Peter Buggenhout
Eerie
 | |
|---|---|
| Editor(s) | Holger Kube Ventura |
| Author(s) | Ory Dessau, Christian Janecke, Holger Kube Ventura |
| Design | Andy Schmidt |
| Cover | Softcover with flaps, flush cut and open spine |
| Size | 20 x 27 cm |
| Pages | 160 |
| Illustrations | 47 color, 6 b/w |
| Language(s) | English, German |
| ISBN | 978-3-947563-93-7 |
An Autonomous Counterpart
The renowned sculptor Peter Buggenhout (b. 1963, Dendermonde, Belgium; lives and works in Ghent) describes his hybrid pieces as “abject things” that defy classification and even the label “work of art.” He aggregates and manipulates found and discarded objects as well as both technical and organic materials including pig blood, cow stomachs, and horsehair until he achieves a certain degree of abstraction. Buggenhout’s sculptures confront the beholder as creatures that are somehow “off,” exuding an eerie atmosphere by allowing something sinister to rise to the surface that, it appears, lurks just behind the façades of the physical world: vestiges of humanity, society’s sedimented refuse. The book presents a comprehensive survey of his growing oeuvre; it is the first publication to cover his most recent creations in marble.
Peter Buggenhout’s art has been featured at the Palais de Tokyo, Paris; the MoMA PS1, New York; the 2014 Taipei Biennial; and elsewhere.
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42€ Add to cartEmil Nolde (1867–1956) ranks among the best-known classic modernists. Contemporary perceptions of the artist and his oeuvre are informed by mythmaking as well as its deconstruction. After the Second World War, Nolde himself and art historians of the time portrayed him as a victim of Nazi persecution. More recent critics have drawn attention to his anti-Semitic views and his opportunism in his dealings with the Nazi authorities.
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