolution; nowadays, climate change, wars, and the rising political power of right-wing ideologies are transforming the life of our communities. The presentation conceives art as a tool that lets us interrogate the world and imparts fresh intellectual impulses, and so also plays an active part in our societies. The title Menschheitsdämmerung – Dawn of Humanity – is borrowed from the poetry anthology of the same title released by Kurt Pinthus in 1919, which samples the Expressionist lyric poetry of the young century in four chapters: “Downfall and Outcry”; “Love Human Beings”; “Awakening of the Heart”; “Entreaty and Indignation.” Florian Illies, who already wrote an afterword for the 2019 centenary edition of Menschheitsdämmerung – the bestselling poetry anthology in the history of German literature – contributed the keynote essay in the book.
Artists: Nevin Aladağ, Francis Alÿs, Kader Attia, Yael Bartana, Rebekka Benzenberg, Monica Bonvicini, Andrea Bowers, Heinrich Campendonk, Louisa Clement, Max Ernst, Georg Herold, Franz M. Jansen, Alexej von Jawlensky, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, August Macke, Helmuth Macke, Goshka Macuga, Marie von Malachowski-Nauen, Carlo Mense, Zanele Muholi, Heinrich Nauen, Grace Ndiritu, Anys Reimann, Deborah Roberts, Daniel Scislowski, Paul Adolf Seehaus, Tschabalala Self, Monika Sosnowska, William Straube, Emma Talbot, Hans Thuar, Lawrence Weiner
-

Glückliche Tage
32€ Add to cartWe see in contrasts. Freedom from pain follows pain, and felicity is the more radiant after a period of misfortune. Happiness, that is to say, displaces unhappiness and is perhaps its recompense; what is certain is that, as antonyms, they are (at least in this world) inconceivable without each other. The contrast they form also underlies the tensions inherent in the works in this catalogue. Some take us straight from the pinnacle of happiness down into the abyss, while in others the gradients of ascent or descent are so gentle that no culmination is perceptible. What all oeuvres gathered in the book have in common is that they furnish the human being, a social creature, with an experience of resonance. Happiness and unhappiness reverberate between the art and the beholders, leaving, in the best case, a lasting impression. Opening the catalogue—a metaphor for the human condition materialized in paper—one overhears this serenely melancholy echo of the works.
Artists: Rui Chafes, Tamara Eckhardt, Nan Goldin, Felix Gonzalez-Torres, Barbara Hammer, Carsten Höller, Ken Lum, Johanna von Monkiewitsch, Yoko Ono, Heike Weber, Stefan Wissel
With contributions by: Yevgenia Belorusets, Nell Sophie Bender, Elias Bendfeldt, Laura Berestecki, Annabella Ernst, Annika Gaeth, Hristina Georgieva, Markus Heinzelmann, Malwin Kraßnigg, Max Florian Kühlem, Natascha Laurier, Martin Middeke, Navaz Roomi-Mirhosseini, Vanessa Joan Müller, Julia Neumann, Martin Paul, Caroline Planert, Maike Prause, Arne Rautenberg, Kira Sophie Röller, Gina Marie Schwenzfeier
-

FREIGEISTER
FRAGMENTS OF AN ART SCENE IN LUXEMBOURG AND BEYOND35€ Add to cartThinking Otherwise—the Mudam in Luxembourg at Fifteen
A free spirit, Friedrich Nietzsche wrote, is someone who “thinks otherwise than is expected of him in consideration of his origin, surroundings, position, and office, or by reason of the prevailing contemporary views” (Human, All Too Human,1878). As the German philosopher saw it, one must seek to become “untimely” and remain a “stranger” to one’s time in order to question its premises. This view to states of alienation unites the positions of fourteen young Luxembourgish artists in Freigeister, the publication accompanying the celebrations on occasion of the fifteenth anniversary of the Musée d’Art Moderne Grand-Duc Jean.
In recent years, Luxembourg’s art scene has grappled in a wide variety of ways with the challenges that come with the small yet economically successful country’s ongoing transformation. Charting realities between the familiar and the unknown, the artists featured in Freigeister employ photography, painting, and installation as well as film, sculpture, printmaking, and performance art to paint a carefully considered but by no means dispassionate portrait of today’s society in an effort to build bridges between identity and the future.
The book presents works by Yann Annicchiarico, Laurianne Bixhain, Aline Bouvy, Marco Godinho, Sophie Jung, Catherine Lorent, Filip Markiewicz, Karolina Markiewicz & Pascal Piron, Claudia Passeri, Daniel Reuter, Nina Tomàs, Daniel Wagener, and Jeff Weber.
-

Urban Art! Biennale® 2019
27,50€ Add to cartThe World’s Most Important Exhibition of Urban Art — Presented for the Fifth Time in 2019
Its themes are the city and urban lifestyle, its can-vases walls, doors, or windows, its artists cosmo-politan. Since the turn of the millennium, Urban Art has developed out of the non-commercial, often illegal art forms of graffiti and street art. Although it makes use of the same stylistic means — spraying, tagging, the deliberate inclusion of drips, the use of graffiti scripts, etc. — it transports these as commis-sioned works into the legal space of the museum, gallery, or architecture. The Urban Art Biennial at the World Cultural Heritage Site Völklinger Hütte is the largest international exhibition of its kind. Fifty individual works and twenty-five installations by one hundred artists shed light on the latest developments and positions from Western metropolises, as well as from current hot spots around the globe.
- Out of stock

Welt ohne Inventar
16,80€ Read moreThe stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
-

Ingo Mittelstaedt
Courtesy15€ Add to cartPerception and Comprehension in Photography
Ingo Mittelstaedt (b. 1978, Berlin; lives and works in Berlin and Hamburg) creates staged photographs, combining and contrasting them with diverse objects in expansive installations. His pictorial arrangements probe a variety of concerns and imageries that he sources from museum settings or the modes of representation in ordinary advertising brochures. Gestures of showing, pointing, bringing out, and uncovering are leitmotifs in Mittelstaedt’s canny and subtly humorous exploration of the potentials and limitations of the photographic medium.
Ingo Mittelstaedt studied fine arts at the Hochschule für Bildende Künste Braunschweig and received numerous emerging-artist awards, including the New York fellowship of the Niedersächsische Sparkassenstiftung. His work has been shown at Kunstverein Hannover, the Wilhelm-Hack-Museum, Ludwigshafen, Marta Herford, and elsewhere.
-

Larissa Kikol
SIGNED. Unterwegs mit der 1UP-Crew und Moses & Taps18€ Add to cartWho owns the city? It is a question to which graffiti artists and politicians have very different answers. 1UP and Moses & Taps are international stars of the scene, realizing radical creative concepts in spectacular actions. The art critic Larissa Kikol shadowed them on their nocturnal forays for three years and gathered her experiences in a book that has become a singular tribute to the graffiti scene. It lets us witness the genesis of the artists’ works on the knife’s edge between civil disobedience, criminal liability, and an irrepressible freedom. Traveling throughout Germany, Kikol records absorbing dialogues that reflect the contrast between different worlds: the legal and the illegal art worlds, painting and protest. Always on the hop and in danger of being discovered and arrested, she ventures beyond the bounds of permissible art, into subway tunnels, up on roofs, across switchyards. A portrait emerges of Germany and Berlin and the power relations that shape our society.
Larissa Kikol (b. 1986) works as a freelance art critic, art scholar, and writer. She writes for Die Zeit, Spiegel Online, Art, Kunstzeitung, Mare, Monopol Online, and Kunstforum International. In 2016, she won C/O Berlin’s international Talents award in the art criticism category. She teaches and lectures at art schools and universities in Germany and France.
Kikol studied stage design and dramaturgy in Berlin-Weißensee and obtained a Ph.D. in art studies from the Karlsruhe University of Arts and Design. She lives and works in Marseille and Cologne.
































