Karin Hochstatter
gegengerade
 | |
|---|---|
| Author(s) | Gundi Feyrer, Thomas Wallraff |
| Design | Alexandra Espenschied |
| Size | 22 x 25 cm |
| Pages | 96 |
| Illustrations | 60 |
| Cover | Softcover with flaps |
| Language(s) | German, English |
| ISBN | 978-3-947563-66-1 |
A Provocation of Vision between Surface and Depth
In her sculptural works, Karin Hochstatter (b. 1960, Cologne; lives and works in Cologne) deals with forms and their dissolution, as well as the perceptual mechanisms that arise from this. Everyday materials from high-tech production processes, such as construction products and foils, become fragile and expansive structures that question both our way of seeing and our notion of sculpture. The book documents her more recent works since 2012, which always exist as singular events in space and never appear a second time in the same way.
Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
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Andreas Eriksson
Read moreAll is related, from the outside in. Look what’s behind it.
Andreas Eriksson (b. 1975 in Björsäter, lives and works in Medelplana, Sweden) is one of Sweden’s most notable contemporary artists. His artistic practice is based on a traditional painterly language, but he constantly expands this field to also encompass a vast production of textile works. He examines different histories through conceptual twists and turns in sculpture and prints. This monograph, the artist’s first, seeks to explain and illustrate Eriksson’s development and thoughts behind the meandering array of works he produces. It is a close look behind the canvas.
Andreas Eriksson studied at the Royal Academy of Fine Arts in Stockholm from 1993 to 1998 and represented Sweden with the Nordic Pavilion at the 54. Biennale di Venezia. His most comprehensive solo exhibition to date took place in 2014 at Bonniers Konsthall, Stockholm.
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100 Windows
Site-specific art installations at Berlin-Weekly project space28€ Add to cartEstablished in 2010 by Stefanie Seidl in a former gateway for horse-drawn carriages that is now enclosed by glazing at both ends, the project space BERLIN-WEEKLY offers the narrow yet exceptionally tall display space to artists as a highly visible public stage for installations that respond to the setting or site. Its unilateral orientation toward the street makes BERLIN-WEEKLY a creative intervention into the urban fabric that harnesses the shopwindow format. The book presents 100 selected window installations to illustrate the widely diverse ways in which individual artists have engaged with the venue, time and again transforming the unusually shaped small space.
With works by: Menno Aden, Alexandra Baumgartner, Isabelle Borges, Astrid Busch, Simon Faithfull, Moritz Frei, Max Frisinger, Wolfgang Flad, Dagmara Genda, Andreas Greiner & Armin Keplinger, Sabine Groß, Marc van der Hocht, Sabine Hornig, Irène Hug, Bettina Khano, Julia Kissina, Nikolaus List, Ulrike Mohr, Virginie Mosse, Piotr Nathan, Katja Pudor, Philip Topolovac, Inken Reinert, Sophia Schama, Geerten Verheus, Sinta Werner, Barbara Wille, and others
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Katja Aufleger
Schwindelerregende Höhen30€ Add to cartOn a Razor’s Edge: Evanescent Moments
Katja Aufleger’s (b. Oldenburg, 1983; lives and works in Berlin) works bring instants of suspense and uncertainty into focus in a variety of aesthetic forms. Their nuclei are typically everyday phenomena and physical models, which she combines with a range of concepts from cultural history and psychology. The publication presents several series, some of which capture explosive tensions. Among them are photographs of homemade Molotov cocktails for which the artist set perfume flacons on fire, making this most recent series a probing exploration of the potentials of material aesthetics and emotion. With an introductory essay by Julia Katharina Thiemann.
Katja Aufleger studied visual art the University of Fine Arts Hamburg (HFBK), where Andreas Slominski, Matt Mullican, and Michael Diers were her teachers.
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Gregor Hildebrandt
A Blink of an Eye and the Years are Behind us48€ Add to cartFor the past two decades, Gregor Hildebrandt (b. Bad Homburg, 1974; lives and works in Berlin) has transformed analog audiotapes, cassettes, and records into collages, sculptures, panel paintings, and installations. Melding visual art with music, he has charted a complex creative vision crossing boundaries of medium and genre that he continually refines. Before using a tape, he records selected music—typically a single song—on it, whose lyrics he quotes in the work’s title. The artist’s output draws on his personal repertoire of bands that share a romantic narrative of loneliness and a melancholy keynote. The same attitude toward life is reflected in Hildebrandt’s work. The book offers insight into all periods of the artist’s oeuvre and is rounded out by archival materials from Hildebrandt’s studio, his project space Grzegorzki Shows, and the music label Grzegorzki Records that illustrate his creative process.
Gregor Hildebrandt studied at Kunsthochschule Mainz from 1995 until 1999 and at the Berlin University of the Arts from 1999 until 2002. He was a fellow of the Deutsches Studienzentrum in Venice in 2003 and worked in Vienna on a fellowship from the German Academic Exchange Service in 2005–06. He has been professor of painting and graphic art at the Academy of Fine Arts in Munich since 2015.
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Logan T. Sibrel
But I’m Different50€ Add to cartLogan T. Sibrel’s (born 1986 in Jasper, IN, lives and works in Brooklyn, NY) paintings and drawings depict moments of great joy and beauty, but also fear, sadness, desire and aggression. Frequently only part of the mostly male figures is depicted. Sibrel’s cropping can feel simultaneously intimate and alienating—fragmentary stories are told that touch you through their authenticity and vulnerability. Sibrel’s artistic maneuvers include overlapping, shifted perspectives, and text fragments that appear like snippets of overheard conversations and thus create a collage effect.
This book is the artist’s first comprehensive publication with works from the last twenty months. While the first part presents the artist’s paintings, the second part presents his drawings with the edges of the backing paper digitally removed so that it looks as if the images were drawn directly into the book.
Logan T. Sibrel completed his bachelor’s degree at Indiana University in Bloomington in 2009 and his master’s degree at Parsons New School of Design in New York in 2011. His most recent solo exhibitions include In Another Life and Galerie Thomas Fuchs (Stuttgart, DE) and Brake For Your Sweetheart at Auxier Kline (New York, NY).
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Hofmann’s Ways
Early Drawings (1898-1937)24,80€ Add to cartA Re-Discovery: the Early Graphic Work of Hans Hofmann
A representative of Abstract Expressionism, Hans Hofmann (b. 1880, Weißenburg; d. 1966, New York) was one of the most important artistic personalities of the 20th century. He began his career as a teacher and artist in the United States in the mid-1930s. The previously unpublished graphic oeuvre presents the highly varied development process that preceded Hans Hofmann’s influential painting of the post-war period.
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CLARA MOSCH
and early art events in the GDRRead moreThe legendary producer-run gallery Clara Mosch and the artists’ group of the same title that gathered around it were founded in Karl-Marx-Stadt (today’s Chemnitz) in 1977 and existed until 1982. The catchy name was an acronym of the contributors’ last names: CLA = Carlfriedrich Claus, RA = Thomas Ranft and Dagmar Ranft-Schinke, MO = Michael Morgner, SCH = Gregor-Torsten Schade. As the founders of the first producers’ gallery in the GDR and creators of diverse oeuvres, the group’s artists rank among the foremost exponents of avant-garde art in East Germany. The book presents works of art, limited editions, and posters as well as photographs from the Ralf-Rainer Wasse archive in the collections of the Lindenau-Museum in Altenburg. One thematic focus is on Clara Mosch’s land-art happenings and plein-air pieces. The unconventional actions attest to the group’s stated objective of building greater awareness of the ongoing devastation of the local environment. Forty years after the fact, Clara Mosch’s work has lost none of its relevance and urgency.
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James Francis Gill
Catalogue Raisonné of Original Prints, Vol. 139€ Add to cartThe Catalogue Raisonné of the Co-Founder of American Pop Art
James Francis Gill (b. 1935, Tahoka; lives and works in Texas) is one of the most important artists of American Pop Art. His paintings, often based on photographs, provide an unusually personal approach to the icons of the 1950s and 60s. Gill suddenly became Hollywood’s most celebrated artist when his Marilyn Triptych was added to the permanent collection of The Museum of Modern Art in New York in 1962 – even before the works of Andy Warhol. Through friendships with celebrities such as John Wayne, Martin Luther King, and Marlon Brando, Gill became the contemporary artist-witness of an entire generation. Nevertheless, he kept his distance from the exuberant Hollywood of the time and surprisingly withdrew in 1972, only to reappear on the art market thirty years later. This catalogue raisonné in two volumes impressively documents his work from the early political motifs to the Pop Art icons of his late work.
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Urban Art! Biennale® 2019
27,50€ Add to cartThe World’s Most Important Exhibition of Urban Art — Presented for the Fifth Time in 2019
Its themes are the city and urban lifestyle, its can-vases walls, doors, or windows, its artists cosmo-politan. Since the turn of the millennium, Urban Art has developed out of the non-commercial, often illegal art forms of graffiti and street art. Although it makes use of the same stylistic means — spraying, tagging, the deliberate inclusion of drips, the use of graffiti scripts, etc. — it transports these as commis-sioned works into the legal space of the museum, gallery, or architecture. The Urban Art Biennial at the World Cultural Heritage Site Völklinger Hütte is the largest international exhibition of its kind. Fifty individual works and twenty-five installations by one hundred artists shed light on the latest developments and positions from Western metropolises, as well as from current hot spots around the globe.
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Fabian Treiber
For a While Longer34€ Add to cartUnstable Prototypes of a Reality We Know
Fabian Treiber’s (b. Ludwigsburg, 1986; lives and works in Stuttgart) paintings show what appear to be interiors while interrogating subjective projections and our perceptions of reality. The artificial spaces bear witness to human existence even though there are no people to be seen. In his still lifes, Treiber negotiates classical questions of painting: form and structure, color and composition, representation of space and organization of the surface. His paintings primarily implement formal rather than narrative decisions. This lets the artist provoke a deliberate breach in which the ostensibly fallacious emerges as the essential quality of painting—the effect is that of works that seem somehow off but are actually just right.
Fabian Treiber studied painting and intermedia design at the Stuttgart State Academy of Art and Design (ABK Stuttgart). His works have won him a Karl Schmidt Rottluff Fellowship; he was also a finalist for the 2021 Hans Purrmann Grand Prize. He has had numerous solo shows, including at Kunsthalle Nürnberg, Nuremberg; Kunstverein Ludwigsburg; and Galerie Ruttkowski;68, Cologne; and contributed to group exhibitions at Kunsthalle Düsseldorf; Villa Merkel—Galerien der Stadt Esslingen a.N.; and Staatliche Kunsthalle Baden-Baden. For a while longer is published on occasion of his first solo exhibition at Haverkampf Galerie.
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Corona, Queens
Photographs by Cara Galowitz32€ Add to cartFor seven years Cara Galowitz (b. 1964, lives and works in New York) walked the streets of Corona, Queens every day during her lunch break from her nearby museum job, where she worked as an art director. These photographs, which she calls “an exercise in seeing”, capture the vivid juxtapositions of one of the most ethnically diverse neighborhoods in the world.
Through layers of irony, humor, and visual sophistication, these photographs evoke a place that is a continual work-in-progress, where the past, be it faded lettering or crumbling architecture, collides with the present in the form of spontaneous street decorations, signage, graffiti, and religious iconography. The images evoke the struggle and resilience of the people of Corona, as well as capturing the quirky beauty of the streets.
Cara Galowitz is a graduate of the Cooper Union School of Art where she focused on graphic design, photography, and fine art. She has pursued a long career as a museum art director and has shown work at the Newark Museum, the Museum of the City of New York, and the Grey Art Gallery.
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Barbara Armbruster
Meins Mine24€ Add to cartAn Intercultural Artistic Narrative between Germany and Egypt
In her works, Barbara Armbruster (b. Bad Waldsee; lives and works in Stuttgart) deals with cultural and social spaces, structures, and identities. Influenced by many years of residence in Cairo, Armbruster’s diverse works are points of relationship between two completely different cultural spaces. In her paintings, drawings, photographs, installations, and performative videos, the artist pursues a cross-cultural approach that tells of her time in Egypt and Germany on both a documentary and personal level. The monograph provides fascinating insight into Armbruster’s continuously developed language of expression between Arabic calligraphy, stylized ornamentation, and the photographic staging of everyday architecture.
Barbara Armbruster studied Graphic Art at the Staatliche Akademie der Bildenden Künste Stuttgart, where she later held a teaching position. Her works have been widely exhibited at, among others, the Goethe-Institut in Cairo, the Landesmuseum Württemberg in Stuttgart, and the Kunstverein Freiburg.
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Idee – Entwurf – Konzept
48€ Read moreArt in the Preliminary and Provisional Stage
In this sumptuous volume, Künstlerbund Baden-Württemberg, the association of visual artists in Baden-Württemberg, puts the focus on visualizations of inchoate impulses, spontaneous flashes of inspiration, and the euphoria of that first spark rather than the painstaking process of hammering out a work. Structured as a complex compendium comprising contributions by more than 240 artists, the book highlights the experimental circumstances in which the individual creative mind experiences the nascency of ideas—without regard for the specialized skills and technical accomplishment that distinguish the finished work. Perfunctory sketches, doodles, drawings, notes and material collages, photographs and other media images provide insight into very intimate stages of the creative process that are not usually revealed to visitors to an exhibition of contemporary art.
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Matthew Davis
Kustodiev28€ Add to cartAn Expressive Instant in Painting
The art of Matthew Davis (b. 1969, Colchester, UK; lives and works in Berlin) operates between the micro and macro dimensions, between control and chance. Working with extraordinary precision, the artist applies drops of synthetic resin varnishes and enamel paints to canvases laid flat. The artist’s book Kustodiev showcases a recent innovative turn in Davis’s output, whose latest works were inspired by the lusciously colorful pictures of the Russian painter Boris Kustodiev (1878–1927). Kustodiev was manufactured using offset presses and Office Offset, a largely forgotten reproduction process based on miniature offset printing machines. The publication is released in a limited edition of 250 copies.
Matthew Davis studied at the Camberwell College of Arts, London, and the Norwich School of Art and Design. His work has been shown at the Konrad-Adenauer-Stiftung, Berlin; Künstlerhaus Wien, Vienna; Kunsthalle Wilhelmshaven; and other museums and galleries.
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PULS 22
36€ Add to cartPULS, an initiative of Bukarest’s National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC’s most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country’s dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.
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Kensise Anders
10€ Add to cartKensise Anders’s work grapples with the reality of Black people’s lives. Born in Haiti, she was adopted by a German family when she was two. After a difficult childhood, with stints in a psychiatric institution and a boarding school, she eventually found art as a medium that lets her work through her experiences. She uses the crochet needle to create masks with which she ironically appropriates white identities and play carpets that show the world of her childhood—apartment blocks, streets; the “hole,” as she calls this environment. She also arranges crocheted threads on the canvas as though they were brushstrokes. One series of pictures is dedicated to a Black doll; another, to naked female bodies, including the artist’s own, with references to Courbet’s L’Origine du monde (1866). The works are acts of resistance to the prudishness of whites. Black dolls became popular in this country during the colonial era and never quite went away, like the racism in our society and in our heads. Anders’s weapon against that racism is the crochet needle, which she wields patiently and with flair as well as the necessary radicalism.
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Anna Virnich
10€ Add to cartAnna Virnich’s (b. Berlin, 1984; lives and works in Berlin) works resemble a speculative narrative. The artist has collected fabrics, garments, and bedspreads since her childhood, which she cuts up, exposes to the elements, dyes, and sometimes paints on to construct pictures and spaces. Her works are paintings and objects at once and defined by a powerful physical presence in conjunction with a ghostly emptiness. They recall Helen Frankenthaler’s liquefied chromatic landscapes, Paul Thek’s post-minimalist physicality, and the silver-foil transcendence of Andy Warhol’s Factory. Everything in Virnich’s art is a shell or membrane through which something filters in or out, “a part of emerging networks and an exchange of substances, technology, bodies, imageries, of the light of the eyes,” as Baptist Ohrtmann writes. Gathered, the textiles unfold an abstract tale of becoming and passing away, of painting, birth, artificiality, and science fiction.
- With socks designed by the artist and augmented reality
JOHN BOCK
AURAAROMA-Ω-BEULE42€ Add to cartThe Augmented Reality Book for John Bock
John Bock (b. 1965 in Gribbohm, lives in Berlin) is one of the most important contemporary performance and video artists. In his works characterized by humor and absurdity, the artist places language, human bodies, everyday objects, and spaces in peculiar relationships to each other. He attained international recognition with the installation LiquidityAuraAromaPortfolio at the first Berlin Biennale in 1998. Together with his work Voll die Beule from 2013, it is now included in the collection of the Kunsthalle Mannheim. The present augmented reality book not only contextualizes his work, but also immerses the viewer/reader directly in his performances, in which the artist’s head emerges and a filled rubber glove leaks out. A completely new approach to the works of John Bock, packaged in a pair of socks designed by the artist.
John Bock studied at the Hamburg University of Fine Arts and since 2004 has taught at the State Academy of Fine Arts Karlsruhe as Professor of Sculpture. He has participated in the 55th Biennale di Venezia, and his works have been featured worldwide in solo exhibitions at, among others, the Berlinische Galerie, the Contemporary Austin, Texas, the Barbican Centre, London, and the Städel Museum, Frankfurt.
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DAWN OF HUMANITY – ART IN PERIODS OF UPHEAVAL
37€ Add to cartThe book and exhibition present works from the first two decades of the twentieth century from the Kunstmuseum Bonn’s collection in dialogue with contemporary creative positions. What the works have in common across the distance of a century is their genesis in, and reflection on, a time of major social and political crisis. Back then, life had been profoundly changed by the industrial revolution; nowadays, climate change, wars, and the rising political power of right-wing ideologies are transforming the life of our communities. The presentation conceives art as a tool that lets us interrogate the world and imparts fresh intellectual impulses, and so also plays an active part in our societies. The title Menschheitsdämmerung – Dawn of Humanity – is borrowed from the poetry anthology of the same title released by Kurt Pinthus in 1919, which samples the Expressionist lyric poetry of the young century in four chapters: “Downfall and Outcry”; “Love Human Beings”; “Awakening of the Heart”; “Entreaty and Indignation.” Florian Illies, who already wrote an afterword for the 2019 centenary edition of Menschheitsdämmerung – the bestselling poetry anthology in the history of German literature – contributed the keynote essay in the book.
Artists: Nevin Aladağ, Francis Alÿs, Kader Attia, Yael Bartana, Rebekka Benzenberg, Monica Bonvicini, Andrea Bowers, Heinrich Campendonk, Louisa Clement, Max Ernst, Georg Herold, Franz M. Jansen, Alexej von Jawlensky, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, August Macke, Helmuth Macke, Goshka Macuga, Marie von Malachowski-Nauen, Carlo Mense, Zanele Muholi, Heinrich Nauen, Grace Ndiritu, Anys Reimann, Deborah Roberts, Daniel Scislowski, Paul Adolf Seehaus, Tschabalala Self, Monika Sosnowska, William Straube, Emma Talbot, Hans Thuar, Lawrence Weiner
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Francis Alÿs
The Nature of the Game
Special Edition60€ Add to cartSPECIAL EDITION in clothbound slipcase
The Belgian artist Francis Alÿs (b. Antwerp, 1959) makes work that is as multifaceted as it is poetically subversive. Straddling the line between performative conceptual art and community intervention, his films and drawings chart the political and social realities of urban spaces. One of his most imposing long-term projects is Children’s Games, for which he documents children playing all over the world, from Paris and Mexico City to the Yezidi refugee camp Sharya in Iraq. The richly illustrated book contains ideas and sketches he compiled in preparation for this series. It lets us glimpse into the engine room of his artistic practice, revealing key elements of his filmic poetics. An essay by the ethnographer and filmmaker David MacDougall embeds Alÿs’s observations of children’s play in the contexts of childhood studies as well as the history of ethnographic documentary film.
Francis Alÿs (b. Antwerp, 1959) is widely regarded as one of the foremost artists working today. His oeuvre, which has garnered numerous prizes and been featured in solo exhibitions around the world, encompasses films, photographs, performances, drawings, and paintings, many of them explorations of the social and political realities of urban spaces. Since 1986, Alÿs, who trained as an architect, has lived in Mexico City, where he moved after the major earthquake of 1985 to help in the rebuilding effort.
Francis Alÿs – The Nature of the Game is the official publication of the Belgian pavilion at the 59th Biennale di Venezia, curated by Hilde Teerlinck.
