Karlheinz Bux
über Linie …
 | |
|---|---|
| Editor(s) | Carmela Thiele, Christine Reeh-Peters, Michael Hübl |
| Author(s) | Rebecca Herlemann, Ingrid Pfeiffer |
| Cover | Hardcover |
| Size | 16,5 x 24,5 cm |
| Pages | 96 |
| Illustrations | 60 |
| Design | Neues Sortiment |
| Language(s) | German |
| ISBN | 978-3-947563-06-7 |
Clarity, Complexity, and Linearity
The defining artistic means in the work of Karlheinz Bux (b. 1952 in Ulm, lives and works in Karlsruhe) is the line. As edges and folds, they determine vertically oriented sculptures, which simultaneously convey compactness and openness, dynamism and repose. In Bux’s pencil drawings and photo-based works, they form the subject of the image in the form of complex linear structures. This present book documents the artist’s large-format works and provides insight into his oeuvre, with texts by Michael Hübl, Christine Reeh-Peters, and Carmela Thiele.
Karlheinz Bux studied at the State Academy of Fine Arts Karlsruhe and taught as a lecturer at Pforzheim University and as a visiting professor at the Mainz University of Applied Sciences. His works are represented in private and public collections, including the Staatliche Kunsthalle Karlsruhe, the Hurrle Collection, and the Würth Collection.
More books
-
Pat Steir & Ugo Rondinone
Waterfalls & Clouds20€ Add to cartThe imposing installation Waterfalls & Clouds consists of three sculptures by the Swiss artist Ugo Rondinone (b. Brunnen, Switzerland, 1964; lives and works in New York) and nineteen paintings by the American Pat Steir (b. Newark, NJ, 1940; lives and works in New York). The three large gray monoliths of concrete, sand, and gravel bear the titles Faces, Look, and Twisted and are part of a series of twenty works created in 2018. They are surrounded by nineteen tall and narrow black oil paintings titled Flags for Ugo #1 through #19 (2021); with colorful or white paint streaming down the canvases, they hark back to Steir’s Waterfall series from the 1980s. A symbiotic relationship connects the works: the sculptures, in which erosion is integral to the art, embody time, while the pictures symbolize gravity and hence nature as such.
-
MS 00 22
Michael Sailstorfer – Works 2000–202245€ Add to cartMS 00 22 – Michael Sailstorfer: Works 2000–2022
Michael Sailstorfer (b. Velden/Vils, Germany, 1979; lives and works in Berlin) is one of the most renowned German sculptors and object artists of his generation. His sculptural creations, which often require extensive planning and complex production processes, are the results of reflections on and reinterpretations of everyday objects: intriguing, bizarre, and sometimes humorous experimental arrangements and artifacts that interact with their environments, create spaces, or self-deconstruct. These transformative processes combine conceptual depth with poetic allure and tell stories of the passage of time and disintegration. Many of Sailstorfer’s installations depend on the beholder’s active engagement for their effect. He typically documents his sculptural experiments with the camera and later shares them with the public in the form of videos or photographs.
The extensive monograph MS 00 22 presents the most important works from Sailstorfer’s creative career. Formally diverse writings and conversations with the artist offer profound insight into his practice.
Michael Sailstorfer studied with Olaf Metzel at the Munich Academy of Fine Arts from 1999 until 2005 and at Goldsmiths College, London, in 2004–05. He has won a number of art awards, including the Kunstpreis junger westen (2011) and the Vattenfall Contemporary (2012). Selected solo exhibitions: Schirn Kunsthalle, Frankfurt (2007); Kestnergesellschaft, Hannover (2010); Kunsthalle Nürnberg (2011); Contemporary Arts Center, Cincinnati, Ohio (2014).
-
Larissa Kikol
SIGNED. Unterwegs mit der 1UP-Crew und Moses & Taps18€ Add to cartWho owns the city? It is a question to which graffiti artists and politicians have very different answers. 1UP and Moses & Taps are international stars of the scene, realizing radical creative concepts in spectacular actions. The art critic Larissa Kikol shadowed them on their nocturnal forays for three years and gathered her experiences in a book that has become a singular tribute to the graffiti scene. It lets us witness the genesis of the artists’ works on the knife’s edge between civil disobedience, criminal liability, and an irrepressible freedom. Traveling throughout Germany, Kikol records absorbing dialogues that reflect the contrast between different worlds: the legal and the illegal art worlds, painting and protest. Always on the hop and in danger of being discovered and arrested, she ventures beyond the bounds of permissible art, into subway tunnels, up on roofs, across switchyards. A portrait emerges of Germany and Berlin and the power relations that shape our society.
Larissa Kikol (b. 1986) works as a freelance art critic, art scholar, and writer. She writes for Die Zeit, Spiegel Online, Art, Kunstzeitung, Mare, Monopol Online, and Kunstforum International. In 2016, she won C/O Berlin’s international Talents award in the art criticism category. She teaches and lectures at art schools and universities in Germany and France.
Kikol studied stage design and dramaturgy in Berlin-Weißensee and obtained a Ph.D. in art studies from the Karlsruhe University of Arts and Design. She lives and works in Marseille and Cologne.
-
Gabriele Basch
fortuna24€ Add to cartPaper and Foil Cut‑Outs in an Innovative Language of Forms: An Overview of the Works of Gabriele Basch from 2008 to 2019
Since the 1990s, Gabriele Basch (b. 1964, Bad Homburg; lives and works in Berlin) has been working with cut-outs and translating the age-old tradition of silhouettes into an idiosyncratic and innovative language of forms. The artist interweaves creation and destruction, planning and chance into a complex, multi-layered reality and makes views into the spatial environment an integral part of her work. In her paper and foil cut-outs, foreground and background, materiality and void combine to form a whole that oscillates between painting and drawing, as well as between urban structures and hints of the biomorphic – in delicate color gradients, swirling structures, spontaneous gestures, and stenciled surfaces. The generously illustrated monograph offers a comprehensive overview of the artist’s work from 2008 to 2019.
-
Simone Haack – Untangling the Strands / Démêler les Fils
24€ Add to cartSimone Haack’s (b. Rotenburg/Wümme, 1978; lives in Berlin) most recent body of work delves into the theme of hair as a parameter of identity straddling the division between nature and culture. Her second publication with DCV is released on the occasion of two exhibitions: Untangling the Strands at Berlin’s Abguss-Sammlung Antiker Plastik, a collection of casts of ancient sculpture, which are seen in dialogue with her hair pictures; and Helix of Realism at Galerie Droste, Paris, which is part of the official program of events around the grand Surrealism exhibition held at the Centre Pompidou in celebration of the Surrealist Manifesto’s centennial. The new book is the first to shed light on the aspect of the surreal in the artist’s oeuvre and uncovers a major source of her visual inspiration: the dream diaries that Haack has kept since she was seventeen and the interest in the unconscious they reflect. It is above all the logic of the dream as well as feelings and moods that inform her paintings.
Haack: “My goal is to use the means of realism to visualize what cannot be seen. To get into an automatism that lets the unconscious speak in order to infuse the pictures with a life of their own. To shed light on the domain where the myths originate.”
-
Spaces Embodied (ENGLISH)
Draiflessen Collection32€ Add to cartWe live in spaces that we shape in accordance with our own ideas. Our everyday lives leave traces in them that speak to our habits. Spaces promise shelter and belonging, but they can also instill a sense of constraint. We grow into the spaces we inhabit—and they in turn become expressions of our personalities. Conversely, spaces, depending on their architecture and location, inform our existence. RÄUME HAUTNAH gathers works of art that, rather than conceiving of the human sphere and the spatial domain as separate, comprehend them in their complex entanglements: in bodily experience, emotional dependency, or the instinctive need for protection. An essay by Olesja Nein, the project’s curator, offers an introduction to the exhibition and takes the reader on a tour, describing each artist’s space of activity and supplying helpful information. Philipp Zitzlsperger, meanwhile, zooms in on a key aspect of the art in the exhibition, the imprint as an artistic technique with a distinctive aura, and illuminates its origins and significance since the dawn of modernism.
Artists: Absalon, Shannon Bool, Heidi Bucher, Eileen Gray, Do Ho Suh, Mary Mattingly, Tracey Snelling, Francesca Woodman
- Release May 2025
Antonia Hirsch
Phenomenal Fracture24€ Add to cartIn a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined. Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder’s body. The book accompanies Hirsch’s solo exhibition “Phenomenal Fracture” at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humorous.
- Release June 2025
The Psyche of the Portrait
Liliane Tomasko meets Bonnard, van Dongen, Paolozzi and Auerbach44€ Add to cartThe evolution of the portrait through the ages—that is the subject of The Psyche of the Portrait featuring selected works from the collections of the Sheffield Museums. Presenting the contemporary Swiss artist Liliane Tomasko (b. 1967) in dialogue with masterpieces by Pierre Bonnard, Kees van Dongen, Eduardo Paolozzi, Frank Auerbach, and others, the book frames a psychological perspective on art history in which the exploration of consciousness and perception is reflected in the art of portraiture. After the emphasis on the integral person and their gestalt, Sigmund Freud redirected depth psychology to discover the unconscious. Fifty years later, Jacques Lacan inspired the way of seeing in the portraits of Frank Auerbach, an exponent of the New Figuration. These diverse approaches now encounter Tomasko’s works with their gestural and performative mode of expression.
-
Jan Muche
Agora42€ Add to cartTracing the Wear of the Life of Labor
The visual art of Jan Muche (b. 1975, Herford; lives and works in Berlin) revolves around forms that bring to mind structural steelwork, giant industrial installation components, or scaffolding. His constructivist-abstract paintings and sculptures look back on steel as a symbol of industrialization and the working class, which featured in unflappably cheerful and adulatory depictions that were characteristic of the twentieth century’s ideologies – Communism, Stalinism, National Socialism, actually existing Socialism. Muche’s roughhewn aesthetic combines proletarian charm with the spirit of onward and upward, taking the beholder to regions not untinged by dissonance. This book, supported by the Leinemann-Stiftung für Bildung und Kunst, brings his reflections on the significance of work and the impact of digital technology on physical toil as well as his engagement with yesteryear’s “heroes of labor” into focus.
Jan Muche trained as lithographer and studied with Karl Horst Hödicke at the Hochschule der Künste Berlin.
-
Karlheinz Bux
über Linie …15€ Add to cartClarity, Complexity, and Linearity
The defining artistic means in the work of Karlheinz Bux (b. 1952 in Ulm, lives and works in Karlsruhe) is the line. As edges and folds, they determine vertically oriented sculptures, which simultaneously convey compactness and openness, dynamism and repose. In Bux’s pencil drawings and photo-based works, they form the subject of the image in the form of complex linear structures. This present book documents the artist’s large-format works and provides insight into his oeuvre, with texts by Michael Hübl, Christine Reeh-Peters, and Carmela Thiele.
Karlheinz Bux studied at the State Academy of Fine Arts Karlsruhe and taught as a lecturer at Pforzheim University and as a visiting professor at the Mainz University of Applied Sciences. His works are represented in private and public collections, including the Staatliche Kunsthalle Karlsruhe, the Hurrle Collection, and the Würth Collection.
-
Fritz Overbeck und Hermine Overbeck-Rohte
Der Briefwechsel38€ Add to cartIntimate Glimpses from the Marriage of Two Worpswede Artists
In the final years of the nineteenth century, numerous painters settled in the village at the foot of Weyerberg hill, followed by young women who took classes with the local artists. Fritz Overbeck (b. Bremen, 1869; d. Bröcken near Vegesack, 1909) and Hermine Overbeck-Rohte (b. Walsrode, 1869; d. Bremen, 1937) became one of Worpswede’s husband-and-wife creative duos, though their union has been less celebrated than those of Otto Modersohn and Paula Becker or Rainer Maria Rilke and Clara Westhoff. Like the stories of their more famous neighbors, theirs exemplifies life and work in the artists’ colony, but also the dogged struggle for equality in the creative professions. Yet unlike those other relationships, theirs did not break up over the conflict between art and marital life; it lasted until Fritz Overbeck’s tragic early death. In a first, this book contains virtually the entire extant correspondence between the Overbeck-Rohtes in unabridged form and with numerous annotations. Offering fresh and nuanced insight into the lives and oeuvres of its protagonists, it makes for moving and entertaining reading.
- Release September 2025
The Magnificent Seven+
Strong Contemporary Female Artists44€ Add to cartWhen The Magnificent Seven hit the silver screen in 1960, heroism was firmly men’s business. Now it is women artists who are redefining the art world with visionary energy. Sebastian C. Strenger portrays outstanding women making art today, including Ingeborg Lüscher, Elfie Semotan, Xenia Hausner, Valérie Favre, Sandra Vásquez de la Horra, and Cristina Lucas. Their works question power structures, play with identity, or deconstruct prevailing narratives. Their art is figurative or abstract, narrative or conceptual, political or introspective. These women are changing the art market and dominate the new canon at international institutions by calling existing structures in question and opening up spaces for fresh thinking.
-
Brandon Lipchik
10€ Add to cartIn recent years, a Wagnerian night has settled over Brandon Lipchik’s (b. Erie, PA, 1993; lives and works in Brooklyn, NY, and Berlin) pictures. Moons rise; beasts and titans populate a homogeneous world of swimming pools, white picket fences, and neatly mowed lawns. Synthesized on a computer screen and then transferred to canvas by hand, the artist’s paintings revolve around the backyard as a mythically fraught scene of popular culture. The garishly lit multiperspectival pictures replicate characteristic shots from 1980s gay porn films and quote a clean American Apparel look. Lipchik subjects men’s bodies, spaces, plants, objects, and animals to digital deconstruction, obtaining rudimentary and abstract shapes. Staring at smartphones or gazing on water surfaces, his characters recall early digital animations and seem oddly hollow, like empty avatars waiting to be filled with new speculative content.
-
Horst Keinig
Scoop29€ Add to cartAn Artist Book Setting New Visual Processes in Motion
Around the year 2009, Horst Keining (b. 1949, Hattingen; lives and works in Düsseldorf) began to create blurred contours with the help of a small spray gun used without stencil. Up to four partially superimposed pictorial planes result in the oscillation and almost three-dimensional pulsation of the pictorial space. In interplay with a contrasting juxtaposition of strongly contoured images, his works convey a completely new visual experience. Since the resulting “blur effect” shrinks due to the reduction, this artist book places an essential accent on the reproduction of image details in their original size, followed by a full image of the picture.
- Release April 2025
Fidel Martínez
Todesfuge. Das Leben des Dichters Paul Celan26€ Add to cartThe Spanish graphic artist Fidel Martínez Nadal’s (b. Seville, 1979) graphic novel Todesfuge recounts the life of Paul Celan (1920–1970), one of the most eminent lyric poets of the twentieth century. The narrative interweaves biographical and literary aspects of Celan’s life, including his Jewish identity, his lifelong trauma as a Holocaust survivor, and his acclaimed poem Todesfuge. Martínez’s expressive and somber illustrations visualize Celan’s struggles with feelings of guilt, memory, and his creative efforts to find words for the unspeakable. An artistically brilliant homage to Paul Celan’s oeuvre, Todesfuge is an impressive contribution to the engagement with the Shoah in the medium of the graphic novel pioneered by Art Spiegelman.
- Out of stock
Kurt Weidemann
Wo der Buchstabe das Wort führt49,95€ Read moreSignierte Sonderauflage
Kurt Weidemanns Ansichten über Schrift und Typografie ist das beeindruckende Ergebnis eines über Jahrzehnte erlebten und reflektierten Berufslebens als Schriftsetzer, Typograf, Autor, Lehrer und Berater. Das Buch schildert die persönlichen, philosophischen und fachlichen Ansichten seines Metiers.
-
Tobias Pils
Drawings55€ Add to cartDrawings is the first book dedicated exclusively to the painter Tobias Pils’s (b. Linz, 1971; lives and works in Vienna) drawings. His graphical forms—the lines, figurations, even the intervening spaces—constantly change the direction in which they set out. Their ambivalence destabilizes any attempt at interpretation. One would think that the indeterminacy of Pils’s visual idiom must torment him, yet in fact this state of existential tension fills him with absurd pleasure. Rather than conceiving his works with a clear objective in mind, he allows himself to fall into them. He—his art—remains open to everything that happens in the creative process. Taken together, Pils’s drawings operate along the diffuse boundary between order and disorder, as though, acknowledging the disordered present (the life we lead), they came from an ordered past (the life we have constructed for ourselves).
Tobias Pils studied at the Academy of Fine Arts Vienna from 1990 until 1994. His works have been displayed in museums around the world, including at the mumok, Vienna (2021); the Pinakothek der Moderne, Munich (2020); the Musée Picasso, Paris (2020); the Kunstmuseum Bonn (2020); Le Consortium, Dijon (2018); the Aspen Art Museum (2018); the Chinati Foundation’s John Chamberlain Building, Marfa (2016); and the National Art Museum of China, Beijing (2010). In 2020, he executed a large wall painting at the École normale supérieure in Paris-Saclay.
-
Dietmar Lutz
Ein Jahr40€ Add to cartDay by Day
For a full year, from August 2020 until August 2021, Dietmar Lutz (b. Ellwangen, 1968; lives and works in Düsseldorf) painted or drew a picture every day in which he rendered a scene or detail from his day-to-day life. All 365 works appear here in chronological sequence, either in reproductions or in photographs showing them in the setting in which they were created. Taken together, the series constitutes a radically subjective review of one year. The paintings capture memories, but although they invariably owe their existence to a particular situation, they do not necessarily frame it as a memorable event. The artist observes himself in his world and defines his role in it. Painting as a daily task seems to structure time rather than the other way around. Each picture opens up a new space in which the different facets of time manifest themselves to the senses.
Dietmar Lutz studied at the Düsseldorf Academy of Fine Arts and rose to renown with large-format paintings in which he portrays situations from ordinary life and weaves references to the histories of film and literature. Lutz is a cofounder of the German-British artists’ collective hobbypopMuseum, with which he has exhibited at the 1st Athens Biennale; Deitch Projects, New York; Tate Britain, London; and elsewhere.
-
PULS 20
New Entries in the MNAC Collection36€ Add to cartPULS 20 unites the most valuable finds from a communal treasure hunt. Exponents of the Romanian arts scene and representatives of the National Museum of Contemporary Art (MNAC) in Bucharest teamed up to review the oeuvres of countless eminent Romanian artists and select works of outstanding quality that reflect the diversity of the country’s creative production over the past fifty years. In time for the celebrations of MNAC’s twentieth anniversary in 2020, the institution acquired the 180 works reproduced in this catalogue. That makes PULS 20 a singular document in two respects: it gathers a selection of key works of Romanian art that is unprecedented in its breadth between the covers of a book; and it is the result of a successful cooperative curatorial process, an organic discourse involving a wide variety of participants, demonstrating that democratic dialogue in art is not just possible but also extraordinarily fruitful and indeed necessary. All in all, this catalogue is the perfect choice both for newcomers to Romanian contemporary art and for specialists.
-
Harte Zeiten
Ciężkie Czasy34€ Add to cartIncreasingly pressing global political and societal challenges are always also rewarding subjects of creative engagement, and sometimes artists devise anticipative approaches to real-world problems.
Harte Zeiten—Ciężkie Czasy is a cooperative venture launched by Künstlerbund Baden-Württemberg; Port25—Raum für Gegenwartskunst, Mannheim; and Galeria Miejska bwa, Bydgoszcz, Poland. It showcases works by altogether ten Polish and ten German contemporary artists. Putting the principle that art knows no boundaries into practice, the publication, with statements from Wolfgang Ullrich, Joanna Kiliszek, Schamma Schahadat, and others as well as documentation of the symposium held in September 2021, inspires forward-looking reflections on the conditions in which cultures thrive and similarities and differences between the two countries and beyond.
