Eva Jospin
Wald(t)räume
 | |
|---|---|
| Editor(s) | Britta E. Buhlmann, Annette Reich, Museum Pfalzgalerie Kaiserslautern |
| Author(s) | Bettina Wohlfarth, Annette Reich, Britta E. Buhlmann |
| Design | Tina Meißner |
| Size | 21 x 24 cm |
| Pages | 128 |
| Illustrations | 62 |
| Cover | Hardcover |
| Language(s) | German, English |
| ISBN | 978-3-947563-44-9 | Out of stock |
The Forest as a Place of Longing: Eva Jospin’s Magical Corrugated Cardboard Sculptures
The French artist Eva Jospin (b. 1975, Paris; lives and works in Paris) cuts and layers corrugated cardboard to create sculptures and reliefs. Handcraft and precision are essential aspects of her work. The artist retains the original color of the cardboard, since, for her, the material itself already contains sufficient color variations and nuances. The recurring motif is the forest — consisting of numerous trunks, branches, and twigs in extreme density and interspersed with black shadows. They suggest depth and stimulate the viewer’s imagination. Eva Jospin does not reproduce nature one to one, but conveys the feelings of fear, anarchy, or freedom that it triggers: The forest as a universal place of longing.
Out of stock
Out of stock
More books
- Release February 2026
BOOM!
7 years of nova space48€ Add to cartFrom 2019 to 2025, nova space, Bauhaus-Universität Weimar’s university gallery put up 21 projects, which this volume documents in image and text. As both an experimentation field and meeting place, nova connected international artists, students, faculty, and the public under the enthusiastic direction of curator Katharina Wendler. Her essay provides insight into the unique history of this mobile and interdisciplinary gallery, its program as well as the continuous development of new curatorial formats. The final act of nova is an exhibition in book form, for which artists, architects, designers, typographers, and filmmakers were invited to create work that freely associates around the theme of BOOM!—inspired by the image of the supernova.
ARTISTS: A.O. LAURA ABERHAM, MARGRÉT H. BLÖNDAL, ZUZANNA CZEBATUL, BJÖRN DAHLEM, DAVID DIAO, HANNAH SOPHIE DUNKELBERG, NADINE FECHT, LIAM GILLICK, JANA GUNSTHEIMER, NSCHOTSCHI HASLINGER, STEF HEIDHUES, JUDITH HOPF, VERENA ISSEL, CHRISTIN KAISER, IAN KIAER, RAGNAR KJARTANSSON, VERA KOX, SCHIRIN KRETSCHMANN, YUTAKA MAKINO, STEFAN MARX, ERIC MEIER, AD MINOLITI, BRUCE NAUMAN, PRINZ GHOLAM, HANNAH RATH, KARIN SANDER, FETTE SANS, KATRIN STEIGER, JAN TICHY, WOLFGANG TILLMANS, IGNACIO URIARTE, ROBIN WAART, YOUNG BOY DANCING GROUP, FRANCIS ZEISCHEGG, KARLA ZIPFEL AND MANY MORE
-
Simone Haack – Untangling the Strands / Démêler les Fils
24€ Add to cartSimone Haack’s (b. Rotenburg/Wümme, 1978; lives in Berlin) most recent body of work delves into the theme of hair as a parameter of identity straddling the division between nature and culture. Her second publication with DCV is released on the occasion of two exhibitions: Untangling the Strands at Berlin’s Abguss-Sammlung Antiker Plastik, a collection of casts of ancient sculpture, which are seen in dialogue with her hair pictures; and Helix of Realism at Galerie Droste, Paris, which is part of the official program of events around the grand Surrealism exhibition held at the Centre Pompidou in celebration of the Surrealist Manifesto’s centennial. The new book is the first to shed light on the aspect of the surreal in the artist’s oeuvre and uncovers a major source of her visual inspiration: the dream diaries that Haack has kept since she was seventeen and the interest in the unconscious they reflect. It is above all the logic of the dream as well as feelings and moods that inform her paintings.
Haack: “My goal is to use the means of realism to visualize what cannot be seen. To get into an automatism that lets the unconscious speak in order to infuse the pictures with a life of their own. To shed light on the domain where the myths originate.”
-
Yes To All
Die Schenkung Paul Maenz Gerd Vries42€ Add to cartThe catalog accompanying the exhibition YES TO ALL offers profound insight into a collection of over nine hundred works on paper—from postcards and drawings to photographs and posters—that was gifted to the Kupferstichkabinett in 2022, with subsequent additions over the years until 2025. The donors are Paul Maenz and Gerd de Vries, who ran a gallery for contemporary art in Cologne until 1990 and chaperoned the evolution of avant-garde art from the conceptualism of the late 1960s to the neo-expressive painting of the 1980s. The most recent works in the collection date from 2024. Several essays and a conversation with the donors invite the reader to experience the stylistic and thematic polyphony of Western art in the late twentieth and early twenty-first centuries in new ways.
EXHIBITION:
YES TO ALL. THE GIFTS OF PAUL MAENZ GERD DE VRIES TO THE KUPFERSTICHKABINETT
KUPFERSTICHKABINETT, STAATLICHE MUSEEN ZU BERLIN
UNTIL JANUARY 11, 2026 -
Liam Gillick
Filtered Time (ENGLISH)28€ Add to cartThe sculptor and object artist Liam Gillick (b. Aylesbury, UK, 1964; lives and works in New York) has created an intervention titled Filtered Time for the historic galleries of the Pergamon Museum in Berlin. Projections of light and color and acoustic effects condense six thousand years of cultural history into an immersive spatial experience. Gillick initiates a conversation between the iconic Processional Way and the Ishtar Gate from Babylon, the monumental sculptures of Tell Halaf, and other exhibits, engendering new layers of meaning across all historical periods. The first joint project of the Vorderasiatisches Museum and the Hamburger Bahnhof—Nationalgalerie der Gegenwart makes for a singular visual and sensory experience. Designed by the artist himself, the publication not only documents the richly colorful production, but also provides insight into the eventful history of the museum, which is approaching its centennial.
Liam Gillick studied at the Hertfordshire College of Art in 1983–1984 and at Goldsmiths, University of London from 1984 until 1987. Gillick is a prolific published writer as well, producing essays, reviews, fiction, and theatrical scenarios.
-
Arantxa Etcheverria
Doors38€ Add to cartThe Mythical Power of Grids
Arantxa Etcheverria’s (b. 1975, France; lives and works in Bucharest) creative practice encompasses painting, sculpture, performance, photography, and film. Since 2006, she has been especially interested in modernist architecture, a ubiquitous sight in her adopted country, Romania. Blending rationalism with speculation, the artist draws on historical references including post-Communist turbo architecture, Op art, and minimalism for works that balance between figuration and abstraction, construction and deconstruction. This book documents Etcheverria’s more recent panel paintings and installations, seen in interaction with actors in monochrome costumes. With essays by the Paris-based Romanian curator and critic Ami Barak and the art historian and curator Alina Şerban.
Arantxa Etcheverria studied fine arts at Villa Arson, Nice, and stage design at the Théâtre national de Strasbourg.
-
Nam Kim
10€ Add to cartThe large-format paintings of Nam Kim (born 1991 in the US, lives in Vienna) are inhabited by chunky androgynous, naked figures, which gently blend with the vegetation, light and shadows, or ornaments around them. “The figures resonate with fluid grace, caught in the intimate moment between thought and touch.” (R. Grunenberg) Here, the human body is equal to its natural environs and not separate. Kim begins her paintings with zones of gestural abstraction, from which the characters grow like plants into her compositions. Kim grew up in Korea and her painting practice combines elements of Asian traditions (in art and theater) with Western art history and virtuality. This book presents her works of the last three years and includes an insightful essay by Robert Grunenberg.
- Out of stock
Soulages
Malerei 1946–201942€ Read more“I paint not with black but with light.”
Pierre Soulages (b. Rodez, France, 1919; lives and works in Paris and Sète, France) is an eminent figure in abstract painting. A member of the Nouvelle École de Paris, he developed his first nonobjective pictures early on, in 1946, putting bars of bold color, typically black, on white grounds. His embrace of total non-representationality, an art that depicts nothing, that stands for nothing but itself, amounted to a radical challenge to the traditional values of painting. In 1979, his work entered a new phase, a painting he calls “outrenoir” or “beyond black.” Soulages now occupies a singular position, and not only by virtue of his choice of materials such as walnut stain and tar and implements like scrubbers, iron hooks, and spatulas. The book documents the arc of his oeuvre from his beginnings after World War II to the present. Illustrating the evolution of his art, it shows how he remained true to his creative vision, a consistency that is doubly imposing given the extraordinary length of his career.
Pierre Soulages studied at the École Régionale des Beaux-Arts, Montpellier, before moving to Paris in 1946. He contributed work to documentas I, II, and III and the 26th Biennale di Venezia. His work has been shown at the Museum of Fine Arts, Houston; the Hermitage Museum, Saint Petersburg; the Musée du Louvre and the Centre Pompidou, Paris; and the Musée Fabre, Montpellier. The Musée Soulages in his native Rodez opened in 2014.
-
Nicola Staeglich – Farbe schwebend / Color floating
22€ Add to cart“The more slowly one approaches Staeglich’s works, the more they reveal.” Stephan Berg
Nicola Staeglich transforms color and traces of the act of painting into complex pictorial spaces that exude light and make time visible. Using an extra-wide brush, she applies luminous oil paints to (semi-) transparent foils and solid support media made from acrylic glass. Each movement of her body leaves a distinct mark on the paintings. Once the works are placed in the exhibition space, they absorb their environment and ambient light as well as the eye. The artist’s experimental approach generates a rich dynamic: paint hovers in mid-air, disembodied, while a constant oscillation between color and surface, between pictorial body and setting unlocks novel dimensions in space and time. The picture continually coalesces in the eye of the beholder, metamorphosing as the angle of incidence shifts and the mind parses the traces and strata of paint. Even in printed form, Staeglich’s works convey a rousing vitality.
The catalogue accompanies Staeglich’s solo exhibition at Städtische Galerie Waldkraiburg.
-
MEUSER
Werke 2012–2023 (GERMAN)48€ Add to cartEver since his studies with Joseph Beuys and Erwin Heerich, since his first exhibitions – for instance at ‘Kippenberger’s Office’ in 1979 – Meuser (b. Essen 1947, lives and works in Karlsruhe) has been a solitaire. His sculptures are unyielding and unruly, just as much as they are vulnerable and tender. They are witty and heart-touchingly charming.
Meuser finds his material in the scrapyard. Confidently and empathically, he reinstates form and dignity to the remnants and vestiges of industrial society. As a romantic, he grants things a life of their own and turns them into self-reliant protagonists, once more. Unwaveringly, he works to re-poetize a standardized and maltreated world.
The lavishly designed monograph is published on the occasion of Meuser’s 75th birthday, presenting works and exhibitions from the past ten years. Eight international authors and scholars create a dazzling mosaic and reveal how Meuser boldly holds his own in face of Duchamp, Minimalism, and Social Sculpture. An open-ended outlook.
Meuser studied 1968–1976 at Art Academy, Düsseldorf with Joseph Beuys and Erwin Heerich. 1991 he received the ars viva award. 1992-2015 professorship at Academy of Fine Art, Karlsruhe.
Since 1976, numerous institutional solo and group exhibitions and works in international collections: Bundeskunsthalle, Bonn; Deichtorhallen, Hamburg; documenta IX / Fridericianum, Kassel; Fundació Joan Miró, Barcelona; Joanneum, Graz; Kunsthalle Düsseldorf; Museum of Contemporary Art, Monterrey; Martin-Gropius-Bau, Berlin; Museum Abteiberg, Mönchengladbach; Museum Folkwang, Essen; Museum moderner Kunst Stiftung Ludwig, Vienna; Museum Morsbroich, Leverkusen; Rijksmuseum Twenthe, Enschede; Sakip Sabanci Museum, Istanbul; Städtische Galerie, Karlsruhe; Vanhaerents Art Collection, Brussels; ZKM | Museum für Neue Kunst, Karlsruhe.
-
SERIES
Prints from Warhol to Wool40€ Add to cartA Creative Strategy and Technique of Modernism
Series are open systems, telling stories, toying with rhythms, permitting variations, and documenting creative processes. Andy Warhol’s famous silkscreen prints made the serial iteration of images his trademark stratagem. In the mid-1960s, Pop Art and Fluxus had established the fine art print as a medium in which seminal work was being done. New graphic techniques such as serigraphy and offset printing, used with aggressive colors and punchy motifs, not only allowed for large numbers of copies, they also opened the door to an unprecedented engagement with the imagery of popular print and advertising media. Opening with an inquiry into how serial fine art prints are made, the book presents and contextualizes the explosive visual and political energy of graphic series. The numerous illustrations and essays are rounded out by an interview with Thomas Schütte and Ellen Sturm.
With works by Josef Albers, Joseph Beuys, Ulla von Brandenburg, John Cage, Helen Cammock, Nina Canell, Jim Dine, Dan Flavin, David Hockney, Jenny Holzer, Olav Christopher Jenssen, Donald Judd, Ronald B. Kitaj, Maria Lassnig, Sol LeWitt, Roy Lichtenstein, Richard Lindner, Robert Mangold, Brice Marden, Stefan Marx, Bruce Nauman, Dennis Oppenheim, Nam June Paik, Sigmar Polke, Gerhard Richter, Dieter Roth, Fred Sandback, Nora Schultz, Thomas Schütte, Dasha Shishkin, Frank Stella, Rosemarie Trockel, Victor Vasarely, Wolf Vostell, Andy Warhol, Corinne Wasmuht, Emmett Williams, Christopher Wool, and others.
-
Anna Virnich
10€ Add to cartAnna Virnich’s (b. Berlin, 1984; lives and works in Berlin) works resemble a speculative narrative. The artist has collected fabrics, garments, and bedspreads since her childhood, which she cuts up, exposes to the elements, dyes, and sometimes paints on to construct pictures and spaces. Her works are paintings and objects at once and defined by a powerful physical presence in conjunction with a ghostly emptiness. They recall Helen Frankenthaler’s liquefied chromatic landscapes, Paul Thek’s post-minimalist physicality, and the silver-foil transcendence of Andy Warhol’s Factory. Everything in Virnich’s art is a shell or membrane through which something filters in or out, “a part of emerging networks and an exchange of substances, technology, bodies, imageries, of the light of the eyes,” as Baptist Ohrtmann writes. Gathered, the textiles unfold an abstract tale of becoming and passing away, of painting, birth, artificiality, and science fiction.
-
Maria Balea & George Crîngașu
The Mythenstein Project18€ Add to cartMaria Balea (b. Sighetu Marmației, 1990; lives and works in Cluj-Napoca, Romania) and George Crîngașu (b. Focșani, 1988; lives and works in Cluj-Napoca and Rome) are among the youngest members of the School of Cluj, which has attained international renown in Adrian Ghenie, Hortensia Mi Kafchin, and Ciprian Mureșan. The overarching theme in their works in a range of media is the lived reality of today’s young people between a physical world defined by uncertainties and a virtual parallel universe whose boundless possibilities make it a fascinating yet also often deceptive safe haven. Both artists roam this dizzying kaleidoscope of worlds on a quest for beauty: Balea, through a romantically idealized focus on remnants of untouched or deserted nature; Crîngașu, by abandoning himself to the graphical possibilities of the digital realm, where beauty is often bound up with the bending of natural laws and the physical impossibility of architecture. Yet both, the retreat to an ostensibly natural state and the escape into garish artificiality, are overshadowed by a nameless menace.
-
Tony Cragg
Points of View24€ Add to cartThe biomorphic and monumental sculptures of British sculptor Tony Cragg (born 1949, lives in Wuppertal) impress with their virtuosity and their dynamic appearance. They might even evoke movement, as if they are still becoming. Often exhibited outdoors, and in church or museum contexts, they blend into their surroundings like organic entities. Since the 1960s, Cragg’s search for sculptural form manifested through methods like layering and stacking existing materials, rearrangement, and assemblage. He now employs both traditional and new technologies and materials, yet his sculptures have to be seen in clear contrast to normative, repetitive industrial production. This book documents Cragg’s 2025 exhibition in the Anhaltische Gemäldegalerie Dessau.
- Out of stock
Flatland
35€ Read moreBetween the Dimensions
The title of this book quotes a literary work by Edwin A. Abbott that was first published in 1884 and gradually gained considerable fame: an allegorical satire whose protagonists are geometric figures, narrated by a square that relates its discovery of a three-dimensional world. Flatland examines the ways in which artists have found inspiration in the formal vocabularies of abstraction since the 1960s. The lavishly designed book gathers works from the past six decades that challenge orthodox interpretations of abstraction.
Contributing artists: Laëtitia Badaut Haussmann, Francis Baudevin, Philippe Decrauzat, Marie-Michelle Deschamps, Angela Detanico / Rafael Lain, Hoël Duret, Sylvie Fanchon, Liam Gillick, Mark Hagen, Christian Hidaka, Sonia Kacem, Tarik Kiswanson, Vera Kox, Sarah Morris, Reinhard Mucha, Damián Navarro, Camila Oliveira Fairclough, Bruno Peinado, Julien Prévieux, Eva Taulois, John Tremblay, Pierre Vadi, Elsa Werth, Raphaël Zarka
-
John M Armleder
CA. CA.19€ Add to cartCommentaries on our Present Day Realities and the Status of Art
John M Armleder (b. 1948, Geneva; lives and works in Geneva and New York) is one of the most influential contemporary conceptual, performance and object artists. The profound and the banal, control and coincidence, high culture and everyday life coalesce in Armleder’s work to create a unique experience. The works of the Swiss – often humorous or ironically twisted commentaries on contemporary reality – draw on the formal repertoire of Classical Modernism, as well as on video and design. The book focuses on large-scale, site-specific installations and wall pieces, showing in detail the broad spectrum of Armleder’s work.
John M Armleder studied at the École des Beaux-Arts in Geneva. He represented Switzerland 1986 at the 42nd Biennale di Venezia and participated in documenta 8 one year later. His work has been exhibited at the Museum of Modern Art, New York, Palais de Tokyo, Paris, and Belvedere, Vienna, amongst others.
-
ODOR
Immaterial Sculptures40€ Add to cartThe effect of odor is immediate. Smells arouse feelings in us, put us in moods, awaken recollections. They color the other senses and shape our perceptions more profoundly than we are aware. Scents create closeness and distance at the same time. They become imprinted on our memories and consolidate our experiences. And yet their existence in the world of three dimensions remains invisible, and the act of picking up a scent is fleeting.
The publication Odor—Immaterial Sculptures zooms in on the power of smells. Contributions from curators, artists, scientists, and scholars frame a variety of perspectives on this evanescent phenomenon, examining the olfactory sense and the qualities of the immaterial. Full-page plates conceived by the artists provide additional information, imagery, and contexts around the individual works, which put odor as an olfactory and spatial experience at the center of the engagement with art. The works operate between the poles of time and space, individual and community, consciousness and the subconscious, visibility and invisibility, the everyday and the miraculous, the sense of self and the perceptions of others, presence and absence, life and death.
Artists : Jason Dodge, Carsten Höller, Koo Jeong A, Oswaldo Maciá, Teresa Margolles, Pamela Rosenkranz, Sissel Tolaas, Clara Ursitti, Luca Vitone
-
Taube
18€ Add to cartHuman, City, Pigeon
Public perceptions of the pigeon have shifted drastically over the past centuries. In the 1700s, it was welcomed as a guest who commanded humans’ unfailing solicitude; today, by contrast, it is often perceived as a nuisance. It has become an animal that defaces squares and buildings. Why does the pigeon in the settings of our daily lives prompt feelings of loathing and fascination, but also indifference? Jens Gerber’s photographs undertake an expedition into the city of the pigeons. Rounded out by essays by Marina Rüdiger and Laurens Schlicht, the book illuminates the subject of the city pigeon from the perspectives of photography, science, and literature, and explores the question of how pigeons shape the built environment and how the latter informs their behavior in turn.
-
Lovis Corinth
Maestro del colore – Maestro della grafica35€ Add to cartLovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
- Release March 2026
Monet – Cézanne – Matisse
The Scharf Collection48€ Add to cartThe Scharf Collection is a German private collection of French art from the nineteenth and twentieth centuries and international contemporary art. Now in its fourth generation, it continues a branch of the renowned Otto Gerstenberg Collection in Berlin, which encompasses everything from the beginnings of modernism, represented by Francisco de Goya, to the French avant-garde of the second half of the nineteenth century with Gustave Courbet, Edgar Degas and the entire graphic oeuvre of Henri de Toulouse-Lautrec. The richly illustrated catalog accompanies the collection’s first comprehensive exhibition at the Kunstpalast in Düsseldorf and the Alte Nationalgalerie – Staatliche Museen zu Berlin.
- Out of stock
Voré
Stückwerk Mensch18€ Read moreHistorically Anchored Installations with Current Political References
The sculptures by Voré (b. 1941 in Karlsruhe, lives and works in Ettlingen) reflect the artist’s examination of the conditions of human existence and the human state of mind. Finely polished forms, splinters, and rough fractures become a statement of content and at the same time constitute the formal tension of the respective object. The process of creation can be seen in the rough remaining parts and traces of the various tools. Parallel and closely related to this, drawings and collages are created as independent works or as components of installations. Formal impulses of the sculptural concept are taken up, graphically processed, and projected back into the sculptural work. The present volume presents projects from six decades with numerous illustrations.
