Bilder des Wohnens
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|---|---|
| Editor(s) | Axel Grünewald, Emanuel Raab, Roman Bezjak, Suse Wiegand |
| Author(s) | Anna Zika, Stefanie Kleinsorge |
| Design | Toni Montana Studios |
| Size | 17 x 24 cm |
| Pages | 64 |
| Illustrations | 42 |
| Cover | Softcover with flaps and Swiss brochure |
| Language(s) | German |
| ISBN | 978-3-947563-88-3 |
The Cognitive Registers of Photography
All over the world, housing shortages and living conditions are urgent concerns of political and academic debates. Scholars at the FH Bielefeld conducted a three-year research project on Bilder des Wohnens. Architekturen im Bild, focusing on questions of the representation of space and hybrid forms of visualization between documentation and staging as well as photography as an archive of architectural knowledge and tool in the planning process. The book draws on studies of twentieth-century social utopias such as Tashkent, Uzbekistan, an embodiment of the urban-planning ideal of Soviet modernism, and explorations of social and cultural spaces along the coasts of northern Morocco and southern Spain, as well as a photographic typology of urban fabrics in Germany and other sociocultural studies that grapple with the significance of living spaces today.
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Beate Höing
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The painter and ceramist-sculptor Beate Höing (b. 1966, lives and works in Coesfeld and Münster) creates works of art whose aesthetic is deeply informed by the ornamentation and manual techniques of folk art. Drawing inspiration for her motifs from souvenir culture, but also from fairy tales and myths, she unfurls her burgeoning imagination in works defined by an unmistakable style and a singular allure. Poetic pictures and sculptures deftly toy with the conventions of kitsch and forms of traditional craftsmanship. Tangible objects, associations, and recollections coalesce in an ambivalent play between reality and fiction in which only a fine line separates dream from nightmare, congeniality from alarm.
The lavishly illustrated monograph presents a comprehensive survey of the artist’s output between 2011 and 2021.
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The Power of Wonder – New Materialisms in Contemporary Art
34€ Add to cartFor the longest time, physical matter was seen as no more than a passive and lifeless object. Since the early years of the twenty-first century, however, visual artists and scientists alike have initiated a change of thinking, conceiving matter as active, unruly, and autonomous. The ethnologist Hans Peter Hahn has called it the “willfulness of things,” while the Belgian philosopher Isabelle Stengers has underscored the “power of wonder”—the bracing sense of marvel and surprise instilled by a material world that sometimes defies the attempt to put it into words.
This pioneering publication features six selected artistic positions that highlight the New Materialism’s significance for contemporary art. The artists employ materials that are millions of years old such as rocks from an open-pit mine as well as classic inorganic staples like ceramics and cutting-edge materials like digital products transformed in high-tech procedures into hitherto unseen hybrid objects. Their work lends art a powerful voice in contemporary debates around man’s position vis-à-vis his environment, around sustainability, participation, and justice.
With works by Ilana Halperin, Agata Ingarden, David Jablonowski, Markus Karstieß, Robert Smithson, and SUPERFLEX.
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Liam Gillick
Filtered Time (ENGLISH)28€ Add to cartThe sculptor and object artist Liam Gillick (b. Aylesbury, UK, 1964; lives and works in New York) has created an intervention titled Filtered Time for the historic galleries of the Pergamon Museum in Berlin. Projections of light and color and acoustic effects condense six thousand years of cultural history into an immersive spatial experience. Gillick initiates a conversation between the iconic Processional Way and the Ishtar Gate from Babylon, the monumental sculptures of Tell Halaf, and other exhibits, engendering new layers of meaning across all historical periods. The first joint project of the Vorderasiatisches Museum and the Hamburger Bahnhof—Nationalgalerie der Gegenwart makes for a singular visual and sensory experience. Designed by the artist himself, the publication not only documents the richly colorful production, but also provides insight into the eventful history of the museum, which is approaching its centennial.
Liam Gillick studied at the Hertfordshire College of Art in 1983–1984 and at Goldsmiths, University of London from 1984 until 1987. Gillick is a prolific published writer as well, producing essays, reviews, fiction, and theatrical scenarios.
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wolfgang thiel
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The opulent wide-format book containing almost three hundred illustrations offers a representative overview of Wolfgang Thiel’s oeuvre and includes the first complete chronological catalogue raisonné of his works in wood.
Wolfgang Thiel studied at the Stuttgart State Academy of Art and Design from 1970 until 1976 and later taught at his alma mater from 1987 until 1991. From 2008 until 2018, he held a teaching position at the Hochschule für Technik Stuttgart. In 1990, he won the Art Award of the City of Stuttgart. Since 1977, Thiel’s work has been showcased in numerous solo exhibitions in Switzerland, France, and Germany.
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Barbara Armbruster
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In her works, Barbara Armbruster (b. Bad Waldsee; lives and works in Stuttgart) deals with cultural and social spaces, structures, and identities. Influenced by many years of residence in Cairo, Armbruster’s diverse works are points of relationship between two completely different cultural spaces. In her paintings, drawings, photographs, installations, and performative videos, the artist pursues a cross-cultural approach that tells of her time in Egypt and Germany on both a documentary and personal level. The monograph provides fascinating insight into Armbruster’s continuously developed language of expression between Arabic calligraphy, stylized ornamentation, and the photographic staging of everyday architecture.
Barbara Armbruster studied Graphic Art at the Staatliche Akademie der Bildenden Künste Stuttgart, where she later held a teaching position. Her works have been widely exhibited at, among others, the Goethe-Institut in Cairo, the Landesmuseum Württemberg in Stuttgart, and the Kunstverein Freiburg.
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Verena Issel
Yellow Pages. Installations and their individual components45€ Add to cartVerena Issel’s installations feel friendly and inviting, they are soft, round, colorful—we cannot but smile when we look at them. The sculptures and pictures she makes for them are replicas, sometimes laced with irony, of familiar objects from nature and culture—palm trees, ancient columns, and more—which she manufactures out of materials that surround us in everyday life and the domestic sphere such as an old bag, foamed plastic fragments, or a drainpipe. They are awkward giants, monochrome, simplified, two- and three-dimensional forms that wish us no ill. Taking a closer look, we realize that they embody what has been lost, that they are a plastic version of what we are destroying or have destroyed already: nature, obviously, but also ourselves and our cultural and social achievements. Their merriment and sympathy are tinged with melancholy, and the loss is doubly painful when we consider that the sculptures and graphic art are filled with no more than an imitation of life, and an exaggerated one. This catalogue presents a survey of Issel’s diverse and sprawling oeuvre. Expertly choreographed shots of the colorful works convey vivid impressions of her installations.
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Karin Hochstatter
gegengerade20€ Add to cartA Provocation of Vision between Surface and Depth
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Karin Hochstatter studied Visual Art at the Kunstakademie Düsseldorf and Philosophy at Heinrich-Heine- Universität Düsseldorf. Since 1998, she has been a visiting professor and lecturer at universities in Germany and the USA.
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Tim David Trillsam
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FLATZ
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A black, pure-bred Great Dane named Hitler accompanied the Austrian performance artist and documenta participant FLATZ (b. 1952, Dornbirn; lives and works in Munich and London) like a shadow through the 1990s. The naming—as well as the subtitles of the photographs created—relates the banal everyday life of the dog to the inglorious life of its namesake, thus opening up an extremely provocative range of possible associations. “Hitler is always with me,” says the artist, “just as we always carry the historical Hitler around with us, because he is part of our history, which—as long as it is suppressed, transfigured, or tabooed—is not overcome.”
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On Trickling Away
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HALBwertsZeit
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The contributions to this volume intertwine historical case studies with contemporary questions about the reasons and circumstances that give rise to the assessment that a collection has outlived its shelf life.
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nolde/kritik/documenta (German)
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With support from the Nolde Foundation, Seebüll, the Düsseldorf-based conceptual artist Mischa Kuball (b. 1959) delved into the documentary record to shed light on this profoundly ambivalent figure and frame a critical perspective on Emil Nolde’s output and actions. The first fruits of his endeavors were shown at the Draiflessen Collection, Mettingen, in the winter of 2020–2021.
Kuball continued his research at the invitation of the documenta archive, Kassel. Based on his findings, the exhibition project “nolde / kritik / documenta” illuminates the ways in which life and oeuvre are interwoven and inquires into the contradictions of modernism, which Emil Nolde as a man and artist may be said to have embodied. The focus of the new project is on the staging of Nolde’s works at the first three editions of the documenta exhibition series (1955, 1959, 1964), which were instrumental to establishing the “Nolde myth.”
An enlarged and revised edition of the catalogue “nolde / kritik / documenta” is released in conjunction with the exhibition at the Fridericianum, Kassel (December 9, 2022–February 19, 2023).
Mischa Kuball has been professor of public art at the Academy of Media Arts Cologne and associate professor of media art at the Karlsruhe University of Arts and Design/ZKM since 2007.
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Anders Goldfarb
Passed Remains35€ Add to cartAbandoned Gas Stations and Burned-Out Buildings
In 1986 when Anders Goldfarb (b. 1954 in Brooklyn, lived and worked in Brooklyn, NY) moved to Greenpoint, he was a young photographer with a master of fine arts degree from State University of New York at New Paltz. In moving to Williamsburg, he joined a growing number of young artists seeking the low rents of what was then a declining neighborhood of light industrial buildings and working-class residences. Working with black and white film, and a medium format Rolleiflex camera, Goldfarb began photographing in 1987 in Williamsburg and Greenpoint, riding his bike around the area and looking for the peculiar beauty of sidings, peeling paint and razor wire. Goldfarb’s photographs provide a valuable historical record of these neighborhoods prior to their demolition and gentrification. His subjects are metaphors for loss and vulnerability and distill moments in time that are destined for demise.
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Language/Text/Image
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Artists: John Baldessari, Maria Bartuszová, Alice Bidault, Alejandro Cesarco, Ayşe Erkmen, Nadine Fecht, Gary Hill, Janice Kerbel, Gabriel Kladek, Gordon Parks, The National AIDS Memorial, Markus Vater, Gillian Wearing
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Billy Al Bengston
Watercolors48€ Add to cartThe Pop Artist as Master of Watercolor Painting
Billy Al Bengston (b. 1934, Dodge City; lives and works in Venice, California, and Honolulu, Hawaii) is a master of the watercolor. Themes and motifs that also determine the painterly work gain a special expressiveness here: bizarre landscapes and opulent blossoms, fantastic celestial bodies and colorful abstractions. This opulent volume presents this part of Bengston’s oeuvre for the first time in great breadth with roughly 400 works. They demonstrate the skill of an artist who has brought watercolor to extreme precision and enriched it with numerous new aspects.
Billy Al Bengston attended the California College of Arts and Crafts, Oakland, and the Otis Art Institute, Los Angeles. His works can be found in outstanding permanent collections, including the Centre Georges Pompidou, Paris, the Solomon R. Guggenheim Museum, New York, and the Museum of Modern Art, New York.
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Heike Negenborn
Terra Cognita24€ Add to cartLebensraum of our Time: Contemporary Landscape Painting
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Heike Negenborn studied fine arts at Austin College, Texas, Art Education at Johannes Gutenberg Universität Mainz, and Painting and Printmaking at the Akademie für Bildende Künste Mainz.
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Marion Anna Simon
Gemaltes Kaddisch14€ Add to cartAn artist paints the Kaddish
In roughly 330 self-portraits, Marion Anna Simon (b. 1972, Bitburg; lives and works in Cologne) dares to undertake an unusual transcription of Jewish prayer as a sign of mourning. On January 7, 2017, one day after the death of her mother, Marion Anna Simon began work on her painted Kaddish. What initially began as a very personal process of grieving quickly developed into an artistic concept: Roughly 330 painted and drawn self-portraits were created within eleven months—in daily notes, with acrylic and watercolor, pencil and ballpoint pen, oil crayon and pastel, on paper and canvas, wallpaper and cardboard, in lined exercise books and cheap notepads. Marion Anna Simon’s cycle explores her own face as a place of mourning and self-affirmation, documenting an artistic ritual beyond the Jewish prohibition of images and patriarchal attributions to sons in the tradition of the sanctification prayer for the memory of the dead.
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Lovis Corinth
Maestro del colore – Maestro della grafica35€ Add to cartLovis Corinth (b. Tapiau, East Prussia, 1858; d. Zandvoort, Netherlands, 1925) ranks among the leading German Impressionists. But he has also been described as a precursor of Expressionism for his impulsive and passionate style in painting and graphic art as well his liberal handling of form, which vividly conveys agitated states of mind and powerful emotions. In addition to an eminent body of paintings and numerous drawings and watercolors, he left a graphic oeuvre encompassing over a thousand prints. In his paintings as in his etchings and lithographs, Corinth dedicates himself to a set of recurring themes: mythological and religious motifs, nudes, still lifes, landscapes, and portraits of his family and close friends. His graphic work also shows him engaging with the challenges of self-portraiture.
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Dietmar Lutz
Ein Jahr40€ Add to cartDay by Day
For a full year, from August 2020 until August 2021, Dietmar Lutz (b. Ellwangen, 1968; lives and works in Düsseldorf) painted or drew a picture every day in which he rendered a scene or detail from his day-to-day life. All 365 works appear here in chronological sequence, either in reproductions or in photographs showing them in the setting in which they were created. Taken together, the series constitutes a radically subjective review of one year. The paintings capture memories, but although they invariably owe their existence to a particular situation, they do not necessarily frame it as a memorable event. The artist observes himself in his world and defines his role in it. Painting as a daily task seems to structure time rather than the other way around. Each picture opens up a new space in which the different facets of time manifest themselves to the senses.
Dietmar Lutz studied at the Düsseldorf Academy of Fine Arts and rose to renown with large-format paintings in which he portrays situations from ordinary life and weaves references to the histories of film and literature. Lutz is a cofounder of the German-British artists’ collective hobbypopMuseum, with which he has exhibited at the 1st Athens Biennale; Deitch Projects, New York; Tate Britain, London; and elsewhere.
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Julia Steiner
Am Saum des Raumes24€ Add to cartExpansive Worlds
The pencil drawings of Julia Steiner (b. Büren zum Hof, Switzerland, 1982; lives and works in Basel) are monumental in size. And yet they exude an air of delicacy and evanescence, sprawling across the edges of the paper and taking possession of the space around them. Processes frozen in an instant—like wind sweeping through clouds, light piercing the night, or the ground breaking apart—erupt with unexpected vigor. The beholder believes that he has identified a motif, only to lose sight of it a moment later in the abstraction of the painterly drawing. The artist’s oeuvre lays out a cosmos of images that crack and burst into pieces, explode and implode. The present book accompanies Julia Steiner’s first institutional solo exhibition in Germany.
Julia Steiner studied at the Bern University of the Arts (HKB) from 2002 until 2007, with a semester abroad at the Berlin University of the Arts in 2005. In 2018–19, she held an interim professorship at the Braunschweig University of Art (HBK), leading the drawing class. Steiner’s work has won her several accolades, including the 2009 Swiss Art Award and the 2017 STRABAG Artaward International (Vienna).
