Joanna Pousette-Dart
 | |
|---|---|
| Editor(s) | Jörg Daur, Museum Wiesbaden |
| Author(s) | Barbara Rose, Joan Walternath, Jörg Daur, Lea Schäfer |
| Design | Frank Bernhard Übler, Leipzig |
| Size | 27 x 27 cm |
| Pages | 144 |
| Illustrations | 129 |
| Cover | Hardcover with flush cut |
| Language(s) | English, German |
| ISBN | 978-3-947563-53-1 |
„A kind of Dialogue between Myself and the Horizon.“
The works of Joanna Pousette-Dart (b. 1947, New York; lives and works in New York) are deeply rooted in the vast expanse of the American desert landscape, without ever committing themselves to a strict objectivity. As early as the 1970s, the artist abandoned the rectangular form of her canvas in favor of dynamically balanced panels that open out to the respective space. This volume presents her fascinating paintings from 2004 till 2019, which oscillate between landscape and abstraction, line and form. Born in New York to abstract expressionist painter and founding member of the New York School of painting, Richard Pousette-Dart, Joanna Pousette-Dart’s experience as a painter rises from rich tradition. Her work is held in the collection of the Museum of Fine Arts, Boston, the Solomon R. Guggenheim Museum, New York, and the Museum of Modern Art, New York, amongst others.
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In his extraordinary sculptures, the artist combines a treatment of lacquer practiced for centuries in Japan with an organic language of form.
An exceptional representative and pioneer of the use of lacquer in contemporary art, Tanaka uses the lacquer mostly in polished deep black, sometimes also in intense red, as a multi-layer coating for his large-scale sculptures.
