





Austin Eddy 
 Selected poems
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| Editor(s) | Galerie Eva Presenhuber  | 
| Author(s) | Mitchell Anderson, Austin Eddy in conversation with Dodie Kazanjian  | 
| Design | Benjamin Wolbergs  | 
| Size | 20 x 30 cm  | 
| Cover | Linen hardcover with title plate and embossing  | 
| Pages | 136  | 
| Illustrations | 200  | 
| Language(s) | English  | 
| ISBN | 978-3-96912-108-5  | 
Since 2018, the American painter and sculptor Austin Eddy (b. Boston, 1986; lives and works in Brooklyn) has probed the manifestations of modern painting in a world between abstraction and figuration. As a child and teenager, Eddy immersed himself in the imageries of comics, cartoons, and record covers. In the early 2010s, he studied in Chicago with Barbara Rossi, who had been one of the Chicago Imagists in the 1960s. The deconstruction of everyday objects into innumerable forms and hues became his central theme. Eddy’s works play with luminous colors, overlaid textures, animated bird motifs, and abstract planes of light while grappling with a human existence defined by loss and the passage of time. Situated on the margins of reality, his paintings and sculptures are like visual poems, celebrating the evanescent instant that exists only for a second before fading into the past.
Austin Eddy completed a BFA at the School of the Art Institute of Chicago in 2010.
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CLARA MOSCH
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100 Windows
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auf Erkundung
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Wege in die Abstraktion
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Robbie Cornelissen
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America! America!
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Silke Eva Kästner
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Rainer Jacob
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Drucksache Bauhaus
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Anders Goldfarb
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Cristina Lucas
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Hans Hofmann
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Cahier #1
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Welt ohne Inventar
16,80€ Read moreThe stories by Katja Hachenberg (b. 1972, Rhineland-Palatinate; lives and works in Karlsruhe) bridge the gap between fiction and reality. They urge the familiar to disappear and the usual to dissolve. Hachenberg is interested in complex and broken characters who oppose the conventions: outsiders, jailbreaker, dropouts. The relief faces of the sculptor Reinhard Voss (b. Rendsburg; lives and works in Karlsruhe) are juxtaposed with her texts. In dialogue, a relational panopticon of figures emerges which invites the reader for a visual and imaginative stroll.
 























