Digitale Skulptur
Follow the unknown
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| Editor(s) | Institute of digital art, Ulm, Museum Ulm, Private Hochschule für Kommunikation und Gestaltung, Ulm |
| Author(s) | Otto Wolff, Stefanie Dathe, Ursula Ströbele, Tina Sauerländer |
| Size | 16,5 x 21 cm |
| Pages | 80 |
| Illustrations | 62 |
| Cover | Softcover with dust jacket |
| Design | Séverine Bouyssou, Annabell Lingenhöle, Alisa Munz, Veronika Remiger, Johannes Schilk |
| Language(s) | English, German |
| ISBN | 978-3-947563-00-5 |
Crossing the BNorders of the Tangible
For the first time in art history a competition for the Digital Sculpture Award was announced. What is a digital sculpture anyway? Where are the boundaries between real and virtual worlds? With the advent of digitally generated images, the conditions for our perception and the parameters of our viewing habits are changed. Through the interactive involvement of the viewer, software-controlled image phenomena such as virtual environments lead to an exploring vision. The book presents and documents innovative works, which were conceived for the international competition, initiated by the Museum Ulm.
With works by Morehshin Allahyari, Giulia Bowinkel & Friedemann Banz, Jörg Brinkmann, George Crîngaşu, Nieves de la Fuente Gutiérrez, Marcel Karnapke, Leonard Kern, Nicolò Krättli + Jann Erhard, Martina Menegona and Marjan Moghaddam.
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Feuer und Farbe
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Larissa Kikol
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Der tanzende Blick
Roman Novitzkys Stuttgarter BallettRead moreWeightlessness, Grace, Emotions
The photographs by Roman Novitzky (b. 1984 in Bratislava) reveal the entire vocabulary of dance—and yet convey much more than this. With his camera, the first soloist of the Stuttgart Ballet not only captures hidden moments in rehearsal or from the side stage, but also opens the door to his own cosmos for the viewer. He depicts sweat and tension, doubt and euphoria, and gives the audience intimate insight behind the scenes of the Stuttgart Ballet. Roman Novitzky’s first monograph comprises more than sixty photographs of the ballet hall, the cloakroom, and guest performances. It not only stands for his two passions, dance and photography, but also describes his photographic approach, shaped by years of dance experience, which gives the viewer familiar insights into his everyday surroundings.
