





René Holm
![]() | |
|---|---|
| Author(s) | Karina Chernenko |
| Design | Nicolai Bejder / forlaget AFTRYK |
| Size | 25 x 33 cm |
| Cover | Linen hardcover |
| Pages | 192 |
| Illustrations | 163 |
| Language(s) | German, English, Danish |
| ISBN | 978-3-96912-190-0 |
René Holm goes for the big picture, painting the ambivalence of human existence and our relationship with nature. Some of his protagonists are physically naked, and all embody an interior life through their poses. The faceless figures function as screens onto which the beholders can project their own feelings, as symbols of universal human experiences. That is why, Holm notes, people very often recognize themselves in his protagonists. The effect is in part due to the forest, the setting of all pictures in this catalogue, which has been Holm’s studio and preferred backdrop for decades. It is where he finds the twilight that glows in all of our souls: woodlands nourish and menace us, they are home to helpful fairies and nasty demons, one can find life and death alike in them. He translates the sublime of the forest—a central motif in the Romantics—into a contemporary visual idiom. In his pursuit of this endeavor, he has recently ventured a radical aesthetic change: instead of using thick paints as before, he now applies the pigments to the canvas in thinner and drier layers. The book illustrates this spectacular fresh start, carrying us off into the depths of the soul and mysterious woodlands.
You may also like…
-

René Holm
Let me be your everlasting light25€ Add to cartLight is the theme of the new paintings by René Holm (b. Esbjerg, 1967). Faceless protagonists traversing symbolic forests with leafless trees occurred already in previous works, stripping them of individual or local signifiers and moving them into a spiritual and universal realm. Skulls with burning candles in Still lifes symbolize the fragility of life and unavoidability of death. Holm goes a step further and makes his figures carry the symbols in their hands or even has them become themselves live “still lifes” with burning candles on their backs. The presence of death is not a picture to behold from afar but a truth to be aware of and carry with us every day. The burning candles also mean that we’re here with our sorrow as well as our light. We must burn to shine. This book accompanies the artist’s gallery exhibition Let me be your everlasting light in Horsens, Denmark.
More books
- Release November 2025

Fidel Martínez
Todesfuge. Das Leben des Dichters Paul Celan26€ Add to cartThe Spanish graphic artist Fidel Martínez Nadal’s (b. Seville, 1979) graphic novel Todesfuge recounts the life of Paul Celan (1920–1970), one of the most eminent lyric poets of the twentieth century. The narrative interweaves biographical and literary aspects of Celan’s life, including his Jewish identity, his lifelong trauma as a Holocaust survivor, and his acclaimed poem Todesfuge. Martínez’s expressive and somber illustrations visualize Celan’s struggles with feelings of guilt, memory, and his creative efforts to find words for the unspeakable. An artistically brilliant homage to Paul Celan’s oeuvre, Todesfuge is an impressive contribution to the engagement with the Shoah in the medium of the graphic novel pioneered by Art Spiegelman.
- Release November 2025

eine freie malerin.
elke wree.26€ Add to cartThe painter Elke Wree’s career (born 1940, lives in Karlsruhe) was defined by the debates of the post-war era. Art was considered a search for truth and intended to reveal the existentially essential. Fundamental questions were: Realism or abstraction? Genuine or fake? This book provides insight into the search for an authentic, contemporary visual language. Wree’s formative teachers in Karlsruhe and Berlin are discussed, as are her changing social environments and the rapid societal changes. Wree’s paintings were always nature-inspired abstraction with overlapping color spaces and painting gestures. Wree groups her pictures with terms such as condensations and clearings, in-between lands, or traces of light and time. This volume is simultaneously a biography, panorama, analysis, and homage.
-

Wolfgang Gäfgen
Photographic Miracles45€ Add to cartA Mysterious Play of Light and Shadow
While Wolfgang Gäfgen’s (b. Hamburg, 1936; lives and works in Stuttgart and Esslingen) hand drawings and woodprints are widely acclaimed, only connoisseurs are familiar with his photographic oeuvre. The extensive body of analog black-and-white and color photographs spans the decades from the late 1960s to the present and is no less accomplished than the artist’s graphic works and prints. This book, with essays by Christian Gögger, Olivier Kaeppelin, Clemens Ottnad and Michel Poivert, is the first to gather a large selection of these pictures, illustrating the interdependencies between works in the different visual media of expression. Artfully arranged still lifes breathe a spectral animation into ostensibly trivial everyday objects. The human figures that appear now and then seem to be engaged in cultic performances; many of the photographic works are accompanied by ironic quotes from the earlier history of art or allusions to historic myths.
-

Michael Williams
New Paintings40€ Add to cartAwkward Uncertainty
Michael Williams (b. 1978, Doylestown, Pa.; lives and works in Los Angeles) makes work that interrogates the history of painting, often by dismantling its components into their constituent parts. His pictures employ form to reflect on the complexity and contradictions of modern life. He works on canvas, availing himself of a range of techniques including oil painting, collage, and inkjet prints. In his new works, Williams examines the relationship between painting and photography, transferring the chilly aloofness that is characteristic of the latter onto the former. The photographic “negative” yields a smooth canvas disencumbered of its painterly qualities and the medium’s historic ballast. The book includes several foldout plates that illustrate Williams’s creative approach, and a brief essay by his Austrian fellow painter Tobias Pils.
Michael Williams studied fine arts at Washington University, St. Louis, and has exhibited widely, including at the Wiener Secession, Vienna, and the Museum of Modern Art, New York.
-

Michel Majerus 2022
49€ Add to cartMichel Majerus (1967–2002) ranks among the most interesting painters of his generation and left a singular and multifaceted oeuvre that still speaks powerfully to contemporary concerns. His works quote phenomena of everyday culture such as comic strips, advertisements, and videogames as well as sources of inspiration from art history ranging from minimalism to Pop Art. Decontextualizing the different elements of pictures, he integrated them into novel contexts of meaning by, for instance, setting them on a par with art-historical references.
Twenty years after his death, a series of exhibitions throughout Germany showcase different periods and aspects of his creative output. Five solo exhibitions at the KW Institute for Contemporary Art, the Neuer Berliner Kunstverein (n.b.k.), the Kunstverein in Hamburg, the Michel Majerus Estate, and Galerie neugerriemschneider, Berlin, pay tribute to Michel Majerus’s art in unprecedented breadth.
Concurrently, thirteen museums mount presentations of works by Michel Majerus from their collections: Ludwig Forum Aachen; Kunsthalle Bielefeld; Kunstmuseum Bonn; Museum Folkwang, Essen; Sprengel Museum Hannover; Museum Ludwig, Cologne; Kunsthalle Mannheim; Städtische Galerie im Lenbachhaus, Munich; Neues Museum Nürnberg, Nuremberg; Saarlandmuseum—Moderne Galerie, Saarbrücken; Kunstmuseum Stuttgart; Staatsgalerie Stuttgart; and Kunstmuseum Wolfsburg.
The extensive publication accompanying the exhibition series Michel Majerus 2022 includes three essays and two artists’ contributions as well as visual documentation of the exhibitions and presentations from the collections. It is rounded out by a biographical sketch of Michel Majerus, a history of exhibitions of his work, and archival photographs.
-

Candida Höfer
Kunsthistorisches Institut Bonn35€ Add to cartThe Kunsthistorisches Institut Bonn, Yesterday and Today
The imposing presence of architecture captured in the absence of humans: that is the defining characteristic of the photographs with which Candida Höfer (b. 1944, Eberswalde; lives and works in Cologne) has risen to international renown. In 1992, she captured the Kunsthistorisches Institut der Rheinischen Friedrich- Wilhelms-Universität Bonn in ten analogue black-and-white pictures that have not been on public display. In 2020, Höfer returned to the institute to take more pictures using a digital camera. The two series now make their public début in the institute’s halls and are gathered in this book. Undertaking a historically and aesthetically captivating comparison, Höfer probes the ways in which university life has changed over almost three decades.
Candida Höfer was a member of Bernd Becher’s inaugural photography class at the Kunstakademie Düsseldorf. Her works were shown at documenta 11 in 2002, and in 2003, she and Martin Kippenberger represented Germany at the 50th Biennale di Venezia.
-

Katja Aufleger
Schwindelerregende Höhen30€ Add to cartOn a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
- Release November 2025

Frank Morrison
38€ Add to cartThe dynamic Neo-Mannerist images of painter and illustrator Frank Morrison (born 1971, lives in Atlanta) celebrate the resilience and dignity of African Americans in everyday life. A child of institutionalized racism in the US, he can testify that creativity and solidarity could never be suppressed in the segregated and brutally marginalized communities. Hip-hop and graffiti are resistance. Clichés of inner-city struggle are vividly refuted in this book. The volume documents Morrison’s recent exhibitions, one of which is dedicated to the younger generation: frame-braking images that interweave narrative forms of comics and pop art with illustration. Morrison’s gallery calls the book an explosive tribute to genius flourishing in institutionalized exile.
-

Antonia Hirsch
Phenomenal Fracture24€ Add to cartIn a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined. Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder’s body. The book accompanies Hirsch’s solo exhibition Phenomenal Fracture at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humorous.
-

Claudia Fährenkemper
Kontextforschung / context research 1980–202268€ Add to cartClaudia Fährenkemper (b. Castrop-Rauxel, 1959; lives in Steinheim/Westfalen) photographs enormous as well as minuscule objects using scanning electron microscopes to produce images that are as fascinating as they are disconcerting. The play with extreme scales yields fantastic visual worlds: American desert and canyon landscapes, the giant industrial machinery of open-pit mines in Germany, insects, plant seeds, crystals, and plankton, plus historic armaments from Europe and Japan. The lavishly designed book is the first to gather works from her entire oeuvre, which now spans four decades. Surveying the most important of Fährenkemper’s conceptual series, it reveals unexpected interconnections between disparate motifs on vastly different scales from nature, technology, science, and cultural history.
Claudia Fährenkemper studied at Fachhochschule Köln, today’s Cologne University of Applied Sciences, where Arno Jansen was her teacher, and with Bernd and Hilla Becher and Nan Hoover at the Düsseldorf Academy of Fine Arts. Her photographs are held by numerous museum collections, including at the Kunstmuseum Bonn, the National Gallery of Canada, and the Margulies Collection, Miami.
-

Considering Finland
14€ Add to cartContemporary Art from Finland
With fourteen artistic positions from the fields of photography, video, and installation, Considering Finland offers fascinating insight into the Finnish art scene. The themes of the artists from one of the least populated and most densely forested countries in Europe is the relationship between humankind and nature, as well as the political, social, and economic implications of this. Their works point to cultural dispositions and standardizations of the individual within a society based on unattainable maxims, such as permanent success, lasting recognition, and limitless growth. Pictorial traditions, geographical structures, and socio-political and infrastructural factors are the bases of a mental construction that summarizes their artistic work under a national heading. With works by Kenneth Bamberg, Elina Brotherus, Ville Lenkkeri, Aurora Reinhard, Iiu Susiraja, Nestori Syrjälä, and Pilvi Takala.
- Out of stock

Eva Jospin
Wald(t)räume22€ Read moreThe Forest as a Place of Longing: Eva Jospin’s Magical Corrugated Cardboard Sculptures
The French artist Eva Jospin (b. 1975, Paris; lives and works in Paris) cuts and layers corrugated cardboard to create sculptures and reliefs. Handcraft and precision are essential aspects of her work. The artist retains the original color of the cardboard, since, for her, the material itself already contains sufficient color variations and nuances. The recurring motif is the forest — consisting of numerous trunks, branches, and twigs in extreme density and interspersed with black shadows. They suggest depth and stimulate the viewer’s imagination. Eva Jospin does not reproduce nature one to one, but conveys the feelings of fear, anarchy, or freedom that it triggers: The forest as a universal place of longing.
-

Mirror
Collaborative Pictures by Merrick d’Arcy–Irvine x Julia Bajanova40€ Add to cartWe humans are social creatures. Without others to reflect our behavior back to us, we lose what defines us—language, culture, the capacity for creative expression. That is why photographer Merrick d’Arcy-Irvine and fashion designer Julia Bajanova are invested in intense encounters: not only with the people who appear in their pictures, but also with each other, as artists and as humans, and between their media and the materials out of which they are made. The materiality and sensual experience of these media in the physical world are the focus of the pictures gathered in this volume, which is why d’Arcy-Irvine and Bajanova eschewed all digital technologies. Sensuality forges an emotional bond between their creative universes, whose boundaries become permeable, as do the dividing lines between genres. Colors and forms are fused in a shared language of visual art and fashion in which d’Arcy-Irvine and Bajanova write their messages in light on photographic paper. They speak to what makes us human: creative energies untrammelled by the necessities of everyday life. The pictures in Mirror, then, are reflections of our existence and portals of self-knowledge.
-

Fahar Al-Salih
Beyond Fairy Tales39€ Add to cartBridges between East and West
The protection and sense of belonging one feels where one is at home, and what it is like to lose both of them: these are central concerns in the art of Fahar Al-Salih (b. Belgrade, 1964; lives and works in Karlsruhe). Having grown up in Kuwait, where a classical education in visual art was inconceivable, Al-Salih came late to his métier; Markus Lüpertz was among his teachers, and he completed his education in Hermann Nitsch’s master class. Seeing himself as a “bridge-builder” between the cultures of the Arab world and Europe, Al-Salih probes the different lived realities in which his itinerant biography has been set. No more linear than his path through life, his oeuvre is defined by subjects to which he keeps returning in a kind of cyclical motion. This publication offers unprecedented insight into Al-Salih’s creative approach and his articulations of individual yearnings, the comforts of safety, and political and social upheavals. His work achieves a deft interweaving of global perspectives and migrant realities.
-

Maria Braune
Keep Away From Fire28€ Add to cartMaria Braune’s (b. Berlin, 1988; lives and works in Munich and Bamberg) work revolves around a material she developed; named Migma, it consists of eight different renewable natural resources. She heats it, then casts and molds it in a process that continues for weeks. The resulting sculptures and installations sprawl throughout the space like sensuous organisms. Associations of growth and symbiosis emerge, but discontinuities and disintegration come into view as well. Braune’s creative process is part of an ecosystem and thoroughly anchored in the now. Her material is a vitally alive substance to which she responds in an immediate engagement, connecting it to mythological and narrative significations and setting it in relation to her own world.
Maria Braune studied woodcarving at the Fachhochschule für Bildhauerei in Berchtesgaden, Germany, in 2009–2011, then fine arts with Hermann Pitz at the Academy of Fine Arts Munich, where she graduated in 2017.
-

Franz Erhard Walther
Manifestations. Catalogue Raisonné of the Posters, Books and Drafts 1958–202068€ Add to cart”I don’t make any artistic difference between a poster design and my Work Drawings.“—Franz Erhard Walther
Franz Erhard Walther (b. 1939, Fulda; lives and works in Fulda) is a German sculptor and creator of conceptual, installation, and process-based art whose work often stands in relation to his, or the beholder’s, body. For four decades, Walther designed artist’s posters, a genre that has become an anachronism in our contemporary digital world. This book is the first to gather his extensive output in the format in a single volume, rounded out by a wide-ranging survey of his designs and artist’s books.
”Artists give so much time, passion, and energy to their books that they are as important as very big installations. ‚Manifestations‘ is a very important artist book.“
Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London”The new catalogue raisonné by Franz Erhard Walther is a masterpiece of parergon aesthetics. With his ‚Manifestations‘, the blurring of the boundaries between work and design, Franz Erhard Walther, after his performative sculptures, has achieved another great success for the emancipatory differentiation of the concept of the work of art.“
Peter Weibel, Director, ZKM | Center for Art and Media, Karlsruhe”Franz Erhard Walther is nothing less than an exceptional 20th-century artist who has consistently questioned and fundamentally changed what a work of art can be. The innovative power of his comprehensive oeuvre is, of course, primarily evident in his art, but this publication of his manifold designs also provides an overview that is as wonderful as it is extraordinary.“
Andreas Beitin, Director, Kunstmuseum WolfsburgFranz Erhard Walther studied at the Werkkunstschule Offenbach am Main and the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main. He completed his education with a stint at the Kunstakademie Düsseldorf, where Gerhard Richter and Sigmar Polke were among his fellow students. His works were on display at documenta 5, 6, 7, and 8, and in 2017, Walther received the Golden Lion at the 57th Biennale di Venezia.
-

Jenny Michel
Doors, Windows and Cells38€ Add to cartThe Detritus of Our Society
For around two decades, the artist Jenny Michel (b. Worms, 1975; lives and works in Berlin) has devoted herself to minute particles such as dust, cobwebs, and electromagnetic fields in space. Her fascination with orders of knowledge, symbolism, and utopian visions is reflected by installations, drawings, prints, and sculptures that she exhibits in carefully composed sprawling ensembles. Aggregating fantastic fragments of the world manufactured from paper, adhesive tape, staples, and other industrially made small parts, Michel builds disconcertingly dense structures—human knowledge is transformed into the debris of civilization, its legibility lost beneath palimpsestic layers of meanings and resignifications. The extensive monograph surveys major series in the artist’s oeuvre and presents new works on paper.
Jenny Michel studied at Kunsthochschule Kassel and the Academy of Fine Arts Vienna. Her work has been on view at Museum Wiesbaden, the Draiflessen Collection, the Schirn Kunsthalle, Frankfurt, and Berlinische Galerie, among other venues. In 2010, Michel was honored with the HAP Grieshaber Prize.
-

Silke Eva Kästner
Panta Rhei36€ Add to cartSilke Eva Kästner (lives and works in Berlin and Uckermark) developed her creative approach while traveling in India, New York, and Japan. She creates temporary on-site paintings as well as conceptual pieces in which the viewer comes upon prepared materials and becomes part of—or even alters—the picture. Kästner documents these encounters in photographs or filmic traces out of which she compiles films in the editing suite. Probing the potentials of painting as communication, she foregrounds the active intervention and process. In the gallery no less than the urban scene, Kästner places painting in relation to architecture in order to frame it in varying perspectives.
The monograph offers insight into the foci of Kästner’s art; the works are grouped in chapters rather than arranged in chronological sequence. This structure makes the book a space of experience that gives the reader a vivid sense of her ephemeral creations.
After studying with Katharina Grosse at the Weißensee School of Art and Design Berlin, Silke Eva Kästner won the Mart Stam Prize; she honed her craft in India on a NaFöG fellowship and in New York on a yearlong DAAD fellowship. Funding support from the Institut für Auslandsbeziehungen (ifa) enabled her to initiate an ongoing exchange project between Kashmir and Berlin. Her work has been on view at numerous institutions including the Schirn Kunsthalle Frankfurt; the Devi Art Foundation, Delhi; Berlinische Galerie, Berlin; the Queens Museum of Art, New York; Künstlerhaus Bethanien, Berlin; and the Haus der Kulturen der Welt, Berlin.
-

Simone Haack – Untangling the Strands / Démêler les Fils
24€ Add to cartSimone Haack’s (b. Rotenburg/Wümme, 1978; lives in Berlin) most recent body of work delves into the theme of hair as a parameter of identity straddling the division between nature and culture. Her second publication with DCV is released on the occasion of two exhibitions: Untangling the Strands at Berlin’s Abguss-Sammlung Antiker Plastik, a collection of casts of ancient sculpture, which are seen in dialogue with her hair pictures; and Helix of Realism at Galerie Droste, Paris, which is part of the official program of events around the grand Surrealism exhibition held at the Centre Pompidou in celebration of the Surrealist Manifesto’s centennial. The new book is the first to shed light on the aspect of the surreal in the artist’s oeuvre and uncovers a major source of her visual inspiration: the dream diaries that Haack has kept since she was seventeen and the interest in the unconscious they reflect. It is above all the logic of the dream as well as feelings and moods that inform her paintings.
Haack: “My goal is to use the means of realism to visualize what cannot be seen. To get into an automatism that lets the unconscious speak in order to infuse the pictures with a life of their own. To shed light on the domain where the myths originate.”
-

Vera Mercer
New Works28€ Add to cartBeauty and Melancholy, Joie de Vivre and Vanity
The American photographer Vera Mercer’s (b. Berlin, 1936; lives and works in Omaha and Paris) oeuvre defies easy summary. She started taking pictures in Paris in the 1960s, making portraits of her then husband Daniel Spoerri—who, like she, was initially training as a dancer—and other members of the Fluxus group and Nouveaux Réalistes, including Emmett Williams and Robert Filiou, Jean Tinguely and Jacques Villeglé. Around the same time, she also photographed Andy Warhol and Marcel Duchamp for various magazines; her friends Eva Aeppli and Niki de Saint Phalle were among her favorite sitters.
In the 1970s, she took a long creative hiatus: after moving to Omaha, Nebraska, she poured all her energy into starting a number of restaurants and developing an entire downtown neighborhood. But then, in the early years of the new millennium, she returned to photography, capturing breathtaking neo-baroque still lifes featuring flowers, fruits, freshly killed game, antique glasses, and illuminating candles in large formats.
Vera Mercer’s fourth monograph presents her most recent opulent still lifes in color, as well as a novelty in her oeuvre: restrained black-and-white flower pictures and portraits realized as small-format platinum prints.





















