Arantxa Etcheverria
Doors
 | |
|---|---|
| Editor(s) | Baril Gallery, Solly Gold Studio |
| Author(s) | Alina Şerban, Ami Barak |
| Design | Arantxa Etcheverria |
| Cover | Hardcover with debossing |
| Size | 21 x 21 cm |
| Pages | 156 |
| Illustrations | 80 |
| Language(s) | English, French |
| ISBN | 978-3-947563-81-4 |
The Mythical Power of Grids
Arantxa Etcheverria’s (b. 1975, France; lives and works in Bucharest) creative practice encompasses painting, sculpture, performance, photography, and film. Since 2006, she has been especially interested in modernist architecture, a ubiquitous sight in her adopted country, Romania. Blending rationalism with speculation, the artist draws on historical references including post-Communist turbo architecture, Op art, and minimalism for works that balance between figuration and abstraction, construction and deconstruction. This book documents Etcheverria’s more recent panel paintings and installations, seen in interaction with actors in monochrome costumes. With essays by the Paris-based Romanian curator and critic Ami Barak and the art historian and curator Alina Şerban.
Arantxa Etcheverria studied fine arts at Villa Arson, Nice, and stage design at the Théâtre national de Strasbourg.
More books
- Out of stock
Supernatural
Sculptural Visions of the BodyRead moreThe future of human corporeality in the Anthropocene era
Given the technological development in biogenetics, humans will be able to make existential modifications to all living things, Nature, the animal world and human likenesses in future. What will bodies of the future look like? Who or what will we be? Supernatural offers us some answers in its hyperrealistic and realistic sculptures. These visionary works not only exemplify the impact of the digital revolution and genetic engineering on “posthumans” and the environment, but also illustrate, including in their own hybrid creations, how increasingly blurred the line between nature and culture is now becoming. Technological innovations are also having more and more effects on trends in the latest hyperrealistic sculptures. In using 3D printing to perfect their creation processes and pushing sculptural boundaries to encompass robotics and synthetic biology, artists are opening the door to new design possibilities in artefact, biology and technology for themselves as well.
The book presents works by Anne Carnein, Isa Genzken, Glaser/Kunz, Thomas Grünfeld, Sam Jinks, Josh Kline, Krištof Kintera, Reiner Maria Matysik, Alex May and Anna Dumitriu, Fabien Mérelle, Patricia Piccinini amongst others.
-
The Power of Wonder – New Materialisms in Contemporary Art
34€ Add to cartFor the longest time, physical matter was seen as no more than a passive and lifeless object. Since the early years of the twenty-first century, however, visual artists and scientists alike have initiated a change of thinking, conceiving matter as active, unruly, and autonomous. The ethnologist Hans Peter Hahn has called it the “willfulness of things,” while the Belgian philosopher Isabelle Stengers has underscored the “power of wonder”—the bracing sense of marvel and surprise instilled by a material world that sometimes defies the attempt to put it into words.
This pioneering publication features six selected artistic positions that highlight the New Materialism’s significance for contemporary art. The artists employ materials that are millions of years old such as rocks from an open-pit mine as well as classic inorganic staples like ceramics and cutting-edge materials like digital products transformed in high-tech procedures into hitherto unseen hybrid objects. Their work lends art a powerful voice in contemporary debates around man’s position vis-à-vis his environment, around sustainability, participation, and justice.
With works by Ilana Halperin, Agata Ingarden, David Jablonowski, Markus Karstieß, Robert Smithson, and SUPERFLEX.
-
Dietmar Lutz
Ein Jahr40€ Add to cartDay by Day
For a full year, from August 2020 until August 2021, Dietmar Lutz (b. Ellwangen, 1968; lives and works in Düsseldorf) painted or drew a picture every day in which he rendered a scene or detail from his day-to-day life. All 365 works appear here in chronological sequence, either in reproductions or in photographs showing them in the setting in which they were created. Taken together, the series constitutes a radically subjective review of one year. The paintings capture memories, but although they invariably owe their existence to a particular situation, they do not necessarily frame it as a memorable event. The artist observes himself in his world and defines his role in it. Painting as a daily task seems to structure time rather than the other way around. Each picture opens up a new space in which the different facets of time manifest themselves to the senses.
Dietmar Lutz studied at the Düsseldorf Academy of Fine Arts and rose to renown with large-format paintings in which he portrays situations from ordinary life and weaves references to the histories of film and literature. Lutz is a cofounder of the German-British artists’ collective hobbypopMuseum, with which he has exhibited at the 1st Athens Biennale; Deitch Projects, New York; Tate Britain, London; and elsewhere.
-
Hofmann’s Ways
Early Drawings (1898-1937)24,80€ Add to cartA Re-Discovery: the Early Graphic Work of Hans Hofmann
A representative of Abstract Expressionism, Hans Hofmann (b. 1880, Weißenburg; d. 1966, New York) was one of the most important artistic personalities of the 20th century. He began his career as a teacher and artist in the United States in the mid-1930s. The previously unpublished graphic oeuvre presents the highly varied development process that preceded Hans Hofmann’s influential painting of the post-war period.
-
Petra Arnold
Beyond Starlight39,90€ Read moreThe Fischer Family of Circus Artists: A Photographic Long-term Observation
For more than a decade, the photographer Petra Arnold has shadowed the Zirkus Starlight troupe and the Fischers, a family of performers, taking analog photographs, mostly black-and-white, of their life behind the scenes. When she began the project, the Fischers were a large family, with thirty grandchildren. Over time, the company has had to downsize – the business environment is difficult, and few people can make a living as circus artists these days. Arnold’s photographs peek behind the curtain for a study of an existence between circus family and family circus – mostly outside the limelight. The portraits and unstaged scenes are documents of contemporary history and draw attention to the steady decline of circus culture.
-
100 Windows
Site-specific art installations at Berlin-Weekly project space28€ Add to cartEstablished in 2010 by Stefanie Seidl in a former gateway for horse-drawn carriages that is now enclosed by glazing at both ends, the project space BERLIN-WEEKLY offers the narrow yet exceptionally tall display space to artists as a highly visible public stage for installations that respond to the setting or site. Its unilateral orientation toward the street makes BERLIN-WEEKLY a creative intervention into the urban fabric that harnesses the shopwindow format. The book presents 100 selected window installations to illustrate the widely diverse ways in which individual artists have engaged with the venue, time and again transforming the unusually shaped small space.
With works by: Menno Aden, Alexandra Baumgartner, Isabelle Borges, Astrid Busch, Simon Faithfull, Moritz Frei, Max Frisinger, Wolfgang Flad, Dagmara Genda, Andreas Greiner & Armin Keplinger, Sabine Groß, Marc van der Hocht, Sabine Hornig, Irène Hug, Bettina Khano, Julia Kissina, Nikolaus List, Ulrike Mohr, Virginie Mosse, Piotr Nathan, Katja Pudor, Philip Topolovac, Inken Reinert, Sophia Schama, Geerten Verheus, Sinta Werner, Barbara Wille, and others
-
Austin Eddy
Selected poems40€ Add to cartSince 2018, the American painter and sculptor Austin Eddy (b. Boston, 1986; lives and works in Brooklyn) has probed the manifestations of modern painting in a world between abstraction and figuration. As a child and teenager, Eddy immersed himself in the imageries of comics, cartoons, and record covers. In the early 2010s, he studied in Chicago with Barbara Rossi, who had been one of the Chicago Imagists in the 1960s. The deconstruction of everyday objects into innumerable forms and hues became his central theme. Eddy’s works play with luminous colors, overlaid textures, animated bird motifs, and abstract planes of light while grappling with a human existence defined by loss and the passage of time. Situated on the margins of reality, his paintings and sculptures are like visual poems, celebrating the evanescent instant that exists only for a second before fading into the past.
Austin Eddy completed a BFA at the School of the Art Institute of Chicago in 2010.
-
Karlheinz Bux
über Linie …15€ Add to cartClarity, Complexity, and Linearity
The defining artistic means in the work of Karlheinz Bux (b. 1952 in Ulm, lives and works in Karlsruhe) is the line. As edges and folds, they determine vertically oriented sculptures, which simultaneously convey compactness and openness, dynamism and repose. In Bux’s pencil drawings and photo-based works, they form the subject of the image in the form of complex linear structures. This present book documents the artist’s large-format works and provides insight into his oeuvre, with texts by Michael Hübl, Christine Reeh-Peters, and Carmela Thiele.
Karlheinz Bux studied at the State Academy of Fine Arts Karlsruhe and taught as a lecturer at Pforzheim University and as a visiting professor at the Mainz University of Applied Sciences. His works are represented in private and public collections, including the Staatliche Kunsthalle Karlsruhe, the Hurrle Collection, and the Würth Collection.
-
Silke Eva Kästner
Panta Rhei36€ Add to cartSilke Eva Kästner (lives and works in Berlin and Uckermark) developed her creative approach while traveling in India, New York, and Japan. She creates temporary on-site paintings as well as conceptual pieces in which the viewer comes upon prepared materials and becomes part of—or even alters—the picture. Kästner documents these encounters in photographs or filmic traces out of which she compiles films in the editing suite. Probing the potentials of painting as communication, she foregrounds the active intervention and process. In the gallery no less than the urban scene, Kästner places painting in relation to architecture in order to frame it in varying perspectives.
The monograph offers insight into the foci of Kästner’s art; the works are grouped in chapters rather than arranged in chronological sequence. This structure makes the book a space of experience that gives the reader a vivid sense of her ephemeral creations.
After studying with Katharina Grosse at the Weißensee School of Art and Design Berlin, Silke Eva Kästner won the Mart Stam Prize; she honed her craft in India on a NaFöG fellowship and in New York on a yearlong DAAD fellowship. Funding support from the Institut für Auslandsbeziehungen (ifa) enabled her to initiate an ongoing exchange project between Kashmir and Berlin. Her work has been on view at numerous institutions including the Schirn Kunsthalle Frankfurt; the Devi Art Foundation, Delhi; Berlinische Galerie, Berlin; the Queens Museum of Art, New York; Künstlerhaus Bethanien, Berlin; and the Haus der Kulturen der Welt, Berlin.
-
Ingo Mittelstaedt
Courtesy15€ Add to cartPerception and Comprehension in Photography
Ingo Mittelstaedt (b. 1978, Berlin; lives and works in Berlin and Hamburg) creates staged photographs, combining and contrasting them with diverse objects in expansive installations. His pictorial arrangements probe a variety of concerns and imageries that he sources from museum settings or the modes of representation in ordinary advertising brochures. Gestures of showing, pointing, bringing out, and uncovering are leitmotifs in Mittelstaedt’s canny and subtly humorous exploration of the potentials and limitations of the photographic medium.
Ingo Mittelstaedt studied fine arts at the Hochschule für Bildende Künste Braunschweig and received numerous emerging-artist awards, including the New York fellowship of the Niedersächsische Sparkassenstiftung. His work has been shown at Kunstverein Hannover, the Wilhelm-Hack-Museum, Ludwigshafen, Marta Herford, and elsewhere.
-
Rainer Jacob
justICE30€ Add to cartRainer Jacob (b. Jena, 1970; lives and works in Leipzig) has anonymously installed objects made of ice in public settings in cities including Berlin, Leipzig, Paris, Moscow, Oslo, Prague, and Budapest since 2013. He then allows them to dematerialize and records the process in photographs. Radiators, wall outlets, QR codes, and the Duchampian pissoir are among his recurrent motifs. The impermanence of the ice objects builds bridges to street art, Fluxus, and action art. Critical observations on the unequal distribution of resources and political power in contemporary society, his works reflect on our perceptions and question the idea of originality in art while also probing the outer limits of sculpture.
The publication showcases the ice objects of the past ten years, embedding them in a decade that has marked a sea change in the life of humankind: JustICE captures an artist’s distinctive perspective on societal processes.
-
Elsa Salonen
Stories Told by Stones15€ Add to cart“I find the question of a consciousness of stones genuinely inspiring, captivating, and provocative!”
Elsa Salonen (b. 1984, Turku; lives and works in Berlin and Finland) produces colored crystals from the pigments of flowers, draws stellar constellations with finely ground meteorite dust on glass, or distils liquid from plants. The Finnish artist experiments with a wide range of “poetic” materials, reviving lost animistic rituals and magical practices. Her subtle works in the field of tension between installa-tion, painting, and conceptual art combine mysti-cism with science, ancient knowledge with recent findings — supported by a great respect for nature. This volume documents her artistic search for consciousness as the primary source of all physical matter.
- Release November 2025
PULS 22
36€ Add to cartPULS, an initiative of Bukarest’s National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC’s most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country’s dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.
-
Logan T. Sibrel
But I’m Different50€ Add to cartLogan T. Sibrel’s (born 1986 in Jasper, IN, lives and works in Brooklyn, NY) paintings and drawings depict moments of great joy and beauty, but also fear, sadness, desire and aggression. Frequently only part of the mostly male figures is depicted. Sibrel’s cropping can feel simultaneously intimate and alienating—fragmentary stories are told that touch you through their authenticity and vulnerability. Sibrel’s artistic maneuvers include overlapping, shifted perspectives, and text fragments that appear like snippets of overheard conversations and thus create a collage effect.
This book is the artist’s first comprehensive publication with works from the last twenty months. While the first part presents the artist’s paintings, the second part presents his drawings with the edges of the backing paper digitally removed so that it looks as if the images were drawn directly into the book.
Logan T. Sibrel completed his bachelor’s degree at Indiana University in Bloomington in 2009 and his master’s degree at Parsons New School of Design in New York in 2011. His most recent solo exhibitions include In Another Life and Galerie Thomas Fuchs (Stuttgart, DE) and Brake For Your Sweetheart at Auxier Kline (New York, NY).
-
Ralf Cohen
Synthese25€ Add to cartThe First Comprehensive Overview of the Work of the Photo Artist from 1972 to the Present Day
Ralf Cohen (b. 1949, Solingen; lives and works in Karlsruhe) makes use of the entire material complex of photographic image production for his own creative purposes. He works exclusively with analog processes and explores the limits of the medium with a variety of experiments in the darkroom, altering his photographs through solarization, long-term exposure, light/dark reversal, chromatic filtering, and further manual processing. This comprehensive volume presents Cohen’s works, from the high-contrast black-and-white architectural photographs of the early period and the work groups of people in cities from the late 1980s to the latest photographic series with their enigmatic light effects, seemingly glowing planetary surfaces, hails of stars, and fantastical islands. Ralf Cohen’s fascinating cosmos of imagery breaks viewing habits and, with his imaginary universes, opens up a new perception of the world.
-
FLATZ
Hitler. Ein Hundeleben18€ Add to cartAn Attempt to Break a Taboo – Trivial and Provocative
A black, pure-bred Great Dane named Hitler accompanied the Austrian performance artist and documenta participant FLATZ (b. 1952, Dornbirn; lives and works in Munich and London) like a shadow through the 1990s. The naming—as well as the subtitles of the photographs created—relates the banal everyday life of the dog to the inglorious life of its namesake, thus opening up an extremely provocative range of possible associations. “Hitler is always with me,” says the artist, “just as we always carry the historical Hitler around with us, because he is part of our history, which—as long as it is suppressed, transfigured, or tabooed—is not overcome.”
With more than 350 illustrations, Hitler. Ein Hundeleben is an extended and revised reprint of the book published in 1992, which has been out of print for a long time.
-
Jan Zöller
Keine Zeit zum Baden38€ Add to cartJan Zöller’s (b. Haslach im Kinzigtal, 1992; lives and works in Karlsruhe) art brims with personal references and experiences that he translates into his distinctive personal visual idiom. His paintings are theatrical arrangements for which he draws on a multifarious repertoire of motifs. Zöller’s first monograph Keine Zeit zum Baden presents new works engaging with the exhibition space such as a floating installation with blue tiles from the exhibition of the same title at Städtische Galerie Ostfildern and videos and large-format paintings from the cycle Badebrunnen that were created between 2019 and 2022. The bathtubs in the pictures hint at private moments of relaxation; the fountains, at the “eternal cycle” of nature. The title Keine Zeit zum Baden (No Time for Bathing), then, gestures toward the subjects of the works, but also suggest the dilemma of striking a healthy balance between life, work, and one’s vocation.
Jan Zöller studied with Marijke van Warmerdam und Leni Hoffmann at the State Academy of Fine Arts Karlsruhe from 2012 until 2017 and with Jean-Marc Bustamante at the École Nationale Supérieure des Beaux-Arts de Paris in 2016. He won the Federal Prize for Art Students of the Bundeskunsthalle, Bonn, in 2018, followed by Stiftung Kunstfonds’s working fellowship in 2021.
-
Beate Passow
Monkey Business24€ Add to cartDrawing on the Past to Build a Better Future
Beate Passow (b. Stadtoldendorf, Germany, 1945; lives and works in Munich) creates installations, photodocumentaries, and collages that seek to salvage her subjects from oblivion, though as she sees it, her art is an effort to come to terms not so much with the past as with the present. When her compositional inventions touch on painful memories, their objective is not to arrive at new insights. Rather, she aims to uncover visible and verifiable states of affairs and throw them into sharp relief. In her cycle of pictures Monkey Business, the artist unfolds a mysterious fairy-tale world with a political edge. Strange animals and mythical figures populate the large-format black-and-white tableaux, which a closer look reveals to be woven tapestries. The unusual protagonists roam readily identifiable locations: Gibraltar, New York’s Wall Street, Brussels, or the island of Lampedusa. Behind these ostensibly simple facts of geography loom the darker aspects of contemporary European politics: Passow’s work calls for a debate on the systems, economic structures, and political movements that rule the continent.
-
Pat Steir & Ugo Rondinone
Waterfalls & Clouds20€ Add to cartThe imposing installation Waterfalls & Clouds consists of three sculptures by the Swiss artist Ugo Rondinone (b. Brunnen, Switzerland, 1964; lives and works in New York) and nineteen paintings by the American Pat Steir (b. Newark, NJ, 1940; lives and works in New York). The three large gray monoliths of concrete, sand, and gravel bear the titles Faces, Look, and Twisted and are part of a series of twenty works created in 2018. They are surrounded by nineteen tall and narrow black oil paintings titled Flags for Ugo #1 through #19 (2021); with colorful or white paint streaming down the canvases, they hark back to Steir’s Waterfall series from the 1980s. A symbiotic relationship connects the works: the sculptures, in which erosion is integral to the art, embody time, while the pictures symbolize gravity and hence nature as such.
-
Martin Noël
paintprintpaint35€ Add to cartA Comprehensive Overview on the tenth Anniversary of the Death of Martin Noël
Martin Noël (b. 1956, Berlin; d. 2010, Bonn) was a German painter, draftsman, and printmaker. He was one of the formative innovators of the long-neglected techniques of linocut and woodcut. With his large-format works on paper, he created a position for himself in contemporary art that is as much respected as it is independent. On the occasion of the tenth anniversary of the artist’s death, this volume presents a comprehensive overview of his work from the mid-1980s to the last year of his life in 2010. Thirty-five exceptional works document Noël’s path from his early years as a painter, via the middle phase marked by printing blocks, linocuts and woodcuts, up to his late paintings.
Martin Noël studied Graphics and Painting at the Rheinische Fachhochschule Köln, Cologne. His works are included in, among others, the Federal Collection of Contemporary Art, the Kunstsammlungen Chemnitz, and the collection of the Museum Pfalzgalerie Kaiserslautern.
