Kai Schiemenz
Priel
 | |
|---|---|
| Editor(s) | Galerie EIGEN + ART Leipzig/Berlin, Gerd Harry Lybke, Kerstin Wahala |
| Author(s) | Stefan Klein, Knut Ebeling |
| Design | Huelsenberg Studio mit Niklas Sagebiel |
| Cover | Hardcover |
| Size | 18 x 29,7 cm |
| Pages | 144 |
| Illustrations | 86 |
| Language(s) | German, English |
| ISBN | 978-3-96912-120-7 |
Tidal creeks are watercourses that crisscross coastal mudflats. Running between sandbars, they flush deposits out into the sea with the falling tide, and when the tide rises, the water flows back in. In other works, tidal creeks are effectively rivers in the sea. Delving into the implications of this idea, the book presents Kai Schiemenz’s (b. Erfurt, 1966; lives and works in Berlin) major works and projects of the past four years. The publication offers insight into the provenance of selected bodies of work and their genesis. Kai Schiemenz’s art examines the city, spaces, and architecture. His small-format sculptures are self-contained creations that combine digital technologies with natural materials like wood or paper. At the same time, they function as models for expansive installations and outdoor and indoor architectures in which Schiemenz orchestrates sight lines to construct spaces whose permeability makes the audience an integral aspect of the work. If his sculptures are architecture, his exhibitions are landscapes in which the visitors encounter one another as they would in a park. Their central question, time and again, concerns the impact of the built environment and urban landscapes on their inhabitants.
More books
-
Elias Sime
Echo የገደል ማሚቶ35€ Add to cartEthiopia’s multi-award-winning artist Elias Sime (born 1968 in Addis Ababa) impresses with monumental wall reliefs made of ornamentally interwoven wires and cables or sawn-up circuit boards. For years, together with his team, he has been tirelessly
reworking discarded electronic components into complex and colorful assemblages. In doing so, he draws on traditional Ethiopian techniques of weaving, braiding and carving. Sime is interested in the “biography of the material” and each collage is a search for traces (of the local and global past). The artist obtains the electronic waste, which the countries of the global North are known to like to “dispose of” in the African continent, from the flea markets in Addis Ababa. His friezes are monuments both to the throwaway society and to global networking and interaction.
Echo የገደል ማሚቶ, a richly illustrated book, gives an overview over the artist’s fascinating career and is published on the occasion of the solo show at the Kunstpalast Düsseldorf. The volume includes insightful essays by Felicity Korn and Andria Hickey as well as an important conversation with Hans-Ulrich Obrist from 2016. Also discussed is the Zoma Museum complex, which was initiated by Sime (together with the curator Meskerem Assegued)—a total work of art that is exemplary for sustainability and community building.
-
Anders Goldfarb
Passed Remains35€ Add to cartAbandoned Gas Stations and Burned-Out Buildings
In 1986 when Anders Goldfarb (b. 1954 in Brooklyn, lived and worked in Brooklyn, NY) moved to Greenpoint, he was a young photographer with a master of fine arts degree from State University of New York at New Paltz. In moving to Williamsburg, he joined a growing number of young artists seeking the low rents of what was then a declining neighborhood of light industrial buildings and working-class residences. Working with black and white film, and a medium format Rolleiflex camera, Goldfarb began photographing in 1987 in Williamsburg and Greenpoint, riding his bike around the area and looking for the peculiar beauty of sidings, peeling paint and razor wire. Goldfarb’s photographs provide a valuable historical record of these neighborhoods prior to their demolition and gentrification. His subjects are metaphors for loss and vulnerability and distill moments in time that are destined for demise.
-
Markus Vater
Objects of Significance32€ Add to cartObjects of Significance is an artist’s book that grew out of a series of photographs and writings which Markus Vater (b. Dusseldorf, 1970; lives and works in London and Dusseldorf) collected over several years. They show and describe what matters to the artist: objects fraught with meaning, questions, relationships, memories. It is a creative and philosophical book, as funny as it is serious, delving into questions like: What do you see when you close your eyes and turn your head toward the sun? Or: How much does a cloud weigh? Vater has interviewed the North Sea for the book and ponders the wind. He sheds light on the conditions in which art comes into being and meditates on what holes are.
-
Africa
in the View of the Photographers19,90€ Add to cartContemporary Photography from Africa
Stereotypes still dominate the Western image of Africa; we tend to know little about cities like Lagos, Porto-Novo, or Kinshasa. The book presents photographs by African artists who tell stories from everyday life in the metropolises, of the unruliness of nature and industry, of traces of the past and pop culture. Osborne Macharia, for example, interweaves Kenya’s cultural identity with fictional Afro-futuristic plots; Yoriyas documents the small moments of life in his native Casablanca in pictures that have been picked up by the New York Times, National Geographic, and Vogue; Alice Mann’s intimate essays in portraiture, meanwhile, explore ideas about the making of pictures as a collaborative act. With additional works by Ilan Godfrey, Fabrice Monteiro, Kibuuka Mukisa Oscar, Léonard Pongo, and Fethi Sahraoui, the book offers a profoundly original survey of African realities.
-
Maria Balea & George Crîngașu
The Mythenstein Project18€ Add to cartMaria Balea (b. Sighetu Marmației, 1990; lives and works in Cluj-Napoca, Romania) and George Crîngașu (b. Focșani, 1988; lives and works in Cluj-Napoca and Rome) are among the youngest members of the School of Cluj, which has attained international renown in Adrian Ghenie, Hortensia Mi Kafchin, and Ciprian Mureșan. The overarching theme in their works in a range of media is the lived reality of today’s young people between a physical world defined by uncertainties and a virtual parallel universe whose boundless possibilities make it a fascinating yet also often deceptive safe haven. Both artists roam this dizzying kaleidoscope of worlds on a quest for beauty: Balea, through a romantically idealized focus on remnants of untouched or deserted nature; Crîngașu, by abandoning himself to the graphical possibilities of the digital realm, where beauty is often bound up with the bending of natural laws and the physical impossibility of architecture. Yet both, the retreat to an ostensibly natural state and the escape into garish artificiality, are overshadowed by a nameless menace.
-
Maximilian Rödel
Celestial Artefacts50€ Add to cart“One must break free from wanting something and confine oneself instead to being something.” — Maximilian Rödel
Inky black, apricot, magenta, and a pastel purple: apparent monochromes, the paintings of Maximilian Rödel (b. Braunschweig, 1984; lives and works in Berlin) actually do not just traverse color spectrums; in a sense, they chart horizons of experience. To contemplate them is to embark on a voyage through space and time. Foreground and background are one, depth and surface at once; an undertow makes itself felt in which the nuances of color interweave, blur into one another, shimmer, flare up. The artist describes his pictures as an unfocused energy that already exists; he merely uncovers it.
The first publication on Rödel’s work presents the exhibition Celestial Artefacts at Neuer Aachener Kunstverein, with an emphasis on the Prehistoric Sunsets series (2018–2021). It is complemented by reproductions of selected works and an extensive index that also includes details from earlier series that are relevant in the context. Aperçus contributed by Rafael Horzon and Leif Randt and writings on art by Domenico de Chirico, Lena Fließbach, Stefanie Gerke, Philipp Hindahl, and Maurice Funken add another dimension to the paintings.
-
America! America!
How real is real?38€ Add to cartMyths, Projections, Aspirations
In times of fake news and alternative facts it is becoming even more clear how the American Dream is closely interwoven with emotional pictures and symbols. At the same time, it can be said that no other nation might have the same strong awareness of the power of images. Images of the American Way of Life, which are produced in media and entertainment, are able to consolidate existing power structures and perceptions of reality, but also question them in a radical way. The psychologically charged canvasses of Eric Fischl, the hermetic scenes of Alex Katz, the enormous film-noir-like graffiti paintings of Robert Longo dissect the dreams and fears of an insecure white middle class. Simultaneously, artists such as Jeff Wall or Cindy Sherman conquer scenes that critically reflect our media-influenced perception, becoming models for subsequent generations. By showing 70 masterpieces of US-contemporary art, the book shows how artists from the 1960s to date comment on the American reality.
-
Language/Text/Image
32€ Add to cartSpoken words, writing, and images originate in social and cultural contexts and so are fraught with meanings, are vehicles of values and norms. They inevitably also demarcate boundaries, serving to class people as members of groups or outsiders. This adds to the urgency of the question of what can in fact be said and shown, and who or what determines those limits. The present catalog addresses these concerns through a survey of eminent art of the twentieth and twenty-first centuries. The works gathered in it speak to mechanisms of inclusion and exclusion, to categorizations and the narratives that were created to sustain them. And they remind us that these phenomena are human-made, which is also to say, susceptible to change—that we share responsibility for them.
Artists: John Baldessari, Maria Bartuszová, Alice Bidault, Alejandro Cesarco, Ayşe Erkmen, Nadine Fecht, Gary Hill, Janice Kerbel, Gabriel Kladek, Gordon Parks, The National AIDS Memorial, Markus Vater, Gillian Wearing
- Out of stock
Luxus?!
34€ Read moreWhat is luxury today? How do designers perform the magic of transforming a utilitarian object into a must-have? Where does consumerism shade into obsession? When does more-is-more give way to less-is-more?
Luxury means breaking with convention, and this book showcases—and spawns—a cornucopia of ideas, products, and positions around luxury, featuring influential thinkers from the worlds of design, science, art, and society. The cultural theorists Wolfgang Ullrich and Lambert Wiesing exchange letters on the concept of luxury; Montblanc’s creative director Zaim Kamal lays out future strategies; the artist Jonathan Meese pens a gold manifesto; and Bazon Brock inquires into the asceticism of luxury. We live in a world full of things that resemble one another so closely that the only difference is how they are marketed. What might the precious objects of the future look like? The book presents examples from aspiring designers such as the fashion student Victoria Reize, whose collection counters luxury with arch defiance. Design, we learn, is not just about creating supreme values. Luxury is limitation and longevity, scarcity and refinement, yearning and sensuality.
With works by Assemble, Jake and Dinos Chapman, Daniel Chodowiecki, Kai Löffelbein, Jonathan Meese, Olaf Nicolai, Marcel Odenbach, Tobias Rehberger and Anna Skladmann.
-
Clemens Krauss
Antidot | Gegengift40€ Add to cartClemens Krauss restlessly shuttles across history; his vehicles are painting, video art, sculpture, and performance. Yet Krauss is not “just” an artist, he is also a psychoanalyst and physician. As such, he has first-hand experience of time as the defining factor of existence, daring him to play with it. The bosom of painting is where he feels safest after his hazardous excursions back into his youth and forward into death. Executed in thick paints, his work is physical, material, which is also to say, it exists in time: everything passes away, even the picture. Evanescent, more than anything, are encounters of the sort Krauss stages as part of his psychoanalytical practice; all that remains is the indelible impression they leave. To be indelible, to recall the past, while also “letting happen what has never happened,” as he puts it, these are the ambitions he pursues in his art. Preserved between the covers of the present catalogue and reproduced in thousands of copies, his works now fan out in an instant to circulate for an indeterminate period of time among countless hands, whence they will effortlessly penetrate the barriers of our inner lives to bring us one step closer to transcendence.
-
MK Kaehne
Π = 3,1415935€ Add to cartThe biography of conceptual artist MK Kaehne (b. Vilnius, 1963; lives and works in Berlin) oscillates between Vilnius, Moscow and Berlin. Influenced by Russian Constructivism, he draws and builds suitcase sculptures with a department store aesthetic, a reversal of the readymade principle. His focus gradually shifted from the formal to the psychological, towards life-size figures such as It’s me (2023): a hyper-realistic replica of himself, lying upside down in the mud, with a garden gnome next to him. Kaehne’s work is strictly analytical, but the results are full of tragedy and irony. Unintentional drawings, in which biographical, Dadaist and political elements merge, accompany his oeuvre. A total work of art that traces personal and social development.
-
PULS 20
New Entries in the MNAC Collection36€ Add to cartPULS 20 unites the most valuable finds from a communal treasure hunt. Exponents of the Romanian arts scene and representatives of the National Museum of Contemporary Art (MNAC) in Bucharest teamed up to review the oeuvres of countless eminent Romanian artists and select works of outstanding quality that reflect the diversity of the country’s creative production over the past fifty years. In time for the celebrations of MNAC’s twentieth anniversary in 2020, the institution acquired the 180 works reproduced in this catalogue. That makes PULS 20 a singular document in two respects: it gathers a selection of key works of Romanian art that is unprecedented in its breadth between the covers of a book; and it is the result of a successful cooperative curatorial process, an organic discourse involving a wide variety of participants, demonstrating that democratic dialogue in art is not just possible but also extraordinarily fruitful and indeed necessary. All in all, this catalogue is the perfect choice both for newcomers to Romanian contemporary art and for specialists.
-
Ohne Schlüssel und Schloss
Chancen und Risiken von Big Data19,90€ Add to cartVon Kunsthandwerk zu digitaler Verschlüsselung
An jeder Haustür ziehen wir Grenzen, wir schließen auf und schließen ab. Und noch in jüngster Vergangenheit war eindeutig, was als Verschlusssache galt. Ganz anders stellt sich diese Frage im IT-Zeitalter. Ausgehend von der kunsthandwerklichen Sammlung des Museum Pfalzgalerie Kaiserslautern wird deutlich, wie in früheren Jahrhunderten über mechanisch und symbolisch aufwendig gestaltete Schlösser, Schränke oder auch Reliquienbehältnisse Distanzen austariert wurden. Sie alle sind sichtbares Vehikel für die bewusste Wahrnehmung von innen und außen, zugehörig und ausgegrenzt, wissend und unwissend oder öffentlich und privat. Für Big Data gilt dies in keiner Weise mehr. Beim Digitalen werden Serviceleistungen mit Datenerhebungen verbunden, deren weiteren Einsatzbereiche wir weder unmittelbar verstehen noch überblicken können. Historische, technologische und philosophische Überlegungen bieten wichtige Beträge zur aktuellen Debatte und Einschätzung der Risiken und Chancen von Big Data.
-
Francesca Martí
Passage and Presence42€ Add to cartFrancesca Martí’s (b. Sóller, Mallorca; lives in Mallorca and Stockholm) art revolves around themes like transformation, communication, and deformation, the power of self-determination, the instability of memory, and the effects of the chaos caused by migration and the migration prompted by chaos. In a collaborative process, a multitude of performers, dancers, and musicians help make her vision a reality. The book presents performances, sculptures, and visual works from Francesca Martí’s most important exhibitions in Spain, Germany, the Netherlands, Slovakia, and China. The portraits of the various series the artist has developed over the past ten years, including Cocoon, Planet of Fusions, Migrant Angel, Dreamers & Believers, Copper and Flux, are rounded out by her drawings, photographs, and making-of shots from her studio in Mallorca.
-
Călin Dan
POLLIO34€ Add to cartThe oeuvre of the Romanian artist Călin Dan (b. Arad, Romania, 1955; lives and works in Bucharest) shows the influences of conceptual and minimal art. His book Pollio surveys his creative practice of the past decade, which straddles the media of installation and performance art, film, photography, and sculpture and is enriched by his work as an art historian, writer, and curator. In addition to the titular body of work, which wrestles with the Roman historian Gaius Asinius Pollio, the volume also documents the exhibition Alzheimer (2017). Călin Dan is a founding member of the artists’ group subREAL. His work was showcased at the Istanbul (1993), Venice (1993, 1999, 2001), São Paulo (1994), and Sydney Biennales (2006). He has been director of the National Museum of Contemporary Art (MNAC) in Bucharest since 2014.
-
Silke Eva Kästner
Panta Rhei36€ Add to cartSilke Eva Kästner (lives and works in Berlin and Uckermark) developed her creative approach while traveling in India, New York, and Japan. She creates temporary on-site paintings as well as conceptual pieces in which the viewer comes upon prepared materials and becomes part of—or even alters—the picture. Kästner documents these encounters in photographs or filmic traces out of which she compiles films in the editing suite. Probing the potentials of painting as communication, she foregrounds the active intervention and process. In the gallery no less than the urban scene, Kästner places painting in relation to architecture in order to frame it in varying perspectives.
The monograph offers insight into the foci of Kästner’s art; the works are grouped in chapters rather than arranged in chronological sequence. This structure makes the book a space of experience that gives the reader a vivid sense of her ephemeral creations.
After studying with Katharina Grosse at the Weißensee School of Art and Design Berlin, Silke Eva Kästner won the Mart Stam Prize; she honed her craft in India on a NaFöG fellowship and in New York on a yearlong DAAD fellowship. Funding support from the Institut für Auslandsbeziehungen (ifa) enabled her to initiate an ongoing exchange project between Kashmir and Berlin. Her work has been on view at numerous institutions including the Schirn Kunsthalle Frankfurt; the Devi Art Foundation, Delhi; Berlinische Galerie, Berlin; the Queens Museum of Art, New York; Künstlerhaus Bethanien, Berlin; and the Haus der Kulturen der Welt, Berlin.
-
Mon Trésor
34€ Add to cartEurope’s Treasure Chamber
What do the torque of the princess of Reinheim, the tableware from the Orient Express, and the radio station Europe 1’s studio building have in common? They are among the treasures of the Saar region. The book presents outstanding archaeological objects and achievements of technology and art dating from the age of the Celts to the present. Drawn from the Saarland and neighboring Alsace-Lorraine, Luxembourg, and Rhineland-Palatinate, the unexpected riches illustrate the cultural and social dimensions of this multinational region in the heart of Europe. The title Mon Trésor describes many of them quite literally: the note a seven-year-old dashed off to his father before his family was evacuated in the first days of World War II; the Roman-era ring that is also a relic, witnessing to flight and danger. All treasures are personal first and foremost, though others may later cherish them as cultural assets.
-
Aline Schwibbe
Now It’s Dark28€ Add to cartAline Schwibbe (b. Hamm 1988; lives and works in Berlin) studied both psychology and art and her interest lies in observing the cyclical nature of events and experiences—in memory, in dreams and in the reality of the present. Her films and her photographic and mixed-media sequences often appear like fragments of occurrences snatched from the dark and exposed multiple times in an attempt to make them visible.
The artist’s first monograph is published on the occasion of her solo exhibition Now It‘s Dark at the EIGEN+ART Lab Berlin. The book introduces Schwibbe’s extensive multidisciplinary practice, which besides drawing, photography and video also includes sculpture, animation, sound installations, and textile projects.
-
Sinje Dillenkofer
Archives Vivantes34€ Add to cartSinje Dillenkofer’s (b. Neustadt a.d.W., 1959) body of work ARCHIVES VIVANTES inquires into the idea of the “archive,” harnessing the means of visual art to allow us to see and perceive what the archive does not reveal. With staged photographs that combine conceptual rigor with a wide spectrum of creative techniques and devices, Dillenkofer’s pictorial essay turns the spotlight on specimens, artifacts, graphic art, and writings compiled by the explorer and naturalist Alexander von Humboldt (1769–1859) and the ornithologist Carlo von Erlanger (1872–1904). Examining the archive as a model of nature and reality as well as a mirror of “human nature,” the artist develops compositional ideas inspired by the peculiar features of the objects in the collections in visual analogies, pictorial spaces, and spatial compositions. Animals and plants that died long ago “in the service of science” are vividly embodied through the distinctive use of light and shadow. The resulting pictures consider the archive in a new context, framed by our complex relationships with nature, humankind, society and its values and ideals, circumstances and constellations of power. The pictures were taken in six German collection archives: at the Museum bei der Kaiserpfalz Ingelheim, the Naturhistorisches Museum Mainz, the Senckenberg Forschungsinstitut und Naturmuseum Frankfurt, the Stadtmuseum Berlin, and the Stuttgart State Museum of Natural History. Dillenkofer was the first artist to be invited by the Berlin State Library—Prussian Cultural Heritage to translate Humboldt’s American travel diaries into art.
Sinje Dillenkofer studied at the Stuttgart State Academy of Art and Design and has taught at universities and art academies. Her work is held by the Victoria & Albert Museum in London, the ZKM | Center for Art and Media Karlsruhe, the Staatsgalerie Stuttgart, and the Berlinische Galerie, among others.
-
Pharaonengold
3.000 Jahre altägyptische Hochkultur27,50€ Add to cartThe Mysterious World of the Pharaohs and their Magical Relationship to Gold
Hardly any other culture fascinates as much as the high culture of ancient Egypt. At its center were the pharaohs, those legendary kings who, according to the beliefs of the ancient Egyptians, descended directly from the gods. Gold was ascribed a special symbolic and religious power; it stood for eternity and indestructibility and, as the “flesh of the gods,” was a sacred metal. The book brings together 150 exhibits from pharaonic tombs from the Old Kingdom of the Third Dynasty (circa 2680 B.C.E.) and the oldest gold statue of an Egyptian pharaoh to Tutankhamun and Horemheb (circa 1330–1310 B.C.E.).
