Antonia Hirsch
Phenomenal Fracture
 | |
|---|---|
| Editor(s) | Meike Behm |
| Author(s) | Meike Behm |
| Design | Adeline Morlon |
| Size | 21.6 x 27.9 cm |
| Cover | Swiss brochure |
| Pages | 64 |
| Illustrations | 37 |
| Language(s) | German, English |
| ISBN | 978-3-96912-232-7 |
In a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined. Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder’s body. The book accompanies Hirsch’s solo exhibition Phenomenal Fracture at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humorous.
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You’ve read right, and you’re going to hear it: a bureaucratic document—we’re all familiar with it, for a new one arrives every year—is the subject of this inspired collaboration between the graphic artist Philip Loersch and the virtuoso vocalist Johannes Steck.
The “Renteninformation”—an official letter on cheap paper informing the recipient about their expected future retirement benefits—makes many cultural workers, and others, crack up or break out in tears: arriving unexpectedly, it launches us on an emotional roller coaster between excitement, fascination, resignation, and sheer madness.
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Konkrete Progressionen
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Welt ohne Inventar
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