





Philip Loersch
POW – PORTRAITIST OF WRITING
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| Editor(s) | FeldbuschWiesnerRudolph |
| Author(s) | Jan-Philipp Frühsorge, Sybille Krämer |
| Design | Sabine Bretschneider, Andreas Ullrich / SUOLOCCO |
| Size | 20 x 27 cm |
| Cover | Softcover with flaps |
| Pages | 196 |
| Illustrations | 80 |
| Language(s) | German, English |
| ISBN | 978-3-96912-180-1 |
Philip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst. This monograph gathers his works created between 2016 and today.
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Philip Loersch
Renteninformation 202230€ Add to cartA satirical audiobook, read by Johannes Steck
with free download link on the inside
You’ve read right, and you’re going to hear it: a bureaucratic document—we’re all familiar with it, for a new one arrives every year—is the subject of this inspired collaboration between the graphic artist Philip Loersch and the virtuoso vocalist Johannes Steck.
The “Renteninformation”—an official letter on cheap paper informing the recipient about their expected future retirement benefits—makes many cultural workers, and others, crack up or break out in tears: arriving unexpectedly, it launches us on an emotional roller coaster between excitement, fascination, resignation, and sheer madness.
The manuscript for this audiobook is Loersch’s actual Renteninformation for 2022. Its intonation is the culmination of a series of works the artist has pursued since 2016. Every year, he has produced a naturalist colored-pencil drawing of his Renteninformation, embedding it in idyllic scenes—in the garden on a summer afternoon, amid autumn foliage, or on a frozen lake, delicately and accurately executed down to the smallest leaf of grass and the tiniest letter.
“Renteninformation 2022” is the ideal gift for all vinyl lovers who need to close a “pension gap” in their collections and a stunning audio experience that redefines what the satire of reality itself and conceptual art can do.
Philip Loersch (b. Aachen, 1980) is best known for his unconventional drawings. His works combine painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His art has been exhibited at renowned institutions such as Kunsthaus Zürich, Museum Kunstpalast Düsseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin für Bildende Kunst, and helped initiate the exhibition series “Drawing Wow.”
Johannes Steck (b. Würzburg, 1966) is one of Germany’s best-known audiobook narrators, having sold over four million copies, including of books by Simon Beckett and Ken Follett, in a three-decade career. Television viewers also know his voice from trailers on Kabel 1 and DMAX and documentaries on ZDF, BR, and Sky. His work has garnered awards including the 2012 HörKules.
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Read moreAll is related, from the outside in. Look what’s behind it.
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THE BOOK OF MALKA GERMANIARead moreShe Is Hope. She Is the Leader. She Is the Messiah. She Is History. She Is Fake.
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Click here for the German edition.
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syntaxerror28€ Add to cartSabrina Fritsch’s (b. Neunkirchen/Saar, 1979; lives and works in Cologne) paintings explore the potentials of the compositional process and the mechanisms of perception. Many of them feature coarse structures, textile surfaces, and delicate superimpositions. In this publication, Fritsch, who was recently appointed professor at the Düsseldorf Academy of Fine Arts, presents a résumé of the painterly oeuvre she has developed since her graduation from the same school in 2008. It encompasses two related books, each of which undertakes a structured study of a major strand in Fritsch’s art. One offers a chronological survey of a representative selection of works created between 2008 and 2019 that illustrate her playful and experimental engagement with the constituents of the painted picture: the picture-as-object, the organization of pictorial space, and the phenomenology of physical color. In addition to works on canvas boasting a wide variety of applications of materials and paint, it also covers serial variations in prints. The other showcases three exhibitions and bodies of work dating from 2020 and 2021 that are dedicated to the three color systems RGB, black-and-white (BAW), and CMYK.






















